Hogarth cook (65 Ergebnisse)

No Binding. Zustand: Very Good. Size: Sheet 32 x 48.5 cm, platemark (both prints) 21.5 x 38 cm, Frontispiece image 13.5 x 17.5 cm, Tailpiece image approx. 13 x 12 cm Condition: Very good condition, an excellent impression on wove paper In 1761 a group of artists, including Hogarth, set up as the Society of Artists and exhibited their paintings in Charing Cross, London. The group was set up in protest at the organisation of an exhibition the previous year by the Society for the Encouragement of Arts, Manufacture and Commerce. Hogarth designed this frontispiece and tailpiece for the catalogue. The illustrations were originally engraved by Charles Grignion, but this print is from copper plates engraved (very close indeed to the originals) later, probably by Thomas Cook c1800. Both images are engraved on a single plate, unlike the originals. We believe that the original Grignion plates no longer exist, and this engraving was used as a substitute in early 19th century editions. This impression is from the 1835-1837 edition published in parts by Baldwin Cradock & Joy. The Hogarth designs are listed as 236 and 237 in Paulson's catalogue Hogarth's Graphic Works, 1989, where a full description and other details can be found.…

Zustand: New. In English.

Zustand: New. In English.

Original Radierung von William Hogarth von der Originalplatte abgedruckt aus: "The Works of William Hogarth from the original plates restored by James Heath, etc." - London, Baldwin and Cradock, 1822. -- Blatt-Format: ca. 48 x 64 cm. -- am unteren Rand mit kleinem hinterlegten Randeinriss, sonst gut erhalten. || Original etching by William Hogarth printed from the original plate out of: "The Works of William Hogarth from the original plates restored by James Heath, etc.". Published in London by Baldwin and Cradock, 1822. with small deposited tear on the lower margin, otherwise in good condition. || // Wir, das Antiquariat Steffen Völkel, kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotografien. Wir sind stets am Ankauf von kompletten Bibliotheken, Sammlungen und Nachlässen interessiert. Sprache: Englisch Gewicht in Gramm: 20.…

No Binding. Zustand: Very Good. Size: Mount 66 x 55.5 cm. Print inside mount 53.5 x 43.5 cm. Condition: Print in very good condition, a good impression on wove paper, but there are three of what look like candle wax marks bottom left. This print was engraved by Thomas Cook in c1803, after painting which William Hogarth painted in 1728. The original painting is lost, but other versions painted by Hogarth are in the Fitzwilliam Museum Cambridge and the National Portrait Gallery. The print was published by G & J Robinson in 1803. This copy may well be from Hogarth Restored, 1806 (see below). Thomas Bambridge was the Warden of the Fleet Prison in 1728, and following complaints about the state of the prison, a Committee of the House of Commons examined Bambridge at the Fleet prison several times. Subsequently Bambridge was tried and acquitted of the murder of one of the prison inmates. The full title of this print is "BAMBRIDGE ON TRIAL FOR MURDER BY A COMMITTEE OF THE HOUSE OF COMMONS|Engraved by T Cook from an Original Painting by Wm. Hogarth in the possession of Mr. Ray. Published June 1st. 1803, by G. & J. Robinson, Paternoster Row, London." The title is inaccurate however, because the painting actually shows the earlier examination of Bambridge at the prison, not his trial. Hogarth, only 31 years old and still at the start of his career in 1728, was deeply affected by the scandal of conditions at the Fleet prison, his own father having been an inmate there. His painting shows deep emotion which is captured admirably by Cook. On the left can be seen the figure of Bambridge, squirming while various dreadful instruments are demonstrated to the Committee. The painting is also clearly of great historical value for the portraiture of the Committee members. Thomas Cook was a remarkable engraver, best known for having copied the complete engraved work of Hogarth, to which he devoted the years 17951803, and which was published in 1806 under the title of Hogarth Restored. This is a very valuable collection, as many of Hogarth's prints were of great rarity, and had not been made public before. This is an original print from the copper plate engraving, not a reproduction or later print, and it is probably from the 1806 edition of Hogarth Restored.…

Kartoniert / Broschiert. Zustand: New.

