hyginus julius (25 Ergebnisse)

Paperback. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Hardcover. Octavo, xxxi, 216 pages. In Fair plus condition. Spine is blue with gold print. Boards in blue cloth with gold print. Wear to spine caps and corners, light blemishes, shelf wear. Text block has tanning to endpapers, cracked rear hinge, shaken binding. Text in Latin. NOTE: Shelved in Netdesk Column R. 1396121. FP New Rockville Stock.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Zustand: New. &Uumlber den AutorTheony Condos, Ph.D., holds a doctorate in classics from the University of Southern California. Her dissertation included the translation of the Greek text which appears in this volume.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Taschenbuch. Zustand: Neu. Fabulae | Eine Reise durch die wundersame Welt der griechischen Mythologie | Gaius Julius Hyginus | Taschenbuch | Lateinische Klassiker | 164 S. | Deutsch | 2017 | Senecio, Hypatia H. | EAN 9783945924402 | Verantwortliche Person für die EU: BoD - Books on Demand, In de Tarpen 42, 22848 Norderstedt, info[at]bod[dot]de | Anbieter: preigu.

Gebunden. Zustand: New. KlappentextrnrnExcerpt from Hygini FabulaeA re Proserpinae raptu posteriore. Quod si quis neutram compro bare voluerit transponeudi rationem, buie videndum erit, quomodo aut c. CXLI aut CXLVI. VII aliunde illata esse probabilibus argu me.

Taschenbuch. Zustand: Neu. Fabulae | Eine Reise durch die wundersame Welt der griechischen Mythologie | Gaius Julius Hyginus | Taschenbuch | Lateinische Klassiker | 284 S. | Deutsch | 2017 | Senecio, Hypatia H. | EAN 9783945924341 | Verantwortliche Person für die EU: BoD - Books on Demand, In de Tarpen 42, 22848 Norderstedt, info[at]bod[dot]de | Anbieter: preigu.

Oktav (205 x 135 mm), Org.-Ganzleinen, LIX (+I), 176 S., wohlerhaltenes Exemplar. [Bibliotheca Scriptorum graecorum et romanorum Teubneriana.; 1438]. - ISBN: 3519014386. - [oR-Doki | DOK | ] 380 g.

12 nn. Bl., 288 S., 42 nn. Bl. Mit 1 gest. Titelblatt. Pergament der Zeit (Hardcover). Mit handschr. Verfassernamen auf Rücken. Im Register 1 S. mit kleinem Ausriß ohne Textverlust. Mit Ex Libris und Namen auf vorderem Innendeckel. Etwas braunfleckig, insgesamt innen sehr sauber. Einband in sehr gutem Zustand. Sprache: la.

Zustand: molto buono. in-4, (215x157 mm), ff. (56, segn. a-g8), legatura cinquecentesca in pergamena floscia (crepe al dorso). Al verso del primo foglio figura della sfera astronomica, nel testo 47 belle figure allegoriche delle principali costellazioni, dei pianeti e dei segni zodiacali, per lo più legni in controparte di quelli usati nelle edizioni di Ratdolt del 1482 e 1485; due grandi iniziali e molte altre più piccole ornate su fondo nero, al v. del f. a4 iniziale in inchiostro rosso di mano posteriore, testo in carattere romano. L'autore, spesso confuso con Hyginus il bibliotecario, visse probabilmente nel I sec. d.C. a Roma dove era stato portato come schiavo; dedicò l'opera ad un certo M. Fabio (forse M. Fabio Marcellino). L'opera, rifacendosi a fonti greche ed in particolare dai ''Phaenomena'' di Arato, costituisce insieme alle sue Fabulae una fonte indispensabile per l'antica mitologia.  Dopo un'introduzione generale nel primo libro, l'A. passa a descrivere nei tre seguenti libri le principali costellazioni, lo Zodiaco e i pianeti anche attraverso le la prima raffigurazioni delle costellazioni in silografia, che per oltre un secolo influenzò l'iconografia degli atlanti celesti e sono tuttora utilizzate per i segni zodiacali. In questa quarta edizione si utilizzarono legni in controparte rispetto a quelli del 1482 e del 1485, entrambe di Ratdolt. La prima (Ferrara, 1475) non era illustrata. ''The woodcuts derive from medieval sources, and depict figures in medieval European costume. these figures were reprinted, and copied in numerous incunable editions, and were the source for the engraved images of Jacon de gheyn and via the latter many of the images in Johannes Bayer.'' (Watson, Celestial cartography in book form, 1482-1801). Ottimo esemplare a pieni margini, in alcuni dei quali si leggono delle chiare postille di mano coeva, falla d'origine al margine inf. del foglio d2, rinforzata per preservare da ulteriore rottura. BMC V ,318. HC 9065. Klebs 527.4. Polain (B) 2041. Proctor 4765. IGI 4961. Essling 287. Sander 3474. Cantamessa I, 2202, note. Book.

