Hermann zapf (231 Ergebnisse)

Zustand: Good. First Edition first Printing. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Good. First Edition first Printing. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.…

Hardcover. Zustand: Very Good. Minimal shelf wear, clean internals. May have remainder mark.

Zustand: Gut/Befriedigend. Kein Schutzumschlag. 0 39 S. mit Abbildungen auf Tafeln, wenig benutzt, Einbandrücken etwas ausgeblichen, im Preisberücksichtigt, K-1.

Taschenbuch. Zustand: Gut. 3.erw. und verbe. Auflage. 352,40 Seiten; Das Buch befindet sich in einem ordentlich erhaltenen Zustand. Einbandkanten sind leicht bestoßen. Sprache: Deutsch Gewicht in Gramm: 540.

no dustjacket, hardcover. Zustand: acceptable; used. Prompt Shipment, shipped in Boxes, Tracking PROVIDEDsm8vo; 45 pages; hardcover no dustjacket; scuff and stain to face board; acceptable; tips bumped; spine head annd heal bumped; clean pages; prompt shipping with tracking.

Hardbound. Zustand: Very Good. Royaloctavo, red cloth with gold lettering, color frontispiece illustration, 151 pp., color illustrations One of eight hundred copies.

Paperback. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Soft cover. Zustand: Good. No Jacket. Softcover. Condition: Good, with light shelfwear to covers, including some light soiling and two horizontal indented shallow scratches to rear cover (each approx 3 inches long). Binding sound, no inscriptions. 63pp. Four colour tipped-in plates and several b/w illustrations. This catalogue was produced to accompany the exhibition of the work of Robert Haas, held at The Farleigh Dickinson Library from May 13 to September 1, 1984. The Austrian-American photographer, graphic designer, printer of handmade books and typographer Robert Haas (1898-1997) was born in Vienna. He was forced into exile by the Nazis in 1938 and arrived in New York City the following year.…

Hardcover. Zustand: Good. Zustand des Schutzumschlags: Good. THE DUSTWRAPPER IS HEAVILY RUBBED AND FADED TO SPINE. LARGE CHIP TO TOP FRONT AND BUMPING AROUND EDGES. THE FABRIC BOARD COVER IS IN GOOD CONDITION WITH TITLE WRITTEN CLEARLY TO SPINE AND FRONT. NAME STICKER TO FFEP. VERY MILD FOXING TO FORE EDGE. PAGES CLEAR WHITE AND GENERALLY APPEAR CLEAN AND CREASE FREE. ALL IN ALL A NICE EXAMPLE OF THIS BOOK.…

Mainz am Rhein: Verlag der Gutenberg-Gesellschaft (= Kleiner Druck der Gutenberg-Gesellschaft, Nr. 97), 1974. Hellgraue OBrosch. 39 Seiten mit Bibliographie Hermann Zapf (zusammengestellt von Kurt Georg Schauer). - 23 x 14. * Sehr gutes, unbenutztes Exemplar .

Mainz: Verlag der Gutenberg-Gesellschaft (= Kleiner Druck der Gutenberg-Gesellschaft, Nr. 91), 1970. Hellgelbe OBrosch. 20 Seiten. - 23 x 14. * Saubere und sehr gut erhaltene Erstausgabe .

Mainz: Verlag der Gutenberg-Gesellschaft (= Kleiner Druck der Gutenberg-Gesellschaft, Nr. 104), 1977. Hellblaue OBrosch. 32 Seiten. - 32 x 14,5. * Erstausgabe. - Laudatio: Hermann Zapf. - Mit Liste der Erfindungen des Preisträgers. - Sauber und sehr gut erhalten .

Sonderdruck aus: Imprimatur - Ein Jahrbuch für Bücherfreunde. Band X, Jahrgang 1951. Olivgrüne OBrosch. Seite 83 bis 108 mit verschiedenen Schriftproben. - 30 x 20,5. * Sauber und sehr gut erhalten .

Soft cover. Zustand: Fine. Zustand des Schutzumschlags: As New. Small quarto, 63 pages, numerous illustrations + one tipped in plate. Printed wrappers. - First edtition. Published on the occasion of an exhibiton held from May-Sept, 1984. Catalogue by Renee Weber.

Soft cover. Zustand: Fine. Narrow small quarto, 19 pages. Printed wrappers. - First edition.

62 S. mit zahlr. Abb. Umschl. etw. lichtverf., min. fl. u. randrissig. Gutes Exemplar. Sprache: Deutsch 4°, Orig.-Halbleinen mit mont. Deckeltitel u. ill. Orig.-Schutzumschlag.

paperbound, 8vo 48 pp., ills. typography, spacing; very good condition.

gr8° Heft m. Büttenumschlag. 16 S. zweifarbig Lieferungen in die Vereinigten Staaten von Amerika (USA) sind derzeit nicht möglich. Sprache: Deutsch Gewicht in Gramm: 100.

