Hogarth william cook thomas (33 Ergebnisse)

No Binding. Zustand: Very Good. Size: Sheet 32 x 48.5 cm, platemark (both prints) 21.5 x 38 cm, Frontispiece image 13.5 x 17.5 cm, Tailpiece image approx. 13 x 12 cm Condition: Very good condition, an excellent impression on wove paper In 1761 a group of artists, including Hogarth, set up as the Society of Artists and exhibited their paintings in Charing Cross, London. The group was set up in protest at the organisation of an exhibition the previous year by the Society for the Encouragement of Arts, Manufacture and Commerce. Hogarth designed this frontispiece and tailpiece for the catalogue. The illustrations were originally engraved by Charles Grignion, but this print is from copper plates engraved (very close indeed to the originals) later, probably by Thomas Cook c1800. Both images are engraved on a single plate, unlike the originals. We believe that the original Grignion plates no longer exist, and this engraving was used as a substitute in early 19th century editions. This impression is from the 1835-1837 edition published in parts by Baldwin Cradock & Joy. The Hogarth designs are listed as 236 and 237 in Paulson's catalogue Hogarth's Graphic Works, 1989, where a full description and other details can be found.…

Zustand: New. In English.

Zustand: New. In English.

No Binding. Zustand: Very Good. Size: Mount 66 x 55.5 cm. Print inside mount 53.5 x 43.5 cm. Condition: Print in very good condition, a good impression on wove paper, but there are three of what look like candle wax marks bottom left. This print was engraved by Thomas Cook in c1803, after painting which William Hogarth painted in 1728. The original painting is lost, but other versions painted by Hogarth are in the Fitzwilliam Museum Cambridge and the National Portrait Gallery. The print was published by G & J Robinson in 1803. This copy may well be from Hogarth Restored, 1806 (see below). Thomas Bambridge was the Warden of the Fleet Prison in 1728, and following complaints about the state of the prison, a Committee of the House of Commons examined Bambridge at the Fleet prison several times. Subsequently Bambridge was tried and acquitted of the murder of one of the prison inmates. The full title of this print is "BAMBRIDGE ON TRIAL FOR MURDER BY A COMMITTEE OF THE HOUSE OF COMMONS|Engraved by T Cook from an Original Painting by Wm. Hogarth in the possession of Mr. Ray. Published June 1st. 1803, by G. & J. Robinson, Paternoster Row, London." The title is inaccurate however, because the painting actually shows the earlier examination of Bambridge at the prison, not his trial. Hogarth, only 31 years old and still at the start of his career in 1728, was deeply affected by the scandal of conditions at the Fleet prison, his own father having been an inmate there. His painting shows deep emotion which is captured admirably by Cook. On the left can be seen the figure of Bambridge, squirming while various dreadful instruments are demonstrated to the Committee. The painting is also clearly of great historical value for the portraiture of the Committee members. Thomas Cook was a remarkable engraver, best known for having copied the complete engraved work of Hogarth, to which he devoted the years 17951803, and which was published in 1806 under the title of Hogarth Restored. This is a very valuable collection, as many of Hogarth's prints were of great rarity, and had not been made public before. This is an original print from the copper plate engraving, not a reproduction or later print, and it is probably from the 1806 edition of Hogarth Restored.…

Kartoniert / Broschiert. Zustand: New.

Gebunden. Zustand: New.

1. Original-Kupferstich von Cook (in der Platte signiert) auf rückseitig unbedrucktem Büttenblatt, bildliche Darstellung ca. 9,5 x 15 cm, Blattgröße ca. 20 x 29 cm (jeweils Höhe x Breite), im breiten Blattrand minimal gebräunt, ansonsten sauber und sehr gut erhalten 1100 gr.

No Binding. Zustand: Very Good. Size: Print inside mount 55 x 44 cm (22 x 17 inches approx) Condition: Print in excellent condition, mount new. This print was engraved by Thomas Cook in c1803, after a painting which William Hogarth painted in 1728. The original painting is lost, but other versions painted by Hogarth are in the Fitzwilliam Museum Cambridge and the National Portrait Gallery. Although the print was first published in 1803, this impression is slightly later, probably about 1822 from the collection of Hogarth's original works published by Baldwin Cradock and Joy. Thomas Bambridge was the Warden of the Fleet Prison in 1728, and following complaints about the state of the prison, a Committee of the House of Commons examined Bambridge at the Fleet prison several times. Subsequently Bambridge was tried and acquitted of the murder of one of the prison inmates. The full title of this print is "BAMBRIDGE ON TRIAL FOR MURDER BY A COMMITTEE OF THE HOUSE OF COMMONS|Engraved by T Cook from an Original Painting by Wm. Hogarth in the possession of Mr. Ray. Published June 1st. 1803, by G. & J. Robinson, Paternoster Row, London." The title is inaccurate however, because the painting actually shows the earlier examination of Bambridge at the prison,not his trial. Hogarth, only 31 years old and still at the start of his career in 1728, was deeply affected by the scandal of conditions at the Fleet prison, his own father having been an inmate there. His painting shows deep emotion which is captured admirably by Cook. On the left can be seen the figure of Bambridge, squirming while various dreadful instruments are demonstrated to the Committee. The painting is also clearly of great historical value for the portraiture of the Committee members. Thomas Cook was a remarkable engraver, best known for having copied the complete engraved work of Hogarth, to which he devoted the years 17951803, and which was published in 1806 under the title of Hogarth Restored. This is a very valuable collection, as many of Hogarth's prints were of great rarity, and had not been made public before.…

