Huck d a (4 Ergebnisse)

4to. 213 p. Cl. 0 gr.

0 gr.

[8] pp.; 22.8 x 15.3 cm.; accordion; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; Exhibition brochure / catalogue published in conjunction with show held January 21 - February 18, 1984. Foreword by Linda Shearer. Curated and with a text by Helene Winer. Galleries include Cash, Christminster Fine Art, Civilian Warfare, East 7th Street Gallery, Executive Gallery, 51 X, Fun Gallery, Tracey Garet, International With Monument, Gracie Mansion, Nature Morte, The New Math Gallery, Oggi - Domani, Pat Hearn, Piezo Electric, PPOW, and Sharpe Gallery. Artists include Stephen Aljian, Alan Belcher, Paul Benney, Zeke Berman, Ellen Berkenblit, Keiko Bonk, Tom Brazelton, Barry Bridgwood, Nancy Brooks Brody, Chris Chevins, Craig Coleman, Rich Colicchio, Michael Collins, George Condo, Gregory A. Crane, Mark Dean, Jimmy de Sana, Futura, Robert Garratt, Dana Garrett, Judith Glantzman, Arthur Gonzalez, Rodney Alan Greenblat, Kathleen Grove, Richard Hambleton, Kiely Jenkins, Sermin Kardestuncer, Elizabeth Koury, Stephen Lack, Leora Laor, Robert Loughlin, Paul Marcus, Frank Moore, Peter Nagy, Michael Ottersen, Steven Parrino, Rick Prol, Hope Sandrow, Michael Sangaris, Bruno Schmidt, Peter Schuyff, Huck Snyder, Ahbe Sulit, Frederick Sutherland, Meyer Vaisman, Oliver Wasow, Dondi White, David Wojnarowicz, Robert Yarber, Zephyr, and Rhonda Zwillinger. "The exhibition includes work from seventeen galleries located in the East Village or the area east of Second Avenue, just below Houston Street: CASH, Christminster, Civilian Warfare, East 7th Street Gallery. Executive Gallery, 51 X, Fun Gallery, Garet/ Kohn Gallery, Gracie Mansion. International with Monument, Nature Morte, New Math, Oggi-Domani, Pat Hearn. Piezo Electric, P.P.O.W. and Sharpe Gallery. Work by artists associated with the galleries have been selected by the individual gallery directors, and Helene Winer, organizer of the exhibition. Helene Winer is a past Director of Artists Space and currently co-owner of Metro Pictures a commercial gallery in SoHo. As part of Artists Space''''s celebration of its 10th anniversary season, she has organized this exhibition to examine a growing number of artist organized commercial exhibition spaces. Ms. Winer''''s past experience with the non-profit art community and her present position in the commercial art world offer a unique outlook on this new trend. In keeping with Artists Space''''s support of new art through both its Exhibition Program and Grants Program, NEW GALLERIES OF THE LOWER EAST SIDE is a look at a new outlet for emerging art: an outlet which straddles the lines between the artists cooperative, the non-profit alternative space, the artist organized independent exhibition and the commercial gallery. NEW GALLERIES OF THE LOWER EAST SIDE acknowledges the recent appearance and rapid proliferation of more than twenty commercial art galleries that are introducing new artists and art. This phenomenon has created overnight, it seems, active new exhibition outlets for artists, an on-going vehicle for massive social opening events, a Sunday activity for the art audience, a new map in the Gallery Guide and a new focus of excitement and energy in the art community. The galleries are now numerous and offer more than the aesthetic that was first presented by the pioneers (Gracie Mansion, Fun Gallery and 51 X) and which has come to be associated with the East Village. They are very professional enterprises that intend to provide serious support and attention to the artists they show. Many of the galleries are artist owned. The artist/owners who converted storefronts to studios have now converted these studios to galleries. Most of these owners work at jobs separate from the gallery to support the activity and many live ''''behind the shop." The East Village Eye and New York Beat play the role that the SoHo News and the Village Voice did for SoHo and Tribeca. The East Village and the Lower East Side of New York ha. …

°°° [SUMMER SALES: PRICE-REDUCTION of 50% until Thursday, September 10, 2026; previously EUR 480,-] --- 1. AUFLAGE, GRÖSSERFORMATIGE BROSCHIERTE ORIGINALAUSGABE. - Umschlag mit leichter Randläsur, Heftklammern angerostet; SEHR GUTES EXEMPLAR DER FRAGILEN PUBLIKATION. / FIRST EDITION, SOFTCOVER ORIGINAL. - FORTSETZUNG des Inhalt: . . . 'D. T. L. Schauspieler und technisches Personal'; 'Scene aus Arthur Schnitzlers 'Liebelei', 'Scene aus Hermann Sudermanns 'Ehre'. / 'D.T.L. Schauspieler' (tlw. Männer in Frauenrollen). / 'Ein Teil der im G.C.C. internierten Besatzung von S.M.S. 'Emden' (nach den Namen jew. Stellung auf dem Schiff, Rang, etc.); 'Promenaden Concert.' / 'G.C.C. Typen' / 'Camp Orchester, Liverpool.'; 'Sportfest, 7ten November 1915.' / 'Kegelbahn.', 'Offiziersbaracke und Tennisplatz.'; 'Cafe Stacheldraht'. / 'Garkueche zur Boomrinde.' / 'Programme des Deutschen Theaters, Liverpool: Entwuerfe von Richard Kunze.' ---Wrapper minimally used, staples somewhat rusty; A VERY GOOD COPY OF THE FRAGILE PUBLICATION. - ''Before the beginning of the World War I, the Australia Defence Forces acquired 80,000 acres (approximately 32,375 hectares) of land at Holsworthy. When the Commonwealth Government assented to the War Precautions Act in 1914, it was decided that people who were of German origin or descent, as well as those from countries allied with Germany, might be a security risk, and so places had to be found to detain them. At first people were detained in army barracks or training camps but the government soon realised they would need more permanent accommodation and set up camps in specific locations, one of these being the German Concentration Camp at Holsworthy in the Liverpool district. As early as September 1914 about 100 seamen who had been taken from German and English ships arrived at the camp. Others soon followed from various locations. . .''(see 'The Dictionary of Sydney', online); letzendlich waren es bis zu 6.000 Internierte . . .…