I a corvinus (15 Ergebnisse)

Zustand: Very Good. 'TAB. XLVI. Cataclysmi Reliquia / Uberbleibselen der Sundfluth.'Etching / engraving on hand laid (vergé) paper. Watermark: lettering. Sheet size: 22,5 x 38 cm. (8,9 x 15 inch). Image size: 19,7 x 30,8 cm. (7,8 x 12,1 inch).This attractive print originates from: 'Physica Sacra' by Johann Jakob Scheuchzer, published in Augsburg, 1731-1735. Scheuchzer believed that the Old Testament was a factual account of the history, of the world. He initiated a major project to explain Biblical events in terms of physics, medicine, and natural history. His aim was to prove the existence of God through science, but the Swiss authorities initially refused to grant him a permit to publish it. Eventually a lushly illustrated edition of this extraordinary work as printed between 1731 and 1735 in the great German publishing center Augsburg. Entitled 'Jobi physica sacra oder Hiobs Natur-Wissenschaft verglichen mit der heutigen', the work became known as the Physica Sacra or the Kupfer-Bibel. It became famous for its elaborate illustrations, in which each biblical story was framed with an architectural border containing details relevant to the chapter depicted.Made by 'I. A. Corvinus' after 'Jakob Scheuchzer'. Author: Johann Jakob Scheuchzer (1672-1733) was a physician by training, with a strong interest in natural history and paleontology. Born in Switzerland, the son of a physician, he studied at University in Germany & later returned to Zurich to take a professorship in Mathematics. Like many scientists of the day, he considered the Old Testament a factual account of the history of the earth. In his extensive travels he amassed one of the largest fossil collections of the 18th century. He hypothesized that all plants had perished in the flood described in the bible, & discovered what he believed to be the fossil of a human flood victim. In his masterpiece, Physica Sacra, he details his theory at length, using references to the 1611 King James Bible. The book was a sensation & was published simultaneously in Latin, German & French, each issue with exactly the same plates. His theories were not disproved until the work of Cuvier. Engraved by B. Probst.Condition: Very good, given age. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.Keywords: DELUGE-REMAINS-MOUNTAINS-GENESIS-TAB.XLVI-BIBLE-OLD TESTAMENTPCOM-A5b-18. Jakob Scheuchzer (illustrator).…

Copperplate-titlepage, printed titlepage in red and black with woodblock flower-bucket; (8) 315 pages, 1 blank sheet; ALL ON UNTRIMMED PAPER. - Vellum-binding with gilt-titled red spinelabel; small-8vo.(ca. 16 x 9 x 2 cm). ~~~ FIRST EDITION, CONTEMPORARY VELLUM-BOUND ORIGINAL; WITH THE ATTRACTIVE COPPERPLATE-TITLEPAGE. - A VERY GOOD COPY.…

Hardcover. 12mo, [30], 340, 120 pages. In Very Good condition. Bound in early vellum with author's name and partial title written on spine. Upside-down illustration of a tree stamped on front board. Yapped edges. Vertical crease near fore edge of front board. Light foxing to endpapers. Tearing and some visible reinforcement to front free endpapers. Damp stain from first title page to page [23]. Adhesive residue to rear pastedown. Engraved and letterpress title pages. With the blanks d11-12 and S9-12. Shelved in Case 3. USTC: 1031344. First Elzevier edition. "Arnoldus Clapmarius (1574-1604) was a German academic, jurist and humanist, known for his writings on statecraft.The ideas of Clapmarius proved influential. He was the first to connect in detail the ragion di stato with the clasical vocabulary of Aristotle and Tacitus. Gabriel Naudé took directly ffrom him in a conception of the coup d'état." [Source: Wikipedia]. 1409372. Shelved Dupont Bookstore.…

