howell john ed (18 Ergebnisse)

Zustand: Fair. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. With owner's name inside cover. In fair condition, suitable as a study copy. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,700grams, ISBN:9781847693587.

Zustand: Used - Very Good. VG paperback. 1st ed. Mark from small label on title page; newspaper clippings (review of the book) sellotaped to back endpaper & back cover verso. Top corner of back cover creased. Used - Very Good. VG paperback.

paperback. Zustand: Good. Our good condition books are generally good for reading but not for gifting or collecting. They could have imperfections such as creasing, fanning, inscriptions, margin notes, yellowing, staining on edge or cover or pages, bumps, scuffs, etc etc (sometimes multiple of these). It's a wide category that encompasses anything that isn't almost-new down to anything that is slightly better than poor. We would NOT recommend gifting Good books - these should be considered reading copies. Our books are dispatched from a Yorkshire former cotton mill. We list via barcode/ISBN so please note that the images are stock images and may not be the exact copy you receive, furthermore the details about edition and year might not be accurate as many publishers reuse the same ISBN for multiple editions and as we simply scan a barcode or enter an ISBN we do not check the validity of the edition data when listing. If you're looking for an exact edition please don't order (at least not without checking with us first, although we don't always have time to check). We aim to dispatch prompty, the service used will depend on order value and book size. We can ship to most countries, see our shipping policies. Payment is via Abe only.

Soft cover. Zustand: Very Good. Uncommon style/fashion/photography publication published in the UK. Interviews with John Pawson & Margarett Howell. Light shelfwear, teeny stain on the spine.

Wexner Center / Rizzoli , 1991. 33 x 25,5 cm. Softcover with dustjacket. Dustjacket slightly damaged. 310 pages. With illustrations in color and b/w. Very good/near fine copy [Art Art / International general [Algemene Internationale Kunst] ].

oblong, 8vo. pp. 48. profusely illus. in b/w. wrs. (previous owner's rubber stamps on rear endpaper & title-page).

Zustand: New. A case study of Britain shows parliamentary elections are becoming more "presidential", in that the leaders of the parties figure more prominently both in media coverage of the campaign and in the party that voters choose at the polls. The implications for parliamentary democracy are discussed. Editor(s): Harris, Howell John. Series: American History in Depth. Num Pages: 193 pages, biography. BIC Classification: 1DBK; JPHF; JPVL. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 216 x 140 x 10. Weight in Grams: 424. . 2000. Hardback. . . . . Books ship from the US and Ireland.

Hardcover. Zustand: Sehr gut. 6 vols, 12°, half leather with marbled paper and leather corners, on 5 frets with gilt spine titles and gilt head edges. Marbled endpapers. Volumes I to VI of the "English Reprints" series, edited and annotated by Edward Arber. The volumes contain the following texts: Vol. I (1868): John Milton: Areopagitica, 80 p., Hugh Latimer: Sermon on the Ploughers, 40 p., Stephen Gosson: The School of Abuse, 80 p.; Philip Sidney: An Apologie for Poterie, 72 p.; Edward Webbe: His Trauailes, 40 p.; John Selden: Table-Talk, 120 p. Vol. II (1868): Roger Ascham: Toxophilus, 168 p.; Joseph Addison: Criticism on Milton's Paradise Lost, 152 p.; George Villiers: The Rehearsal, 136 p.; George Gascoigne: 1. Certayne Notes of Instruction in English Verse 2. The Steele Glas 3. The Complaynt of Philomene, 119 p. Vol. III (1868): John Lyly: Euphues - the Anatomy of Wit. Euphues and his England, 478 p.; John Earle: Micro-Cosmographie 104 p. Vol. IV (1869): Hugh Latimer: Seven Sermons befor Edward VI., 208 p.; George Puttenham: The Arte of English Poesie, 320 p.; James Howell: Instructions for Forreine Travell, 88 p. Vol. V (1869): Thomas More: Utopia, 168 p.; Nicholas Udall: Roister Doister, 88 p.; The Revelation to the Monk of Evesham, 112 p.; James VI: The Essayes of a Prentise, in the Divine Art of Poesie. A Counterblaste to Tobacco, 120 p.; Robert Naunton: Fragmenta Regalia, 64 p. Vol. VI (1870): Thomas Watson: Poems, 208 p.; William Habington: Castara, 144 p.; Roger Ascham: The Scholemaster, 160 p.; William Webbe: A Discoursen of English Poetrie, 96 p. --- Condition: Red owner's stamp in Chinese characters on endpapers, covers somewhat rubbed, pages slightly darkened, otherwise excellent copies!

