Howard brian clark (20 Ergebnisse)

Zustand: Good. Good condition. A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains.

Zustand: Very Good. Very Good condition. A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner's name, short gifter's inscription or light stamp.

Zustand: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Hardcover. Zustand: As New. No Jacket. Pages are clean and are not marred by notes or folds of any kind. ~ ThriftBooks: Read More, Spend Less.

Zustand: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: good. Gently used with minimal wear on the corners and cover. A few pages may contain light highlighting or writing, but the text remains fully legible. Dust jacket may be missing, and supplemental materials like CDs or codes may not be included. May be ex-library with library markings. Ships promptly. …

Hardcover. Zustand: Fair. 1. The item might be beaten up but readable. May contain markings or highlighting, as well as stains, bent corners, or any other major defect, but the text is not obscured in any way.

Zustand: Good+. Zustand des Schutzumschlags: No Dust Jacket As Issued. First Avon Printing, August, 1979. Shelf handling; The bindings are tight and square. Text clean, age-toning, spine crease. Earth, the initial planet uncovered by humanity, continues to captivate us with its boundless wonders. In this third anthology, Brian Aldiss unfolds fourteen astonishing tales set on Earth: from lost cities and robots to catastrophes, mutants, powerful machines, and perilous invasionsalongside deities of diverse dispositions. Fourteen stories on SF's Number One Planet by Arthur C. Clarke, Philip K. Dick, Jack Vance, John W. Campbell, Fritz Leiber, William Tann and Henry Kuttner with his novella The Time Trap never before published outside America. Wrap-Around Cover Art by Alex Ebel. (illustrator).…

Hardcover. Zustand: Good. No Jacket. Former library book; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

SOFTCOVER. Originalhalbleinenbroschur, 14 x 20 cm (quer kl. 8°), 98 Seiten; beidseitig maschinenschriftlich, als unverkäufliches Manuskript gedruckt, sehr gut erhalten -- Bitte Portokosten außerhalb EU erfragen! / Please ask for postage costs outside EU! / S ' il vous plait demander des frais de port en dehors de l ' UE! // Bitte beachten Sie auch unsere Fotos! / Please also note our photos! / Veuillez noter nos photos -- Genießen Sie den goldenen Herbst! Machen Sie es sich gemütlich , bei uns finden Sie sicher die passende Lektüre! -- Wir kaufen Ihre werthaltigen Bücher! A312619.…

Paperback. Zustand: Brand New. 1st edition. 512 pages. 9.10x7.30x1.10 inches. In Stock.

Zustand: New.

Taschenbuch. Zustand: Neu. Neuware - Narrative directly impacts the threat environment whether in a physical conflict zone, or in terms of the effects of radicalization, or the interference of foreign governments in domestic politics. Therefore dominating the narrative space should be a priority. That is where non-state actors fight best. That is where foreign governments have proven effective in waging war against us without getting dirty hands. That is precisely where our enemies dominate, and no amount of firepower will create a win in that space. The center of gravity in any conflict is the narrative space. It always has been. But in the past we have mis-identified parts for the whole; just as terrorism is only one aspect of psychological warfare, so too psychological warfare is only one aspect of Narrative Warfare. Narrative Identity Theory is the basis of Narrative Warfare. Psychological, Information, Influence, and Stability Operations, are all aspects of Narrative Warfare. They fall under its domain. The most effective weapons in warfare have always been the ones that target the cognitive space because they are the most enduring. Kautilya in India in the 4th century BC refers to the psychologically based tactics and strategies of those before him, suggesting that the strategies may have been employed as early as 650 BC. Hits in the cognitive space were prescribed by Sun Tzu, practiced by Genghis Khan's armies, employed by Xerxes, the Persian General 2,500 years ago, by Hannibal more than 200 years before the birth of Christ. Native American tribes understood that their blood-curdling screams terrorized their enemies, thereby reducing their will to fight before the fight began. But hits in the cognitive space do more than produce a win before the bullets fly. It is a mistake to assume that narrative is only a non-kinetic strategy that belongs in the soft power toolbox. Narrative underlies any conflict, even the most kinetically oriented. …

Gebunden. Zustand: New. In der Stadtgeschichtsforschung spielen der Raum, die Nutzung von Raum und die Erinnerungskulturen im Kontext des Raumes seit einigen Jahren eine grosse Rolle. Die ueberwiegend englischsprachigen Beitraege des Bandes thematisieren diesen spatial turn , wobei .