Tle. 1-4 (v. 5) in 1 Bd. qu.-2°. 34 x 44 cm. (Blattgr.); 32 x 34 cm. (Plattengr.). Mit 4 Kupfertit., 2 gest. Widmungsbll., 3 (v. 4) gest. Frontisp., 132 (dav. 2 gefalt.) Kupferstichtafeln. HPgmt.-Bd. d. Zt. Schönes. breitrandiges Expl. Vereinz. gering braunfleckig im w. Rand. EA. Nebehay-W. 306; Slg. Mayer I, 779; Kat. d. Ornamentenstichslg. Berlin 2108; Lanckoronska-Oehler I, 28 - 22 x 33 cm. (Bildausschn.). Das seltene Ansichtenwerk des barocken Wien. Die Kupfer zeigen neben Kirchen und Klöstern des alten Wiens, auch die kaiserlichen und königlichen Paläste und Gärten, öffentliche Gebäude, Denkmäler, Häuser, Straßen und Plätze der Stadt. Das Werk gilt als das beste Beispiel für Ansichten Wiens des 18. Jahrhunderts, es wurde von Johann Andreas Pfeffel (1674-1748) herausgegeben, alle Ansichten wurden von Salomon Kleiner gezeichnet und von den besten Künstlern der Zeit gestochen. Das Werk erschien über einen langen Zeitraum und ist daher selten komplett zu finden. Hier vorliegend der erste bis vierte Teil mit je 33 Tafeln komplett. Part 1 to 4 (of 5) in 1 volume. Vienna, Pfeffel 1724 - 1737. 34 x 47 cm. With 6 engraved titles, 2 engraved dedication-plates and 99 (2 double-page) engraved plates. Half calf in contemporary style. A large paper copy with wide margins. Only the first plates a bit dusty, otherwise a fine copy with the plates in strong impressions. - The famous architectural atlas of Baroque Vienna. The plates show beside churches and monasteries from ancient Vienna, also all Imperial and Royal Palaces and gardens, public buildings, monuments, houses streets and squares of the city. The work is considered to be the first representation of views of Vienna of the 18th century. The work was edited by Johann Andreas Pfeffel (1674-1748) and all plates were designed by Salomon Kleiner and engraved by the best artists of the time. The work was published over a very long period of time and therefore it is very hard to find complete copies. Aparently the plates were also sold seperately. Here present is the first to the fouth part, complete with 33 plates each. Until 1740 there was published a fifth part. Those plates show mainly gardens. Gewicht in Gramm: 5000. …

Zustand: Very Good. 'TAB. VI. Opus tertiae Diei / Drittes Tagwerck.'Etching / engraving on hand laid (vergé) paper. Watermark: lettering. Sheet size: 24 x 38 cm. (9,4 x 15 inch). Image size: 19,7 x 30,8 cm. (7,8 x 12,1 inch).This attractive print originates from: 'Physica Sacra' by Johann Jakob Scheuchzer, published in Augsburg, 1731-1735. Scheuchzer believed that the Old Testament was a factual account of the history, of the world. He initiated a major project to explain Biblical events in terms of physics, medicine, and natural history. His aim was to prove the existence of God through science, but the Swiss authorities initially refused to grant him a permit to publish it. Eventually a lushly illustrated edition of this extraordinary work as printed between 1731 and 1735 in the great German publishing center Augsburg. Entitled 'Jobi physica sacra oder Hiobs Natur-Wissenschaft verglichen mit der heutigen', the work became known as the Physica Sacra or the Kupfer-Bibel. It became famous for its elaborate illustrations, in which each biblical story was framed with an architectural border containing details relevant to the chapter depicted.Made by 'I. A. Corvinus' after 'Jakob Scheuchzer'. Author: Johann Jakob Scheuchzer (1672-1733) was a physician by training, with a strong interest in natural history and paleontology. Born in Switzerland, the son of a physician, he studied at University in Germany & later returned to Zurich to take a professorship in Mathematics. Like many scientists of the day, he considered the Old Testament a factual account of the history of the earth. In his extensive travels he amassed one of the largest fossil collections of the 18th century. He hypothesized that all plants had perished in the flood described in the bible, & discovered what he believed to be the fossil of a human flood victim. In his masterpiece, Physica Sacra, he details his theory at length, using references to the 1611 King James Bible. The book was a sensation & was published simultaneously in Latin, German & French, each issue with exactly the same plates. His theories were not disproved until the work of Cuvier. Engraved by B. Probst.Condition: Very good, given age. A few minor crinkles. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.Keywords: THE THIRD DAY OF CREATION-GENESIS-LAND-SEA-TAB.VI-BIBLE-OLD TESTAMENTPCOM-A5b-26. Jakob Scheuchzer (illustrator).…

