Hogarth thomas (47 Ergebnisse)

No Binding. Zustand: Very Good. Size: Sheet 32 x 48.5 cm, platemark (both prints) 21.5 x 38 cm, Frontispiece image 13.5 x 17.5 cm, Tailpiece image approx. 13 x 12 cm Condition: Very good condition, an excellent impression on wove paper In 1761 a group of artists, including Hogarth, set up as the Society of Artists and exhibited their paintings in Charing Cross, London. The group was set up in protest at the organisation of an exhibition the previous year by the Society for the Encouragement of Arts, Manufacture and Commerce. Hogarth designed this frontispiece and tailpiece for the catalogue. The illustrations were originally engraved by Charles Grignion, but this print is from copper plates engraved (very close indeed to the originals) later, probably by Thomas Cook c1800. Both images are engraved on a single plate, unlike the originals. We believe that the original Grignion plates no longer exist, and this engraving was used as a substitute in early 19th century editions. This impression is from the 1835-1837 edition published in parts by Baldwin Cradock & Joy. The Hogarth designs are listed as 236 and 237 in Paulson's catalogue Hogarth's Graphic Works, 1989, where a full description and other details can be found.…

Zustand: New. In English.

Zustand: New. In English.

Zustand: New. In English.

Zustand: New. In English.

HARDCOVER. Zustand: Near Fine. Limited Edition. Octavo hardcover bound in green leather; 360 pp. Gilt title to spine and gilt-stamped motifs to front board; four raised bands. All edge gilt; moiré fabric endpapers and a silk ribbon marker. Tight binding, clean throughout. Full-page b/w illustrations; mild fading to moiré fabric perimeters. Near Fine. . "The Collected Stories of the World's Greatest Writers." . HOGARTH, Paul (illustrator).…

Zustand: New. In English.

Zustand: New. In English.

Single Issue Magazine. Zustand: Very Good. near fine copy. type-written letter laid-in with signature of editor Thomas Durwood to sci-fi editor and writer Douglas Menville soliciting an article for the magazine.

Soft cover. Zustand: Fine. No Jacket. 208 p. : ill. ; 29 cm. ; ISBN: 0520213009 (pbk.); 9780520213005 (pbk.) LCCN: 97-20496 ; OCLC: 36900938 ; LC: NC1479.H613; Dewey: 741.5/942 ; pictorial stiff paper wrappers ; Contents: 1. Whose Hogarth? -- 2. Hogarth's Public: Finding An Audience -- 3. Politeness and Roman Satire -- 4. Hogarth and 'The Spirit of Party' -- 5. Disenchantment: Hogarth, God and Science -- App. Hogarthomania and the Collecting of Hogarth / Sheila O'Connell -- Catalogue -- Redefining Hogarth: Twentieth to Eighteenth Centuries -- The Satirical Engraver and His Public -- The Targets of Satire: The Orders of Society -- The Political Stage -- Intellectual Warfare: The Analysis of Beauty and Its Reception -- Last Battles -- Index of Hogarth's Works Illustrated. ; Catalog of exhibitions held at the British Museums, London, from 26 Sept. 1997 to 4 Jan. 1998, and other North American museums from 28 Jan. to 21 Nov. 1998./ Includes bibliographical references (p. 204-205) and indexes. ; "This volume.looks at the varied reactions's to Hogarth's prints and the different identities imposed upon the artist over the centuries: witty satirist, stern moralist, libertine, aggressive self-promoter, detached observer, and man of the people."--Jacket. ; exhibition dates . British Museum, London, from 26 September 1997 to 4 January 1998 . Berkeley Art Museum, University of California: 28 January - 19 April 1998, National Gallery of Canada, Ottawa: 18 June - 23 August 1998, Miriam and Ira D. Wallach Art Gallery, Columbia University, New York: 15 September - 21 November 1998] ; "The reputation of William Hogarth (1697-1764) rests largely on his pictorial stories, a series of engravings that he called "modern Moral Subjects," the most famous being the Harlot's and the Rake's Progress. In this catalog, David Bindman works backward from Hogarth's reputation today--where he is seen by some as a conservative populist and by others as a political radical--and examines his impact on various artists over the past three centuries. Bindman also sets Hogarth's prints firmly in their historical context, discussing the artist's public and the different influences on his work, from Roman satire to the politics of the day. The result is an engaging and insightful portrayal not only of William Hogarth, but also of the middle years of the eighteenth century. Art lovers will enjoy this book, but so too will anyone with an interest in the literature and history of the mid-eighteenth century. " ; FINE. Book.…

