Honthorst gerard van (12 Ergebnisse)

Loose Leaf. Zustand: New. Reproduction. Original title: Man eats ham German: Mann isst Schinken French: L'homme mange du jambon Spanish: El hombre come jamón High-quality fine-art reproduction based on an original work from the Rijksmuseum. Creation period: 17th century (). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No.…

Loose Leaf. Zustand: New. Reproduction. Original title: Woman with empty scholarship German: Frau mit leerem Stipendium French: Femme avec une bourse vide Spanish: Mujer con beca vacía High-quality fine-art reproduction based on an original work from the Rijksmuseum. Creation period: 17th century (). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No.…

Loose Leaf. Zustand: New. Reproduction. Original title: Singing woman German: Singende Frau French: Femme chantante Spanish: Cantando mujer High-quality fine-art reproduction based on an original work from the Rijksmuseum. Creation period: 17th century (). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No.…

Loose Leaf. Zustand: New. Reproduction. Original title: Old woman sings German: Alte Frau singt French: Une vieille femme chante Spanish: La vieja canta High-quality fine-art reproduction based on an original work from the Rijksmuseum. Creation period: 17th century (). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No.…

Loose Leaf. Zustand: New. Reproduction. Original title: Woman with empty scholarship German: Frau mit leerem Stipendium French: Femme avec une bourse vide Spanish: Mujer con beca vacía High-quality fine-art reproduction based on an original work from the Rijksmuseum. Creation period: 17th century (). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No.…

Zustand: As New. Unread book in perfect condition.

Zustand: Good. Steel engraving. 8 1/2 x 10 3/4 in. (sheet). Good, some sheet toning, and foxing.

'PATRIÆQVE PATRIQVE / FREDERICVS HENRICVS A NASSAV PRINCEPS ARAVSIONVM ETC.'Portrait of Frederik Hendrik, Prince of Orange, in an oval medallion with an inscription around it. Below the portrait, his name is engraved along with a dedication on the verso of the print.Made by Jacob van Meurs after Gerard van Honthorst.Medium: Engraving, Letterpress printing on hand laid (verge) paper.Sheet size: 18.4 x 29.8 cm (7.24 x 11.73 inch). Image size: 18.4 x 29.8 cm. (7.24 x 11.73 inch).FREDERIK HENDRIK, PRINCE OF ORANGE, PORTRAIT, JACOB VAN MEURS, GERARD VAN HONTHORST, ENGRAVING, 17TH CENTURY | PCO-A22-11BACKGROUND INFORMATIONSource: unknown, to be determined.Reference: FMP 176, Collectie Rijksmuseum-2(2), Beschrijvende catalogus van 7000 portretten van Nederlanders, p. 8, cat.nr. 176.Biography engraver: Jacob van Meurs (1619-1680), a Dutch engraver and publisher, worked primarily in Amsterdam, creating numerous portraits and historical scenes.Biography artist: Gerard van Honthorst (1592-1656), Dutch painter of the Golden Age, known for his portraits and genre scenes, active in the court of Frederik Hendrik. Condition: good, given age. Rear text. Slight paper loss at bottom left and right. Small tear at right middle margin. General age-related toning and/or occasional minor defects from handling. Please study scan carefully. Gerard van Honthorst (illustrator).…

Single sheet (image size 17 x 11 4/8 inches laid down onto; sheet size 21 x 13 inches). Fine engraved and etched portrait of Portrait of William II, Prince of Orange; half-length turned to right, wearing armour and a lace collar; within oval medallion frame: "Natus XXVII Maii MDCXXVI", by Crispijn van Queborn after Honthorst, all with exceptionally fine original hand-colour in full, expertly and delicately heightened in gold. THE CENTRAL FIGURE OF A CRITICAL STRUGGLE FOR POWER IN THE DUTCH REPUBLIC An elegant portrait of the young King William, and a pair to Queborn's engraved portrait of his wife Mary Stuart after Anthony van Dyck (Hollstein 55). Beneath the portrait are some verses by the celebrated Caspar Barlaeus (1584-1648), who in 1647 published "Rerum per octennium in Brasilia et alibi gestarum, sub praefectura illustrissimi comitis I. Mauritii, Nassauiae, &c. comitis, Nunc Vesaliae Gubernatoris & Equitatus Foederatorum Belgii Ordd. Sub vriaco Ductoris, Historia", an account of the eight years that Prince Mauritz of Nassau (half brother of William II's father) spent in command of Brazil. William of Nassau, the Prince of Orange (1626-1650) was the son of Frederick Henry, the Stadtholder of the United Provinces. At the age of fifteen (the age he appears in this portrait), he was married to Mary Stuart (1631-1660), the eldest daughter of Charles I of England, Scotland and Ireland, and Princess Royal. The "prince led a restless and dissolute life until his accession to the stadholderate in 1647 gave him an outlet for his great abilities, masterful will and keen ambition. His plans for an aggressive policy against Spain were ended by his early death from smallpox. A few days after he died, his wife gave birth to the son who would become William III of England" (National Portrait Gallery online). After an original portrait by Gerard van Honthorst, who was born in Utrecht, and from an artistic family "Gerard, also known as Gerrit, was its most successful member. Following a stay in Italy in the 1610s, he returned to Utrecht in 1620. He was a prominent representative of a group of painters that have become known as the Utrecht Caravaggists, Dutch followers of the Italian artist Caravaggio. The latter was especially known for his nocturnal scenes of candlelit figures. In the 1630s, Van Honthorst acquired a name in court circles as a portrait painter, which led him to move to The Hague in 1637. In 1649, Van Honthorst was commissioned to paint part of the decoration of the Orange hall at the stadholder's palace of Huis ten Bosch. In 1652, he returned to Utrecht, where he died four years later" (Rijksmuseum online). Catalogued by Kate Hunter.…