Zustand: Very Good. 'TAB. VIII. Opus tertiae Diei / Drittes Tagwerck.'Etching / engraving on hand laid (vergé) paper. Watermark: lettering. Sheet size: 24,5 x 38 cm. (9,6 x 15 inch). Image size: 19,7 x 31 cm. (7,8 x 12,2 inch).This attractive print originates from: 'Physica Sacra' by Johann Jakob Scheuchzer, published in Augsburg, 1731-1735. Scheuchzer believed that the Old Testament was a factual account of the history, of the world. He initiated a major project to explain Biblical events in terms of physics, medicine, and natural history. His aim was to prove the existence of God through science, but the Swiss authorities initially refused to grant him a permit to publish it. Eventually a lushly illustrated edition of this extraordinary work as printed between 1731 and 1735 in the great German publishing center Augsburg. Entitled 'Jobi physica sacra oder Hiobs Natur-Wissenschaft verglichen mit der heutigen', the work became known as the Physica Sacra or the Kupfer-Bibel. It became famous for its elaborate illustrations, in which each biblical story was framed with an architectural border containing details relevant to the chapter depicted.Made by 'I. A. Corvinus' after 'Jakob Scheuchzer'. Author: Johann Jakob Scheuchzer (1672-1733) was a physician by training, with a strong interest in natural history and paleontology. Born in Switzerland, the son of a physician, he studied at University in Germany & later returned to Zurich to take a professorship in Mathematics. Like many scientists of the day, he considered the Old Testament a factual account of the history of the earth. In his extensive travels he amassed one of the largest fossil collections of the 18th century. He hypothesized that all plants had perished in the flood described in the bible, & discovered what he believed to be the fossil of a human flood victim. In his masterpiece, Physica Sacra, he details his theory at length, using references to the 1611 King James Bible. The book was a sensation & was published simultaneously in Latin, German & French, each issue with exactly the same plates. His theories were not disproved until the work of Cuvier. Engraved by B. Probst.Condition: Very good, given age. A few minor crinkles. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.Keywords: THE THIRD DAY OF CREATION-GENESIS-PLANTS-TREES-TAB.VIII-BIBLE-OLD TESTAMENTPCOM-A5b-27. Jakob Scheuchzer (illustrator).…

Nebehay-W. 306,III, 15 - Aus: Vera et accurata delineatio . Wahrhaffte und genaue Abbildung Aller Kirchen und Clöster . der Keyßerl: Burg und anderer Fürstl. und Gräffl: . Palläste und schöner Prospecte . Welche sowohl in der Keyßerl: Residenz-Statt Wien, als auch in denen umliegenden Vorstätten sich befinden . Theil 3: Das florirende, vermehrte Wien. Blatt No. 15. Plattengröße: 34,7x23 cm, Blattgröße: 28,4x38,7 cm, an re. Blattrand etw. gebräunt m. winzigem Tuschefleck, oben re. im Plattenrand bei Ziffer 15 Bleistiftbeschriftung. Schönes, attraktives Blatt.…

Nebehay-W. 306, II, 33 - Aus: Vera et accurata delineatio . Wahrhaffte und genaue Abbildung Aller Kirchen und Clöster . der Keyßerl: Burg und anderer Fürstl. und Gräffl: . Palläste und schöner Prospecte . Welche sowohl in der Keyßerl: Residenz-Statt Wien, als auch in denen umliegenden Vorstätten sich befinden . Theil II: Anderer Theil: Keyserl. Burg und Lust-Häußer. Blatt No. 33. 22,5 x 33,5. Einige kl. Randrisse, am re. Seitenrand gering braunfleckig, schönes, attraktives Blatt.…

