Horter earl (6 Ergebnisse)

Zustand: Good. Good condition. No date stated. In polypropylene bag. (art, pens, manufacturing, catalog) A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains.

Hardcover. Zustand: As New. Preface by William Dolan Fletcher, 200 pages, 206 illustrations, quarto (4to), hardcover tan cloth with black lettering on cover and spine. 200 copies of this book have been printed in Century on Curtis Rag Ivory Wove 75. As New condition, old bookstore inventory never sold. Bookseller inventory #5069-1. Horter, Earl (illustrator).…

Zustand: Good. 4to. Soft Covers. Very Good. 136 pp. Contains loose Addenda.Color plates.* There might be an additional charge due to the large size of the book.

Hardcover. Zustand: Fine. 1st Edition. Schuyler, Montgomery. 25 pages, 10 illustrations plus frontispiece etching by Earl Horter, signed in pencil. The book is dedicated to Cass Gilbert, designer of the Woolworth Building. Limited to one thousand copies. The book were printed and bound for Frank W. Woolworth, for distribution to his friends at the completion of construction of this iconic building. Quarto (4to), dark brown paper over boards with ivory cloth spine, gilt stamping to both boards, embossed architectural inlay on upper board, in original paper covered box. The book is in near perfect condition, the original box shows wear and the corners are cracked. Unusual to find with the original box. Bookseller inventory #33314-1. Horter, Earl (illustrator). …

Print. Zustand: Fine. First Edition. Title from one of the two printed inserts included with the etchings. Variant titles we have seen include TWENTY MASTERPIECES IN ETCHING [SET OF ORIGINAL ETCHINGS CHRONICLING THE LIFE OF GEORGE WASHINGTON]. A collection of 20 large folio (14-3/4" x 19-3/4") ORIGINAL SIGNED ETCHINGS by twenty different artists, all on various aspects of the life of George Washington. Edited by John Taylor Arms and Harry A. Ogden, Printed on "G. W". watermarked paper, each SIGNED and numbered in pencil, titles include: "The Surveyor's Assistant" by Robert Nisbit; "The Washington Homestead" by Arthur William Heintzelman; "Warning the French at Fort Le Boeuf" by Sears Gallagher; "Rallying the Troops at Braddock's Defeat" by Earl Horter; "Washington's Courtship" by William Auerbach-Levy; "A Vestryman of Pohick Church" by Ernest David Roth dated 1932; "En Route to the First Continental Congress" by Eugene Higgins; "The First American Army" by Ralph Boyer; "The British Driven from Boston" by Allen Lewis; "Strategic Retreat from Long Island" by Levon West; "Valley Forge - Army's Desperate Plight" by George Wright; "Stemming Retreat at Monmouth" by Kerr Eby; "The Surrender of Cornwallis" by F. Luis Mora; "Preventing a Military Dictatorship" by Albert Sterner; "Dramatic Farewell at Fraunces Tavern" by Samuel Chamberlain; "The Constitutional Convention - 1787" by John W. Winkler; "Washington, the Planter" by Louis Conrad Rosenberg; "New York Welcomes the President-Elect" by John W. Winkler; "Lady Washington's Levee" by Walter Tittle; and "Washington Enjoys His Beloved Estate" by Childe Hassam. …

Etching. Signed in pencil. Image measures 12 1/8" x 5 1/2". This beautiful etching depicts the entrance to 26 Broadway, otherwise known as the Standard Oil Building after its original occupant. Built in 1885, the building was renovated in 1921-1928 by Thomas Hastings almost to the point of being unrecognizable. This print dates to shortly after this rebuilding and shows the elaborate vaulted entrance with a globe-shaped lamp and carved decoration. A number of cars and people stand outside, all dwarfed by the massive size of the entrance. Strong contrasts of black and white in the etching enhance the building's dramatic architecture. The print is a dark impression in excellent condition. Earl Horter was an American etcher and illustrator who concentrated on urban scenes, particularly of New York and Philadelphia. He was strongly influenced by avant-garde art of the period, particularly Picasso, and became well-known as a collector as well as an artist. His work earned him a retrospective at the Whitney Museum of American Art in 1978. This print is a striking example of his work.…