hill john eric (28 Ergebnisse)

Zustand: Good. Good condition. A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains.

Paperback. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Zustand: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Zustand: Fair. 1. The item might be beaten up but readable. May contain markings or highlighting, as well as stains, bent corners, or any other major defect, but the text is not obscured in any way.

Paperback. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Zustand: Very Good. 1st edition. 164pp, octavo, rebound in blue cloth, tight binding, clean throughout, clean boards, owner's stamp. From the library of Dale W. Rice, famed writer/researcher/collector of natural history, and founder of the Dale W. Rice Memorial Library in Seattle, WA.

Paperback. Zustand: Used; Good. Dispatched, from the UK, within 48 hours of ordering. This book is in good condition but will show signs of previous ownership. Please expect some creasing to the spine and/or minor damage to the cover. Aged book. Tanned pages and age spots, however, this will not interfere with reading. Damaged cover. The cover of is slightly damaged for instance a torn or bent corner.

Hardcover. Zustand: Very Good. First Printing. -; Very Good in Very Good dust jacket.

Zustand: New. In.

Paperback. Zustand: Brand New. 2nd revised edition. 396 pages. 11.00x9.00x1.00 inches. In Stock.

Zustand: New. In.

Zustand: Fine. Original stapled colour illustrated souvenir theatre brochure programme. 10'' x 6''. Contains 52 pages with photographs of the characters from the production. In Fine condition. Member of the P.B.F.A. THEATRE PROGRAMMES.

Zustand: New. &Uumlber den AutorTerry Campbell, Chris Cook, John Hill, Eric Johnson, Ray Luther, and Kelly WatkinsKlappentextrnrnKelley Clinical Professor Terry Campbell was formerly Executive Vice President and Chief Operating.

Altersgemäß tadelloses Exemplar. Softcover / Original geheftet. Kein Versand aufgrund von EPR Regelungen in EU-Länder außerhalb Deutschlands. No shipping to EU countries outside of Germany due to EPR regulations.

Gebunden. Zustand: New.

Kartoniert / Broschiert. Zustand: New.

Zustand: New.

Zustand: Fine. Original stapled colour illustrated souvenir theatre programme 9½'' x 6''. Contains 52 pages with photographs of the characters and scenes from the musical. In Fine condition. Member of the P.B.F.A. THEATRE PROGRAMMES.

Paperback. Zustand: Brand New. 359 pages. 10.00x5.25x1.00 inches. In Stock.

New York, The American Museum of Natural History, 1941. In-8 broché de 164 pages ornées de figures dans le texte, tableaux et 17 planches en fin.K Bon état.

Hardcover. Zustand: Good. THERE ARE NO TARIFFS OR CUSTOMS DUTIES ON BOOKS. Booze by June Dutton and Edith VanocurIllustrated by John Astrop and Eric HillPublished by Determined Productions Inc, 1967 With dust jacket. Dust jacket is damaged slightly at corners and edges but otherwise in nice condition.

Zustand: Fine. First edition hard back binding in publisher's original forest green paper covers, silver title and author lettering to the spine. 8vo. 9½'' x 6¼''. Contains 224 printed pages of text with monochrome illustrations and photographs throughout. Fine condition book in Fine condition photographic dust wrapper, not price clipped. Dust wrapper supplied in archive acetate film protection, this preserves and prolongs the life of the paper, it is not adhered to the book or to the dust wrapper. Member of the P.B.F.A. ISBN 1840183144 SPORT [Cricket].

First edition, first printing. Signed by the author. Publisher's original white cloth with silver Crime Club logo to the upper board and titles in silver to the spine, in dustwrapper. An excellent near fine copy, the binding square and tight with a little bumping at the spine tips, the cloth bright and fresh. The contents are clean throughout and without previous owner's marks. Small mark to the top edge of the closed text block. Complete with the fine original dustwrapper that is without fading, loss or tears. Not price-clipped (£12.95 to the lower front flap). Signed by all thirteen contributors on a label to the front endpaper, as issued. A commemorative volume of specially commissioned short stories, published to celebrate The Crime Club's Diamond Jubilee. Comprising Robert Barnard 'The Dangling Man'; Gwendoline Butler 'Ladies Who Lunch'; Sarah Caudwell 'An Acquaintance with Mr Collins'; Elizabeth Ferrars 'Custody'; Anthea Fraser 'Nemesis'; Reginald Hill; 'A Shameful Eating'; Charlotte MacLeod 'A Sticky Business'; John Malcolm 'The Cisterna'; Patricia Moyes 'The Man Who Had Everything'; Michael Pearce 'The Mamur Zapt and the House of Doves'; Mike Ripley 'Smeltdown'; Martin Russell 'Diamond and Pearl'; Eric Wright 'Twins'. (Curran, John: The Hooded Gunman). Further details and images for any of the items listed are available on request. Lucius Books welcomes direct contact with our customers. Signed by Author(s).

