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PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Zustand: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Softcover. Zustand: Wie neu. 1. Auflage. 176 pages with many illustrations, partly coloured.

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Paperback. Zustand: Brand New. 384 pages. 8.25x6.00x1.50 inches. In Stock.

Zustand: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Zustand: New. 2023. Paperback. . . . . . Books ship from the US and Ireland.

Paperback. Zustand: Brand New. 384 pages. 8.25x6.00x1.50 inches. In Stock.

Paperback. Zustand: Brand New. gld edition. 272 pages. 9.21x6.14x0.57 inches. In Stock.

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Broschur, 8°. Zustand: Gut. 141 S. Das Buch ist in sehr gutem, sauberen Zustand. Einband etwas berieben. Ecken und Kanten leicht bestossen. Sonst sauberes und wohlerhaltenes Exemplar. ISBN: 9783980293457 Wir senden umgehend mit beiliegender MwSt.Rechnung. Sprache: Deutsch Gewicht in Gramm: 299.

Paperback. Zustand: Brand New. German language. 11.69x8.39x0.39 inches. In Stock.

Zustand: New. Num Pages: 336 pages. BIC Classification: APFA. Category: (P) Professional & Vocational. Dimension: 230 x 173 x 28. Weight in Grams: 838. . 2017. Hardback. . . . . Books ship from the US and Ireland.

Taschenbuch. Zustand: Neu. Neuware - Das Radio als entscheidende Kommunikationsform des 20. Jahrhunderts durchläuft gegenwärtig Prozesse fundamentaler Reorganisation unter dem Schlagwort »Digitalisierung«. Unter dem älteren Begriff der Radiophonie betrachtet, setzen diese Prozesse konzeptuelle Möglichkeiten frei, die weit u¿ber eine Ökonomisierung von Produktions- und Sendeformen hinausgehen. Radiophonie als Kulturtechnik integriert die Unterscheidung von musikalischem Klanggeschehen und von Effekten und Sounds zu einem neuen Konzept von Klangkunst. Diesen Themen widmen sich die Ausstellung RadiophonicSpaces und die Tagung Radiophonic Cultures - Sonic Environments and Archives in Hybrid Media Systems ebenso wie die begleitende Publikation in drei Bänden:Bd. 1 Radiophonic Cultures (Texte) gibt den aktuellen Stand der Diskussion um Radiophonie, deren Geschichte und mögliche Zukunft, entlang der auf der Tagung fokussierten Fragestellungen wieder.Bd. 2 Radiophonic Materials (Dokumente) versammelt entscheidende Texte aus der Geschichte der Radiophonie, die insbesondere im deutschen Sprachraum noch kaum rezipiert worden sind. Bd. 3 Radiophonic Spaces (Ausstellungskatalog)lädt ein, dem kreativen Zusammenspiels von Kunst und Wissenschaft zu folgen und Einblicke in heutige Sammlungen sowie sonst nur schwer zugängliche Radiokunstarchive zu bekommen.

Taschenbuch. Zustand: Neu. Radiophonic 1 Cultures | Dt/engl, Radiophonics 1 | Ute Holl | Taschenbuch | 288 S. | Deutsch | 2018 | Kehrer Verlag /Kehrer Design | EAN 9783868288629 | Verantwortliche Person für die EU: Kehrer Verlag /Kehrer Design Heinsteinwerk, Klaus Kehrer, Mannheimer Str. 175, 69123 Heidelberg, contact[at]kehrerverlag[dot]com | Anbieter: preigu.

Gebunden. Zustand: New. Moses has long been a source of modern fascination. For Sigmund Freud and psychoanalysis, Moses was a particularly fruitful subject for the study of memory and historiography. He also held great interest for the visual and performing arts. In the 1920s a.

Taschenbuch. Zustand: Neu. Neuware - Farid ad-Din-e ?A??ar's Persian folk tale The Conference of the Birds relates the quest by thousands of pilgrim birds for an ideal king, the mythical bird called Simorgh. At the end of the quest, the surviving birds recognise that the longed-for king is nothing other than the reflection of their own existence. But what about those other birds that were not able to become part of the final representation This groundbreaking book calls them 'counter-memories'; memories that are barred from hegemonic history, but are, nevertheless present in cinematic forms. Due to the strategic and artistic interventions of a range of Iranian filmmakers, such as Abbas Kiarostami and Shahram Mokri, Ali Hatami and Tahmineh Milani, Kianoush Ayari and Rakshan Banietemad, the history of post-revolutionary Iranian Cinema is also structured by counter-memories, with the potential to destabilise officially fabricated success stories of revolution, war and sacred defence. Counter-Memories in Iranian Cinema establishes a new framework for understanding the tensions between censorship and resistance, helping to carve out resistant points of remembering both within and outside state-controlled cinema. Matthias Wittmann is a researcher on media (especially ?lm), curator, and writer. He was Research Associate and Chief Assistant at the Seminar for Media Studies (University of Basel) and Visiting Professor in Vienna. He has just ?nished a book about the Octopus (Die Gesellschaft des Tentakels, 2021) and is currently writing a book on Martyrographies in Iranian Cinema. Ute Holl is Professor for Media Aesthetics at the Seminar for Media Studies, University of Basel.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Buch. Zustand: Neu. Neuware - Moses has long been a source of modern fascination. For Sigmund Freud and psychoanalysis, Moses was a particularly fruitful subject for the study of memory and historiography. He also held great interest for the visual and performing arts. In the 1920s and '30s, the composer Arnold Schoenberg wrote the three-act opera Moses and Aron. First performed just a few years before his exile to the United States, it required that its audiences distinguish voices from forceful background noise, just as Moses had to confront the burning bush before he could hear the voice of God. In 1974, filmmakers Jean-Marie Straub and Danièle Huillet created an avant-garde cinematic adaptation of Schoenberg's opera that continued the composer's examination of the established hierarchies of seeing and hearing.In The Moses Complex, Ute Holl analyzes these major works in detail and deep historical context, synthesizing the complex models of resistance to explore the relationships among media, migration, and politics. Since Moses descended from Sinai with the tablets inscribed with the Ten Commandments, new media and new laws have often emerged simultaneously. Liberation, in particular, has been negotiated through many different cultural media, with psychoanalysis, music, and cinema all describing exodus and exile as a process of force. Offering a dynamic and comprehensive political and cultural theory of migration and violence, The Moses Complex speaks equally well to psychoanalytic, musical, and cinematic thinking as it does to our tendency toward violence in the treatment of migrants today.

