Verlag: Institut Neerlandais, Paris, 1975
Anbieter: William Allen Word & Image, London, Vereinigtes Königreich
EUR 17,90
Anzahl: 1 verfügbar
In den WarenkorbZustand: Very good. Alain Arias Misson; Hans Clavin; Herman Damen; Pier van Dijk; Ludo Fratuer; Mark Insingel; Robert Joseph; Ton Luiting; Peter Meijboom; Maarten Mourik; Nahl Nucha; Gerrit Jan de Rook; Jan Vercruysse; Paul de Vree; Herman de Vries, Poesie Visuelle, Institut Neerlandais, Paris. 111 x 210mm [folded]. Invitation to attend the opnening of an exhibtion of visual poetry at l'Institut Neerlandais in Paris, which ran from 12 June - 6 July, 1975. Printed black on white stock. Inside page features the visual poem 'Genese' by Maarten Mourik. Condition: Very Good.
Verlag: studio brescia, Brescia, 1972
Anbieter: Graphem. Kunst- und Buchantiquariat, Berlin, Deutschland
gr 12°, Klammerheftung, 8 Bl. - gelocht, sonst gutes Exemplar. Buch.
Verlag: La Plata, Buenos Aires, 1968
Anbieter: William Allen Word & Image, London, Vereinigtes Königreich
EUR 507,30
Anzahl: 1 verfügbar
In den WarenkorbZustand: Very Good +. Edgardo Antonio-Vigo (ed.), Diagonal Cero No. 28, Senalamiento III, Diagonal Cero, La Plata, Argentina, undated circa 1968, 195 x 230 mm. Contributors include: Herman Damen, Annalisa Alloatti, Max Bense, Vigo, Michele Perfetti, Francisco Garzón Cespedes. Issued with brown card parcel tag, attached to cover with yellow string. Condition: some light ageing to the portfoilo cover, some wear and minor creasing to the corners. Insides: very minor ageing - a clean copy. Overall: Fine.
Anbieter: Fahrenheit 451 Antiquarian Booksellers, Nieuwerbrug, Niederlande
getiteld "plato" en gesigneerd "Deman AH '70" in potlood. 50 x 65,5 cm. = Enkele vlekjes in marges.
Erscheinungsdatum: 1970
Anbieter: William Allen Word & Image, London, Vereinigtes Königreich
EUR 566,99
Anzahl: 1 verfügbar
In den WarenkorbZustand: Very Good +. Pages 1, 2, 3 (Complete Set), Edited by David Briers. Pages can be seen as a more refined and less chaotic publication than Writers Forum productions of the time. Emphasising Briers' knowledge and connections with established artists, it can be argued that it was ahead of its time, though Zurbrugg's inclusion in no. 1 emphasises that it did see itself as a reaction against narrow concrete: "The aim of Pages is to publicise the avant-garde, and by doing so to prove that it does not exist except as a name" (Foreward, Pages No. 1, David Briers). Pages No. 1, Autumn, 1970. David Briers (ed.), 35pp., 210 x 295 mm. Printed black, white and blue on white stock, stapled into colour printed wraps. Includes a loose inserted postcard by Richard Hamilton 'Postmark' (1970). Contents include: dsh's 'parameters and paramitas' with other contributions from Diter Rot, Jochen Gerz, Jiri Valoch, Tom Phillips, Mauricio Kagel, Joseph Beuys. Cover image by Herman Makkink 'Christ Unlimited'. Pages No. 2, Winter, 1970. David Briers (ed.), 37pp., 210 x 295 mm. Printed black, white on white and green paper, stapled into colour printed wraps. 39pp. Includes Nicholas Zurbrugg's article 'Towards the death of concrete poetry' and controbutions from Jiri Valoch, John Furnival, Richard Demarco, Cornelius Cardew, Ian Breakwell, Robert Filliou and others. Cover image by Herman Damen. Pages No. 3, 1972. 23pp., 210 x 295 mm. Cover image by Robin Crozier. Ref: Allen, Artist's Magazines - An Alternative Space For Art, MIT Press, 2011 p283. Condition: some wear and marks to covers, some foxing to top of front covers of issues 1 & 3, no writing or tears. Overall: VG+. ADDITIONAL MATERIAL: Included with this complete set of magazines are 2 additional sheets, printed black on white stock and stapled in corner. These sheets are rare and have not been seen by us before. They include Pages information and sales details.