Gebunden. Zustand: New.

1. Original-Kupferstich von Cook (in der Platte signiert) auf rückseitig unbedrucktem Büttenblatt, bildliche Darstellung ca. 9,5 x 15 cm, Blattgröße ca. 20 x 29 cm (jeweils Höhe x Breite), im breiten Blattrand minimal gebräunt, ansonsten sauber und sehr gut erhalten 1100 gr.

No Binding. Zustand: Very Good. A fine original engraving. Mounted and ready to frame, this is a wonderful opportunity to purchase this splendid portrait. Decorative and attractive. C. 1840. Engraved By Cook (illustrator).

No Binding. Zustand: Very Good. Size: Print inside mount 55 x 44 cm (22 x 17 inches approx) Condition: Print in excellent condition, mount new. This print was engraved by Thomas Cook in c1803, after a painting which William Hogarth painted in 1728. The original painting is lost, but other versions painted by Hogarth are in the Fitzwilliam Museum Cambridge and the National Portrait Gallery. Although the print was first published in 1803, this impression is slightly later, probably about 1822 from the collection of Hogarth's original works published by Baldwin Cradock and Joy. Thomas Bambridge was the Warden of the Fleet Prison in 1728, and following complaints about the state of the prison, a Committee of the House of Commons examined Bambridge at the Fleet prison several times. Subsequently Bambridge was tried and acquitted of the murder of one of the prison inmates. The full title of this print is "BAMBRIDGE ON TRIAL FOR MURDER BY A COMMITTEE OF THE HOUSE OF COMMONS|Engraved by T Cook from an Original Painting by Wm. Hogarth in the possession of Mr. Ray. Published June 1st. 1803, by G. & J. Robinson, Paternoster Row, London." The title is inaccurate however, because the painting actually shows the earlier examination of Bambridge at the prison,not his trial. Hogarth, only 31 years old and still at the start of his career in 1728, was deeply affected by the scandal of conditions at the Fleet prison, his own father having been an inmate there. His painting shows deep emotion which is captured admirably by Cook. On the left can be seen the figure of Bambridge, squirming while various dreadful instruments are demonstrated to the Committee. The painting is also clearly of great historical value for the portraiture of the Committee members. Thomas Cook was a remarkable engraver, best known for having copied the complete engraved work of Hogarth, to which he devoted the years 17951803, and which was published in 1806 under the title of Hogarth Restored. This is a very valuable collection, as many of Hogarth's prints were of great rarity, and had not been made public before.…

Softcover. Zustand: As New. Heath Edition 1822. This is an Antique Engraving Print of "Sancho at the Feast Starved by his Physician", designed by William Hogarth and engraved by T Cook from the original plates as restored by Heath, 1822. Taken from "The Works of William Hogarth, from the original plates as restored by James Heath Esq. R.A; with the addition of many subjects not before collected: to which are prefixed, A Biographical essay on the Genius and Productions of Hogarth and Explanation of the Subjects of the Plates" Many of these plates were formerly in the possession of Alderman Boydell; others belonged to Mr T. Cook, (who himself copied many of Hogarth's engravings;) others were purchased at various sales. The image is within plate mark sized 305 x 330 mm. The overall page is sized 475 x 635 mm. The engraving is in excellent condition. Why on Amazon do most sellers not describe their actual item? Buy with confidence and support a genuine Independent Bricks & Mortar Real Bookshop. We are Maynard & Bradley Bookshop & Gallery CAMBO & PBFA (now lapsed) members here in Leicester City Centre UK Why on Amazon do most sellers not describe their actual book? Buy with confidence and support a genuine Independent Bricks & Mortar Real Bookshop. We are Maynard & Bradley CAMBO & PBFA(now lapsed) members here in Leicester City Centre. Heath Edition 1822. Size: 475 x 635 mm. 0 pages. Item Type: Antique Print. Illustrator: William Hogarth. Quantity Available: 1. Shipped Weight: Under 500 grams. Category: Art & Design; Engraving; Britain/UK; 19th century; Pictures of this item not already displayed here available upon request. Inventory No: 50032. William Hogarth (illustrator).…

