high steven ed (4 Ergebnisse)

Soft cover. Zustand: Near Fine. 6" x 9", x + 378pp. Perfect bound book in laminated printed card stock cover. Minor shelf wear, edge wear to cover. Binding is square and tight, pages are clean and bright and unmarked; appears to be an unread copy.

Zustand: New. Remembering Mass Violence breaks new ground in oral history, new media, and performance studies by exploring what is at stake when we attempt to represent war, genocide, and other violations of human rights in a variety of creative works. Editor(s): High, Steven; Little, Edward; Duong, Thi Ry. Num Pages: 376 pages, 19. BIC Classification: HBG; HBTD; JFFE. Category: (P) Professional & Vocational. Dimension: 230 x 151 x 22. Weight in Grams: 566. . 2014. 1st Edition. Paperback. . . . . Books ship from the US and Ireland.

Zustand: New. By challenging the ways that survivors of mass violence are typically understood as either eyewitnesses to history or victims of it, the contributors to this volume ask us to go "beyond testimony" to embrace sustained listening and collaborative research design. Editor(s): High, Steven. Series: Shared: Oral and Public History Series. Num Pages: 7 photographs. BIC Classification: HBTD; JPVH. Category: (G) General (US: Trade). Dimension: 5817 x 3887 x 30. Weight in Grams: 676. . 2015. Illustrated. hardcover. . . . . Books ship from the US and Ireland.

Zustand: Good. 8vo. 64 pp. Soft, color printed wraps. Very good with marginal rubbings along back wrap. Mostly color plates. Color frontis. Works by Includes foreword by Steven High, an introduction by Diane Deming and an essay by Hilarie Faberman. Works by Paul Jenkins, Sam Francis, Dimitri Hadzi, Squeak Carnwath, Gordon Cook, Nathan Oliveira, John Beech, Marguerite Saegesser, Miriam Schapiro, Inez Storer et al. Catalogue created on occasion of exhibition "The Art of Collaborative Printmaking: Smith Andersen Editions" held at the Nevada Museum of Art in Reno, Nevada from August 13 - October 4, 1998 and at the de Saisset Museum at the Santa Clara University in Santa Clara, CA from August 24 through December 3, 1999. Scarce. From the Collection of the Art Historian Peter Selz.