Encuadernación de tapa blanda. Zustand: Bien. Zustand des Schutzumschlags: Aceptable. Essays "The Play's the Thing: The House that Bene's Built," by Franco Quadri; "Weavings: Anni Albers Reconciles the Hand and the Machine; Fifty Years Later, Jonathan Williams Picks Up Some Threads"; "Putty as a Picture: The By-products of a By-product," by Carlo McCormick; "On the Earth and in the Air: Panamarenko. When Ideas Become Winged," by Wim van Mulders; "The Four Giacometti's: Giovanni, Augusto, Alberto, and Diego. The Stamp of Stampa," by Pierre Schneider; "Inanimations: A Project for Artforum," by Boyd Webb; "A Viney Pastoral: Drawing from Nature," by Mike Glier; "Lines, Chapters, and Verses: The Art of Jean-Michel Basquiat. A Voice and an Eye," by Demosthenes Davvetas; "Icons at Large: Andy Warhol," by Lisa Liebmann; "Book Previews: Excerpts from Le Corbusier's 'The Journey to the East;' Octavio Paz's Essay 'Art and Identity: Hispanics in the United States;' and Mary Ann Doane's 'The Desire to Desire: The Woman's Film of the 1940s'" "A Canvas of Episodes: The Wigged Soprano," by Frederic Tuten; "Museum Piece: THe Wrong Jar," by Joseph Giovannini; "Like Art: For An Advertising of Love," by Glenn O'Brien; "Ground Up: Our Quarry Beads," by Herbert Muschamp; "Speaker to Speaker: What You Wish Upon a Star," by Greil Marcus. Reviews by Carlo McCormick, Jean Fisher, John Yau, Kate Linker, Donald Kuspit, Charles Hagen, Ronny Cohen, Barbara Kruger, John Howell, Patricia C. Phillips, Nancy Stapen, Paula Marincola, Maureen Bloomfield, Colin Westerbeck, Buzz Spector, Ed Hill, Suzanne Bloom, Bill Berkson, Colin Gardner, Richard Rhodes, Pier Luigi Tazzi, Daniel Soutif, Max Wechsler, Helmut Draxler, Ingrid Rein, Martin Hentschel, Paul Groot, Anne Applebaum, and Michael Archer. Cover: Andy Warhol signs a campel soup can, 1964.

Encuadernación de tapa blanda. Zustand: Bien. Zustand des Schutzumschlags: Bien. Issue edited by Ingrid Sischy. Essays "Chasing Dreams: Victor Hitchcock and Alfred Burgin," by Jean Fisher; "Obsessive Pictures or Opposition to the Norm: Noteworthy Aspects of the Engaged Imagination in the New German Art," by Annelie Pohlen; "A Progression by Chuck Close: Who's Afraid of Photography?" by Chuck Close; "The Death of Semiotics (In Late Modern Architecture); The Corruption of Metaphor (In Post-Modernism); The Birth of the 'Punctum' (In Neomania)," by Douglas Davis; "Romare Bearden Sees in a Memory," by Myron Schwartzman; "Books: For Georges Remi/Hergé," by Frederic Tuten; "Free Speech," by Greil Marcus; "Forum," by Max Kozloff, Kay Larson, and Donald Kuspit. Reviews by Jean Fisher, Donald Kuspit, Annelie Pohlen, Charles Hagen, Thomas McEvilley, Lisa Liebmann, John Howell, Glenn O'Brien, Thomas Lawson, Kate Linker, Patricia Phillips, Richard Armstrong, Ronny Cohen, Jeanne Silverthorne, Scott MacDonald, Judith Russi Kirshner, Ed Hill, Suzanne Bloom, Susan C. Larsen, Suzaan Boettger, Richard Cork, Paul Groot, Max Wechsler, and Pier Luigi Tazzi. Cover: Chuck Close.

