Horacio zabala (17 Ergebnisse)
- Softcover
Anbieter: BooksRun, Philadelphia, PA, USABooksRun
Verkäufer/-in kontaktierenVerkäufer/-in mit 5 SternenZustand: Gebraucht - Gut
EUR 10,27
Versand gratisVersand innerhalb von USAAnzahl: 1 verfügbar
Paperback. Zustand: Very Good. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.
- Softcover
Anbieter: ThriftBooks-Dallas, Dallas, TX, USAThriftBooks-Dallas
Verkäufer/-in kontaktierenVerkäufer/-in mit 5 SternenZustand: Gebraucht - Wie neu
EUR 12,27
Versand gratisVersand innerhalb von USAAnzahl: 1 verfügbar
Paperback. Zustand: As New. No Jacket. Pages are clean and are not marred by notes or folds of any kind. ~ ThriftBooks: Read More, Spend Less.
- Softcover
Anbieter: ThriftBooks-Dallas, Dallas, TX, USAThriftBooks-Dallas
Verkäufer/-in kontaktierenVerkäufer/-in mit 5 SternenZustand: Gebraucht - Gut
EUR 12,27
Versand gratisVersand innerhalb von USAAnzahl: 1 verfügbar
Paperback. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.
La mosca de Virgilio
Calleja Pérez, Seve; Oviedo González, Álex; Pérez Díaz, Enrique; Poe, Edgar Allan; Deledda, Grazia; Cardoso, Onelio Jorge; Meabe Bilbao, Tomás; Rostopchina, Sophie; Quiroga Forteza, Horacio; Dickens, Charles; Zola, Emilio; De Samaniego Zabala, Félix María
- Softcover
Anbieter: AG Library, Malaga, MA, SpanienAG Library
Verkäufer/-in kontaktierenVerkäufer/-in mit 5 SternenZustand: Neu
EUR 16,15
EUR 16,74 VersandVersand von Spanien nach USAAnzahl: 1 verfügbar
Zustand: New. Idioma/Language: Español. *** Nota: Los envíos a España peninsular, Baleares y Canarias se realizan a través de mensajería urgente. No aceptamos pedidos con destino a Ceuta y Melilla.
- Softcover
Anbieter: SoferBooks, Barcelona, B, SpanienSoferBooks
Verkäufer/-in kontaktierenVerkäufer/-in mit 5 SternenZustand: Neu
EUR 14,59
EUR 22,00 VersandVersand von Spanien nach USAAnzahl: 1 verfügbar
blanda. Zustand: New. Zustand des Schutzumschlags: Nuevo.
- Softcover
Anbieter: SoferBooks, Barcelona, B, SpanienSoferBooks
Verkäufer/-in kontaktierenVerkäufer/-in mit 5 SternenZustand: Neu
EUR 21,00
EUR 22,00 VersandVersand von Spanien nach USAAnzahl: 1 verfügbar
blanda. Zustand: New. Zustand des Schutzumschlags: Nuevo.
- Softcover
Anbieter: AHA-BUCH GmbH, Einbeck, DeutschlandAHA-BUCH GmbH
Verkäufer/-in kontaktierenVerkäufer/-in mit 5 SternenZustand: Neu
EUR 22,12
EUR 60,52 VersandVersand von Deutschland nach USAAnzahl: 2 verfügbar
Taschenbuch. Zustand: Neu. Neuware.