4°. 21 x 14,5 cm. Späterer, schlichter Halblederband mit marmoriertem Deckelbezug und rauem Buchschnitt. 34 Blatt. [Signaturformel: [A1], [A4], B-I4]. Ausgabe in Latein. Isaac/Shaw, A typographical catalogue of books printed in France, IS000420. Renouard, Répertoire, 234. vgl. Renouard, Marques typographiques (Lambert), 541. Graesse III, 403. In dieser Ausgabe nicht bei Houzeau. Titelblatt in Rot und Schwarz gedruckt mit Holzschnittdruckermarke als Titelvignette. Enthält 43 (von 50) Holzschnitten im Text und Holzschnittinitialen. Vorhanden sind alle 41 Sternbildholzschnitte. Von den ursprünglich 7 Planetenholzschnitten fehlen 6, vorhanden ist die Sonne. Auf dem Titelblattverso findet sich der Mikrokosmosholzschnitt, dafür fehlt der den Band abschließende Sphaera-Mundi-Holzschnitt aus Ratdolts Sacrobosco (1485). Die Holzschnitte der Sternbilder sind angelehnt an jene, die für die 1482 bei Ratdolt in Venedig publizierte Ausgabe verwendet wurden. Die Holzschnittdruckermarke auf dem Titelblatt sowie die Holzschnittinitialen im Text hatte Jean Lambert (1493-1518) im Jahr 1503 vom bedeutenden Pariser Buchdrucker Félix Baligault (gestorben im Jahr 1506) übernommen. Im Jahr 1514 ließ er eine Ausgabe des "De Astronomica" bzw. "Poeticon astronomicon" durch den in Paris tätigen, deutschen Buchdrucker Thomas Kees aus Wesel drucken. Der Pariser Buchhändler Pasquier Lambert (gestorben vor 1519) übernahm die Nachfolge Jean Lamberts und nutzte weiterhin die Initalien ebenso wie die Druckermarke in den Jahren 1515-1517. Von dieser machte er, seinem Vorgänger gleich, auch für die Ausgabe des "Poeticon astronomicon" Gebrauch, hier allerdings mittlerweile ohne integrierte Namen, wobei er bei den zuletzt von ihm publizierten Werken eine eigene, an die vorige motivisch angelehnte Druckermarke verwendete (Drucke erschienen 1517 und 1518, vgl. Renouard 542). Die Sternbildholzschnitte wurden vorwiegend aus der Ausgabe von 1514 übernommen, mit kleinen Variationen beim Pegasus und beim Skorpion. Außen- und Fußsteg breitrandig. Einband etwas berieben und im Leder mit Druckstellen, auf dem vorderen Vorsatz kopiertes Exlibris privat montiert, kleinere Vorbesitzerstempel auf den Vorsätzen, die ersten drei und die letzten sieben Blatt mit deutlichen Randläsuren (ohne Textberührung) sowie einige Seiten in den Ecken mit leichten Läsuren, Titelblatt etwas stärker gebräunt, berieben sowie minimal tinten- und leicht wasserfleckig, Seiten insgesamt leicht gebräunt und stellenweise knickspurig (insbesondere die ersten und letzten Blatt), Seiten im unteren Bundsteg sowie stellenweise im Kopfsteg mit dezenterem Wasserrand (wenig nachgebräunt, nicht gewellt, keine Textberührung), es fehlen die Blatt [A2] und [A3] sowie [K1-4]. Latin edition. Comprises 43 of the 50 woodcuts, including the 41 astronomical constellations, one of the planet woodcuts (the sun) and the microcosm woodcut. Later, plain leather binding with marbled boards and deckled edges. Binding a bit rubbed and with pressure marks, copy of a bookplate mounted on endpaper, small previous owner's stamps on endpapers, first page darkened and rubbed, first three and last seven sheets with defects to the margins (text not affected) as well as some pages' corners with light defects, title page darkened, rubbed as well as minimally ink stained and a bit dampstained, pages throughout lightly darkened and some with crease marks (especially first and last sheets), pages partially with tidemark (lightly darkened, not wavy, text not affected), sheets [A2] and [A3] as well as [K1-4] are missing.