Encuadernación de tapa blanda. Zustand: Bien. Zustand des Schutzumschlags: Bien. Essays "A Canvas of Episodes: Rex, A Fictional Artist, Arrives in a Real New York," by Frederic Tuten; "Books: A Review of Umberto Eco's 'Travels in Hyperreality,'" by Max Kozloff; "Exits and Entrances: How to Move Through This Century in Four Exciting Steps"; "Icons at Large: Chewing on Cigars," by Lisa Liebmann; "Special Effects: The News. Between the Lines; Behind the Dots," by Carol Squiers; "Speaker to Speaker: The Critic Disarmed," by Greil Marcus; "Like Art: Galateas for Postmodern Pygmalions - Spokesmodels," by Glenn O'Brien; "Remote Control: Why Ask for the Moon When We Have the Stars," by Barbara Kruger; "Curies' Children: The Light Upon Gives Way to the Light Within," by Vilem Flusser; "Surrealism in Mexico: The Blossoming of the Surreal from an Ancient Southern Soil," by Serge Fauchereau; "An Ad for Felix: Pictures from an Ideal World," by Rene Ricard; "The Pachinko Experience: Tokyo, Minneapolis - Our Kinda Town. At the Walker Art Center," by John Howell; "Tiger in the House: 'Let Dogma Eat Dogma,' Say a Few Smart Cats. Aren't We Good Enough to Join Fine Photography Too?" by Sam Wagstaff; "Vectors of Viewer Response: What a Richard Serra Does," by Kenneth Baker; "Medardo Rosso: The Best-Kept Secret at the Foundation of the Avant-garde," by Jole de Sanna; "Goethe Would Have Wondered: Five Visits to the 42nd Venice Biennale," by Shigeo Anzai, Pier Luigi Tazzi, Ida Panicelli, Paul Groot, Annelie Pohlen; "Albrecht Dürer Would Have Come Too," by Pier Luigi Tazzi, with Photography by Shigeo Anzai; "Sculpture in Review," by Max Wechsler, Pier Luigi Tazzi, Paul Groot, and Annelie Pohlen. Reviews by Ida Panicelli, John Howell, Max Wechsler, Ingrid Rein, Jean Fisher, Donald Kuspit, Carlo McCormick, John Yau, Jeanne Silverthorne, Ronny Cohen, Patricia C. Phillips, Nancy Stapen, Colin Westerbeck, Ed Hill, Suzanne Bloom, Susan Freudenheim, Bill Berkson, Susan C. Larsen, Colin Gardner, Aurora García, Ingrid Rein, Helmut Draxler, Denys Zacharopoulos, and Stuart Morgan. Cover: Satoru Tsuda.

