Horak jan christopher (104 Ergebnisse)

softcover. Zustand: Fine copy. 1st. Tall 8vo, 158 pp. Illus. with photos (illustrator).

softcover. Zustand: Fine copy. 1st. Tall 8vo, 169 pp. Illus. with photos (illustrator).

Zustand: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Zustand: New.

Hardcover. Zustand: As New. Zustand des Schutzumschlags: As New.

Paperback. Zustand: New. Marshalling his cinematic and cultural knowledge, editor Jan-Christopher Horak has compiled this group of articles on the cinematic period from 1919 to 1945. Many of the articles comprehensively treat such early film-makers as Mary Ellen Bute, Theodore Huff and Douglass Crockwell. Also included in the book is a listing of all American avant-garde films produced in the years before World War II as well as a bibliography of relevant criticism, literature and news accounts.…

Zustand: New. A compilation of articles on the cinematic period from 1919 to 1945. Many treat such early film-makers as Mary Ellen Bute and Theodore Huff and there is a listing of American avant-garde films produced before World War II and a bibliography of relevant criticism, literature and news accounts. Editor(s): Horak, Jan-Christopher. Series: Wisconsin Studies in Film. Num Pages: 432 pages, 75 b&w photographs. BIC Classification: 1KBB; 3JJG; 3JJH; APFA; JFC. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 229 x 152 x 22. Weight in Grams: 558. . 1998. 1st Edition. Paperback. . . . .…

Zustand: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

Zustand: New.

Paperback. Zustand: New. L. A. Rebellion: Creating a New Black Cinema is the first book dedicated to the films and filmmakers of the L. A. Rebellion, a group of African, Caribbean, and African American independent film and video artists that formed at the University of California, Los Angeles, in the 1970s and 1980s. The group-including Charles Burnett, Julie Dash, Haile Gerima, Billy Woodberry, Jamaa Fanaka, and Zeinabu irene Davis-shared a desire to create alternatives to the dominant modes of narrative, style, and practice in American cinema, works that reflected the full complexity of Black experiences. This landmark collection of essays and oral histories examines the creative output of the L. A. Rebellion, contextualizing the group's film practices and offering sustained analyses of the wide range of works, with particular attention to newly discovered films and lesser-known film-makers. Based on extensive archival work and preservation, this collection includes a complete filmography of the movement, over 100 illustrations (most of which are previously unpublished), and a bibliography of primary and secondary materials.This is an indispensible source book for scholars and enthusiasts, establishing the key role played by the L. A. Rebellion within the histories of cinema, Black visual culture, and postwar art in Los Angeles.…

Hardback. Zustand: New. Iconic graphic designer and Academy Award--winning filmmaker Saul Bass (1920--1996) defined an innovative era in cinema. His title sequences for films such as Otto Preminger's The Man with the Golden Arm (1955) and Anatomy of a Murder (1959), Alfred Hitchcock's Vertigo (1958) and North by Northwest (1959), and Billy Wilder's The Seven Year Itch (1955) introduced the idea that opening credits could tell a story, setting the mood for the movie to follow. Bass's stylistic influence can be seen in popular Hollywood franchises from the Pink Panther to James Bond, as well as in more contemporary works such as Steven Spielberg's Catch Me If You Can (2002) and television's Mad Men.The first book to examine the life and work of this fascinating figure, Saul Bass: Anatomy of Film Design explores the designer's revolutionary career and his lasting impact on the entertainment and advertising industries. Jan-Christopher Horak traces Bass from his humble beginnings as a self-taught artist to his professional peak, when auteur directors like Stanley Kubrick, Robert Aldrich, and Martin Scorsese sought him as a collaborator. He also discusses how Bass incorporated aesthetic concepts borrowed from modern art in his work, presenting them in a new way that made them easily recognizable to the public.This long-overdue book sheds light on the creative process of the undisputed master of film title design -- a man whose multidimensional talents and unique ability to blend high art and commercial imperatives profoundly influenced generations of filmmakers, designers, and advertisers. …

Zustand: New. A compilation of articles on the cinematic period from 1919 to 1945. Many treat such early film-makers as Mary Ellen Bute and Theodore Huff and there is a listing of American avant-garde films produced before World War II and a bibliography of relevant criticism, literature and news accounts. Editor(s): Horak, Jan-Christopher. Series: Wisconsin Studies in Film. Num Pages: 432 pages, 75 b&w photographs. BIC Classification: 1KBB; 3JJG; 3JJH; APFA; JFC. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 229 x 152 x 22. Weight in Grams: 558. . 1998. 1st Edition. Paperback. . . . . Books ship from the US and Ireland.…

Zustand: New. Suitable for scholars and enthusiasts, this book establishes the key role played by the L A Rebellion within the histories of cinema, Black visual culture, and postwar art in Los Angeles. Editor(s): Field, Allyson; Horak, Jan-Christopher; Stewart, Jacqueline Najuma. Num Pages: 488 pages, 110. BIC Classification: 1KBB; APFA; JFCA. Category: (P) Professional & Vocational; (U) Tertiary Education (US: College). Dimension: 229 x 152. . . 2015. Paperback. . . . .…