Sprache: Spanisch
Verlag: Asunto Impreso Ediciones., 2009
- Softcover
- Erstausgabe
Anbieter: DEL SUBURBIO LIBROS- VENTA PARTICULAR, C.A.B.A, ArgentinienDEL SUBURBIO LIBROS- VENTA PARTICULAR
Verkäufer/-in kontaktierenVerkäufer/-in mit 5 SternenVerbandsmitglied: ALADA
Zustand: Gebraucht - Wie neu
EUR 79,35
EUR 26,54 VersandVersand von Argentinien nach USAAnzahl: 1 verfügbar
In den WarenkorbEncuadernación de tapa blanda. Zustand: Como Nuevo. 1ª Edición. ZABALA HORACIO-VADEMECUM PARA ARTISTAS. Sin uso Observaciones sobre el Arte Contemporaneo Imaginativo y original, este nuevo libro del artista y arquitecto Horacio Zabala está integrado por observaciones sobre el arte contemporáneo, presentadas de una manera amena y… sumamente creativa. Agrupadas en diversos ejes, las ideas y reflexiones que alguna vez han pronunciado pensadores, escritores y artistas de distintas épocas, disparan una serie de comentarios que Horacio Zabala presenta a modo de respuestas epistolares. Así, este libro, -resultado de diálogos imaginarios entablados con célebres personajes, desde Gacel Duchamp, James Joyce, Paul Valery, Gilles Deleuze, Georges Duby y Lao-Tze, hasta otros más cercanos espacial, temporal y geográficamente como Luis Felipe Noé o Belén Gaché invitada a participar de la presentación del libro, realizada en el Centro Cultural de España- resulta doblemente atractivo: como compendio de ideas en torno al arte y como síntesis de las lúcidas reflexiones que inspiraron a su autor. A propósito del libro señala Horacio Zabala: "La antigua locución latina vademecum (vade: viene, me cum: conmigo) sugiere tránsito e impermanencia. Decidí adoptar el término debido a su concordancia con los vaivenes del arte y las experiencias estéticas contemporáneas, esto es, con la discontinuidad de las obras y actitudes que aparecen, se interrumpen y reaparecen de otra manera. La primera página de este libro podría ser la última y viceversa: está ausente la oposición entre el comienzo y el fin. Mi intención no es inaugurar ni clausurar nada, sino enlazar textos de los 233 autores citados (antiguos, modernos y contemporáneos) con mis comentarios: un montaje cruzado de interrogantes, dudas y respuestas. Esta figura en zigzag vincula al artista con su obra, a la experiencia estética con la práctica artística, los contextos reales, imaginarios y simbólicos del arte."Z2.
Weitere BilderSprache: Englisch
Verlag: Horacio Zabala, Argentina, 1974
- Softcover
Anbieter: Fenrick Books, Queens, NY, USAFenrick Books
Verkäufer/-in kontaktierenVerkäufer/-in mit 5 SternenZustand: Gebraucht - Gut
EUR 529,01
EUR 5,99 VersandVersand innerhalb von USAAnzahl: 1 verfügbar
In den WarenkorbSoftcover/Paperback. Zustand: Very Good. Horacio Zabala.Evolucion, Involucion, Revolucion. Argentina: Horacio Zabala, 1974.Sheet.5 1/2" x 4 1/2".Spanish. Near fine.Minor soiling to back. An apparently hand-cut piece of a map of South America with a square drawn in pencil and pen. Inside the pen are the words "Evolucion, Involuci…on, Revolucion" as well as Horacio Zabala's signature and the date. A play on words and the political states of the countries featured on the map such as Argentina, Uruguay, etc. Evolution, Regression, or Revolution? What will come to pass? Horacio Zabala is an Argentine conceptual artist, who over the course of a long career, has primarily been concerned with built space, physical and conceptual boundaries, and their effect on society, artists, and the average person. "Horacio Zabala is a conceptual artist who lives in Buenos Aires, Argentina. Trained as an architect, he frequently incorporates into his work architectural plans or representations of the built environment evoked through language or signs. Zabala's interest in physical structures elicits an exploration of the very purpose and utility of artistic expression, while also gesturing outwards to the political situation in his native Argentina. Indeed, the earliest works in this show were created amidst a thriving backdrop of conceptualism and systems art, as well as of the socio-political context of political oppression, between the fall of one dictatorship and the beginning of another. Rodrigo Alonso suggests that the work points 'to the risk of complicity that architecture runs in the case of being placed at