herman d johnson (5 Ergebnisse)

Paperback. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Stapled. Zustand: Fair-Good. No Jacket. First Edition. Early pulp. Cover by Stockton Mulford for "Murk" (pt. 1 of 4) by Charles Francis Coe. Includes "The Mad Movie" (pt. 2 of 3) by Fred MacIsaac; "Unhearing Ears" (pt. 3 of 5) by Arthur Preston Hankins; "Her Hour of Reckoning" (pt. 4 of 4) by Elizabeth York Miller; "Tangled Trails" by George M. Johnson; "What the Storm Settled" by Herman Howard Matteson; "On Advance of Time" by George Keyports Brady; "The Blind Side" by Stanley Walker; "Josh Stebbins - Gunrunner" by A. D. Temple; "All of Us, Sometimes" by Helen Geneva Masters. Poetry: "Peter Green's Waterloo" by Clarence M. Lindsay; "Retaliation" by Edgar Daniel Kramer; "The Pedestrian's Dream" by Beatrice A. Vandergrift; "The Span" by Olin L. Lyman. Damp staining to the first few pages. Tape reinforced along the edges keeping the front cover & first page attached. A Fair to good copy.

Paperback. Zustand: Brand New. paperback/cd edition. 120 pages. 11.25x8.50x0.50 inches. In Stock.

Size: Folio. Half leather (rubbed, backstrip missing).

Draft script for the 1969 film. Copy belonging to producer James H. Ware with his name and annotations, in manuscript ink and pencil throughout. Ware was a major presence in British and American cinema, best known for his work on "Beat the Devil" (1953), "Room at the Top" (1959), "Our Man in Havana" (1959), "Charade" (1963), and "The Spy Who Came in from the Cold" (1965). Following the success of the James Bond series of the 60s, studios resurrected the Bulldog Drummond character, this being the second of the revamp after 1967's "Deadlier Than the Male." Drummond uncovers a plot where a criminal mastermind, aided by robots in form of beautiful women, will receive eight million pounds if an experimental plan doesn't launch on time. Set in Spain and London, shot on location in Catalonia, Spain and at Pinewood Studios in London. Orange blank wrappers with die cut title window in the British style. Title page present, dated May 1968, with credits for screenwriters David Osborn, and Liz Charles-Williams. 129 leaves, with last page of text numbered 127. Mechanical duplication, with salmon revision pages throughout, dated May 30, 1968. Pages Very Good plus, wrapper Very Good bound internally with two gold brads.