1. Original-Kupferstich von Cook (in der Platte signiert) nach Hogarth auf rückseitig unbedrucktem Büttenblatt, bildliche Darstellung ca. 12,5 x 15,5 cm, im breiten Rand außerhalb der bildlichen Darstellung etwas Alterspatina, ansonsten sauber und gut erhalten 1100 gr.

No Binding. Zustand: Very Good. Size: Print to platemark 55.5 x 45.5 cm. Condition: Print in very good condition, a good well balanced impression on wove paper, small loss to bottom left margin. This print was engraved by Thomas Cook in c1803, after painting which William Hogarth painted in 1728. The original painting is lost, but other versions painted by Hogarth are in the Fitzwilliam Museum Cambridge and the National Portrait Gallery. The print was published by G & J Robinson in 1803. This copy may well be from Hogarth Restored, 1806 (see below). Thomas Bambridge was the Warden of the Fleet Prison in 1728, and following complaints about the state of the prison, a Committee of the House of Commons examined Bambridge at the Fleet prison several times. Subsequently Bambridge was tried and acquitted of the murder of one of the prison inmates. The full title of this print is "BAMBRIDGE ON TRIAL FOR MURDER BY A COMMITTEE OF THE HOUSE OF COMMONS|Engraved by T Cook from an Original Painting by Wm. Hogarth in the possession of Mr. Ray. Published June 1st. 1803, by G. & J. Robinson, Paternoster Row, London." The title is inaccurate however, because the painting actually shows the earlier examination of Bambridge at the prison, not his trial. Hogarth, only 31 years old and still at the start of his career in 1728, was deeply affected by the scandal of conditions at the Fleet prison, his own father having been an inmate there. His painting shows deep emotion which is captured admirably by Cook. On the left can be seen the figure of Bambridge, squirming while various dreadful instruments are demonstrated to the Committee. The painting is also clearly of great historical value for the portraiture of the Committee members. Thomas Cook was a remarkable engraver, best known for having copied the complete engraved work of Hogarth, to which he devoted the years 17951803, and which was published in 1806 under the title of Hogarth Restored. This is a very valuable collection, as many of Hogarth's prints were of great rarity, and had not been made public before. This is an original print from the copper plate engraving, not a reproduction or later print, and it is probably from the 1806 edition of Hogarth Restored. …

(Breitrandige Exemplare wohl der 1812er Ausgabe, möglicherweise auch etwas spätere Abzüge, das Papier ohne Wasserzeichen, jeweils etwas fleckig, 2 Blatt im weißen Rand stärker fleckig, sonst gute Exemplare). Vollständige Ausgabe in Originalgröße / Complete suite in original size. ---------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------- BITTE BEACHTEN: Auf Grund der absurden und irrsinnig teuren staatlichen Regelungen für die Entsorgung der Versandpappen in den nachfolgenden Ländern, kann ich leider nicht mehr liefern nach: Österreich, Griechenland, Polen. Kunden in ÖSTERREICH können sich aber an die einheimische Post wenden, dort unter Alles Post Deutschland. --- PLEASE NOTE: Due to the absurd and insanely expensive government regulations for the disposal of shipping cartons in the following countries, I can unfortunately no longer deliver to: Austria, Greece, Poland. However, customers in AUSTRIA can contact their local post office, there under Alles Post Deutschland. …

Zustand: Good. Benjamin Hoadly, Bishop of Winchester c. 1800 Engraving 321×264 (12 1/16×10 3/8) on paper 573×442 (22 9/16×17 3/8); plate-mark 424×292 (16 11/16×11 1/2) Writing-engraving 'Painted by Wm. Hogarth| Engraved by T. Cook.|The Right Reverend Father in God |DR. BENJAMIN HOADLY, LORD BISHOP OF WINCHESTER| Prelate of the Most Noble Order of the Garter|London: Published by G. & L. Robinson, Paternoster Row, & F. Cook, No.38, Tavistock Street, Covent Garden' and the Bishop's seal within the Garter ribbon in the centre Hogarth's original painting of the Bishop is N02734 above. An engraving after it (facing the same way as the painting) by Bernard Baron was published in July 1743 (Paulson 1970, no.226, pl.266) and led to the erroneous assumption that this was also the date of the original, which, however, is signed and dated 1741. some foxing.…

Zustand: Good. " Design'd and scratch'd in the true Dutch taste by W. Hogarth. resp. / Engrave(')d by T. Cook. 11 x 14.5 inches plate size on wide margined wove paper. Copy of Paulson, no. 191a.