No Binding. Zustand: Very Good. Size: Mount 66 x 55.5 cm. Print inside mount 53.5 x 43.5 cm. Condition: Print in very good condition, a good impression on wove paper, but there are three of what look like candle wax marks bottom left. This print was engraved by Thomas Cook in c1803, after painting which William Hogarth painted in 1728. The original painting is lost, but other versions painted by Hogarth are in the Fitzwilliam Museum Cambridge and the National Portrait Gallery. The print was published by G & J Robinson in 1803. This copy may well be from Hogarth Restored, 1806 (see below). Thomas Bambridge was the Warden of the Fleet Prison in 1728, and following complaints about the state of the prison, a Committee of the House of Commons examined Bambridge at the Fleet prison several times. Subsequently Bambridge was tried and acquitted of the murder of one of the prison inmates. The full title of this print is "BAMBRIDGE ON TRIAL FOR MURDER BY A COMMITTEE OF THE HOUSE OF COMMONS|Engraved by T Cook from an Original Painting by Wm. Hogarth in the possession of Mr. Ray. Published June 1st. 1803, by G. & J. Robinson, Paternoster Row, London." The title is inaccurate however, because the painting actually shows the earlier examination of Bambridge at the prison, not his trial. Hogarth, only 31 years old and still at the start of his career in 1728, was deeply affected by the scandal of conditions at the Fleet prison, his own father having been an inmate there. His painting shows deep emotion which is captured admirably by Cook. On the left can be seen the figure of Bambridge, squirming while various dreadful instruments are demonstrated to the Committee. The painting is also clearly of great historical value for the portraiture of the Committee members. Thomas Cook was a remarkable engraver, best known for having copied the complete engraved work of Hogarth, to which he devoted the years 17951803, and which was published in 1806 under the title of Hogarth Restored. This is a very valuable collection, as many of Hogarth's prints were of great rarity, and had not been made public before. This is an original print from the copper plate engraving, not a reproduction or later print, and it is probably from the 1806 edition of Hogarth Restored.…

Kartoniert / Broschiert. Zustand: New.

Kartoniert / Broschiert. Zustand: New.

Zustand: New.

Gebunden. Zustand: New.

1. Original-Kupferstich von Cook (in der Platte signiert) auf rückseitig unbedrucktem Büttenblatt, bildliche Darstellung ca. 9,5 x 15 cm, Blattgröße ca. 20 x 29 cm (jeweils Höhe x Breite), im breiten Blattrand minimal gebräunt, ansonsten sauber und sehr gut erhalten 1100 gr.

Hardcover. Zustand: Very Good. 1st Edition. Two volume set rebound in green quarter leather with raised bands & gilt title/decoration, very good tight condition, age appropriate discolouration etc. William Hogarth (illustrator).

Hardcover. Zustand: Near Fine. Limited Edition. 8vo (medium). Limited Edition. Dark blue genuine leather, gilt decorated boards and spine, AEG, purple moire endpapers and matching silk book marker, 360pp, full page B&W illustrations, with Editors Notes laid-in 22pp, Light sunning to endpapers, some scratching on boards. Paul Hogarth (illustrator).…