Title on a2 printed in red, 47 half-page woodcuts of the constellation and planet figures, probably designed by Johannes Santritter, partially coloured by an early hand in pale red, green and yellow; white-on-black woodcut initials in various sizes, some coloured. 4to (205 x 145mm). 57 leaves (lacks first blank), 31 lines, gothic type, a few words in greek. Late 19th century calf-backed boards, spine with red and green labels lettered in gilt, preserved in a mid-20th century slipcase. First illustrated edition and the first depictions in a printed book of the constellations, the signs of the zodiac, and planets as conceived in antiquity, which serves as the beginning of celestial cartography. A fine specimen from the Venetian press of the great innovator Erhard Ratdolt. The design of the woodcuts is attributed to Johannes Santritter and consists of forty constellation figures with star locations which illustrate Hyginus' descriptions in Book III and seven planet figures (Venus, Mercury, Jupiter, Saturn and Mars, and the Sun and Moon) found in Book IV. Santritter, a native of Heilbronn, was also responsible for woodcut diagrams used by Ratdolt in his 1482 edition of Sacrobosco's Sphaera Mundi. The woodblocks remained in Radolt's shop and were re-used in his reprint of 1485 and on his return to Augsburg in his 1488 edition of Johannnes Angeli's Astrolabium. Although astronomically inaccurate they were hugely influential, as noted by Lippincott 'once these images appeared in print . they became the undisputed model upon which astronomical book illustration relied for the next forty years? First published in an extremely rare unillustrated edition of Ferrara 1475 (ISTC ih00559000 lists only 14 copies), the text is attributed to Hyginus and consists of four books: on definitions, the myths of the constellations, the number and location of the stars in the constellations, and the motions of the Sun, Moon and planets. Quite who the Hyginus of this text was is not established (see OCD) but the text was well known: De astronomia was a popular and influential text and source-book from the date of its composition onwards. The most likely candidate as author seems to be C. Iulius Hyginus, the Keeper of the Palatine Library during the reign of Augustus Caesar and friend of Ovid. This therefore places the work between Cicero?s Latin translation of Aratus?s Phaenomena (89-86 BC) and the more scholarly Latin translation (or adaptation) of the same poem attributed to Germanicus Caesar (16-17 AD).   In the entry in Reynolds? Texts and Transmission, written by Michael Reeve, he asked a propos of De astronomia: ?Has any classical text been so ill served by recent scholarship as this?? He does mention the quite large number of manuscripts, but remarks that the work so far done had added little. However, the situation is now changed. The most recent edition is that of Ghislaine Viré (Leipzig: Teubner, 1992) but the Budé text of 1983 ed. Le Boeuffle is to be preferred (see review by M. Winterbottom in CRNS 44 no. 1, pp. 49-50). Winterbottom remarks of the language of the work that ?unlike the much corrected and mutilated Fabulae? it is a good example of extended Augustan prose.   At the end are two sets of Latin elegiacs by Jacopo Sentino ?Ricinensis?, i.e. from Ricina, now Villa Potenza is in the Marche region in Italy. The second of these is about his and Santritter?s edition of Hyginus and dwells on how they have produced a clean text. The third set of verses is actually by Santritter.  The intermittent colouring found in over half of the woodcuts is certainly early; there is careful hatching and outlining in pale red, with earth tones and pale green used on some figures.   Generally a crisp, well-margined, and unwashed copy with some leaves a little toned towards the end, a few mostly minor stains, a very few small wormholes. Provenance: Marco Contarini, with date 15 May [15]18 of the well-known Contarini family of Venice. In a document in the V.