the service of an authoritarian system.' This makes Zabala's interest in the architecture of oppression or safetythe jail or the bomb shelterall the more poignant.Systems art has an important history in Argentina; it found institutional support from the influential Centro de Arte y Comunicación (CAyC) and its director, Jorge Glusberg, who was at the forefront of international trends in the visual arts in the late 1960s and 1970s. Glusberg was ever sensitive to the sociopolitical connotation of art created in an oppressive regime like that in Argentina at this time, writing: 'from the viewpoint of semiotics, art is an ideological discourse [.] By way of artistic acts, man can become aware of his social reality.' Zabala's work, which was shown in the seminal exhibitions of systems art at CAyC, shares with Glusberg an interest in the scientific method, semiology, and how art functions within a society. Later, Zabala reflected: 'In the field of the visual arts, relationships between things stimulate me far more than the things themselves. Accordingly, in my work with monochromes, signs, furniture and cartography, I attempt to force relationships, to point out analogies and to divert uses.' Herein perhaps lies the key to understanding his work. It makes us look at things known intimately with fresh eyes and ponder how they could be put to an alternative use. The most jarring of such analogies is the one seen emblazoned on so many works in the showArt is a Jaila statement he first arrived at in 1972. Zabala's hand is shown writing the phrase or stamping it with ink onto paper. This is quite shocking coming from a visual artist who has chosen this path. What does it mean for art to be a jail? On one level, it describes the confining limitations of art as an institution, but the proliferation of the motif in highly varied works begs a closer look.In 1973, Zabala had a solo show at CAyC entitled Anteproyectos (Draft Projects). For this he created numerous plans for prisons that became codified into typologiesprisons on a column, floating prisons, and underground prisonssuggesting that they can be anywhere and everywhere, and that they are not always where you might expect them. Also shown there was the installation Espacio Represivo (Repressive Space) from the same year. A domestic-scaled cage-like enclosure, it brings the prison to the scale of the body and into the space of the.
Weitere BilderSprache: Englisch
Verlag: Horacio Zabala, Argentina, 1974
- Softcover
Anbieter: Fenrick Books, Queens, NY, USAFenrick Books
Verkäufer/-in kontaktierenVerkäufer/-in mit 5 SternenZustand: Gebraucht - Gut
EUR 846,41
EUR 5,99 VersandVersand innerhalb von USAAnzahl: 1 verfügbar
In den WarenkorbSoftcover/Paperback. Zustand: Very Good. Horacio Zabala.Tension = Force Area. Argentina: Horacio Zabala, 1974.Two photocopy sheets and a piece of a map on paper in portfolio.Spanish and English. Near fine, but for light wear to portfolio.A blank cream-colored portfolio that opens onto protective tissue paper signed in pen "For C…arlo Giovanni Cicatelli Zabala '74."with Zabala's rubber-stamp as well. An offering by Zabala to a fellow artist.Laid into the tissue paper are four sheets. Two xeroxes of a map of South America with the equations "Area = Force Tension" & "Tension = Force Area" overlaid on their respective sheets. Then a blank sheet which protects a simple piece of a map snippet pasted onto a sheet depicting the Malvinas islands in reference to tensions between Argentina and Great Britain over ownership of the Malvinas or Falkland Islands.Carlo Giovanni Cicatelli is also known as Charles Chickadee who was a founding member of the Bay Area Dada group, a publisher, as well as a mail-art participant. Horacio Zabala is an Argentine conceptual artist, who over the course of a long career, has primarily been concerned with built space, physical and conceptual boundaries, and their effect on society, artists, and the average person. "Horacio Zabala is a conceptual artist who lives in Buenos Aires, Argentina. Trained as an architect, he frequently incorporates into his work architectural plans or representations of the built environment evoked through language or signs. Zabala's interest in physical structures elicits an exploration of the very purpose