No Binding. Zustand: Very Good. Size: Print inside mount 55 x 44 cm (22 x 17 inches approx) Condition: Print in excellent condition, mount new. This print was engraved by Thomas Cook in c1803, after a painting which William Hogarth painted in 1728. The original painting is lost, but other versions painted by Hogarth are in the Fitzwilliam Museum Cambridge and the National Portrait Gallery. Although the print was first published in 1803, this impression is slightly later, probably about 1822 from the collection of Hogarth's original works published by Baldwin Cradock and Joy. Thomas Bambridge was the Warden of the Fleet Prison in 1728, and following complaints about the state of the prison, a Committee of the House of Commons examined Bambridge at the Fleet prison several times. Subsequently Bambridge was tried and acquitted of the murder of one of the prison inmates. The full title of this print is "BAMBRIDGE ON TRIAL FOR MURDER BY A COMMITTEE OF THE HOUSE OF COMMONS|Engraved by T Cook from an Original Painting by Wm. Hogarth in the possession of Mr. Ray. Published June 1st. 1803, by G. & J. Robinson, Paternoster Row, London." The title is inaccurate however, because the painting actually shows the earlier examination of Bambridge at the prison,not his trial. Hogarth, only 31 years old and still at the start of his career in 1728, was deeply affected by the scandal of conditions at the Fleet prison, his own father having been an inmate there. His painting shows deep emotion which is captured admirably by Cook. On the left can be seen the figure of Bambridge, squirming while various dreadful instruments are demonstrated to the Committee. The painting is also clearly of great historical value for the portraiture of the Committee members. Thomas Cook was a remarkable engraver, best known for having copied the complete engraved work of Hogarth, to which he devoted the years 17951803, and which was published in 1806 under the title of Hogarth Restored. This is a very valuable collection, as many of Hogarth's prints were of great rarity, and had not been made public before.…

1. Original-Kupferstich von Cook (in der Platte signiert) nach Hogarth auf rückseitig unbedrucktem Büttenblatt, bildliche Darstellung ca. 12,5 x 15,5 cm, im breiten Rand außerhalb der bildlichen Darstellung etwas Alterspatina, ansonsten sauber und gut erhalten 1100 gr.

No Binding. Zustand: Very Good. Size: Print to platemark 55.5 x 45.5 cm. Condition: Print in very good condition, a good well balanced impression on wove paper, small loss to bottom left margin. This print was engraved by Thomas Cook in c1803, after painting which William Hogarth painted in 1728. The original painting is lost, but other versions painted by Hogarth are in the Fitzwilliam Museum Cambridge and the National Portrait Gallery. The print was published by G & J Robinson in 1803. This copy may well be from Hogarth Restored, 1806 (see below). Thomas Bambridge was the Warden of the Fleet Prison in 1728, and following complaints about the state of the prison, a Committee of the House of Commons examined Bambridge at the Fleet prison several times. Subsequently Bambridge was tried and acquitted of the murder of one of the prison inmates. The full title of this print is "BAMBRIDGE ON TRIAL FOR MURDER BY A COMMITTEE OF THE HOUSE OF COMMONS|Engraved by T Cook from an Original Painting by Wm. Hogarth in the possession of Mr. Ray. Published June 1st. 1803, by G. & J. Robinson, Paternoster Row, London." The title is inaccurate however, because the painting actually shows the earlier examination of Bambridge at the prison, not his trial. Hogarth, only 31 years old and still at the start of his career in 1728, was deeply affected by the scandal of conditions at the Fleet prison, his own father having been an inmate there. His painting shows deep emotion which is captured admirably by Cook. On the left can be seen the figure of Bambridge, squirming while various dreadful instruments are demonstrated to the Committee. The painting is also clearly of great historical value for the portraiture of the Committee members. Thomas Cook was a remarkable engraver, best known for having copied the complete engraved work of Hogarth, to which he devoted the years 17951803, and which was published in 1806 under the title of Hogarth Restored. This is a very valuable collection, as many of Hogarth's prints were of great rarity, and had not been made public before. This is an original print from the copper plate engraving, not a reproduction or later print, and it is probably from the 1806 edition of Hogarth Restored. …

Zustand: Near Fine. First edition hard back binding in publisher's original pea green embossed cloth covers, gilt title lettering to the spine and to the front cover, top edge gilt. 4to. 11½'' x 8¼''. Contains (xi)-blank, 16 pp followed by 136 plates, some on heavy extra stock colour paper, with over one hundred caricaturists being represented including Max Beerbohm, George Cruikshank, Edmund Dulac, William Hogarth, Edward Lear, Eric Ravilious, L. Rodo, William Heath Robinson, Thomas Rowlandson, Spy, John Tenniel, Loren Stout, Henry Tonks, and Gluyas Williams. One plate slightly proud and in very near Fine condition, supplied in archive acetate film protection. Member of the P.B.F.A. DRAWING & CRAFTSMANSHIP.…

