ian dickson (24 Ergebnisse)

Paperback. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

mass_market. Zustand: Very Good. This book is in very good condition, and it is from the stated year that the listing says it was printed.

Zustand: Very Good. 1758801091. 9/25/2025 11:51:31 AM.

Paperback. Zustand: Brand New. 172 pages. 9.00x6.00x0.43 inches. In Stock.

Paperback. Zustand: Brand New. 119 pages. 11.69x8.27x0.27 inches. In Stock.

Paperback. New book. 326 pp.

Zustand: Muy bueno. : Sumérgete en el mundo del crimen con '13 lektioner i brott', una colección de trece relatos de algunos de los más grandes maestros del género. Autores como Agatha Christie, G.K. Chesterton y Dashiel Hammett te guiarán a través de misterios intrigantes y crímenes ingeniosos. Esta edición de 'En bok för Alla' ofrece una selección variada que deleitará a los amantes de las historias de detectives y suspense. EAN: 9789172212084 Tipo: Libros Categoría: Literatura y Ficción Título: 13 lektioner i brott Autor: Robert Bloch| G.K. Chesterton| Agatha Christie| Carter Dickson| Michael Gilbert| Sue Grafton| Dashiel Hammett| Edward D. Hoch| Ian Rankin| Ruth Rendell| Steven Saylor| Georges Simenon| P.G. Wodehouse Editorial: En bok för Alla Idioma: sv Páginas: 300 Formato: libro de bolsillo.

Paperback. Zustand: Brand New. reissue edition. 295 pages. 8.75x5.70x0.50 inches. In Stock.

Soft cover. Zustand: Good. 1st Edition. First edition in Penguin Books, 206, (1) pp ., stiff paper wrappers. Age toning, wear on wrappers, good copy. 18 x 11 cm.

Soft cover. Zustand: Very Good. First reprint as Penguin Book, 237, (1) pp., stiff pictorial paper wrappers. Light wear on wrappers, age toning, very good copy. 18 x 11 cm.

First edition hard back binding in publisher's original blue cloth covered boards, blocked and lettered gilt back over black cloth spine. 8vo. 7½'' x 5¼''. Contains 140 pp with thumb-nail biographies of 21 leading cartoonists together with 100 of their monochrome illustrations throughout. Very Good condition book in Good condition dust wrapper with small chips to the corners, not price clipped, 7/6. Dust wrapper protected. Member of the P.B.F.A. HUMOUR (Satire, Cartoon).

Zustand: New. Fielder, Jeff (illustrator).

Zustand: New. Kemp, Chaz (illustrator). &Uumlber den AutorAbout the Authors Ian Thomas Healy dabbles in many different genres. He s a ten-time participant and winner of National Novel Writing Month and is also the creator of the Writing Better Action Through Cinematic Techniq.

Hardcover. Zustand: Brand New. 326 pages. 6.00x0.75x9.00 inches. In Stock.

Zustand: New.

Taschenbuch. Zustand: Neu. Kemp, Chaz (illustrator). Neuware - 1907: A world of steam and steel, of brass and bravery. Spaceships ply the lanes above the Earth, running on coke furnaces and a prayer, while the atomic-powered Circumferential Rail runs the route between Paris, France, and Houston, Texas. Where there is cargo, and passengers of means, pirates soon follow, and this is how Jonathan Orbital, heir to the Circumferential Rail finds himself embroiled in a conspiracy surrounding a kidnapped French woman with a valuable secret.Enter the roguish space pirate Phinneas Greaves, who kidnaps the beautiful and intelligent Cecilie Renault off the Circumferential Rail in order to deliver her father's research to the highest bidder. The smitten Jonathan will stop at nothing to rescue her, but both men soon learn the global implications of the woman's knowledge, and they are forced to wage harrowing battles across the Big Black of space and the dusty landscapes of the American West, with the only certainty being that those who want to exploit this revolutionary technology will stop at nothing to acquire it.The Oilman's Daughter is a rollicking steampunk collaboration representing the best of authors Ian Thomas Healy (Just Cause Universe) and Allison M. Dickson (Strings, Colt Coltrane).