and utility of artistic expression, while also gesturing outwards to the political situation in his native Argentina. Indeed, the earliest works in this show were created amidst a thriving backdrop of conceptualism and systems art, as well as of the socio-political context of political oppression, between the fall of one dictatorship and the beginning of another. Rodrigo Alonso suggests that the work points 'to the risk of complicity that architecture runs in the case of being placed at the service of an authoritarian system.' This makes Zabala's interest in the architecture of oppression or safetythe jail or the bomb shelterall the more poignant.Systems art has an important history in Argentina; it found institutional support from the influential Centro de Arte y Comunicación (CAyC) and its director, Jorge Glusberg, who was at the forefront of international trends in the visual arts in the late 1960s and 1970s. Glusberg was ever sensitive to the sociopolitical connotation of art created in an oppressive regime like that in Argentina at this time, writing: 'from the viewpoint of semiotics, art is an ideological discourse [.] By way of artistic acts, man can become aware of his social reality.' Zabala's work, which was shown in the seminal exhibitions of systems art at CAyC, shares with Glusberg an interest in the scientific method, semiology, and how art functions within a society. Later, Zabala reflected: 'In the field of the visual arts, relationships between things stimulate me far more than the things themselves. Accordingly, in my work with monochromes, signs, furniture and cartography, I attempt to force relationships, to point out analogies and to divert uses.' Herein perhaps lies the key to understanding his work. It makes us look at things known intimately with fresh eyes and ponder how they could be put to an alternative use. The most jarring of such analogies is the one seen emblazoned on so many works in the showArt is a Jaila statement he first arrived at in 1972. Zabala's hand is shown writing the phrase or stamping it with ink onto paper. This is quite shocking coming from a visual artist who has chosen this path. What does it mean for art to be a jail? On one level, it describes the confining limitations of art as an institution, but the proliferation of the motif in highly varied works begs a closer look.In 1973, Zabala had a solo show at CAyC entitled Anteproyectos (Draft Projects). For this he cr.
Weitere BilderVerlag: Galeria Arte Nuevo, Buenos Aires, 1975
Anbieter: William Allen Word & Image, London, Vereinigtes KönigreichWilliam Allen Word & Image
Verkäufer/-in kontaktierenVerkäufer/-in mit 5 SternenZustand: Gebraucht - Gut
EUR 331,05
EUR 25,13 VersandVersand von Vereinigtes Königreich nach USAAnzahl: 1 verfügbar
In den WarenkorbZustand: Very good. Horacio Zabala, Ultima Exposicion de Arte por Correspondencia '75, Galeria Arte Nuevo, Buenos Aires, Argentina, 1975. 133 x 187 mm. Artist postcard. Recto involves screen printed purple design and information on the exhibit. Verso includes text on exhibit 'Last International Exhibition of Mail Art '75', inclu…ding the name of Edgardo-Antonia Vigo (G. E. Marx Vigo) with underlined sentence (by Zabala ?) and signed 'best wishes, Zabala' (Horacia Zabala). Addressed to 'Kunstinformatie centrum' (Van Beveren's Art Information Centre), three different coloured postal stamps (purple, red and brown) of the Republic of Argentina, stamped 14th of July 1975 and rubber stamped in purple 19 July 1975 (the accession date into the Art Information Archive). Condition: recto has slight wear on the top right and bottom left corner and light soiling. Very good.
Weitere BilderVerlag: Edition Lydia Franken-Koln Undated, Cologne
- Erstausgabe
Anbieter: William Allen Word & Image, London, Vereinigtes KönigreichWilliam Allen Word & Image
Verkäufer/-in kontaktierenVerkäufer/-in mit 5 SternenZustand: Gebraucht - Sehr gut
EUR 391,24
EUR 25,13 VersandVersand von Vereinigtes Königreich nach USAAnzahl: 1 verfügbar
In den WarenkorbZustand: Fine. 1st Edition. 152 x 103 mm. Folded photocopy, signed and dated by the artist, numbered 3/50, mounted on green card. Published by Edition Lydia Franken-Koln. The design features a blueprint for a bomb. Condition: folded as issued, Fine.