Hardcover. Zustand: Poor. No Jacket. Hardcover; large 8vo/small 4to; 2 volumes. In contemporary full leather. Gilt titles on spines, with gilt borders on boards. Very worn and pockmarked. Rubbed edges, a little dried. Bumped corners, exposed boards. Tearing of leather from spine, esp. near vol 2's headcap. Hinges worn and nearly detached. Numerous plates with tissue guards. Light to moderate foxing throughout. P/--. Book.…

(Breitrandige Exemplare wohl der 1812er Ausgabe, möglicherweise auch etwas spätere Abzüge, das Papier ohne Wasserzeichen, jeweils etwas fleckig, 2 Blatt im weißen Rand stärker fleckig, sonst gute Exemplare). Vollständige Ausgabe in Originalgröße / Complete suite in original size. ---------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------- BITTE BEACHTEN: Auf Grund der absurden und irrsinnig teuren staatlichen Regelungen für die Entsorgung der Versandpappen in den nachfolgenden Ländern, kann ich leider nicht mehr liefern nach: Österreich, Griechenland, Polen. Kunden in ÖSTERREICH können sich aber an die einheimische Post wenden, dort unter Alles Post Deutschland. --- PLEASE NOTE: Due to the absurd and insanely expensive government regulations for the disposal of shipping cartons in the following countries, I can unfortunately no longer deliver to: Austria, Greece, Poland. However, customers in AUSTRIA can contact their local post office, there under Alles Post Deutschland. …

WILLIAM HOGARTH S ZEICHNUNGEN Nach den Originalen in Stahl geflochten, mit der vollständigen Erklärung derselben von G.C. Lichtenberg, Hrsg. Dr. Franz Kottenkamp. Rieger sche Verlagsbuchhandlung Stuttgart, 2. verbesserte Auflage 1857, 720 SS. und Anhänge gebunden (schwarz geprägtes Hardcover gr. 8 to), tels kleine Stockflecken, sonst gut erhalten.…

Zustand: Good. Benjamin Hoadly, Bishop of Winchester c. 1800 Engraving 321×264 (12 1/16×10 3/8) on paper 573×442 (22 9/16×17 3/8); plate-mark 424×292 (16 11/16×11 1/2) Writing-engraving 'Painted by Wm. Hogarth| Engraved by T. Cook.|The Right Reverend Father in God |DR. BENJAMIN HOADLY, LORD BISHOP OF WINCHESTER| Prelate of the Most Noble Order of the Garter|London: Published by G. & L. Robinson, Paternoster Row, & F. Cook, No.38, Tavistock Street, Covent Garden' and the Bishop's seal within the Garter ribbon in the centre Hogarth's original painting of the Bishop is N02734 above. An engraving after it (facing the same way as the painting) by Bernard Baron was published in July 1743 (Paulson 1970, no.226, pl.266) and led to the erroneous assumption that this was also the date of the original, which, however, is signed and dated 1741. some foxing.…

Zustand: Good. " Design'd and scratch'd in the true Dutch taste by W. Hogarth. resp. / Engrave(')d by T. Cook. 11 x 14.5 inches plate size on wide margined wove paper. Copy of Paulson, no. 191a.

Zustand: Good. Original B&W engraving. 22.5 x 18 inches. Very Good. Some toning. Light foxing in margins. Light vertical wrinkle in center.

Zustand: Good. 33.9 × 26.2 cm (image) 38.5 × 29.2 cm (plate) 39.4 × 29.5 cm (sheet)printed in ink l.l.: Painted by W. Hogarth.printed in ink l.r.: Engraved by T. Cookprinted in ink l.c.: GULIELMUS HOGARTH. / Published June 1.st (st in superscript above . ) 1801 by G.G. & J.Robinson Paternoster Row London,-printed (diagonally) in ink (in image) l.r.: The / Line of Beauty. Marginal tears and some foxing & dampstains in margins.copy of Paulson, no. 181.…

Zustand: Good. Engraving. 18.5 x 21 inches with margins.