horrigan bill (34 Ergebnisse)

Paperback. Zustand: Very Good. No Jacket. Former library book; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Very good. Paperback. 48pp. Lightly rubbed and edgeworn, else very good.

First Edition. First edition. Softcover. 21 pages. Exhibition catalog for a show that ran September 17 through December 14, 2013. Foreword and essay by Janine Mileaf and with additional essay by Bill Horrigan. Includes several illustrations. A fine copy in stapled wrappers. Scarce.

Stiff Wrappers. Zustand: Very Good. 135 pp., 84 photographs in color. Slight water damage to the back cover, top left-hand side. Published on the occasion of the exhibition from the Orange County Museum of Art, Newport Beach CA September 14, 2003-January 25, 2004, Contemporary Art Museum, Saint Louis MO September 16-December 31, 2005 and the Blaffer Gallery, the Art Museum of the University of Houston, January 21-April 2, 2006.

Zustand: Good. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Ex-library, so some stamps and wear, but in good overall condition. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions.

Zustand: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

49, (7)pp. Prof. illus. Lrg. oblong 8vo. Wraps. Published in conjunction with an exhibition at the Wexner Center for the Arts, The Ohio State University, Columbus, Ohio, Sept.-Dec. 2000.

49, (7)pp. Prof. illus. Lrg. oblong 8vo. Wraps. Published in conjunction with an exhibition at the Wexner Center for the Arts, The Ohio State University, Columbus, Ohio, Sept.-Dec. 2000.

Zustand: as new. Ostfildern : Hatje Cantz, 2013. Hardcover. 154 pp.- Using glass to explore a provocative range of artistic and intellectual concerns, Josiah McElheny (*1966 in Boston) produces dazzling fabricated objects that address such subjects as the nature of visual perception, the narratives of modernism, and the origin of the universe. Since 2007 he has produced a series of sculptures and a film inspired by 'The Light Club of Batavia', a 1912 text by German Expressionist writer Paul Scheerbart. This publication focuses on McElheny's 'Light Club' works, which investigate the role of glass in utopian ideas about modernist architecture., Exhibition: Wexner Center for the Arts, The Ohio State University, Columbus, USA (26.1.-7.5.2013). English text. Condition : as new. Condition : as new copy. ISBN 9783775734523. Keywords : ART,

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

First Edition. First Edition. Published in conjunction with an exhibition held from May 12 through August 12, 2007, at the Wexner Center for the Arts at Ohio State University. Slightest lean, overall Near Fine with no dust jacket as issued.

Zustand: New. Photographs by one of French cinema's most influential and enigmatic artists. Editor(s): Horrigan, Bill. Num Pages: 165 pages, 200 b&w photos. BIC Classification: AJB; AJC. Category: (P) Professional & Vocational. Dimension: 213 x 288 x 22. Weight in Grams: 1012. . 2007. Hardcover. . . . . Books ship from the US and Ireland.

Soft cover. Zustand: Fine. 1st Edition. Folded stiff wrappers (softcover), 63 p. : illustrations ; 23 cm + 16p advertising booklet. Fine, clean, no internal marks.

Zustand: New. In.

Hardcover. Zustand: Fine. Bound in pictorial boards (hardcover), 157p, illustrations, 21x28 cm. Very good/fine, clean, crisp, unmarked.

Hardcover. Zustand: Brand New. illustrated edition. 168 pages. 8.25x11.25x1.00 inches. In Stock.

Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Very Good. 1st Edition. Excellent used condition hardcover and likewise dust jacket showing light edge wear, Ships from Berlin Bookshop bxn26.

Hardcover. Zustand: Brand New. 216 pages. 12.50x10.00x1.25 inches. In Stock.

Zustand: Good. 4to. 49 pp. Soft Cover. Very Good. Wraps. Minor chipping on front cover. Some smudging on back cover. BW Plates. Provenance: From the collection of the Peter Norton Family Foundation, Santa Monica, CA. In 2003, Norton, the founder of Norton Utilities, became the chairman of the board of MoMA PS1.

Zustand: New. Chris Marker (born in 1921) is one of French cinema s most influential artists.Bill Horrigan is Director of Media Arts at the Wexner Center for the Arts at The Ohio State University.Molly Nesbit teaches at Vassar College. She is a contributi.

Hardcover. Zustand: Fine. First Edition. Hardback. Small 4to. pp 159. Original publisher's illustrated laminated boards. Issued without dust jacket. Copiously illustrated in colour and black and white throughout. UK musician ( Genesis) Phil Collins' exhibition comprised a selection of video and photographic projects for an exhibition at the Milton Keynes Gallery. All associated with the musician's tour. Fine.

Gebunden. Zustand: New. Klappentext.

Buch. Zustand: Neu. Neuware - Photographs by one of French cinema's most influential and enigmatic artists.

Buch. Zustand: Neu. Staring Back | Chris Marker | Buch | Einband - fest (Hardcover) | Englisch | 2007 | MIT Press | EAN 9780262083652 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu.

Trade paperback. Zustand: Very good. Sewn binding. Cloth over boards. 446 p. Contains: Illustrations, black & white, Illustrations, color. Audience: General/trade.