Experincias / Today Experiences/Hoje 2
Joao Carlos Sampaio-Cati, Joaquim Branco, Horacio Zabala, Clemente Padin, A.L.M.Andrade
Verlag: The artists, rio de janeiro, 1975
Anbieter: William Allen Word & Image, London, Vereinigtes KönigreichWilliam Allen Word & Image
Verkäufer/-in kontaktierenVerkäufer/-in mit 5 SternenZustand: Gebraucht - Gut
EUR 511,62
EUR 25,13 VersandVersand von Vereinigtes Königreich nach USAAnzahl: 1 verfügbar
In den WarenkorbZustand: Very good +. 10 loose sheets, 1 piece of crumpled paper and 1 serviette. Assembling magazine edited by Joao Carlos Sampaio-Cati, including several important contibutors from South America.Edition of 300 unnumbered copies. Includes mail art contributions from: Joaquim Branco, Horacio Zabala, Clemente Padin and others. In…cludes some of the original envelopes in which the works were sent, some of the works have collage elements. Incomplete (missing two items we estimate) but a very rare artists periodical including handmade contributions. Rubber stamped envelope by Zabala 'CENSURADO' has blank sheet enclosed as issued, other mixed media contributions include letraset, rubber stamps handwritten elements and various printing techniques. A.L.M Andrade signed envelope has handrawn sheet inside that due to dampness at some point is stuck to envelope (text by Andrade in purple and green felt tip is just readable). Condition: some wear to paper, but overall VG+.
Weitere BilderVerlag: CAyC, Buenos Aires, 1972
Anbieter: William Allen Word & Image, London, Vereinigtes KönigreichWilliam Allen Word & Image
Verkäufer/-in kontaktierenVerkäufer/-in mit 5 SternenZustand: Gebraucht - Gut
EUR 1.023,25
EUR 25,13 VersandVersand von Vereinigtes Königreich nach USAAnzahl: 1 verfügbar
In den WarenkorbZustand: Very good +. Hacia un perfil del arte latinoamericano: muestra del grupo de los trece e invitados especiales organizada por Jorge Glusberg [Towards a Latin American Profile of Art: Exhibition of the group of the thirteen and special guests organised by Jorge Glusberg], CAyC, Buenos Aires, 20 June 1972. 232 x 172mm. 28 s…heets printed black on white stock, in folio printed black on yellow. Unnumbered edition of 2000. Text in Spanish and English. Illustrated throughout. Published to coincide with the exhibition at CAyC, 26 June 3 July 1972. The 'group of the thirteen' includes Jacques Bedel, Luis Benedit, Gregorio Dujovny, Carlos Ginzburg, Victor Grippo, Jorge Gonzales Mir. Jorge Glusberg, Vicente Marotta, Luis Pazos, Alberto Pelligrino, Alfredo Portillos, Juan Carlos Romero, Julio Teich. The 'special guests' include Marcel Alocco, Juan Navarro Baldeweg, Juan Bercetche, Guillermo Deisler, Juan Downey, Ken Friedman, Jochen Gerz, Klaus Groh, Guerrilla Art Action Group, Dick Higgins, Richard Kostelanetz, Uzi Kotler, Auro Lecci, Oscar Maxera, Marie Orensanz, Osvaldo Romberg, Clorindo Testa, Enrique Torrojo, Horst Tress, Jiri Valoch and Horacio Zabala. Contains an essay on 'Art and Ideology' by Glusberg and illustrated profiles on each of the artists, as well as installation shots of the exhibition at the third Coltejer Biennal in Medellin, Columbia, in May-June 1972. Condition: no stamps or writing, light soiling to covers, some light toning to internal pages. Overall: Very good+.
