ibels h (29 Ergebnisse)

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Zustand: New. In.

Zustand: New. In.

8°, 111 S. m. zahlr. ganzs. Illustr., priv. mehrfarbiger Leinenband m.eingebundener OBrosch., papierbed. ger.gebräunt; schönes Expl. (Seltene) erste Ausgabe in sehr schönem gewebtem Leinen (ohne den Original-Umschlag) eingebunden! Wichtige satirische 'Geschichte', die Émile Zola gewidmet ist. Die sehr zahlreichen kritischen Zeichnungen des Autors waren zuvor in 'Sifflet' erschienen. Sprache: Französisch.

Zustand: New.

In-8 ( 235 X 160 mm ) de 46 pages, broché sous couverture illustrée. 12 illustrations pleine page de H.-G. IBELS. Edition bilingue ( français - espagnol ). Très bel exemplaire de l'édition originale au tirage limité à 500 exemplaires numérotés, non mis dans le commerce. Litterature Edition-originale illustré-moderne.

130x185mm, broché, 304p. Bel exemplaire. NB. Nous exposerons au Salon de la Bibliophilie place Saint-Sulpice à Paris, du 28 au 31 mai (10h à 19h et nocturne le samedi 30 mai jusqu'à 21h) Entrée gratuite. STAND 103 face à l'entrée rue Bonaparte. N'hésitez pas à nous contacter pour tout ouvrage de notre catalogue que vous souhaiteriez y consulter.

Zustand: New. Ibels, Henri-Gabriel (illustrator).

Cartonné. In-4 (37,5 x 27,2 cm), format cartonné, dos toilé, 25 pages ; rousseurs et quelques taches au premier plat, par ailleurs assez bon état général. Livraison a domicile (La Poste) ou en Mondial Relay sur simple demande.

broché. Zustand: Moyen. Barbere, A.; Cazals, F. A.; Dola, G.; Gin; Herault, P.; Ibels, H. G.; Lenoir, Marcel; Roedel; Viardot, G.; Villon, J.; Willette, etc. (illustrator). Les Cafes Litteraires - Les Caveaux et Cabarets du Quartier Latin - Les Cafes-Concerts et les petits Theatres de 1895 a 1914 - La Censure en 1918 - Le Quartier Latin d'aujourd'hui. Envoi de l'auteur. Preface de Gustave Frejaville. Exemplaire broche en bon etat general, un peu d'usure au dos surtout. 304p. Size: 19cm. Book.

Couverture souple. Zustand: bon. ROD0050279: 23 juin 1906. In-4. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 14 pages de gravures en noir et en couleurs par H.G. Ibels. Texte de André Ibels. . . . Classification Dewey : 70.441-Journaux satiriques anciens.

Origi.Broschur, gr.8°, 46 Seiten. Umschlag mit Alterspuren, angestaubt, vergilbt und geknickt, Kanten stark bestossen, Rücken beschädigt und bescharbt, Ecken bestossen, sonst ordentlich.

Zustand: New.

N° 213 de 29 avril 1905 - grand in-8 Broché - revue illustrée assez bon état.

rigide. Zustand: Assez bon. 1 vol. in-folio rel. demi-percaline marron, oll. noir et blanc, L'écho de la Semaine, Paris, 1897, 16 pp. par numéros, soit 256 pp. au total Etat très satisfaisant pour cette tête de série presque complète des 17 premiers numéros. L'Echo de Paris, journal de tendance conservatrice, commença à paraître en 1884. Le Supplément illustré proposé ici parut de 1897 à 1899. Le numéro 1 parut sous la forme d'un numéro gratuit 11 avril 1897).Dans l'exemplaire proposé ici, on trouvera notamment un article illustré sur l'incendie du Bazar de la Charité. Suite à une erreur du relieur, les numéros sont classés dans l'ordre suivant : Numéro gratuit, 5, 2, 4, 3, 6, 7, 8, 9, 10, 11, 12, 17, 16, 14, 13. Langue: Français.

rigide. Zustand: Assez bon. Un des 50 exemplaires sur Japon grand format numérotés à la presse et signés par l'auteur (exemplaire n°4 mais non signé), 1 vol. in-8 reliure bradel de l'époque plein maroquin brun, plats polis et biseautés, triple filet doré d'encadrement en plats, petit monogramme HM poussé en plat, gardes richement dorées, couvertures conservées, P.-V. Stock, Paris, 1898, 111 pp. Cette édition comprend toute la collection des dessins de H.-G. Ibels parus dans le journal le Sifflet, lequel avait été créé pour défendre Alfred Deyfus. L'ouvrage est dédié à Emile Zola. Membre des Nabis, ami de Pierre Bonnard, Vuillard, Maurice Denis ou Paul Sérusier, Henri-Gabriel Ibels (1867-1936) soutenait des opinions libertaire. Rare exemplaire du tirage de tête sur beau papier Japon, établi dans une curieuse reliure. Etat très satisfaisant (dos et coupes frottées, bon état par ailleurs, très bon état intérieur) Langue: Français.