Softcover. Zustand: As New. Heath Edition 1822. This is an Antique Engraving Print of "Woman Swearing a Child to a Grave Citizen", designed by William Hogarth and engraved by T Cook from the original plates as restored by Heath, 1822. Taken from "The Works of William Hogarth, from the original plates as restored by James Heath Esq. R.A; with the addition of many subjects not before collected: to which are prefixed, A Biographical essay on the Genius and Productions of Hogarth and Explanation of the Subjects of the Plates" Many of these plates were formerly in the possession of Alderman Boydell; others belonged to Mr T. Cook, (who himself copied many of Hogarth's engravings;) others were purchased at various sales. The image is within platemark sized 315 x 365 mm. The overall page is sized 475 x 630 mm. The engraving is in excellent condition. Why on Amazon do most sellers not describe their actual item? Buy with confidence and support a genuine Independent Bricks & Mortar Real Bookshop. We are Maynard & Bradley Bookshop & Gallery CAMBO & PBFA (now lapsed) members here in Leicester City Centre UK Why on Amazon do most sellers not describe their actual book? Buy with confidence and support a genuine Independent Bricks & Mortar Real Bookshop. We are Maynard & Bradley CAMBO & PBFA(now lapsed) members here in Leicester City Centre. Heath Edition 1822. Size: 475 x 630 mm. 1 pages. Item Type: Antique Print. Illustrator: William Hogarth. Quantity Available: 1. Shipped Weight: Under 500 grams. Category: Art & Design; Engraving; Britain/UK; 19th century; Pictures of this item not already displayed here available upon request. Inventory No: 50040. William Hogarth (illustrator).…

1. Original-Kupferstich von Cook (in der Platte signiert) nach Hogarth auf rückseitig unbedrucktem Büttenblatt, bildliche Darstellung ca. 12,5 x 15,5 cm, im breiten Rand außerhalb der bildlichen Darstellung etwas Alterspatina, ansonsten sauber und gut erhalten 1100 gr.

No Binding. Zustand: Very Good. Size: Print to platemark 55.5 x 45.5 cm. Condition: Print in very good condition, a good well balanced impression on wove paper, small loss to bottom left margin. This print was engraved by Thomas Cook in c1803, after painting which William Hogarth painted in 1728. The original painting is lost, but other versions painted by Hogarth are in the Fitzwilliam Museum Cambridge and the National Portrait Gallery. The print was published by G & J Robinson in 1803. This copy may well be from Hogarth Restored, 1806 (see below). Thomas Bambridge was the Warden of the Fleet Prison in 1728, and following complaints about the state of the prison, a Committee of the House of Commons examined Bambridge at the Fleet prison several times. Subsequently Bambridge was tried and acquitted of the murder of one of the prison inmates. The full title of this print is "BAMBRIDGE ON TRIAL FOR MURDER BY A COMMITTEE OF THE HOUSE OF COMMONS|Engraved by T Cook from an Original Painting by Wm. Hogarth in the possession of Mr. Ray. Published June 1st. 1803, by G. & J. Robinson, Paternoster Row, London." The title is inaccurate however, because the painting actually shows the earlier examination of Bambridge at the prison, not his trial. Hogarth, only 31 years old and still at the start of his career in 1728, was deeply affected by the scandal of conditions at the Fleet prison, his own father having been an inmate there. His painting shows deep emotion which is captured admirably by Cook. On the left can be seen the figure of Bambridge, squirming while various dreadful instruments are demonstrated to the Committee. The painting is also clearly of great historical value for the portraiture of the Committee members. Thomas Cook was a remarkable engraver, best known for having copied the complete engraved work of Hogarth, to which he devoted the years 17951803, and which was published in 1806 under the title of Hogarth Restored. This is a very valuable collection, as many of Hogarth's prints were of great rarity, and had not been made public before. This is an original print from the copper plate engraving, not a reproduction or later print, and it is probably from the 1806 edition of Hogarth Restored. …

Sin Encuadernar. Zustand: Bien. 58 x 46 cm.