Paperback. Zustand: New. L. A. Rebellion: Creating a New Black Cinema is the first book dedicated to the films and filmmakers of the L. A. Rebellion, a group of African, Caribbean, and African American independent film and video artists that formed at the University of California, Los Angeles, in the 1970s and 1980s. The group-including Charles Burnett, Julie Dash, Haile Gerima, Billy Woodberry, Jamaa Fanaka, and Zeinabu irene Davis-shared a desire to create alternatives to the dominant modes of narrative, style, and practice in American cinema, works that reflected the full complexity of Black experiences. This landmark collection of essays and oral histories examines the creative output of the L. A. Rebellion, contextualizing the group's film practices and offering sustained analyses of the wide range of works, with particular attention to newly discovered films and lesser-known film-makers. Based on extensive archival work and preservation, this collection includes a complete filmography of the movement, over 100 illustrations (most of which are previously unpublished), and a bibliography of primary and secondary materials.This is an indispensible source book for scholars and enthusiasts, establishing the key role played by the L. A. Rebellion within the histories of cinema, Black visual culture, and postwar art in Los Angeles.…

Paperback. Zustand: Brand New. 180 pages. 9.00x6.00x0.25 inches. In Stock.

Journal. Zustand: Fine. (Vol. 2, No. 2). [as-new, nice and clean with no discernible wear]. (B&W photographs, facsimiles) In this issue: "Polavision Instant Movies: Edwin Land's Quest for a New Medium," by Elizabeth Czach; "Identifying and Documenting the Small Gauge Image: Researching Rare Footage of a First Nations School in the Canadian West," by Rosemary Bergeron; "An Academic Perspective: The Life and Films of John Barnes," by Geoff Alexander; "Coming to Terms with New York City's Moving Picture Operators, 1906-1913," by Roberta E. Pearson and William Uricchio; "Edison in Quebec (1894-1913): Shedding a Foreign Light on the Origins of Cinema in Canada," by Pierre Véronneau. Shorter pieces presented under the "Forum" heading are: "The UCLA Film & Television Archive: A Retrospective Look," by Robert Rosen; "The Edison Home Kinetoscope and Its Films," by Alan D. Kattelle; "Edison Home Kinetoscope (22mm): A List of Films and Sources," by the Small Gauge Working Group; "Restoring 22mm Edison Home Kinetoscope Films," by Ken Weissman and William O'Farrell; "The Fragile Emulson," by Jon Gartenberg; "The Research Value of Amateur Films: Integrating the Use of Amateur and Found Footage into a Film Production Course," by Laura Kissel. There are also reviews of five books and four films.…

Journal. Zustand: Fine. (Vol. 2, No. 1). [beautiful as-new copy, with no discernible wear]. (B&W photographs, facsimiles) Scholarly film journal that "covers topics such as the role of moving image archives and collection[s] in the writing of history, technical and practical articles on research and development in the field, in-depth examinations of specific preservation and restoration projects, and behind-the-scenes looks at the techniques used to preserve and restore our moving image heritage." Feature articles in this issue: "A Film Archive for Canada," by David Lemieux; "Home Movies on Freud's Couch," by Mark Neumann; "Of Pits and Vaults: The Historiographic Value of Educational Collections in Great Britain," by Eef Masson; "Notes on the Proliferation of METROPOLIS (1927)," by Martin Koerber; "The Marian Anderson Lincoln Memorial Concert: An Event Re-creation," by Andrea Leigh; "OAIS, METS, MPEG-21, and Archival Values," by L.J. Smart; "The Robert Youngson Compilations: Identification of Film Sources," by Brent Walker. The "Forum" section features "You Only Live Once: On Being a Troublemaking Professional," by Ray Edmondson, plus duelling letters regarding an earlier article about Dreyer's THE PASSION OF JOAN OF ARC. Plus reviews of a number of books, including Nicholson Baker's "Double Fold: Libraries and the Assault on Paper.".…

Journal. Zustand: Near Fine. (Vol. 6, No. 2). [virtually as-new, no significant wear, one-time owner's initials on first inside page]. (B&W photographs, facsimiles) In this issue: "Just Another Form of Ideology?: Ethical and Methodological Principles in Film Restoration," by Andreas Busche; "The Library of Congress Film Project: Film Collecting and a United State(s) of Mind," by Janna Jones; "Mitchell and Kenyon, Archival Contingency, and the Cultural Production of Historical License," by Nathan Carroll; "Mobile Home Movies: Travel and Le Politique des Auteurs," by Devin Orgeron; "My Saga of the Newly Discovered Estate of Erich von Stroheim," by Rick Schmidlin; five articles and an interview, all related to the restoration and re-evaluation of Oscar Micheaux's 1920 silent film WITHIN OUR GATES. There are also a number of book reviews, including a history of the birth and development of the Film Department at the Museum of Modern Art, and DVD reviews.…

Zustand: New. In English.

Zustand: New. Suitable for scholars and enthusiasts, this book establishes the key role played by the L A Rebellion within the histories of cinema, Black visual culture, and postwar art in Los Angeles. Editor(s): Field, Allyson; Horak, Jan-Christopher; Stewart, Jacqueline Najuma. Num Pages: 488 pages, 110. BIC Classification: 1KBB; APFA; JFCA. Category: (P) Professional & Vocational; (U) Tertiary Education (US: College). Dimension: 229 x 152. . . 2015. Paperback. . . . . Books ship from the US and Ireland.…

Zustand: New. 2019. Illustrated. Paperback. . . . . .

Zustand: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. Dust jacket in good condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,950grams, ISBN:9780813147185.…

Paperback. Zustand: Brand New. new edition edition. 416 pages. 9.25x6.00x0.75 inches. In Stock.

Zustand: New. In English.

Zustand: As New. Unread book in perfect condition.

Hardback. Zustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Zustand: New.