58 pp.; 21.2 x 25.5 cm.; staple bound; duotone; edition size unknown; unsigned and unnumbered; offset-printed; Winter 1980/1981 issue of the quarterly periodical Cover, edited by Judith Aminoff. Contents include: "The Heart of the Pigeon," by Henry Korn; "Conversation," a conversation between Marcia Hafif, Olivier Mosset, Howard Smith, and Jerry Zeniuk; "Currents," artwork by Christian Poveda, Shirly Pu & R.L. Seltman, Joseph Nechvatal, Christian de Boschnek with features on PAD (Political Art Documentation/Distribution), CUD (Contemporary Urbicultural Documentation, COLAB, ABC NO RIO, Group Material, Fashion Moda, El Taller Boricua, and others; "Image Frolics," by Edit deAk; "Tanam Press," by Tony Whitfield; "Drawings," by Jules Olitski, Clark Murray, Brice Marden, Robert Morris, Mark di Suvero, Peter Gourfain, Richard Serra, Edvins Strautmanis, Robin Winters; "Men & Their Bodies," by Valentine Tatransky; "Painting;" "In This Issue" "Shop Talk," by Gregoire Müller. Additional artists in this issue include: Paula Court, Debbi de Staffan, John Fekner, Molissa Fenley, Bobby G, Barbara Kruger, Thomas Lawson, Duane Michals, Malcolm Morley, Clark Murray, Richard Nonas, Paul Russotto, David Salle, Cindy Sherman, Horacio Torres, Brian Weil, and Christian White. Front Cover: Gregoire Müller "Bather II." Back Cover: Barbara Kruger, "Tradition," 1980. Good. 2.5 cm. crease parallel to top edge of publication, from recto to verso and affecting contents. Rubbing of cover edges and handling wear to covers. Contents clean and unmarked.…

58 pp.; 21.2 x 25.5 cm.; staple bound; duotone; edition size unknown; unsigned and unnumbered; offset-printed; Winter 1980/1981 issue of the quarterly periodical Cover, edited by Judith Aminoff. Contents include: "The Heart of the Pigeon," by Henry Korn; "Conversation," a conversation between Marcia Hafif, Olivier Mosset, Howard Smith, and Jerry Zeniuk; "Currents," artwork by Christian Poveda, Shirly Pu & R.L. Seltman, Joseph Nechvatal, Christian de Boschnek with features on PAD (Political Art Documentation/Distribution), CUD (Contemporary Urbicultural Documentation, COLAB, ABC NO RIO, Group Material, Fashion Moda, El Taller Boricua, and others; "Image Frolics," by Edit deAk; "Tanam Press," by Tony Whitfield; "Drawings," by Jules Olitski, Clark Murray, Brice Marden, Robert Morris, Mark di Suvero, Peter Gourfain, Richard Serra, Edvins Strautmanis, Robin Winters; "Men & Their Bodies," by Valentine Tatransky; "Painting;" "In This Issue" "Shop Talk," by Gregoire Müller. Additional artists in this issue include: Paula Court, Debbi de Staffan, John Fekner, Molissa Fenley, Bobby G, Barbara Kruger, Thomas Lawson, Duane Michals, Malcolm Morley, Clark Murray, Richard Nonas, Paul Russotto, David Salle, Cindy Sherman, Horacio Torres, Brian Weil, and Christian White. Front Cover: Gregoire Müller "Bather II." Back Cover: Barbara Kruger, "Tradition," 1980. Good. Light curl to left side of publication. 4 mm. tear to bottom edge of recto. Light dust soiling of covers and edgewear. Contents clean and unmarked. Includes a slipped-in, folded handwritten note on Cover letterhead addressed to Walter [De Maria] from Cover's editor, Judith Aminoff.…

Softcover. Zustand: Near Fine. First edition, wrappered issue (also issued simultaneously in hardcover. Octavo. 71, [6] ads pp. Illustrated from photographs. Wrappers rubbed a bit, else near fine. A controversial short play co-written by seven young British playwrights. Inscribed by two of the authors, David Hare and Stephen Poliakoff. The play was written by a group of seven playwrights, who joined David Hare in a bar, and reportedly wrote the play with crayons on wallpaper. Supposedly based on a real episode, of a lorry driver falsely convicted of rape. The play was rejected by some theaters because of its subject matter: pornography, rape, sexual assault, and was finally produced in another bar at 1:15 in the morning at the Edinburgh Festival. Consequently copies of the book are exceptionally uncommon. *OCLC* locates only five copies over three records, with only one in the UK and one in the US; the other three in Europe.…