'AMELIA, GRAVIN VAN SOLMS, GEMALIN VAN FREDERIK HENDRIK, PRINS VAN ORANJE." - 'H. POTHOVEN DELIN." - 'J. HOUBRAKEN SCULPS. 1753" - 'JBS HAFFMAN EN P. MEYER EXCUDIT."'Oval portrait of Amalia van Solms, spouse of Fredrik Hendrik, within a decorative cartouche. She is shown half-length, wearing pearls and an elegant gown. Around the frame allegorical attributes including a globe, lyre, books and drapery symbolize culture and virtue. Rich ornamental Baroque framing.Made by Jacobus Houbraken after Hendrik Pothoven (after Gerard van Honthorst).Medium: Etching and engraving, printed in black ink on hand laid (verge) paper.Sheet size: 24.7 x 38.6 cm (9.72 x 15.2 inch). Image size: 21.5 x 35.1 cm. (8.46 x 13.82 inch).AMALIA VAN SOLMS, COUNTESS OF SOLMS, PRINCESS OF ORANGE, FREDERIK HENDRIK, JACOB HOUBRAKEN, HENDRIK POTHOVEN, GERARD VAN HONTHORST, 1753 ENGRAVING, DUTCH ROYAL PORTRAIT | PCO-E15-2-39BACKGROUND INFORMATIONPublished by Jacobus Haffman and Pieter Meyer, Amsterdam, 1753.Reference: Rijksmuseum, Amsterdam, RP-P-OB-104.301; FMP 196-i.Biography engraver: Jacobus Houbraken (1698-1780) was a Dutch engraver and one of the most important portrait printmakers of the 18th century. Son of Arnold Houbraken, he worked in Amsterdam and became renowned for his refined burin technique and elegant portrait engravings after Dutch masters.Biography artist: Hendrik Pothoven (1725-1807) was a Dutch painter and draughtsman who provided designs for engraved portraits. The composition ultimately derives from a painted portrait by Gerard van Honthorst (1592-1656), a leading Dutch Caravaggist painter known for court portraits and historical scenes. Condition: good, given age. Light foxing, creasing, and soiling. Trimmed to thhe image. Loosely attched to a carrier. General age-related toning and/or occasional minor defects from handling. Please study scan carefully. Hendrik Pothoven (after Gerard van Honthorst) (illustrator).…

Portrait of William II, Prince of Orange, dressed in armour. In the middle of the portrait a dove of peace and below it a representation of the Peace of Münster. On the ground are sword, commander's staff, laurel wreath and a cornucopia.Made by Pieter Tanje after Gerard van Honthorst.Medium: Engraving on hand laid (verge) paper.Sheet size: 31 x 44.3 cm (12.2 x 17.44 inch). Image size: 23.9 x 37.1 cm. (9.41 x 14.61 inch).PORTRAIT-WILLIAM II-PRINCE OF ORANGE | PORTRAIS - MISCBACKGROUND INFORMATIONPublisher: Societ. Bibliopol. Rotterod.Biography engraver: Pieter Tanje (1706-1761) was an 18th-century engraver from the Northern Netherlands.Biography artist: Gerard van Honthorst (1592-1656) was a Dutch Golden Age painter who became known for his depiction of artificially lit scenes, eventually receiving the nickname Gherardo delle Notti ("Gerard of the Nights"). Early in his career he visited Rome, where he had great success painting in a style influenced by Caravaggio. Following his return to the Netherlands he became a leading portrait painter. Van Honthorst's contemporaries included Utrecht painters Hendrick Ter Brugghen and Dirck van Baburen. Condition: good, given age. General age-related toning and/or occasional minor defects from handling. Please study scan carefully. Gerard van Honthorst (illustrator). …

Beautiful portrait of Amalia van Solms (1602-1675) in an oval. On the bottom some elements representing her interests: a book, a globe and some embroidery work. A large lyre at the bottom of the frame. Inscribed on the oval: 'AMELIA Gravinne van Solms.'. Signed: 'G.v. Honthorst Pinx. / J. Houbraken sculps. 1753'. On verso pen and ink inscription, likely from the 19th century. This bust portrait is drawn from a larger composition at the Rijksmuseum (SK-A-874). The Dutch Crown Princess Amalia van Oranje is named after Amalia van Solms. Etching and engraving on paper, with broad margins; plate mark: 358 x 228 mm, total: 432 x 296 mm, in passepartout. Some smudges and staining along the margins; Muller 196.…