Zustand: New. &Uumlber den AutorJ. N. Ian Dickson taught history at Queen s University Belfast (1998-2002) and was Research Fellow in the Department of Religious and Theological Studies at Cardiff University. He is currently Senior Lecturer and Direc.

Taschenbuch. Zustand: Neu. Neuware - Drawing extensively on primary sources, this pioneer work in modern religious history explores the training of preachers, the construction of sermons, and how Irish evangelicalism and the wider movement in Great Britain and the United States shaped the preaching event. Evangelical preaching and politics, sectarianism, denominations, education, class, social reform, gender, and revival are examined to advance the argument that evangelical sermons and preaching went significantly beyond religious discourse. The result is a book for those with interests in Irish history, culture and belief, popular religion and society, evangelicalism, preaching, and communication.''This is a work of impressive scholarship that adds significantly to our understanding of evangelical Protestantism in nineteenth-century Ireland. Ian Dickson has tackled, in fluent and engaging prose, a subject which has been sorely neglected by existing scholars--the sermon. Covering not only the basics of form and content, he also considers the wider and more problematic issue of impact on the evangelical community itself and society as a whole. His conclusions, derived from an analysis of over 600 sermons, contain an impressive insight into the fundamental tensions and insecurities which underlay a seemingly united, and confident, movement.''Janice Holmes, The Open University, Belfast''The sermon, though central to the culture of Evangelical Christianity, has been singularly neglected as a topic for thorough research. Ian Dickson, however, has broken the silence on the subject. His analysis of the place of preaching in nineteenth-century Ireland may stand as a model for others to imitate in the scrutiny of different places and periods.''Sean Connolly, Queen's University, Belfast''While the orality of popular Protestantism's noisy past can never be fully recovered, Ian Dickson's splendidly comprehensive and articulate book on evangelical sermons gets closer than anyone else before him to understanding the most ubiquitous form of discourse of nineteenth-century Irish Protestants.''David Hempton, Harvard Divinity SchoolJ. N. Ian Dickson taught history at Queen's University Belfast (1998-2002) and was Research Fellow in the Department of Religious and Theological Studies at Cardiff University. He is currently Senior Lecturer and Director of Postgraduate Studies at Belfast Bible College, part of the Institute of Theology, Queen's University, Belfast, UK.

Soft cover. Zustand: Very Good. No Jacket. 2016-17,18,19,20,21-2022. 6 Paperback copies, no dustjackets as issued. Not library copies, no creasing to spines, no inscriptions. (3).

Buch. Zustand: Neu. Neuware - Drawing extensively on primary sources, this pioneer work in modern religious history explores the training of preachers, the construction of sermons, and how Irish evangelicalism and the wider movement in Great Britain and the United States shaped the preaching event. Evangelical preaching and politics, sectarianism, denominations, education, class, social reform, gender, and revival are examined to advance the argument that evangelical sermons and preaching went significantly beyond religious discourse. The result is a book for those with interests in Irish history, culture and belief, popular religion and society, evangelicalism, preaching, and communication.''This is a work of impressive scholarship that adds significantly to our understanding of evangelical Protestantism in nineteenth-century Ireland. Ian Dickson has tackled, in fluent and engaging prose, a subject which has been sorely neglected by existing scholars--the sermon. Covering not only the basics of form and content, he also considers the wider and more problematic issue of impact on the evangelical community itself and society as a whole. His conclusions, derived from an analysis of over 600 sermons, contain an impressive insight into the fundamental tensions and insecurities which underlay a seemingly united, and confident, movement.''Janice Holmes, The Open University, Belfast''The sermon, though central to the culture of Evangelical Christianity, has been singularly neglected as a topic for thorough research. Ian Dickson, however, has broken the silence on the subject. His analysis of the place of preaching in nineteenth-century Ireland may stand as a model for others to imitate in the scrutiny of different places and periods.''Sean Connolly, Queen's University, Belfast''While the orality of popular Protestantism's noisy past can never be fully recovered, Ian Dickson's splendidly comprehensive and articulate book on evangelical sermons gets closer than anyone else before him to understanding the most ubiquitous form of discourse of nineteenth-century Irish Protestants.''David Hempton, Harvard Divinity SchoolJ. N. Ian Dickson taught history at Queen's University Belfast (1998-2002) and was Research Fellow in the Department of Religious and Theological Studies at Cardiff University. He is currently Senior Lecturer and Director of Postgraduate Studies at Belfast Bible College, part of the Institute of Theology, Queen's University, Belfast, UK.

