illustrations marty (13 Ergebnisse)

Bordeaux, Editions Delbrel, 1947. Grand in-8 broché, 97 p. Illustrations. Page d'errata. Bon état. Non coupé. Couv. légèrement noircie.

Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Very Good. Crump, Alan (illustrator). 1st Edition. First Edition / First Print (number line on copyright page 1 2 3 4 5). Hardback copy in quarter bound cloth, with cream boards and silver gilt lettering to spine. Unclipped dustjacket in new removable protective clear sleeve. 214pp. B/w illustrations. Not library copy, no inscriptions. (41/1).

Broché, Bon état.

Bordeaux, Les Editions d'Aquitaine, 1952. In-8 broché, 63 p. Dédicace de l'auteur. Très bon état (petites rousseurs).

broché. Zustand: Moyen. Marcelle d'Heilly [photos.]; Marty A.-E. [illustrations] (illustrator). Dédicace d'Henry Doyen. Exemplaire en feuilles, de l'usure au dos de la couverture surtout avec une réparation, sinon bonne condition générale. 147 pages. Il a été tiré en outre 40 exemplaires hors commerce, marques HC 1 à HC 40. Exemplaire N°. HC 40.

Couverture souple. Zustand: Moyen. Zustand des Schutzumschlags: Mauvais. Lettres de mon moulin, Alphonse Daudet (Auteur), André E. Marty (Illustrations), L'Edition d'Art H. Piazza, 1947. Il manque la tranche (livre qui mériterait une nouvelle reliure) et le 1er de couverture est defraichi. Texte et illustrations très bien. Etat global acceptable. Envoi rapide et soigné [Expedition sous 12/24 h] [en Stock].

Broché, in-8, 220 pages, bon état, Exemplaire N° 2138 / 4000 , sur Vélin des papeteries Navarre, (poids : 0,420 kg, épaisseur : 2,2 cm).

in-8, broché sous couverture rempliée illustrée, 308p. Très bon état. Ouvrage comprenant une couverture illustrée en couleurs, 19 planches et six bandeaux en couleurs, 3 vignettes en noir. Typographie Brodard. Héliogravure Aulard. Pochoirs de Beaufumé. Hors-texte avec pochoirs de Jacomet. Edition ordinaire sur vélin à la forme de Bernard-Dumas.

in-8, broché sous couverture rempliée illustrée, 234p. Très bon état. Ouvrage comprenant une couverture illustrée en couleurs, 19 planches et six bandeaux en couleurs, 3 vignettes en noir. Typographie Brodard. Héliogravure Aulard. Pochoirs de Beaufumé. Hors-texte avec pochoirs de Jacomet. Edition ordinaire sur vélin à la forme de Bernard-Dumas.

Bruxelles, Éditions du Musée du Livre, 1946, in-4°, 16 pp, broché, couverture souple d'origine. Un des 100 exemplaires numérotés sur papier Madagascar.

Softcover. Zustand: f to vg. First edition. Oblong octavo (8 1/2 x 7 1/4"). Unpaginated. Original spiral bound decorative wrappers, with title pasted on front cover. Title in burgundy and blue lettering. Laid in, a four-page program for the 1943 edition of "La Nuit du Cinéma," a French event whose primary purpose was the raising of funds to help the unemployed of the movie industry. This elegant brochure was published to comemorate the third year of the "Comité d'Organisation de l'Industrie Cinématographique" (COIC: Committee for the Organization of the Cinema Industry), an organization created by the Nazis in the first months of the occupation. The COIC was to oversee and manage film production in occupied France. The brochure contains various articles on the movie industry, as well as advertisement pages for the following movie companies: - UFA, Tobis, Continental Films, ACE, Consortium du Film, Pathé Cinéma, Gaumont, Films Roger Richebé, Discina, Francinex, SPC, Regina, Scalera Film, Gray Film, Eclair, Les Films de Koster, France-Actualités, and UFPC. Includes advertisements for the following movies: - L'Honorable Catherine; Le Voile Bleu; Goupi Mains Rouges, Goldoni, Les Petits Riens, L'Auberge de l'Abime, Une Vie de Chien, La Ville Dorée, L'Ancre de Miséricorde, and Fou d'Amour. Also includes advertisements for the following magazines: - "Actu," "Le Film Complet," "Mode du Jour," Dimanches de la Femme," "Femme de France," "Sciences et Voyages," "Système D," Ciné-Mondial," and "Vedettes." The last section contains advertisements for high end Parisian fashion, jewelry, and fragrance companies (Paquin, Nina Ricci, Heim, L. Mendel, Bagheera, Alix Marcelle Tizeau, Jeanne Lanvin, Lucien Lelong, Marcel Rochas, Maggy Rouff, Hermès, A. Leroy, Fourrures Max, Caron, Schiaparelli, Worth, Chanel, Bourjois, Lancôme, Van Cleef & Arpels, etc.), as well as restaurants and cabarets (Le Beaulieu, L'Aiglon, Le Perroquet, Le Boeuf sur le Toit). One spiral ring missing. A few pages are disbound, but all are present. Some rubbing along edges. Text in French. Wrappers in overall fair to good, interior in good+ to very good condition.

Zustand: Near Fine. Limited Edition. Limited edition, #153 of 250 numbered copies printed on Arches vellum. 234, [3] pp., illustrated with 12 elegant full-page pochoir prints. Fine binding signed by Dubois d'Enghien-Dooms (Belgium), laced in boards. Bound in full chocolate morocco titled in gilt on spine, morocco doublures ruled in gilt, marbled endsheets flecked with gilt, all edges gilt. Original cover sheet and spine bound in. Near Fine with light wear to joints, light toning to cover sheet, and faint offsetting from illustrations to facing pages. A stunning Art Deco showpiece illustrated by Andre Edouard Marty, who sat on the jury for the 1925 exposition that gave the art movement its name. Marty was one of the chief contributors to the fashion magazine La Gazette du bon, which was illustrated with the same pochoir technique used for this book. The printers used stencils to layer color by hand over black keyline drawings, a labor-intensive process that flowered in Paris during the early 20th century and produced jewel tones and textures that conventional printing methods couldn't match. The book was printed by the workshop of master printer Frazier-Soye, who did the coloring himself. The author of this sensual tale, Count Francois de Bondy, was a relative of Saint Charles de Foucauld (canonized 2022), who abandoned the dissipation of his aristocratic youth to become a Trappist monk and priest. Foucauld was a cousin and close friend of Bondy's mother and wrote letters to mother and son during his long sojourn in North Africa, where he was eventually killed by a bandit in 1916. Whatever Saint Charles would have made of Constance, he certainly would have appreciated the illustrations ? he himself used to embellish his letters to young Francois with tiny watercolors.

Editions de la Maison Française, Coll. Florilège des Chefs-d'Oeuvre Français, 1948, 244 p., feuillets libres sous chemise papier et emboitage, environ 30x24cm, exemplaire numéroté 199 sur pur chiffon Corvol l'Orgueilleux (l'un des 72 exemplaires réservés à la France et aux territoires de l'union française), avec des illustrations d'André-E. Marty gravées sur bois en couleurs par Gérard Angiolini. Des défauts sur l'emboitage (mouillures, dos de la chemise de l'emboitage insolé, des frottements sur l'étui, fendu sur son ouverture), chemise papier légèrement insolée, une petite mouillure sur le coin interne de quelques pages, bon état pour le reste.