Sin Encuadernar. Zustand: Bien. 58 x 46 cm.

(Breitrandige Exemplare wohl der 1812er Ausgabe, möglicherweise auch etwas spätere Abzüge, das Papier ohne Wasserzeichen, jeweils etwas fleckig, 2 Blatt im weißen Rand stärker fleckig, sonst gute Exemplare). Vollständige Ausgabe in Originalgröße / Complete suite in original size. ---------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------- BITTE BEACHTEN: Auf Grund der absurden und irrsinnig teuren staatlichen Regelungen für die Entsorgung der Versandpappen in den nachfolgenden Ländern, kann ich leider nicht mehr liefern nach: Österreich, Griechenland, Polen. Kunden in ÖSTERREICH können sich aber an die einheimische Post wenden, dort unter Alles Post Deutschland. --- PLEASE NOTE: Due to the absurd and insanely expensive government regulations for the disposal of shipping cartons in the following countries, I can unfortunately no longer deliver to: Austria, Greece, Poland. However, customers in AUSTRIA can contact their local post office, there under Alles Post Deutschland. …

Softcover. Zustand: As New. Heath Edition 1822. This is an Antique Engraving Print of "Royal Masquerade, Somerset House", designed by William Hogarth and engraved by T Cook from the original plates as restored by Heath, 1822. Taken from "The Works of William Hogarth, from the original plates as restored by James Heath Esq. R.A; with the addition of many subjects not before collected: to which are prefixed, A Biographical essay on the Genius and Productions of Hogarth and Explanation of the Subjects of the Plates" Many of these plates were formerly in the possession of Alderman Boydell; others belonged to Mr T. Cook, (who himself copied many of Hogarth's engravings;) others were purchased at various sales. The image is within platemark sized 460 x 575 mm. The overall page is sized 480 x 630 mm. The engraving is in excellent condition. Why on Amazon do most sellers not describe their actual item? Buy with confidence and support a genuine Independent Bricks & Mortar Real Bookshop. We are Maynard & Bradley Bookshop & Gallery CAMBO & PBFA (now lapsed) members here in Leicester City Centre UK Why on Amazon do most sellers not describe their actual book? Buy with confidence and support a genuine Independent Bricks & Mortar Real Bookshop. We are Maynard & Bradley CAMBO & PBFA(now lapsed) members here in Leicester City Centre. Heath Edition 1822. Size: 480 x 630 mm. 0 pages. Item Type: Antique Print. Illustrator: William Hogarth. Quantity Available: 1. Shipped Weight: Under 500 grams. Category: Art & Design; Engraving; Britain/UK; 19th century; Pictures of this item not already displayed here available upon request. Inventory No: 50038. William Hogarth (illustrator).…

Zustand: Good. Benjamin Hoadly, Bishop of Winchester c. 1800 Engraving 321×264 (12 1/16×10 3/8) on paper 573×442 (22 9/16×17 3/8); plate-mark 424×292 (16 11/16×11 1/2) Writing-engraving 'Painted by Wm. Hogarth| Engraved by T. Cook.|The Right Reverend Father in God |DR. BENJAMIN HOADLY, LORD BISHOP OF WINCHESTER| Prelate of the Most Noble Order of the Garter|London: Published by G. & L. Robinson, Paternoster Row, & F. Cook, No.38, Tavistock Street, Covent Garden' and the Bishop's seal within the Garter ribbon in the centre Hogarth's original painting of the Bishop is N02734 above. An engraving after it (facing the same way as the painting) by Bernard Baron was published in July 1743 (Paulson 1970, no.226, pl.266) and led to the erroneous assumption that this was also the date of the original, which, however, is signed and dated 1741. some foxing.…

Zustand: Good. " Design'd and scratch'd in the true Dutch taste by W. Hogarth. resp. / Engrave(')d by T. Cook. 11 x 14.5 inches plate size on wide margined wove paper. Copy of Paulson, no. 191a.