Encuadernación de tapa blanda. Zustand: Bien. Zustand des Schutzumschlags: Bien. ON LOCATION Germano Celant on Sculpture and painting in Emilio Vedova s studio in Venice. GROUND UP Herbert Muschamp on Architecture without architecture critics: ideal for the architects. TURNED OUT William Wilson on Richard Avedon, Sam Shepard, Joan Didion, and the pull of the American West. MODERN LIFE Carter Ratcliff on Utopianism become survivalism the quantum mechanics of body-building, in the West and in the East. LIKE ART Glenn O Brien on The new ads and their gift of art. Easel does it. BACKDROP Stuart Morgan on Photographs of the last resort, by Martin Parr. SPEAKER TO SPEAKER Greil Marcus on Charles Manson, Elvis Costello, and the LA sign system. BOOKS Frederic Tuten on Julian Barnes' Flaubert s Parrot. Feathers fly. COLUMNS FEATURES REVIEWS BACK TO THE FUTURE Donald Kuspit PARADISE GAINED Max Wechsler THE NEW ISAMU NOGUCHI GARDEN MUSEUM Shigeo Anzai A REFLECTION ON POST-MODERNISM Kate Linker A TALE OF THE GERMAN JEW Jean Fisher BILL BRANDT S DOCUMENTARY FICTIONS Charles Hagen THE ARROW IN THE MIND Italo Calvino PROJECT FOR ARTFORUM Glen Baxter COLUMNS FEATURES REVIEWS NEW YORK Glenn O Brien on Dennis Smith Glenn O Brien on David Kapp Glenn O Brien on Brion Gysin Jeanne Silverthorne on Mimmo Paladino Ronny Cohen on Luigi Ontani Barbara Kruger on Recoding Blackness: The Visual Rhetoric of Black Independent Film" Thomas McEvilley on Nicolas Moufarrege Charles Hagen on Tina Barney Patricia C. Phillips on Javier Bellosillo Patricia C. Phillips on Battery Park City Fine Arts Program John Howell on Perry Hoberman Jean Fisher on Barbara Ess Ida Panicelli on Komar and Melamid Donald Kuspit on Sue Coe HOUSTON Thomas McEvilley on Michael Heizer Ed Hill and Suzanne Bloom on Derek Boshier LOS ANGELES Susan C. Larsen on Raul Guerrero Melinda Wortz on Allen Ruppersberg LONDON Stuart Morgan on The Saatchi Collection PARIS Denys Zacharopoulos on Nouvelle Biennale de Paris Alexandra Anderson on Jean Le Gac ZURICH Max Wechsler on Mario Merz BARCELONA Gloria Moure on Rafael Canogar MADRID Aurora Garcia on María Gómez BREMEN/KARLSRUHE Annelie Pohlen on Volker Tannert STOCKHOLM Steven Henry Madoff on Olle Kåks.

Encuadernación de tapa blanda. Zustand: Bien. Zustand des Schutzumschlags: Bien. Ronny Cohen on Janis Provisor Ronny Cohen on Richard Stankiewicz Glenn O Brien on Jan Müller Glenn O Brien on Daryl Trivieri Jeanne Silverthorne on Louise Lawler Jeanne Silverthorne on Agnes Martin Ed Hill and Suzanne Bloom on The Nicaragua Media Project Donald Kuspit on Gene Davis Donald Kuspit on Walt Kuhn Donald Kuspit on The Success of Failure Thomas McEvilley on Carolee Schneemann Thomas McEvilley on Pat Steir John Howell on Arnold Mesches John Howell on Time and Space Limited Barbara Kruger on Difference: On Representation and Sexuality Patricia C. Phillips on Susan Smith Patricia C. Phillips on Donna Byars Patricia C. Phillips on Susana Torre, Allan Wexler Charles Hagan on Chuck Close Charles Hagan on Paper Tiger Television.

Encuadernación de tapa blanda. Zustand: Bien. Zustand des Schutzumschlags: Bien. Essays "On Location: Cindy Sherman's Camera Kabuki," by Ingrid Sischy; "Marginalia: Who Will Occupy the Deep Space in Recent Painting?" by Thomas McEvilley; "The Cave: Claude Lanzmann's Film 'Shoah' (Annihilation) and the Ethics of Reconstructing the Third Reich," by Wolfram Schutte; "Ground Up: Time-Sharing," by Herbert Muschamp; "Object: Duchampian Chance and Poetry in Japanese-Language Word Processors. 'The Brides (flower) Stripped Bare by Her Bachelors, Even,'" by Seigow Matsuoka; "Modern Life: History is Still Bunk," by Carter Ratcliff; "Like Art: Station Breaks. The Electronic Vaudeville Circuit," by Glenn O'Brien; "Mass Culture: All the News that's Fit to Snapshoot," by Shinichiro Kurimoto; "Speaker to Speaker: Beyond the Grave, Rock Critic Theodor Adorno meets the Mekons," by Greil Marcus; "The World in a Drop of Water," by Kenneth Baker; "Beauty Action," by Annelie Pohlen; "The Land of Cuckoonebulopolis and After," by Sergio Polano and Pierpaulo Vetta; "Siah Armajani's Constitution," by Patricia C. Phillips; "Stations on a Journey," by Germano Celant; "Target Jasper Johns," by John Yau. Book reviews by Alexandra Anderson, Maurice Berger, Sarah Bodine, Suzaan Boettger, Greil Marcus, Herbert Muschamp, Carter Ratcliff, and Amy Baker Sandback. Reviews by Charles Hagen, Jean Fisher, Thomas McEvilley, Jeanne Silverthorne, Ronny Cohen, Barbara Kruger, John Howell, Patricia C. Phillips, John Yau, Glenn O'Brien, Colin Gardner, Melinda Wortz, Linda Burnham, Bill Berkson, Suzaan Boettger, Ed Hill, Suzanne Bloom, Pier Luigi Tazzi, Barbara Maestri, Denys Zacharopoulos, Max Wechsler, Annelie Pohlen, Lars Nittve, Stuart Morgan, Bruce W. Ferguson, and M.P.L. Green. Cover: Solonevich.

