EUR 8,88
Anzahl: 4 verfügbar
In den WarenkorbZustand: New.
EUR 19,98
Anzahl: Mehr als 20 verfügbar
In den WarenkorbZustand: New. In.
Verlag: London : W. Heinemann, 1912
Anbieter: MW Books, New York, NY, USA
Erstausgabe
First Edition. Very good copy in the original gilt-blocked cloth. Slight suggestion only of dust-dulling to the spine bands and panel edges. Remains particularly well-preserved overall; tight, bright, clean and strong.; 8vo 8" - 9" tall; 430 pages; Physical description: xii, 143 p. , 48 leaves of plates : ill. (incl. Ports. ) ; 24cm. Subjects: Leonardo, da Vinci, 1452-1519. Titian, ca. 1488-1576. Painting, Italian - History. Art criticism. Painting, Renaissance - Italy. Notes: Reprinted from various periodicals. Title page in red and black. 3 Kg.
EUR 39,48
Anzahl: Mehr als 20 verfügbar
In den WarenkorbGebunden. Zustand: New.
Sprache: Englisch
Verlag: Touchladybirdlucky Studios Mai 2016, 2016
ISBN 10: 1356357024 ISBN 13: 9781356357024
Anbieter: AHA-BUCH GmbH, Einbeck, Deutschland
Buch. Zustand: Neu. Neuware - This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Verlag: London, Palermo.and Esher, Surrey:1910, 1910
Anbieter: Wittenborn Art Books, San Francisco, CA, USA
Manuskript / Papierantiquität
Zustand: Good. 11 Als, most with multiple pages; 54 page typescript; annotated pages for the 1910 published book entitled "Raphael and the portrait of Andrea Turini," as well as the book itself, by Tom(Tommaso) Virzi; documents of the exhibition at the Burlington Fine Arts Club in 1910.Roger Fry wrote about the painting in "TheThe Burlington Magazine for Connoisseurs ," Vol. 18, No. 93 (Dec., 1910), pp. 135+137-138 (3 pages).These documents and letters are records of an art history investigation into the attribution of an Italian Renaissance painting possessed by Thomas (Tommaso) Virzi. Bernard Berenson guessed Raphael at one time, Roger Fry would also attempt to determine its provenance among other art experts of the period. The painting was being exhibited not only for its fine quality, but also to publicize it so that someone might be able to determine the artist. Most of the letters are by Herbert Cook (1868-1939), a leading English art patron and historian, involved also with the Burlington Magazine. Of special note are two drafts of Cook's Preface to a 54 pp. essay in Italian by Virzi, the owner of the painting. Also of note is a lengthy handwritten letter by Edward Perry Warren (1860-1928), a Bostonian who took up residence in England and became a leading art dealer in Edwardian England. In addition to the Virzi essay the lot includes a preface Cook wrote for Virzi's account.? On 25 October 1910, Warren offered to arrange the sale of the Raphael to the Museum of Fine Arts, Boston for £50,000.Tommaso Virzi later emigrated to America. He shows up in the 1940 census of Manhattan as an art exporter, and was naturalized in 1945.The painting was eventually acquired by J. Hirsch of New York and subsequently sold on Friday 18 July 1980 at Christie, Manson & Woods , London as lot 150, as by Francesco di Cristofano (Franciabigio).The FONDAZIONE FEDERICO ZERI - Università di Bologna now calls the artist "Anonimo fiorentino sec. XVI.".