8vo, (230x141mm), 20p. An ex-library copy in original stiff wrappers.

Original publisher's red paperback, lettereing spine and frontcover, large 8vo: 180pp., [ij], 30 page-large facsimiles with references on opposite page, , table of contents, list facsimiles, colophon. Fine copy.

Taschenbuch. Zustand: Neu. Neuware - This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.…

4°. 168 S. mit sehr zahlreichen, teils ganzseitigen bzw. farbigen Abbildungen. Illustrierter Opbd. mit farbig illustriertem Schutzumschlag. Umschlag mit kleinem (hinterlegtem) Einriss am Oberrand, sonst tadelloses Exemplar. Zapf (1918-2015) war einer der bedeutendsten, auch international gefragten deutschen Typographen, Schiftgraphiker und Kalligraphen des 20. Jahrhundert, der in seinem Leben über 200 Druckschriften entwarf. Seine große Sammlung eigener Schriftentwürfe, Signete und Buchgestaltungen, die er o.g. Bibliothek vermachte, wird hier detailliert vorgestellt. Seit den frühen 1960er-Jahren beschäftigte er sich auch als einer der Ersten mit dem Thema Computer und Typographie. Sprache: de.…

Precioso librito, con páginas sin numerar, y reproducciones en negro y en color de tipografías y diseños de Zapf. 12vo., cartulina con sobrecubierta. Impecable.

Gewebe. 177 Seiten. : Ill. (farb.), graph. Darst. ; 28 cm Einband minimal gebrauchsspurig, ansonsten in einem wirklich fast frischen Zustand. WZ1/63 Sprache: Deutsch Gewicht in Gramm: 769.

Broschur. Zustand: Gut. 3., erw. u. verb. Aufl. 352 S.: 40 S. Abb.; 21 cm Zustand: Einband lichtverfärbt, Bindung fest, innen hell und sauber --- Inhalt: Eine Ausstellung aus Beständen der Deutschen Bibliothek, Frankfurt am Main (Sammlung Exil-Literatur) ORA4-3dub Sprache: Deutsch Gewicht in Gramm: 500. …

Hardcover. Zustand: Very Good. . 1949, illus bright clean copy, no markings, with light wear to dustjacket, Professional booksellers since 1981.

Soft Cover. Zustand: Near Fine. Paperback. 36pp. An excellent copy. (ar16).

Paperback. Zustand: Gut. unnumbered, numerous figures, Good condition. -- In the fields of printing and graphic design it is generally agreed that the poet in our midst is the type designer. The basis of his profession is a perfect blend of art and science. Moreover, it has been said that a study of the development of letter forms would touch upon the complete cultural activities of man. The great accomplishments of Claude Garamond, Anton Janson, John Baskerville and Giambattista Bodoni are imposing today. The letters invented by these men in previous centuries are still considered as patterns for the norms in printing types. However, these letter forms were conceived to meet a set of requirements which differ completely from those of the modern world. In their times, papers were hand-made and presses were hand-operated. The advent of offset and gravure printing, the advances in high-speed presses and the diversification of printing surfaces have presented restrictions on the use of type faces that were designed in the past. With these new factors, the modern type designer's function is clearly defined and his need is even greater. -- -- Of the many designers of printing types in this century, Hermann Zapf has emerged as one of the most original talents. Since 1939 he has produced over fifty type faces which cover a wide range of styles. He was born in Nurn-berg, Germany, in 1918. His early interest in drawing lead him to seek a position where his abilities might be used. His great desire to become an electrical engineer could not be realized in the Germany of1933. Having no formal art training, he developed by practice his early interest in drawing and thus qualified for employment in a printing firm as a photo retoucher. -- n 1935 he came across the text book, Das Schreiben als Kunstfertigkeit, written by the great German writing master, Rudolf Koch, and commenced his calligraphic exercises with the broad pen. Edward Johnston's excellent book, Writing and Illuminating and Lettering, later served as a guide and introduction to traditional letter forms. The great collection of famous writing-books at the Niirnberg city library presented actual examples of the letter from its earliest written forms. Thus in 1935, with the tremendous discipline so necessary in one who is self-taught, Zapf entered a field in which he is now an acknowledged master. In the spring of 1939 he moved to Frankfurt am Main, where he co-operated with " Haus zum Fursteneck", the printing firm of Paul Koch. Some months later he established himself as a freelance book designer and typographer. Through Gustav Mori, he was introduced to the Stempel type-foundry. In 1940, when he was twenty-two years old, his first type design was cut, the test size of Gilgengart, a German text letter. (Beginning of the introduction) Sprache: Englisch Gewicht in Gramm: 550.…