Encuadernación de tapa blanda. Zustand: Bien. Zustand des Schutzumschlags: Bien. Essays "On Location: Alan Shields' Works of Paper"; "Marginalia: Will it Last, Does it Matter?," by Thomas McEvilley; "Modern Life: How Scale Works," by Carter Ratcliff; "Turned Out: In America, Love Means Never Having to Say Sari," by Sunil Sethi; "Like Art," by Glenn O'Brien; "Ground Up: The Piazza in the Living Room, Communion by Communication," by Herbert Muschamp; "Remote Control: Lip-Syncing Free Speech," by Barbara Kruger; "Speaker to Speaker: In the Kingdom of the Invisible," by Greil Marcus; "Liberations: The Minus Works of Michelangelo Pistoletto," by Denys Zacharopoulos; "The Cowboy Philospher: Adventures as Metaphor," by Greil Marcus; "Rainer Werner Fassbinder: A Comet Passed by - Energy Burnt Against Oppression," by Wolfram Schutte; "Toward Another Laocoon, Or, the Snake Pit: Sunday in the Park with Art. From the Impressionists to the Neo-expressionists, the Avant-garde's Will to Survive Art Production," by Thomas Lawson; "Barbaric Place: Project for Artforum," by Ettore Sottsass, Jr., with a note by Herbert Muschamp; "Flashes of Understatement: Four Decades of Elmer Bischoff's Reckoning with Paint," by Kenneth Baker. Reviews by Kenneth Baker, Glenn O'Brien, Patricia C. Phillips, Jean Fisher, Jeanne Silverthorne, Suzaan Boettger, John Howell, Ronny Cohen, Charles Hagen, Donald Kuspit, Carlo McCormick, John Yau, Jayne Merkel, Jeff Kelley, Ed Hill, Suzanne Bloom, Colin Gardner, Bill Berkson, Annelie Pohlen, Max Wechsler, Helmut Draxler, Barbara Maestri, Ida Panicelli, Gloria Moure, and Aurora Garcia. Cover: Alan Shields.