Hogarth etched Lovat's portrait at an inn in St. Albans on his way to trial and eventual execution. Knowing what awaits him, Lovat is busy at work upon his memoirs. Hogarth has here created the almost archetypal portrait of a psychopath. Both his devious face and gestures show no trace of remorse.This is truly a masterpiece of character examination. Copper engraving. Good condition. Slight staining to the margins, more substantial to top and bottom on the left hand side but not affecting the image. Uncoloured. Size: 24.3 x 37.4 cm. (9½ x 14½ inches).…

Copper engraving. Uncoloured. Size: 33 x 40.5 cm (13 x 16 inches). Very good condition.

In its primary theme Industry and Idleness, is William Hogarth's most direct moral statement in series form. Its primary purpose is to illustrate the benefits of sincere and honest work and the ruinous path awaiting those who follow the opposite course. To this end Hogarth portrays the progress of two apprentices, Francis Goodchild and Thomas Idle. Their chosen paths and the consequences are chronicled in the following twelve plates. Copper engraving. Very good condition. Uncoloured. Size: 42 x 28.5 cm. (16½ x 11 inches).…

Three prints on one plate. Hogarth's treatment of the Sleeping Congregation, the torpor caused by a country parson's sermon, foreshadows Rowlandson's satirical device of bringing together different types of individuals at a ludicrous social occasion. Columbus Breaking the Egg depicts an apocryphal tale concerning Christopher Columbus's response to detractors of his discovery of the New World. Copper engraving. Good condition. Uncoloured. Size: 41 x 33 cm. (16 x 13 inches).…

An interesting scene depicting the allegorical version of the trial against the apostle Paul before Felix, the Roman procurator of Judaea. Copper engraving. Good condition. Slight foxing to the left and bottom margin though not affecting the image. Uncoloured. Size: 36.8 x 27.3 cm. (14½ x 10½ inches).…

Two prints on one plate. The Times contains some of Hogarth's most pessimistic imagery upon the political machinations and corruptions of the day. A Country Inn Yard is one of Hogarth's notable engravings of the 1740s. Copper engraving. Good condition. Uncoloured. Size: 31.9 x 48.4 cm. (12½ x 19 inches).…

In its primary theme Industry and Idleness, is William Hogarth's most direct moral statement in series form. Its primary purpose is to illustrate the benefits of sincere and honest work and the ruinous path awaiting those who follow the opposite course. To this end Hogarth portrays the progress of two apprentices, Francis Goodchild and Thomas Idle. Their chosen paths and the consequences are chronicled in the following twelve plates. Copper engraving. Very good condition. Uncoloured. Size: 42 x 28.5 cm. (16½ x 11 inches).…

Two images on one plate. In The Bench Hogarth illustrates four pompous judges listening to a case in the Court of Common Pleas. Callously inattentive to the case before them, these undignified, pompous men, buried in their robes and wigs, slumber or read. Sarah Malcolm was convicted and hanged for the brutal murder of an elderly widow and her two servants. Hogarth visited her in Newgate prison a few days before her execution. Malcolm's life represented the kind of cautionary narrative that Hogarth utilised within Industry and Idleness and The Four Stages of Cruelty. Copper engraving. Very good condition. Uncoloured. Size: 23 x 43.8 cm. (9 x 17 inches).…

Hudibras Encounters the Skimmington comes from Hogarth's "Illustrations for Samuel Butler's Hudibras". A 'Skimmington' was an old custom in rural England and Scotland directed at either nagging wives or unfaithful husbands. An unruly procession was formed for the purpose of ridiculing the offender. Copper engraving. Good condition. Uncoloured. Size: 51.2 x 29 cm. (20 x 11½ inches). …

An interesting scene depicting the trial against the apostle Paul before Felix, the Roman procurator of Judaea. From the original painting in Lincolns Inn Hall painted by W. Hogarth. Copper engraving. Good condition. Uncoloured. Size: 54 x 42.4 cm. (21½ x 16½ inches).