Zustand: Good. Original B&W engraving. 22.5 x 18 inches. Very Good. Some toning. Light foxing in margins. Light vertical wrinkle in center.

Zustand: Good. Engraving. 18.5 x 21 inches with margins.

Zustand: Good. 33.9 × 26.2 cm (image) 38.5 × 29.2 cm (plate) 39.4 × 29.5 cm (sheet)printed in ink l.l.: Painted by W. Hogarth.printed in ink l.r.: Engraved by T. Cookprinted in ink l.c.: GULIELMUS HOGARTH. / Published June 1.st (st in superscript above . ) 1801 by G.G. & J.Robinson Paternoster Row London,-printed (diagonally) in ink (in image) l.r.: The / Line of Beauty. Marginal tears and some foxing & dampstains in margins.copy of Paulson, no. 181.…

Zustand: Good. Engraving. 18.5 x 21 inches with margins.The Pool Of Bethesda. The Curative Pool At Jerusalem's Sheep's Gate, Visited By The Sick And Healthy With Jesus As Good Samaritan In The Center.

Zustand: Good. Etching and engravings wove paper. 58 x 44 cm (sheet). Very Good, light scattering of foxing in the margin areas.

Zustand: Good. Etching and engravings wove paper with J. Watman watermark. 44 x 58 cm (sheet). Good, light scattering of foxing in the margin areas, toning along sheet edges, some tears along bottom sheet edge.

Zustand: Good. Etching and engravings on wove paper. 43 x 58 cm (sheet). Very Good, light scattering of foxing in the margin areas, toning along sheet edges.

Zustand: Good. Etching and engraving wove paper. 44 x 58 cm (sheet). Good, light scattering of foxing in the margin areas, toning and water staining along sheet edges.

Zustand: Good. Two engravings on one sheet 23 x 16.25 inches.

Engraving, and etching. Image measures 13 3/8 x 15 7/8". Sheet measures 16 1/4 x 21". Often referred to as the French and Indian War (1756-1763), the otherwise known Seven Years War reignited British concerns of a French invasion, as well as a culturally-ingrained anti-French feeling among the populace. With his usual skill for satirical detail, Hogarth allows us to gain the British perspective of a war so often only considered an American conflict. This print and its companion piece "England" illustrate the stark contrasts between the French and their significantly better-off adversaries, the English. For example, one of the most prominent threats that France represented was religious, as well as political, in the form of Catholicism and its implications of superstition, inquisition, and tyranny. Therefore, Hogarth portrays a monk as a leader of the invasion, preparing a boat filled with various torture devices. Hogarth also plays upon the perceived physical differences between France and Britain. In France, most of the inhabitants are emaciated and forced to roast frogs for food while in Britain, the people are stout from a steady diet of beer and roast beef. This print is additionally fascinating because it serves as an early example of the comedic connection between France and frogs. This particular print was published in the 1798 edition of "Hogarth Restored: The Whole Works of the celebrated William Hogarth" by G. C. & J. Robinson. The plates of this edition were engraved after Hogarth's plates by Thomas Cook and thus, this is usually referred to as the Cook edition. The original plate by Hogarth is part of a set entitled "The Invasion," first published in 1756, of which this is the first plate. The print is in good condition with some scuffs to the margin. William Hogarth (1697-1764) is considered by many scholars and print enthusiasts as the grandfather of English graphic satire, but he was also an accomplished oil painter, portraitist, engraver, and draughtsman. Hogarth mastered the art of depicting human nature and all of its hypocrisies in society with graphic satire. The universality of his humor and the all-too-human characters featured in his works make Hogarth's satires remarkable. This print represents the epitome of Hogarth's skills as an artist and as a conscientious observer of humanity.…

A large engraving showing Charles Churchill as a bear, holding a wooden club and a tankard of beer. Hogarth's dog, Trump, urinates on a copy of Churchill's "Epistle to Hogarth" This is a large format engraving. The print is 38 x 28.5cm and the sheet is 49.5 x 36cm. ((19½ by 14¼ inches). Most copies we have seen for sale are 19cm x 26cm. Very good condition with no significant edgewear. A few small stains only to the edges. There is a small repaired enclosed tear to the top border. Print area is very good.…