Verlag: [Buenos Aires: [1975], 1975
Anbieter: Peter Harrington. ABA/ ILAB., London, Vereinigtes KönigreichPeter Harrington. ABA/ ILAB.
Verkäufer/-in kontaktierenVerkäufer/-in mit 5 SternenZustand: Gebraucht
EUR 1.023,25
EUR 25,71 VersandVersand von Vereinigtes Königreich nach USAAnzahl: 1 verfügbar
In den WarenkorbThe rare catalogue for the "Last International Mail Art Exhibition", the first of its kind in Argentina. It was issued as a portfolio containing 13 individual works by artists including Diago Barboza, Clement Young, Ken Friedman, Hervé Fischer, and Julián Blaine. The exhibition, organized by artists Horacio Zabala and Edgardo An…tonio Vigo, was held on 5 December 1975 at the Galería arte nuevo in Buenos Aires. It showcased work by 210 artists from 25 countries. Original brown card folder (285 x 250 mm), stamped and franked title label on front, containing 16 leaves loose as issued (between 88 x 138 and 271 x 244 mm). Faint toning to edges of envelope, slight foxing to label, contents fresh: fine.
Verlag: Other Books and So, Amsterdam, 1977
Anbieter: William Allen Word & Image, London, Vereinigtes KönigreichWilliam Allen Word & Image
Verkäufer/-in kontaktierenVerkäufer/-in mit 5 SternenZustand: Gebraucht - Gut bis sehr gut
EUR 1.444,58
EUR 25,13 VersandVersand von Vereinigtes Königreich nach USAAnzahl: 1 verfügbar
In den WarenkorbZustand: Near Fine. 533 x 285mm Signed poster, screenprint black on newsprint, Other Books and So, Amsterdam, 1977. List of participating artists include : Edgardo Antonio-Vigo, Ben Vautier, Mario Perniola, Juan C Romero, G.J.de Rook, Clemente Padin, J.H.Kocman, Les Levine, Jonier Marin, Carlos Ginzburg, Jorge Glusberg, Jochen G…erz, Robert Filliou, Guillermo Deisler, Robin Crozier, Ricardo Cristobal, Ulises Carrion, G.A.Cavellini, Jorge Caraballo, Paulo Bruscky, Juliene Blaine, Luis Benedit et al. No edition Size given. Signed. Condition: minor toning to bottom edge, Near Fine.
Weitere BilderAnbieter: Librairie l'Imaginaire, Bruxelles, BelgienLibrairie l'Imaginaire
Verkäufer/-in kontaktierenVerkäufer/-in mit 4 SternenZustand: Gebraucht
EUR 150,00
EUR 45,00 VersandVersand von Belgien nach USAAnzahl: 1 verfügbar
In den WarenkorbEditions Nepe, sans date [circa 1980]. 29 x 20,5 cm, non paginé, 8 ff. Plaquette agrafée en bel état. La collection Zerosscopiz 845 a été créée en 1979 et éditée jusqu?en 1989 par Julien Blaine, artiste et poète français et Angeline Neveu. Elle est composée au total de 28 numéros, dont le catalogue des 27 titres parus. Elle a ét…é créée pour prouver que tout instrument de reproduction ou d?impression, du crayon à la mine de plomb aux nouveaux programmes d?informatique, pouvait être récupéré par les artistes et les poètes (ce que Julien Blaine nomme ?les poètartistes?) pour devenir un outil de création. Il n?y avait pas de thématique précise pour chaque numéro, mais des artistes et des poètes issus de la poésie concrète, de la poésie visuelle (Posera visiva en Italie, Visual poetry en Angleterre), de la poésie dite matérielle ou élémentaire (double sens), de la performance et du mail-art. Il s?agissait en particulier de poètes et d?artistes venus de tous les pays.