Couverture souple. Zustand: bon. RO40233424: 1898. In-8. Broché. Etat d'usage, Couv. légèrement passée, Dos abîmé, Intérieur acceptable. 111 pages. Illustré de nombreux dessins en noir et blanc hors texte. Couverture détachée. Annotation sur le 1er plat. . . . Classification Dewey : 840.08-XIX ème siècle.

Soft cover. Zustand: Very Good. 1st Edition. IBELS, H. G. L'AMOUR S'AMUSE. Libretto. Georges Ondet. 4to. 28pp. 5 Original Lithographs: Cover + four lithographs. Signed in the plate. Signed by Illustrator(s).

Broché. In-8 (15,5 x 20,5 cm.), broché, couverture illustrée, non-paginé, sans date, livre animé proposant des combinaisons de personnages (chapeau, visage, corps), à la manière des "Cent mille milliards de poèmes" de Queneau, illustrations couleurs pleine page ; rares tâches sur les plats jaunis, dos, coiffes et mors frottés, intérieur frais, bel état. Livraison a domicile (La Poste) ou en Mondial Relay sur simple demande. Ibels H.G.

Couverture souple. Zustand: bon. RO80212928: Non daté. In-8. Broché. Etat d'usage, Coins frottés, Dos très frotté, Intérieur frais. Environ 20 pages illustrées en couleurs. Ouvrage à "système". petits accrocs sur les plats et le dos. vendu en l'état. . . . Classification Dewey : 320-Science politique.

F. A. Ackermann Kunstverlag, München, 1974. Blattmaß: ca. 44,2 x 60 cm, (Blattrand gering fleckig und mit kleinen Randausrissen)---- Slg. Josef Voggenauer, Archiv für alte und neue Werbegraphik, München / Printed in West Germany by lithographic process - 32 Gramm.

Scarce flip-book, creating an abundance of different characters. Paper cover. Ills in colour. -good.-(The cover is smudged and torn, smudges on the sides of the first few pages as well (glue?), but otherwise the booklet is in good condition.).

None. Zustand: Very Good. Zustand des Schutzumschlags: none. IBELS, H. (illustrator). 1st. IBELS, H. G. L'AMOUR S'AMUSE. Libretto. Georges Ondet. 4to. 28pp. 5 Original Lithographs 4 in color and 1 in black and white.: Cover + four lithographs.

Zustand: Very Good. Roubille, Gustave-Henri Jossot, Konrad-Wagner, Hermann-Paul, Valery Muller, H. G. Ibels, Guydo, Armand Gallo, Ricardo Flores, Ma (illustrator). Beautifully signature-bound in publisher's raw tan linen; front board & spine decoratively lettered; decorative endpapers. Generally, a very good or better set with signature satiric & anarchistic illustrations. One of the most important illustrated radical periodicals. Artists include but are not limited to: A. Roubille, Gustave-Henri Jossot, Konrad-Wagner, Valery Muller, Hermann-Paul, Leonetto Cappiello, Jules Cheret, Juan Gris, Jules-Alexandre Grun, Jossot, Frantisek Kupka, Paul Iribe, Theophile-Alexandre Steinlen, Orazi, Adrien Barrere, Poulbot, H. G. Ibels, Kees van Dongen, Armand Gallo, Ricardo Flores, and many others. Being a periodical that did not shy away from less attractive topics, they covered such topics as crime, economy, leisure and travel, politics, current events, international relations, religion, health and even the Press itself. Color and black and white illustrations copiously throughout. Vol. 1, 2, and 9: front board and spine are beginning to detach but are still sturdy. 10 1/4 x 12 3/4 inches.

