Iain mckell (28 Ergebnisse)

Hardcover. Zustand: Very Good.

Hardcover. Zustand: Very Good. May have light to moderate shelf wear and/or a remainder mark. Complete. Clean pages.

Paperback. Zustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Paperback. Zustand: Fine.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Zustand: New.

Hardcover. Zustand: Brand New. 127 pages. 8.25x6.25x0.75 inches. In Stock.

Hardcover. Zustand: Very good. Cloth, no dj. Tall octavo. Minor shelf wear. Else a bright, clean copy.

Zustand: New. 2019. Hardcover. . . . . . Books ship from the US and Ireland.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Zustand: New.

Zustand: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Zustand: New. 2019. Hardcover. . . . . . Books ship from the US and Ireland.

Hardcover. Zustand: Brand New. 160 pages. 10.91x7.99x0.67 inches. In Stock.

Zustand: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Buch. Zustand: Neu. Neuware - .

Zustand: New. &Uumlber den AutorIain McKell is a British art-documentary and portrait photographer with a particular interest in underground sub-societies. His work has been featured in Vogue Italia and i-D, among others. This is his fourth photograp.

Black & White and colour photos. Boards. 192 Seiten. 4vo. Very Good. ISBN 9783791347011.

Buch. Zustand: Neu. Neuware - In 1976, aged nineteen and a student at Exeter College of Art, Iain McKell got a summer job on Weymouth seafront photographing holidaymakers. It was a wonderful opportunity for him to both earn a living and carry out a project exploring the life of the seaside photographer. As well as holidaymakers he photographed his friends, his family and local people from the town, and in the evening the disco bars, fairgrounds and caravan parks of the town. Private Reality is about youth culture and being a teenager in the 1970s. As McKell turned from teenager to young adult existential angst preoccupied his thoughts as it does for many teenagers, yet the project came together through his lens as he experimented through his photography. For McKell it was his rite of passage, his coming of age, as he began to look at the world and tounderstand it through the camera.…

Hardcover. Zustand: Sehr gut. 192 Seiten Zustand: SEHR GUTER Zustand! HC1-436-4/8-00178722 Sprache: Englisch Gewicht in Gramm: 1035.

Gebunden. Zustand: New. In 1976, aged nineteen and a student at Exeter College of Art, Iain McKell got a summer job on Weymouth seafront photographing holidaymakers. It was a wonderful opportunity for him to both earn a living and carry out a project exploring the life of the seas.

Zustand: Very Good.

4°, paperback. 127 pp Sprache: Deutsch Gewicht in Gramm: 1000.

Paperback. Zustand: Fine. First Edition. Wraps. 5 vols in black cloth slip-case. 8vo. Pamphlets. Copiously illustrated in black & white throughout. Limited to 200 copies. Fine in slip-case.

Bel exemplaire. [7504].

Unpaginated (12 pp.) zine containing photographs taken of the London skinhead culture in 1979, with photographs by Iain McKell and texts by Klaus Fabricius. Square octavo (8 3/8 x 8 3/8 inches). Original photographic side-stapled wrappers, signed in black marker by McKell to front cover. Extremely light handling wear and edgewear, exceedingly small areas of creasing, a couple of areas of very light rubbing to back cover, overall excellent. London: November Press, 1979. Limited edition of 1000 copies. Including a laid-in invitation to a five-year retrospective exhibition of McKell's work, held in London in 1984. Iain McKell (b. 1957) is a British fashion, portrait, and social documentary photographer who has specialized in photographing British subcultures since the 1980s. At the age of 22, he quit his job in graphic design to follow a career in photography, and one of his first projects was photographing the Mod/Skinhead revival in London. This culminated in the current volume, Sub Culture, his first book. Other noteworthy projects of his involved photographing the Guardian Angels group in New York which trained members to make citizens' arrests for violent crime in their neighborhoods; the Blitz Kid club culture including an unknown Boy George; rising star Madonna for her first ever magazine cover; the 1980s British comedic group The Comic Strip; and other counterculture groups including Psychedelic Trance in Thailand, London Dandies, American Rockabilly, Druids/Pagans, New Age Gypsies, and fetish groups. The inside front cover of Sub Culture has a brief introductory paragraph which reads, "The photographs compiled in this book were taken during the summer of 1979, and follow a sub cult which inhabits the urban city of London. They represent documents of sub cultural events like music gigs, and weekend get-togethers. The skinheads like their elder brothers before them and their younger brothers to come reject society's moral standards and adopt their own set of values." The following pages contain 12 photographs of London skinheads, each with a poetic caption underneath authored by Fabricius. These captions are at times fatalistic, depressive, and bleak, mentioning feelings of uncertainty, fear, low self-worth, and exclusion, alongside other captions which highlight the importance of friendships, youthfulness, music, and freedom to be yourself. One reads, "Did you ever realize that you can't go very far in your life? For instance: At school. They tell you off. Your family. They annoy you. And your friends. They want you to be just like them. How can you be who you want?" Another reads, "Sometimes like on a Sunday afternoon I get bored. But then I get my music out and play records for myself and my mates. And then it's alright again until Monday." An exceedingly rare document of 1970s London underground culture, signed by the photographer; as of May 2026, OCLC locates only two holdings of this zine in North America.…