Hoelling hanna (49 Ergebnisse)

Zustand: New. pp. 220.

Paperback. Zustand: Brand New. 100 pages. 8.75x7.00x0.25 inches. In Stock.

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Zustand: New. Num Pages: 220 pages. BIC Classification: ABA. Category: (G) General (US: Trade). Dimension: 180 x 222 x 11. Weight in Grams: 424. . 2015. Paperback. . . . . Books ship from the US and Ireland.

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HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Untertitel: Zahlr. Autoren. Enthält das Kapitel: Kunst im Safiental Untergebiet: Raetica Abbildungen: Zahlr. Fotos Karten in Farbe Zustand: Neuwertig Seiten: 284 S. Format: 8°. Einband: kt. Gebiet: Kunst.

Taschenbuch. Zustand: Neu. Neuware - Zen for Record gathers five essays around Ken Friedman's 1966 Fluxus event score instructing the production of 'a phonograph record with no sound on it.' Originating as a found object, the work has migrated across six decades and multiple incarnations, from an unrealized concept to the LP edition that occasions this volume.These essays accompany Friedman's account of the Fluxus origins of the work, but they approach the silent record from radically different angles. Craig Dworkin situates Zen for Record within a broader aesthetics of negation and conceptual art's engagement with the zero-degree of content. Christof Migone spirals through the paradoxes of inscribing nothing and the impossibility of a truly soundless playback. Robin McGinley traces a remarkable counterhistory of the silent record as pop artifact, from 1950s jukebox novelties to Vulfpeck's album Sleepify. Finally, Hanna B. Hölling reads the work through sonic materialism, preservation theory, and the politics of silencing, asking what it means for a concept to survive the obsolescence of its successive carriers.Touching on Fluxus event scores and Cagean silence, the political economy of streaming platforms, and the conservation of time-based media, these essays stage a sustained interdisciplinary meditation on silence as material, medium, commodity, and philosophical provocation.…

Taschenbuch. Zustand: Neu. Neuware - How do works of art endure over time in the face of aging materials and changing interpretations of their meaning How do decay, technological obsolescence, and the blending of old and new media affect what an artwork is and can become And how can changeable artworks encourage us to rethink our assumptions of art as fixed and static Revisions is a unique exploration of all of these questions. In this catalog, which accompanies an exhibition at the Bard Graduate Center, Hanna B. Hölling examines Zen for Film, also known as Fluxfilm no. 1, one of the most evocative works by Korean-American artist Nam June Paik. Created during the early 1960s, this piece consists of a several-minutes-long screening of blank film; as the film ages and wears in the projector, the viewer is confronted with a constantly evolving work. Because of this mutability, the project, as Hölling shows, undermines any assumption that art can be subject to a single interpretation. By focusing on a single artwork and unfolding the inspirations, transitions, and residues that have occurred in the course of that work's existence, Revisions offers an in-depth look at how materiality enhances visual knowledge. A fresh perspective on a piece with a rich history of display, this catalog invites interdisciplinary dialogue and asks precisely what--and when--an artwork might be.…

hardcover. Zustand: Sehr gut. 332 Seiten; 9781032314877.2 Gewicht in Gramm: 1.

Zustand: New. KlappentextHow do works of art endure over time despite their material and conceptual alteration? How do decay, technological obsolescence and remediation affect what the artwork is and what it may become? How might the observation of.

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Zustand: New. 2022. Hardcover. . . . . . Books ship from the US and Ireland.

Zustand: New.

Hardcover. Zustand: Brand New. 295 pages. 9.25x6.25x1.25 inches. In Stock.

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Zustand: New. In English.

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Paperback. Zustand: Brand New. 416 pages. 9.18x6.12x9.21 inches. In Stock.

Gebunden. Zustand: New. Using examples of works by Nam June Paik (1932-2006), the hugely influential Korean American artist who is considered the progenitor of video art, he author explores the relation between the artworks concept and material, theories of musical performance an.

Paperback. Zustand: Brand New. 336 pages. 6.14x0.76x9.21 inches. In Stock.

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Zustand: New. 2026. 1st Edition. paperback. . . . . . Books ship from the US and Ireland.

Buch. Zustand: Neu. Neuware - In Paik's Virtual Archive, Hanna B. Hölling contemplates the identity of multimedia artworks by reconsidering the role of conservation in our understanding of what the artwork is and how it functions within and beyond a specific historical moment. In Hölling's discussion of works by Nam June Paik (1932-2006), the hugely influential Korean American artist who is considered the progenitor of video art, she explores the relation between the artworks' concept and material, theories of musical performance and performativity, and the Bergsonian concept of duration, as well as the parts these elements play in the conceptualization of multimedia artworks. Hölling combines her astute assessment of artistic technologies with ideas from art theory, philosophy, and aesthetics to probe questions related to materials and materiality, not just in Paik's work but in contemporary art in general. Ultimately, she proposes that the archive-the physical and virtual realm that encompasses all that is known about an artwork-is the foundation for the identity and continuity of every work of art.…

Buch. Zustand: Neu. Neuware - A volume considering questions of conservation that arise with new artistic mediums and practices. Much of the artwork that rose to prominence in the second half of the twentieth century took on novel forms--such as installation, performance, event, video, film, earthwork, and intermedia works with interactive and networked components--that pose a new set of questions about what art actually is, both physically and conceptually. For conservators, this raises an existential challenge when considering what elements of these artworks can and should be preserved. This provocative volume revisits the traditional notions of conservation and museum collecting that developed over the centuries to suit a conception of art as static, fixed, and permanent objects. Conservators and museums increasingly struggle with issues of conservation for works created from the mid-twentieth to the twenty-first century that are unstable over time. The contributors ask what it means to conserve artworks that fundamentally address and embody the notion of change and, through this questioning, guide us to reevaluate the meaning of art, of objects, and of materiality itself. Object--Event--Performance considers a selection of post-1960s artworks that have all been chosen for their instability, changeability, performance elements, and processes that pose questions about their relationship to conservation practices. This volume will be a welcome resource on contemporary conservation for art historians, scholars of dance and theater studies, curators, and conservators. …

perfect. Zustand: Brand New. 272 pages. German language. 8.27x6.30x0.87 inches. In Stock.

Gebunden. Zustand: New. KlappentextA volume considering questions of conservation that arise with new artistic mediums and practices. Much of the artwork that rose to prominence in the second half of the twentieth century took on novel forms‿such as instal.

hardcover. Zustand: Fine.

Zustand: New. Hanna B. Hoelling is Research Professor at Bern Academy of the Arts and Honorary Associate Professor, University College London.Jules Pelta Feldman was formerly Postdoctoral Fellow at Bern Academy of the Arts and is now Assistant Rese.