Edition : Second edition, Full period vellum, rebacked expertly saving the original spine. , Gaius Julius Hyginus (64 BC?AD 17) was a Latin author, a pupil of the famous Alexander Polyhistor. He was elected superintendent of the Palatine library by Augustus according to Suetonius' De Grammaticis.Palaephatus (Greek: ??????????) was the original author of a rationalizing text on Greek mythology, the work of paradoxography On Incredible Tales (Greek: ???? ??????? (????????). Palaephatus' date and name are uncertain; many scholars have concluded that Palaephatus is a pseudonym; the evidence, such as it is, is all of it consistent with the late fourth century BC.Fabius Planciades Fulgentius (fl. late 5th? early 6th century) was a Latin writer of late antiquity. Four extant works are commonly attributed to him, as well as a possible fifth which some scholars include in compilations with much reservation. His mythography was greatly admired and highly influential throughout much of the medieval period, but it is viewed with little favour today.Aratus (c. 315 BC/310 BC ? 240) was a Greek didactic poet. His major extant work is his hexameter poem Phenomena (Ancient Greek: ?????????, Phainómena, "Appearances"; Latin: Phaenomena), the first half of which is a verse setting of a lost work of the same name by Eudoxus of Cnidus. It describes the constellations and other celestial phenomena. The second half is called the Diosemeia (????????? "Forecasts"), and is chiefly about astronomy and weather forecasting. Proclus Lycaeus (412 ? 485 AD), called the Successor (Greek ??????? ? ????????, Próklos ho Diádokhos), was a Greek Neoplatonist philosopher, one of the last major classical philosophers (see Damascius). He set forth one of the most elaborate and fully developed systems of Neoplatonism. He stands near the end of the classical development of philosophy and was very influential on Western medieval philosophy (Greek and Latin).Jacob Micyllus, (6 April 1503 ? 28 January 1558) was a German Renaissance humanist and professor. , Size : Small Folio (310mm x 200m, Illustrated with 48 astronomical woodcuts, and elaborate drop crop., A platemark on the front pasted free end paper, in red and black., References : H. M. Adams, VOL 1, 1252; alpha 4a - z , A6, P. title, dedications, index (1 leaf), (1-261), index (12 leaves), printer?s information. A near fine example, text and illustrations are clean and crisp. With occasional marginalia in contemporary hand.

43 (of 48) illustrations, 8 x 5.75, limp vellum, 53 (of 56) leaves, covers darkened and worn, minor worming at front of book, several leaves reinforced at gutters, ink marginalia, text block cracked at a few spots, closely cropped cutting off some ink notes, minor staining at ends, leaf edges darkened, missing leaf A1 (with called-for illustration) and E2.7 (with four illustrations, constellations Gemini and Cancer). Wonderful, early illustrated book concerning myths of the constellations. Incunabula.

(31 x 20 cm). (8) 251 (26) S. Mit 48 Textholzschnitten. Blindgeprägter Pergamentband der Zeit. Dritte Ausgabe der bei Herwagen 1535 erstmals erschienenen berühmten Sammlung spätantiker Lehrgedichte zum Thema Astronomie in der Bearbeitung des Heidelberger Humanisten J. Micyllus. - Neben dem Fabularum liber enthält der Band von Albricus Philosophus: De deorum imaginibus liber; von Aratus: Phaenomena; von Lucius Annaeus Cornutus: De natura deorum sive poeticarum fabularum allegoriis speculatio; von Fabius Planciades Fulgentius: Mythologiarum libri III; von demselben: De vocum antiquarum interpretatione; von Caius Julius Hyginus: Poeticon astronomicon; von Palaephatus: De fabulosis narrationibus liber I, und von Proclus Diadochus: De sphaera. - Die schönen Holzschnitte sind figürliche Darstellungen der Sternbilder, von Sonne und Mond sowie den Planeten. - Vorsatz und Titel mit mehreren alten Besitzvermerken und einem Stempel. Vereinzelt etwas braunfleckig und mit sauberen Anmerkungen und Unterstreichungen von alter Hand. Oberer Rand stellenweise mit schmalem Wasserrand. Einband leicht fleckig und berieben. Insgesamt gut erhalten. - VD16 H6481; Adams H 1253; Houzeau-Lancaster 762; Zinner 2523; Wellcome I, 3379.