Hardcover. Zustand: Brand New. 2nd edition. 397 pages. 9.75x6.75x1.25 inches. In Stock.

SIGNED by the photographer. From Ian Dickson's 'Collector's Series'; a range of handmade box sets, each title containing seven hand-printed images in signed mounts; offered in Standard, Digital or De Luxe (best) edition. 'Neat Damned Box' comprises six silver gelatine prints and one colour digital print of punk pioneers The Damned; the images contained within the box set are all original handprinted photographs made from negatives taken for 'Sounds' magazine in the late 1970s; this is the superior DeLuxe edition which uses fibre-based prints (instead of resin-coated), in hinged archival mounts (instead of standard mounts). The DeLuxe is the only issue to be signed both on the mount and the reverse of print. This is copy no.5 of an unspecified edition number (perhaps fewer than 20 examples), the series now having been discontinued by the publisher due to production costs and time constraints. The mounted photographs are contained in archival quality polyester sleeves with a frame dimension of 11 x 14 inches. Housed in an illustrated clamshell box (charmingly home-made by Dickson himself) with a numbered certificate affixed to the underside of the lid. The highly individual cover art is by famed cartoonist/illustrator Ray Lowry and a short but entertaining biography of the photographer 'Hired Gun' (also with Lowry-designed cover) completes the attractive package. A fine copy. Ian Dickson has been photographing rock stars since 1972 and his work has appeared in Disc, Record Mirror, New Musical Express, Sounds, Vox, Mojo, Q, Rolling Stone and elsewhere. His first exhibition was in London in 1992 and several successful European shows followed. In 1994, a selection of his work was shown at the MTV Awards in Berlin, at the Brit Awards at Alexandra Palace, and at the World Music Awards in Monte Carlo and Copenhagen. A feature on his portfolio was published in the March 1995 issue of Q magazine and in August that year, he was recognised by the 'Rock and Roll Hall of Fame and Museum' who included his famous Rod Stewart 'pyjama' portrait; this was followed by an Eric Clapton and a Muddy Waters portrait, added in February 2000.