Encuadernación de tapa blanda. Zustand: Bien. Zustand des Schutzumschlags: Bien. BILL WOODROW: MATERIAL TRUTHS Mark Francis IN THE HEART OF THE TINMAN: AN ESSAY ON JOHN CHAMBERLAIN Duncan Smith A PROJECT FOR ARTFORUM by Pontus Hultén and Jean Tinguely FREEING DANCE FROM THE WEB: ON COLLABORATION, TRISHA BROWN'S SET AND RESET AND LUCINDA CHILDS' AVAILABLE LIGHT Thomas McEvilley TWO SIDES OF THE BRAIN: MOLISSA FENLEY S HEMISPHERES RoseLee Goldberg UP ROCKING, LOCKING, OLD STYLE, 1990 MOVES Michael Holman SELECTED FUNK LESSONS: A PROJECT FOR ARTFORUM by Adrian Piper A USE FOR BEAUTY Kenneth Baker EXECUTIONER S SONG Greil Marcus FORUM Kate Linker COLUMNS FEATURES REVIEWS NEW YORK Donald Kuspit on Dorothea Tanning Donald Kuspit on Follies Donald Kuspit on Chris Burden Lisa Liebmann on Troels Wörsel Jeanne Silverthorne on Michael David Jeanne Silverthorne on Rosemarie Castro Jeanne Silverthorne on Mary Beth Edelson Jeanne Silverthorne on Kazuko Jean Fisher on Richard Prince Jean Fisher on Francis Picabia Jean Fisher on Joseph Nechvatal Thomas Lawson on New Expressions Thomas Lawson on Kiely Jenkins Ronny Cohen on Ron Nagle Ronny Cohen on Donald Lipski Charles Hagen on Lee Friedlander Charles Hagen on Hamish Fulton Richard Armstrong on Ira Richer Richard Armstrong on George Schneeman Thomas McEvilley on Underdog Barbara Kruger on Sharon Greytak John Howell on The Way Of How BOSTON Nancy Stapen on Magdalena Abakanowicz HOUSTON Ed Hill and Suzanne Bloom on American Still Life 1945 1983 CHICAGO Michael Bonesteel on Ed Paschke LOS ANGELES Robert L. Pincus on Jeffrey Vallance SAN FRANCISCO Suzaan Boettger on Clay Jensen STOCKHOLM Lars Nittve on Ibid AMSTERDAM Gerald Van Der Kaap on Winfred Evers BONN AND STUTTGART Annelie Pohlen on Klaus Mettig COLOGNE Annelie Pohlen on Ina Barfuss Annelie Pohlen on Werner Buttner Annelie Pohlen on Thomas Virnich PARIS Gerard-Georges Lemaire on Sandro Chia SAN SEBASTIAN Michael Tarantino on The San Sebastian International Video Festival MADRID Aurora Garcia on Sigfrido Martín Begué ROME Pier Luigi Tazzi on Michelangelo Antonioni.

Single Issue Magazine. Zustand: Good. Chalkin, Dennis; Berry, Ian; Evans, Howell; Miller, Jesse P.; McNamara, Norris; Palmer, Nancy; Bonestell, Chesley; Boenzi, Neil; Walker, Robert; Schulke, Flip; Scotch, Ben; Hausner, Ed; Dopkeen, Joyce; Maggio, Gene; Romero, Lee; Kantor, Tim; Springmann,C. (illustrator). First Edition. 120 pages. Features: Many gorgeous fashion ads; The Hip Baroness Wooton of Abinger - photo-illustrated article - she calls for reduced marijuana penalties; Laird Apple Jack ad features photo of company President Jack Laird; One-page photo ad for the ILGWU features photo of historic labor organizer Mother Jones; Fantastic two-page color-photo ad for Talon zippers entitled "The 10 Worst Dressed Women of the Year"; The Silent Black Majority;; The Viokent Black Minority; The American Psychodrama called 'Everyone Hates Us'; Space Odyssey of Tomorrow - a Trip to Mars; How to pay for 15,000,000 auto accidents a year - automobile insurance is big business; Fantastic two-page color-photo ad for La Mancha cigars; Tasteful two-page ad for Jules Jurgensen luxury watches; Great one-page color-photo ad for Cadillac features a gold Coupe deVille; Long-Legged Summer Fashions; Great Chemold tennis raquet ad features large color photo of Rod Laver in action, with smaller photos of Tony Roche, Margaret Court, Roy Emerson and Owen Davidson; Interior photos of a finely finished 18th century North Carolina home; Nice one-page color-photo ad for radio station WPAT; Fantastic back cover color-photo ad for McGregor features three men in funky swimwear; and more. This copy is undated by a hand-written date of May 10, 1970 appears on front cover and we assume this is correct. Average wear. A worthy vintage copy.

New York (Rizzoli International Publications) 1991; 310 pp.; survey with contributions and interviews in English by various authors a.o. Celant, Lippard, Ashton, Restany, Kaprow; publication paralleling the first year of programs and exhibitions at The Wexner Center for the Arts / The Ohio State University; softcover [ with dustjacket]: 33 x 25,5 cm. ; ISBN 0847813657; NEAR FINE COPY [Art Modern Art ].