higgens john (5 Ergebnisse)

Zustand: New. In.

Zustand: New. This is a Brand-new US Edition. This Item may be shipped from US or any other country as we have multiple locations worldwide.

144 pp.; 30.7 x 24.2 cm.; staple bound; black-and-white & color; edition size unknown; unsigned and unnumbered; letterpress; March 1971 issue of Studio International, edited by Peter Townsend. Contents include: "Project 84," by David Dickson; "Date with fate at the Tate," by Felipe Ehrenberg; "News and Notes;" "Correspondence;" "Haacke, Sonfist and Nature," by Jonathan Benthall; "Christo," by Lawrence Alloway; "Tantric imagery: affinities with twentieth-century abstract art," by Virginia Whiles; "Robert Medley's new paintings," by Bryan Robertson; "Commentary," by John Russell; "Albert Irvin," by Andrew Forge; "Andy Warhol and Ad Reinhardt," by Max Kozloff; "The conditional probability machine: a new work by Eduardo Paolozzi," by Diane Kirkpatrick; "Between spring and ocean," by Klaus Rinke; "Lawrence Weiner," by Anthony Lovell; "Works by Lawrence Weiner" "Supplement: new and recent art books," reviews by Jonathan Benthall, Bernard Denvir, Andrew Forge, Peter Gidal, Andrew Higgens, Timothy Hilton, Colin Moorcraft, John Picton, Barbara Reise, and Frank Whitford. Cover: costume designed by L. Popova for "The Magnanimous Cuckold," 1921. Very Good. 5.6 cm. pencil writing on recto. Yellowing and dusting of covers with light edgewear. Contents clean and unmarked.

84 pp.; 30.7 x 24.3 cm.; staple bound; black-and-white & color; edition size unknown; unsigned and unnumbered; letterpress; February 1971 issue of Studio International, edited by Peter Townsend. Contents include: "A Smart Set of concepts," by Suzi Gablik; "Aaaargh! indeed," by Andrew Higgens; "The American Juggernaut," by Hilton Kramer; "Correspondence;" "News and Notes;" "The Sociology of Knowledge," by Jonathan Benthall; "Andy Warhol as a film maker," Paul Morrissey interviewed by Derek Hill; "Strindberg and the arts," by Tore Håkansson; "Interview with Konrad Fischer," by Georg Jappe; "UK Commentary," by Timothy Hilton; "Sydney commentary," by Donald Brook; "Linguistics: an eye-witness account," by Gareth Jones and "Inno 70," by John Latham. Cover art: postcards by Richard Hamilton and David Hockney from the recent exhibition at the Angela Flowers Gallery, London. Includes an advertisement for Warhol's April 1966 exhibition at Leo Castelli. Fair / Good. 4.7 cm. pencil writing on recto. Additional yellow discoloration, dusting, and rubbing of cover. Staplebound text block has separated from the covers it was adhered to. 3.3 cm. dog-ears to bottom right corner of pages 41-44 with additional light corner wear to pages. Contents otherwise clean and unmarked.

222 pp.; 31 x 24 cm.; glue bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; Issue edited by Peter Townsend. Essays "Art and Politics in the Russian Revolution - Part I," by Andrew Higgens; "Coldstream 1970," by Norbert Lynton; " Technology and Art 19: Kinetics at the Hayward," by Jonathan Benthall; "The Art Workers' Coalition: Not a History," by Lucy R. Lippard; "Carl Andre: Artworker," Carl Andre interviewed by Jeanne Siegel; "Dissenting Ideologies and the German Revolution," by John Elderfield; "Gene Davis and the Issue of Complexity," by Donald Wall; "Paintings by John Hubbard," by Bryan Robertson; "'A Very Abstract Context,'" by Charles Harrison; "U.S. Commentary," by Dore Ashton; "inn7o," by APG "Supplement: New and Recent Art Books," reviews by Alan Bowness, Andrew Forge, Andrew Higgins, Timothy Hilton, Edward Lucie-Smith, Jeremy Maas, Joseph Masheck, Barbara Reise, Deborah Stott, William Townsend. Cover: Photograph by Jan van Raay of members of the Art Workers' Coalition, including Jon Hendricks and Jean Toche, protesting in front of Picasso's 'Guernica' in New York. Includes a Dwan Gallery half page ad for Robert Smithson's 16mm film on the "Spiral Jetty." Very Good / Fine. Light rubbing of cover edges and small soft fold to lower right corner of front cover. Contents clean and unmarked and pages are tight to the spine.