Buch. Zustand: Neu. Radiophonics, 2 Bde | Cultures, Materials | Ute Holl (u. a.) | Buch | 688 S. | Deutsch | 2024 | Kehrer, Heidelberg | EAN 9783868288650 | Verantwortliche Person für die EU: Kehrer Verlag /Kehrer Design Heinsteinwerk, Klaus Kehrer, Mannheimer Str. 175, 69123 Heidelberg, contact[at]kehrerverlag[dot]com | Anbieter: preigu.

Buch. Zustand: Neu. The Moses Complex | Freud, Schoenberg, Straub/Huillet | Ute Holl | Buch | 332 S. | Englisch | 2017 | DIAPHANES AG | EAN 9783037346235 | Verantwortliche Person für die EU: diaphanes verlag, Dresdener Str. 118, 10999 Berlin, vertrieb[at]diaphanes[dot]net | Anbieter: preigu.

Zustand: Sehr gut. 324 S. Als Mängelexemplar gekennzeichnet, Lagerspuren vorhanden Sprache: Deutsch Gewicht in Gramm: 754.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Zustand: New.

Taschenbuch. Zustand: Neu. Neuware - We've all had the experience of watching a film and feeling like we've been in a trance. This book takes that experience seriously, explaining cinema as a cultural technique of trance, one that unconsciously transforms our perceptions. Ute Holl moves from anthropological and experimental cinema through nineteenth-century psychological laboratories, which she shows developed techniques for testing, measuring, and classifying the mind that can be seen as a prehistory of cinema, one that allows us to see the links among cinema, anthropology, psychology, and cybernetics. Ute Holl moves from anthropological and experimental cinema through nineteenth-century psychological laboratories, which she shows developed techniques for testing, measuring, and classifying the mind that can be seen as a prehistory of cinema.

Zustand: New. &Uumlber den AutorDr Matthias Wittmann is a researcher on media (especially &#64257lm), curator, and writer. He was Research Associate and Chief Assistant at the Seminar for Media Studies (University of Basel) and Visiting Professor.

Zustand: New. 2021. Hardcover. . . . . . Books ship from the US and Ireland.

Hardcover. Zustand: Brand New. 264 pages. 9.21x6.14x0.63 inches. In Stock.

Zustand: New. In.

Buch. Zustand: Neu. Neuware - Farid ad-Din-e ?A??ar's Persian folk tale The Conference of the Birds relates the quest by thousands of pilgrim birds for an ideal king, the mythical bird called Simorgh. At the end of the quest, the surviving birds recognise that the longed-for king is nothing other than the reflection of their own existence. But what about those other birds that were not able to become part of the final representation This groundbreaking book calls them 'counter-memories'; memories that are barred from hegemonic history, but are, nevertheless present in cinematic forms. Due to the strategic and artistic interventions of a range of Iranian filmmakers, such as Abbas Kiarostami and Shahram Mokri, Ali Hatami and Tahmineh Milani, Kianoush Ayari and Rakshan Banietemad, the history of post-revolutionary Iranian Cinema is also structured by counter-memories, with the potential to destabilise officially fabricated success stories of revolution, war and sacred defence. Counter-Memories in Iranian Cinema establishes a new framework for understanding the tensions between censorship and resistance, helping to carve out resistant points of remembering both within and outside state-controlled cinema. Matthias Wittmann is a researcher on media (especially ?lm), curator, and writer. He was Research Associate and Chief Assistant at the Seminar for Media Studies (University of Basel) and Visiting Professor in Vienna. He has just ?nished a book about the Octopus (Die Gesellschaft des Tentakels, 2021) and is currently writing a book on Martyrographies in Iranian Cinema. Ute Holl is Professor for Media Aesthetics at the Seminar for Media Studies, University of Basel.