Blattgröße ca. 31 x 45,5 cm.- Außenrand etwas fleckig stellenweiße wasserrandig, ansonsten gut erhaltenes Exemplar. Selten. Original Kupferstich bei Jeremias Wolff (1663-1724) nach einer Zeichnung von Matthias Diesel (1675-1752) , gestochen von I.A. Corvinus. Diesels Werk dokumentiert Barockgärten, wie sie zeitgenössisch typisch um Paris, Salzburg und München angelegt wurden. Seine Zeichnungen und die nach ihnen gefertigten Kupferstiche sind zudem die bedeutendste und häufig einzige Quelle für die Darstellung barocker Schlossgärten in Bayern im frühen 18. Jahrhundert. (Wiki.) AC-2K Sprache: Deutsch Gewicht in Gramm: 2000. …

Kupferstich. ca. 22 x 33 cm. Im Passepartout. Leichte Gbrsp.

Kupferstich. ca. 20,5 x 32,5 cm. Im Passepartout. Leichte Gbrsp. - Eine Abbildung/ Ausschnitt finden Sie unter: www.antiquariat-weinek.at .

Blattgröße ca. 34,5 x 46 cm. Unterhalb der Darstellung mit Text in Deutsch und französisch. . Untere Außenrand etwas fleckig. C-GU Sprache: Deutsch Gewicht in Gramm: 2000.

45 x 30 cm. mit dem Text. Zustand: Gut. Kolorierter Kupferstich. Drentwett, A. (Maler) & Corvinus, I. A. (Stecher). J.M.Roth - Augsburgisches Friedens - Gedächtnüs Die ? Augsburger Friedensgemälde ? sind jährlich erscheinende Einblattdrucke mit erläuterndem Text, die an den Westfälischen Frieden von 1648 erinnern sollten. Die Initiative dazu ist von der evangelischen Barfüßergemeinde ausgegangen. Zwischen 1651 und 1789 erschienen insgesamt 138 Blätter mit Kupferstichen unter Beteiligung von 55 Künstlern als Zeichner und Kupferstecher; allein für das Jahr 1653 ist kein Kupferstich, sondern nur ein Gebet gedruckt worden. ? Die Reihe ist somit ein Musterbuch der Augsburger Künstler dieser Zeit? Die Druckplatten wurden von der Barfüßer-Pfarrei aufbewahrt; es folgten immer wieder Nachdrucke, die in Sammelbänden mit eigenem Titel und einer Einführung verlegt wurden. Nach der Herausgabe im Jubiläumsjahr 1748 folgten bis 1789 noch 41 Jahrgänge. Sämtliche Jahrgänge wurden 1790 ein letztes Mal mit neuem Titel versehen herausgegeben. Lit.: Seitz, Augsburg. Anhand der großen Auswahl der gezeigten Blätter, an der teils bedeutende Stecher und Zeichner der Augsburger Schule beteiligt waren, lässt sich die Stielentwicklung des Augsburger Kupferstichs vom Hoch- über den Spätbarock bis zum Rokoko ( etwa ab 1740 ) verfolgen; die letzten Stiche zeigen sogar frühklassizischtischen Stil. - In leuchtenden Farben kolorierter Kupferstich. deu S 6|1770BG Sprache: Deutsch Gewicht in Gramm: 444.…

Kupferstich. ca. 21 x 34 cm. Im Passepartout. Leichte Gbrsp. - Eine Abbildung/ Ausschnitt finden Sie unter: www.antiquariat-weinek.at .

Kupferstich. ca. 22 x 34 cm. Im Passepartout. N/W 131.Serie 2.4 - Aus: Danreiter, Franz Anton.Serie 2: Vier Prospect des Schloß zu Saltzburg.[Festung Hohensalzburg.].