5 vol.: vol. 1: 57 pp. ; vol. 2: 58 pp. ; vol. 3: 42 pp.; vol. 4: 66 pp. ; vol. 5: 50 pp.; 5 vol.: 23.2 x 14.6 cm. (each); glue bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Volumes I-V of "Summary of a Workshop," a biannual series of symposiums on contemporary art sponsored by the Frederick R. Weisman Foundation and held at various North American locations. Each symposium was accompanied by a catalogue which summarized the conversations that took place. Volume I: "The Relationship Between Art and Architecture," held in Santa Monica, CA, January 21-22, 1989. Participants included: Frank O. Gehry, Daniel Buren, Jean-Louis Cohen, Cesar Pelli, Donald Judd, Irving Lavin, Germano Celant, Henry N. Cobb, Christopher Knight, Mildred Friedman, John Chamberlain, Peter Eisenman, Robert Irwin, Michael Graves, Nancy Wexler, Henry T. Hopkins, and Michael Rotondi. Volume II: "Art + Architecture + Society," held in Toronto, Canada, July 22-23, 1989. Participants included: Henry T. Hopkins, Michael Rotondi, Diana Agrest, Lynda Benglis, Scott Burton, Adele Freedman, April Greiman, Alanna Heiss, Craig Hodgetts, Walter Hopps, Catherine Ingraham, Eric Owen Moss, Matt Mullican, Larry Richards, David Ross, Alexis Smith, and Leon Whiteson. Volume III, "Art Fairs : Plans and Process," held in Los Angeles, CA, December 5-6, 1989. Participants included: O. Kelley Anderson Jr., Brian Angel, Dr. Alberto Anfossi, Rosina Gómez Baeza, Dr. Emil Bammatter, Thomas P. Blackman, Van Deren Coke, Michelle De Angelus, Milton Esterow, Anita Kaegi, Claudio Bruni Sakraischik, Allan Schwartzman, Leif Ståhle, Tamara Thomas, Robert Thomson. Volume IV, "Conservation and Contemporary Art," held in Richmond, VA, June 4-5, 1990. Participants included: Henry T. Hopkins, Billie Milam, Albert Albano, James Bernstein, Sharon Blank, Victoria Blyth Hill, Tom Branchick, William Leischer, Carol Mancusi-Ungaro, Ross Merill, Roy De Forest, Tim Ebner, George Herms, Duane Hanson, Rotraut Klein-Moquay, Ida Kohlmeyer, Miriam Shapiro, Paul Brach, Zora Sweet Pinney, and Nora Halpern Brougher. Volume V, "Support for the Arts in Unsupportive Times," held in Los Angeles, CA, December 4-5, 1990. Participants included: Nora Halpern Brougher, Henry T. Hopkins, Cee Scott Brown, Marie Cieri, Pamela Clapp, Gary Garrels, Stanley Grinstein, David Ireland, Steven D. Lavine, Bella Lewitzky, Lisa Lyons, Anne MacDonald, Peter Norton, Max Palevsky, Claire Peeps, Dr. Thomas Reese, Joy Silverman, Tina Summerlin, Ella King Torrey, Joel Wachs, and Frederick R. Weisman. "Twice each year the Frederick R. Weisman Art Foundation conducts workshops dealing with issues of importance to those involved in the creation, exposition, collection, conservation and education of international contemporary art in all of its manifestations. These workshops bring together approximately eighteen experts in closed session for two days. The topic is determined by the Foundation but the direction that conversation takes is determined by the participants. There is no agenda. The workshops are taped, transcribed, edited, published in the present form and distributed to participants, interested parties, museums and libraries." -- Henry T. Hopkins, director. Very Good / Fine. Set of 5 volumes. Light rubbing and yellowing of cover edges and light yellowing of pages, otherwise Fine. Contents clean and unmarked.

