Ikegami hiroko (12 Ergebnisse)

Hardcover. Zustand: Very Good.

Hardcover. Zustand: Very Good. First Edition. Nearly flawless interior, bound simply in gray cloth, with gilt lettering to spine, sturdy, clean, and unmarked. Bright and shiny dust jacket, illustrated, showing only very minor wear, protected by a plastic coat, dust jacket not being price-clipped. Stated First Edition, with "1" in number line present. Acknowledgements, Notes to the Reader, four chapters discoursing upon the engineering of Robert Rauschenberg's art as it went global, especially culminating in Monogram, shown in Stockholm, and then with interviews in Tokyo. Conclusions. Then an Appendix recounting his exhibition history. Notes, bibliography, Index. [vii], [1], 8-177 pp.Member, I.O.B.A., C.B.A., and adherent to the highest ethical standards. Additional postage may be required for oversize or especially heavy volumes, and for sets. …

Zustand: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Cloth. Zustand: Near Fine. No Jacket, As Issued. 456 pages with 400 illustrations 250 in color. Still in shrink-wrap though minor bumps to the corners underneath the plastic protection. Edited with text by Fionn Meade, Joan Rothfuss. Foreword by Olga Viso. Interviews by Victoria Brooks, Danielle Goldman, Aram Moshayedi. Published on the occasion of the exhibition from the Walker Art Center, Minneapolis MN February 8-July 30, 2017. Extensive Illustrated Chronology.…

First Edition. First edition. Large softcover. 262 pages. Published in conjunction an exhibition that ran September 22 through December 10, 2017 at the Royal Academy of Arts and then February 10 through May 13, 2018 at the Broad in Los Angeles. Features text contributions by Roberta Bernstein and Edith Devaney, Robert Storr, Morgan Meis, and Hiroko Ikegami. Includes numerous color illustrations a chronology by Berstein, and a bibliography. A clean very near fine copy in wrappers.…

Hardcover. Zustand: Wie neu. Gebraucht - Wie neu Wie neu, Importqualität, auf Lager - In 1964, Robert Rauschenberg, already a frequent transatlantic traveler, became even more peripatetic, joining the Merce Cunningham Dance Company as costume and set designer for its first world tour. Rauschenberg and the company visited thirty cities in fourteen countries throughout Europe and Asia. During the tour, he not only devised sets and costumes but also enacted his own performances and created works of art, often using local materials and collaborating with local art communities. In The Great Migrator, Hiroko Ikegami examines Rauschenberg's activities abroad and charts the increasing international dominance of American art during that period. Ikegami focuses on Rauschenberg's stops in four cities: Paris, Venice (where he became the first American to win the Grand Prize at the Venice Biennale), Stockholm, and Tokyo. In each city, she tells us, Rauschenberg's work encountered both enthusiasm and resistance (which was often a reaction against American power). Ikegami's account offers a fresh, nonbinary perspective on the global and the local.…

Hardcover. Zustand: Brand New. 144 pages. 12.00x8.00x0.87 inches. In Stock.

Zustand: Good. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Ex-library, so some stamps and wear, but in good overall condition. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions.…

Hardcover. Zustand: Brand New. 144 pages. 12.00x8.00x0.87 inches. In Stock.

hardcover. Zustand: Very Good.

Hardback. Zustand: Very Good. Robert Rauschenberg on tour in 1964 and the early globalization of the art world.In 1964, Robert Rauschenberg, already a frequent transatlantic traveler, became even more peripatetic, joining the Merce Cunningham Dance Company as costume and set designer for its first world tour. Rauschenberg and the company visited thirty cities in fourteen countries throughout Europe and Asia. During the tour, he not only devised sets and costumes but also enacted his own performances and created works of art, often using local materials and collaborating with local art communities.In The Great Migrator, Hiroko Ikegami examines Rauschenberg's activities abroad and charts the increasing international dominance of American art during that period. Unlike other writers, who have viewed the export of American art during the 1950s and 1960s as another form of Cold War propagandizing (and famous American artists as cultural imperialists), Ikegami sees the global rise of American art as a cross-cultural phenomenon in which each art community Rauschenberg visited was searching in different ways for cultural and artistic identity in the midst of Americanization. Rauschenberg's travels and collaborations established a new kind of transnational network for the postwar art world--prefiguring the globalization of art before the era of globalization. Ikegami focuses on Rauschenberg's stops in four cities: Paris, Venice (where he became the first American to win the Grand Prize at the Venice Biennale), Stockholm, and Tokyo. In each city, she tells us, Rauschenberg's work encountered both enthusiasm and resistance (which was often a reaction against American power). Ikegami's account offers a fresh, nonbinary perspective on the global and the local.…

Zustand: New. &Uumlber den AutorLaura W. Allen is senior curator of Japanese art at the Asian Art Museum of San Francisco. Hiroko Ikegami is professor in the Graduate School of Intercultural Studies at Kobe University. Masako.