Buch. Zustand: Neu. Neuware - Cruzamentos features 35 artists, working across all genres, who reflect the vibrant artistic scene currently flourishing throughout Brazil. Many of the artists are emerging or mid-career and, with very few exceptions, have not been widely (or ever) exhibited in the US. 'Cruzamentos' translates literally as 'crossings' or ''intersections,' but in Brazil it also refers to the mixing of cultures that renders the country so distinctive. Cruzamentos extends that metaphor to contemporary art, focusing on artists whose practices are as varied as the country itself. Although a handful of postwar Brazilian visual artists have received recognition in North America, the astonishingly high level of artistic production throughout Brazil over recent decades remains significantly overlooked beyond its borders. Among the artists included are Márcio Almeida, Jonathas de Andrade, Laura Belém, Tatiana Blass, José Damasceno, Cia de Foto, Dias & Riedweg, Marcius Galan, Fernanda Gomes, Jac Leirner, Cristiano Lenhardt, Cinthia Marcelle, Beatriz Milhazes, Regina Silveira, Adriana Varejão and Marcia Xavier.

Cloth. Zustand: Near Fine. Zustand des Schutzumschlags: Near Fine. 402 pages. Color illustrations throughout. Small bumps to the top and bottom, right-hand corners. Minor creases to several fold-outs. Foreword by Adam D. Weinberg. Published on the occasion of the exhibition from the Whitney Museum of American Art, Nov. 12, 2018-March 31, 2019; San Francisco Museum of Modern Art, May 18-Sept. 2, 2019, Art Institute of Chicago, Oct. 20, 2019-Jan. 26, 2020. Checklist of the Exhibition. Book.

Hardcover. Zustand: New. Zustand des Schutzumschlags: New. 1st Edition. First edition, first printing. Signed in black ink on the half-title page by Tuymans. Hardcover. Fine gray cloth-covered boards with title debossed on cover and spine; with photographically illustrated dust jacket. Paintings by Luc Tuymans. Edited by Madeleine Grynsztejn and Helen Molesworth. Essays by Helen Molesworth, Joseph Leo Koerner, Ralph Rugoff and Bill Horrigan. Additional contributions by Alison Gass, Prudence Peiffer, Joshua Shirkey and Lanka Tattersall. Includes a catalogue of the exhibition, exhibition history and reviews and a selected bibliography. Designed by Takaaki Matsumoto, Matsumoto Incorporated, New York. 228 pp., with 75 four-color plates and numerous additional illustrations, finely printed in Germany by Cantz. 11-3/4 x 10 inches. Published on the occasion of a major exhibition organized by the San Francisco Museum of Modern Art and the Wexner Center for the Arts, and traveling to the Dallas Museum of Art, the Museum of Contemporary Art, Chicago, and the Centre for Fine Arts, Brussels. New in New dust jacket (opened only for signature). Luc Tuymans' paintings are more photographic than most photographs. His work is deeply rooted in the aesthetics of memory, the stream of media images in our culture, cinema and video, the "photographic" cues that we expect -- the way the edges of light look in an enlarged low-resolution image, the fragmentation in a snapshot, the "physicality" of a Polaroid -- and the apparent randomness of his wide-ranging subject matter (from the Holocaust to the specific pink color of the Financial Times). From the publisher: "Luc Tuymans is one of today's most widely admired painters, a continuation of the great tradition of Northern European painting and an enduring influence on younger and emerging artists. As a European child of the 1950s, his relationship to painting is inevitably structured by television, cinema and by the lingering effects of World War II; more recent historical preoccupations have included the dramatic turn of world events post-9/11. Tuymans combines a muted palette with deteriorated surface effect and a singular use of cropping, close-up and sequencing--perfect devices with which to undertake his investigation of the pathological, the banal and the conspiratorial. Published in conjunction with the artist's first full-scale American survey, this is without question the authoritative publication on Tuymans. It features approximately 75 key works from 1978 to the present, and is accompanied by essays analyzing the painter's main concerns, with particular attention paid to his working process and his adaptation of source materials. Helen Molesworth examines themes of sinister banality, Joseph Leo Koerner writes on iconophobia and iconophilia, Ralph Rugoff considers the nature of visual experience in light of Tuymans' recent work, and Bill Horrigan examines cinematic sources. This book is not only the most comprehensive survey of Tuymans' career to date, but also the most thorough chronology of his artistic development." Signed by Author.

ring_bound. Zustand: Good. Our good condition books are generally good for reading but not for gifting or collecting. They could have imperfections such as creasing, fanning, inscriptions, margin notes, yellowing, staining on edge or cover or pages, bumps, scuffs, etc etc (sometimes multiple of these). It's a wide category that encompasses anything that isn't almost-new down to anything that is slightly better than poor. We would NOT recommend gifting Good books - these should be considered reading copies. Our books are dispatched from a Yorkshire former cotton mill. We list via barcode/ISBN so please note that the images are stock images and may not be the exact copy you receive, furthermore the details about edition and year might not be accurate as many publishers reuse the same ISBN for multiple editions and as we simply scan a barcode or enter an ISBN we do not check the validity of the edition data when listing. If you're looking for an exact edition please don't order (at least not without checking with us first, although we don't always have time to check). We aim to dispatch prompty, the service used will depend on order value and book size. We can ship to most countries, see our shipping policies. Payment is via Abe only.