No Binding. Zustand: Fine. Date: 1897 Size: 9.25 x 12.5 inches Notes: Poster, Small, Lithograph Artist: Ibels, H. S. About The Poster: A color plate from an exquisite book called Les Programmes Illustres, by Ernest Maindron, published in 1897, by Librairie Nilsson-Per Lamm, Paris purchased at auction, and filled with the most unbelievably detailed and remarkable works of art we have seen. granted we are biased and truly moved by works from this period, by truly, these are gems, in remarkable, mint condition, and more than 100 years old. The auction catalog reads: " 'I often ask myself what they, the curious of the year 2000, will think of us, whom we are cut off from by a century of dreadful events; them, knowing that which we don't yet know and that we nearly suspect, what will they say of our old frivolity with all that has passed? Won't they pity us, like we today have pity for the aristocratic society whose ancient prints we refer to with carelessness and levity?' Thus mused Pierre Veber in his prefacing comments for the Programmes Illustres, a hardcover compendium of some of the most beautiful menus, invitations, business cards and announcements of the Belle Epoque. Little could he have known how off the mark his thoughts were ." (Rennert) Each sheet is 9.25 x 12.5 inches, and the images on the sheet vary - this one, by H.S. Ibels, measures 6 x 8 inches and is for the Theatre Libre's presentation of Grand Papa (who seems a little worse for wear.) Of Ibels, it has been written "(b Paris, 30 Nov 1867; d Paris, Feb 1936). French printmaker, illustrator and painter. He became one of the original members of the Nabis as an art student at the Académie Julian, Paris, in 1888-9. He joined in the early group ventures such as printmaking, puppet plays and theatre design, but he was never involved with the more esoteric Symbolist aspirations of some of the group's leading members. He first exhibited at the Salon des Indépendants in 1891 and participated in the Nabis's group shows at Louis Le Barc de Boutteville's gallery. With Edouard Vuillard and Maurice Denis, he was quick to attract public attention, the nature of his work earning him the sobriquet 'le Nabi journaliste'. His art was inspired by contemporary life, with subjects drawn from the spectacle of modern Paris, particularly from the café, circus and boxing ring. Both in subject and technique he can be likened to such artists as Adolphe Willette, Henri de Toulouse-Lautrec and Théophile-Alexandre Steinlen, and his work shares many characteristics with theirs, notably an economy of line and a simplicity of shapes and colours. Such features derived in Ibels's case from the art of Honoré Daumier, Japanese printmakers and Paul Gauguin and the Pont-Aven group.".

No Binding. Zustand: Fine. Date: 1897 Size: 9.25 x 12.5 Notes: Poster, Small, Lithograph Artist: Ibels, H.S. About the poster: A color plate from an exquisite book called Les Programmes Illustres, by Ernest Maindron, published in 1897, by Librairie Nilsson-Per Lamm, Paris purchased at auction, and filled with the most unbelievably detailed and remarkable works of art we have seen. granted we are biased and truly moved by works from this period, by truly, these are gems, in remarkable, mint condition, and more than 100 years old. The auction catalog reads: " 'I often ask myself what they, the curious of the year 2000, will think of us, whom we are cut off from by a century of dreadful events; them, knowing that which we don't yet know and that we nearly suspect, what will they say of our old frivolity with all that has passed? Won't they pity us, like we today have pity for the aristocratic society whose ancient prints we refer to with carelessness and levity?' Thus mused Pierre Veber in his prefacing comments for the Programmes Illustres, a hardcover compendium of some of the most beautiful menus, invitations, business cards and announcements of the Belle Epoque. Little could he have known how off the mark his thoughts were ." (Rennert) Each sheet is 9.25 x 12.5 inches, and the images on the sheet vary - this one, by H.S. Ibels, measures 6.5 x 8.5 inches and is for the Theatre Libre's presentation of Le Devoir. Of Ibels, it has been written "(b Paris, 30 Nov 1867; d Paris, Feb 1936). French printmaker, illustrator and painter. He became one of the original members of the Nabis as an art student at the Académie Julian, Paris, in 1888-9. He joined in the early group ventures such as printmaking, puppet plays and theatre design, but he was never involved with the more esoteric Symbolist aspirations of some of the group's leading members. He first exhibited at the Salon des Indépendants in 1891 and participated in the Nabis's group shows at Louis Le Barc de Boutteville's gallery. With Edouard Vuillard and Maurice Denis, he was quick to attract public attention, the nature of his work earning him the sobriquet 'le Nabi journaliste'. His art was inspired by contemporary life, with subjects drawn from the spectacle of modern Paris, particularly from the café, circus and boxing ring. Both in subject and technique he can be likened to such artists as Adolphe Willette, Henri de Toulouse-Lautrec and Théophile-Alexandre Steinlen, and his work shares many characteristics with theirs, notably an economy of line and a simplicity of shapes and colours. Such features derived in Ibels's case from the art of Honoré Daumier, Japanese printmakers and Paul Gauguin and the Pont-Aven group.".