Later Edition. The complete series, plates I-X uncut as issued. These are the Thomas Cook re-engravings, ca. 1806. Plate marks 21-1/4" x 14" on 24" x 17" sheets; printed on heavy wove paper. Occasional shallow chipping, soiling, & foxing to extremities; images fresh and unfoxed; Very Good. A fresh and attractive set of Hogarth's illustrations to Hudibras, filled with the artist's typically allusive and symbolic humor. Folio - over 12" - 15" tall.…

Zustand: Good. 12 Engravings on 12 sheets. 23 x 17 inches/55 x 45 cm. sheet sizes. Copies of Paulson, nos. 168-179. Stained, mainly visible in marigins; Plate 12 torn in half, but without loss.lndustry and Idleness is the title of a series of 12 engravings created by William Hogarth in 1747, intending to illustrate to working children the possible rewards of hard work and diligent application and the sure disasters attending a lack of both. Plate 1: The Fellow 'Prentices Industry and Idleness at their Looms Plate 2: The Industrious 'Prentice performing the Duty of a Christian Plate 3: The Idle 'Prentice at play in the Church yard during Divine Service Plate 4: the Industrious 'Prentice a favourite, and entrusted by his master Plate 5: The Idle 'Prentice turn'd away, and sent to Sea Plate 6: The Industrious 'Prentice out of his time a7 Married to his Master's Daughter Plate 7: the Idle 'Prentice return'd from Sea and in a garret with a common Prostitute Plate 8: The Industrious 'Prentice grown rich and Sheriff of London Plate 9: The Idle 'Prentice betrayed and taken in a Night-Cellar with his Accomplice Plate 10: The Industrious 'Prentice Alderman of London, the Idle one brought before him & Impeach'd by his Accomplice Plate 11: The Idle 'Prentice Executed at Tyburn Plate 12: the Industrious 'Prentice Lord-Mayor of London The images were Painted and Engraved in 1747. Plates 1 - 10 are within plate mark sized 265 x 350 mm. Plates 11 and 12 are sized 270 x 405 mm. On paper sized 480 x 630 mm. Painted by William Hogarth (Heath edition, 1820-22)The plates were bought by the publisher Baldwin, Cradock and Joy at the Boydell sale in 1818 "The Works of William Hogarth" as published by Baldwin, Cradock and Joy in 1822 with the original plates restored by James Heath, engraver to His Majesty. The Heath edition was the last to print directly from Hogarth's original engraved plates. All 'Hogarth' prints appearing after this date are merely copies with either a recut plate or the 'engravers version'. …

Zustand: Very Good. Early nineteenth century hand coloring. "Design'd by Wm. Hogarth" "Engraved by T. Cook" "Published October 1st, 1796, by G. G. & J. Robinson, Paternoster Row, London." Copy of the 1st state Published in folio form in 1806. Minor tears to periphery (see image). Size of paper 22 x 16.6 in, neat line 16.25 x 13.95 in, image 14.95 x 12.15 in. engraver Thomas Cook (illustrator).…

Zustand: Very Good. Early nineteenth century hand coloring. "Design'd by Wm. Hogarth" "Engraved by T. Cook" "Published Feby. 1st 1797, by G. G. & J. Robinson, Paternoster Row, London." Copy of the 1st state Published in folio form in 1806. Minor tears to periphery (see image). Size of paper 22 x 16.6 in, neat line 16.25 x 13.95 in, illustrated plate 14.95 x 12.15 in. engraver Thomas Cook (illustrator).…

Zustand: Very Good. Early nineteenth century hand coloring. "Design'd by Wm. Hogarth" "Engraved by T. Cook" "Published June 2d, 1796, by G. G. & J. Robinson, Paternoster Row, London." Copy of the 1st state Published in folio form in 1806. Minor tears to periphery (see image). Size of paper 22 x 16.6 in, neat line 16.15 x 13.95 in, image 15 x 12.25 in. engraver Thomas Cook (illustrator).…

Zustand: Good. 12 Engravings on 7 sheets. 25 x 18.5 inches sheet sizes. Copies of Paulson, nos. 82-93. Few mariginal tearsIllustration to the the 17th Century work ofSamuel Butler who was influenced by Rabelais and Cervantes' Don Quixote. While in Cervantes, the noble knight although being mocked is supposed to draw readers' sympathies, Hudibras is offered nothing but derision.The title comes from the name of a knight in Edmund Spenser's Faerie Queene who is described as "not so good of deeds as great of name" and "more huge in strength than wise in work". Spenser in turn probably got the name from the legendary king of the Britons, Rud Hud Hudibras.Made by T. Cook after W. Hogarth. Thomas Cook (1744-1818) was a London engraver. Thomas was a student of Ravenet, the well-known French engraver who resided in London at the time. He has copied the entire engraved work of Hogarth, which was published under the name 'Hogarth Restored' from 1806. William Hogarth (1697-1764) was an English painter, printmaker, social critic and cartoonist.…