Paperback. Zustand: Good. Illustrated by Hill, James (Cover Art); Orssagh, Egon; Croydon, Peter;Rowed, Harry; Tomkinson, Grace; Tomkinson, Constance; Sebert, John; Hill,Margaret; Simpkins; Cahen, Oscar (illustrator). First Edition. 52 pages. Features: Napier Moore argues a Canadian health plan won't work; What the Dead Sea Scrolls Mean to the Christian Faith; Remember When the Comics Were Funny? - a look at comic strips in the 1920s; A moving new portrayal of the Nativity story in a CBC half-hour film - many colour photos of the child cast; The West's Happiest Hunting Ground - For one month of the year Brooks, Alberta is a carnival, shooting gallery and crossroads of the rich and famous - all because one resident once brought home a handful of pheasant eggs - article with great photos; How Can Santa Find Me? - an illustrated Christmas story for children; Constance Tomkinson aand her life in the Folies-Bergere - article with photos; *Magnificent* colour photo centrefold ad for the 1957 Buick Super - 2-door Riviera; Nice colour Cadillac ad along the bottoms of pages 50 and 51; Nice Coke ad on back cover show Santa relaxing with a baby (rein)deer at his feet Unmarked. Average wear. A nice vintage issue.; Magazine; Folio - over 12" - 15" tall; Maclean's - Canada's National Magazine, December 22, 1956 Napier Moore argues a Canadian health plan won't work; What the Dead Sea Scrolls Mean to the Christian Faith; Remember When the Comics Were Funny? - a look at comic strips in the 1920s; A moving n.

Zustand: Good. Portfolio with 34 original graphic works by Northern California artists, each signed and numbered. One of 50 cloth and board slipcases by Taurus Bookbindery, Berkeley. 12 x 9.25 inches.DANGER PORTFOLIOArtist IndexIn no particular order, this portfolio contains the following original works of art:Robilee Frederick: Ash and Bone Ash and oil on drafting tissue; Gordon Huether: Solvent Enamel on monoprint on Reeves BFK paper;Bruce Cannon: Biological Counter Timers, Document Drawing, Mixed Media and Ink on Vellum; Kurt Kemp: Big Mouth Man with Dangerous Bird Intaglio; Nora Auston: Crushed Ink on paper; Andries Fourie: Land Mine, Inkjet print on vellum; Decatur Blue: Bombs Away, Toilet seat cover in glassine; Aaron De Beers: Trained Predators, Inkjet print; Eric Sanchez: Thank Heaven for Little Boys, Inkjet print; Constance Maher: Blood Drip, Construction paper and glue; Ry Rocklen: Nuclear Winter Wonderland, Drawing and glitter on card stock; Dennis Raines: Untitled, Intaglio; Brendan Carroll: Danger, Polaroid transfer; Rob Keller: Blood Hounds, Dog blood on various media; Lucy Puls: Ictus et Macula (Kitchen Knife), Ink on paper; Dona Kopol Bonick: Don't Let Me Be Misunderstood, Inkjet print with bullet hole; Connie Walsh: Untitled, Flocking on photo Inkjet paper; Rob Ceballos: Untitled, Woodcut on Arches paper; Ray Beldner: In Case of Emergency, Inkjet print on Kozo paper; Xavier Tiernan: Untitled, Burns on Reeves BFK paper; Joel Mesler: Cutting Cocaine Lines into Love Letters, Offset print; Ed Osborn: VLF Study #1, Very low frequency spectrogram of earth's natural radio activity; Ben Diller: Danger/Peril, Double woodblock print on Reeves BFK paper; Philip Wagner: Untitled, Offset print; Karen Hill: Folding Laundry, Inkjet print;Nancy Willis: Traces, Lipstick transfer on BFK Reeves paper; John Bonick: Bare It, Magnified sunlight and worry lines on waxed paper; William F. Wilson: II Stigmata, Mixed media inkjet print; Jackie Perez Gratz: Proof C, prints in evidence bag with label; Connell Ray Little: Untitled, Ink on card stock; Riccardo Toronto: War Surplus Hero, Offset print; Mark Garrett: Entropy II, Laser print;Lenny Gonzalez: Noel & Knoller, Inkjet photo print; Zakron: The Fear of Being Held Captive, Silver gelatin print individually processed to last an unknown amount of time.Danger logo design by Lewis deSoto.Each of these portfolio boxes was hand made and assembled by the show's curators. The Danger essay by Alison Bing was letterpress printed on Arches paper. Special thanks to Diane Newel at Taurus Bookbindery and Lisa Rappaport at Littoral Press, both in Berkeley, California.- Rob Keller and John Banick, Co-CuratorsNot all the portfolios contain all the prints so custom orders can be filled.