SIGNED by the photographer. From Ian Dickson's 'Collector's Series'; a range of handmade box sets, each title containing seven hand-printed images in signed mounts; offered in Standard, Digital or DeLuxe (best) edition. '20th Century Boy' comprises six silver gelatine prints and one colour digital print of Glam-Rock legend Marc Bolan live on stage; this is the superior De Luxe edition which uses fibre-based prints (instead of resin-coated), in hinged archival mounts (instead of standard mounts). Each print is signed by the photographer on the mount. This is copy no.4 of an unspecified edition number (perhaps fewer than 10 examples), the series now having been discontinued by the publisher due to production costs and time constraints. The mounted photographs are contained in archival quality polyester sleeves with a frame dimension of 11 x 14 inches. Housed in an illustrated clamshell box (charmingly home-made by Dickson himself) with a numbered certificate affixed to the underside of the lid. The highly individual cover art is by famed cartoonist/illustrator Ray Lowry and a short but entertaining biography of the photographer 'Hired Gun' (also with Lowry-designed cover) completes the attractive package. A fine copy. Chameleon songwriter and guitarist Marc Bolan, like his friend and contemporary David Bowie, went through various personas and images, but is best remembered as a pioneer of the Glam-rock era of the early-mid '70s. His music career, like Bowie, began in the mid-sixties, as a troubadour folk singer under the guise 'Toby Tyler'. he then joined the cult proto-punk band 'John's Children' in early '67, who were a notorious live act but sold few records. He and their drummer Steve Peregrin Took created Tyrannosaurus Rex, a psychedelic-folk rock acoustic duo, playing Bolan's deceptively melodic songscomplete with J. R. R. Tolkien-influenced lyrics. This edition of Tyrannosaurus Rex released three albums and four singles, flirting with the charts, and getting airplay from Radio 1 DJ John Peel. A highlight of this era was playing at the first free Hyde Park concert in 1968. Mickey Finn then replaced Took after their first American tour when Bolan wanted to chnge direction- A rock'n'roller at heart (at first he played skiffle and worshipped Gene Vincent and Chuck Berry), Bolan began bringing amplified guitar lines into the duo's music, buying a vintage Gibson Les Paul guitar for an authentic sound (the same guitar later featured the 'T.Rex' LP sleeve, 1970). Suitably equipped, he let the electric influences come forward even further on 'A Beard of Stars', the final album to be credited to Tyrannosaurus Rex. It closed with a song, "Elemental Child", featuring a long electric guitar break influenced by Jimi Hendrix. Next, with producer Tony Visconti, Bolan wrote and recorded "Ride A White Swan", dominated by a rolling, backbeat and fuzzy, spiky electric guitar, the name was edited to 'T.rex' and the single became an overnight success and largely (and, in many ways, unwittingly) invented the style that would become glam rock and helped restore a brash and exciting feel, when rock bands had grown increasingly self-important. With his corkscrew hair and boyish good looks, Bolan's emergence heralded the start of a new era of British music which could be appreciated by both serious rock fans and pop-loving kids. The band grew to a quartet, with added bass and drums, and T.Rextasy took hold, with their simple, catchy, boogie- based rock producing a string of classic singles such as 'Get It On', 'Telegram Sam', 'Metal Guru', 'Children Of The Revolution', '20th Century Boy' and 'The Groover'. Ian Dickson has been photographing rock stars since 1972 and his work has appeared in Disc, Record Mirror, New Musical Express, Sounds, Vox, Mojo, Q, Rolling Stone and elsewhere. His first exhibition was in London in 1992 and several successful European shows followed. In 1994, a selection of his work was shown at the MTV Awards in Berlin, at the Brit Awards at Alexandra Palace, and at the World Music Awards in Monte Carlo and Copenhagen. A feature on his portfolio was published in the March 1995 issue of Q magazine and in August that year, he was recognised by the 'Rock and Roll Hall of Fame and Museum' who included his famous Rod Stewart 'pyjama' portrait; this was followed by an Eric Clapton and a Muddy Waters portrait, added in February 2000.

Unbound. Zustand: Fine. A group of 10 very limited, Signed and numbered box sets of photographs featuring David Bowie, Sex Pistols, Bob Marley, The Rolling Stones, The Clash, and many others, by rock photographer Ian Dickson, whose work has been featured in *Rolling Stone*, *Sounds*, *New Music Express*, *Q*, and on display as part of The Rock and Roll Hall of Fame's permanent collection. Each set comes in a handmade box with seven hand-printed images in mounts, originally offered in Standard, Digital, or De Luxe editions; these are all De Luxe editions. Each numbered box comprises seven gelatin silver prints or six gelatin silver prints and one color digital print, all Signed twice. Fine copies, with some very minor wear to boxes. Each title was obtained in person from Ian Dickson being an unspecified numbered edition of perhaps fewer than 20 examples (the highest number amongst these boxes is #17, with seven sets in the single digits). An extremely limited edition of classic images from one of the most notable rock photographers of the 1970s.