henry singleton (34 Ergebnisse)

Zustand: Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Hardcover. Zustand: NF. Hardback in Near Fine condition without dust jacket. Library Of American Art. 8vo 8" - 9" tall. 384 pages. Quick shipping, excellent customer service. All books carefully packaged in boxes and ship with tracking information.

Zustand: New. 2025. paperback. . . . . . Books ship from the US and Ireland.

Paperback. Zustand: Brand New. 142 pages. 7.50x5.50x7.50 inches. In Stock.

Loose Leaf. Zustand: New. Reproduction. Original title: Oriental with a Beard, Reading a Book German: Orientalisch mit einem Bart, ein Buch lesen French: Oriental avec une barbe, Lecture d'un livre Spanish: Oriental con barba, leyendo un libro High-quality fine-art reproduction based on an original work from the Artic. Creation period: 19th century (1803). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No.

Zustand: New. In.

Zustand: New. In.

Zustand: New. In.

Zustand: New. In.

Hardcover. Zustand: Fine. Zustand des Schutzumschlags: Fine. 1st Edition. xiv, 233 p. : ill., ports. ; 26 cm. ISBN 9780520029996, 9780520037199, 0520029992, 0520037197 OCLC 3289253 LCCN 75007193 LC ML3561.J3 S39 Dewey 785.420973 ; gray cloth in pictorial dust jacket ; Contents: Preface / Chadwick Hansen -- Introductions -- Introducing the Jazz Record 1943 / Art Hodes -- Jazz Record: the first year, 1944 / Art Hodes and Dale Curran -- Jazz Record remembered, 1973 / Art Hodes -- Part 1: Facts Of Life / Art Hodes -- Rainbow cafe -- Everybody's in the union -- Playing for kicks -- Wingy, Louis and me -- Liberty Inn drag -- Jam session -- Cops -- Taxi dance hall -- Big bands: 1 -- Big bands: 2 -- Making a record -- Enlightenment-through radio -- Blues for Bennie -- Blues for the dago -- Blues for Nick and tricky Sam -- Blues for 52nd street -- Part 2: Beginnings-Blues, Boogie-Woogie And Ragtime -- Cow cow and the boogie-woogie / Cow Cow Davenport -- Mama don't low no music / Cow Cow Davenport -- Blues in his heart / Jasper Wood -- Rag alley story / Rudi Blesh -- Little brother / Eurreal Montgomery -- Preserve genuine early ragtime / S Brunson Campbell -- They all had it / S Brunson Campbell -- Scott Joplin / R J Carew -- Baby, I done got wise / William "Big Bill" Broonzy -- Memories of Bessie Smith / Carl Van Vechten -- Bessie Smith / Art Hodes -- Really the blues / Milton (Mezz) Mezzrow -- I remember the queen /Zutty Singleton -- Part 3: New Orleans And All That Jazz -- New Orleans trumpeters / Cy Shain -- Jazz music of the gay '90s / John A Provenzano -- Mardi Gras, chic la pai / John A Provenzano -- Mr Armstrong and Mr Robbins / transcribed by Lorraine Lion -- When Armstrong came to New York / Kaiser Marshall -- King Oliver's last tour / Fred Moore -- King's nephew / Dave Nelson, as related to Danny Barker -- Mostly about Morton / Omer Simeon -- Oh, Mr Jelly / Charles Edward Smith -- Oh, play that thing / Warren "Baby" Dodds -- Forty-eight years on the string bass / Pops Foster -- Blues for Jimmy / Vincent McHugh -- Tribute to Joe Darensbourg / John Wittwer -- Once upon a time / Eddie Edwards -- Kid Ory / Alma Hubner -- Letter from Bunk / Bunk Johnson -- Jam session with Bunk / Lewis Eaton -- Play number nine / George Lewis -- New Orleans trombone / Jim Robinson -- Big eye Louis Nelson / Robert Goffin -- Part 4: Second Line -- Baby Dodds knew how / George Wettling -- Drummer from Chicago / Earl Wiley -- Drummer Danny / Bob Aurthur -- Kazoo come on / Jack Bland -- As I knew Eddie Lang / Jack Bland -- Idyll of the kings / Amy Lee -- Riverboat Jess / Mary Peart -- Barrelhouse Frank Melrose / Pete Daily -- Davenport piano / Floyd Bean -- Portrait of George Bruni(e)s / Amy Lee -- Modest George / Harvey Lebow -- Bud Freeman said it / Jasper L Wood -- Pee Wee's soul is music / Alma Hubner -- Rod Cless as I knew him / Ray Cless -- Muggsy Spanier / Alma Hubner -- Hear that ragtime band / Dale Curran -- Wild William / Bob Aurthur -- Talking about boze / Mary Peart -- Dixieland, twin city style / Paul (Doc) Evans -- Gentleman of jazz / Fats Baker -- Music is a business / Fats Baker -- Village tavern league / George Avakian -- Musicians are independent / G F Quittner -- Part 5: Lest We Forget -- Gram-o-phone days / Dale Curran -- Recording with Panassie / Mezz Mezzrow -- I'm a sweet Papa Pigment / Alsion Blair -- St Louis Jazzman / Ed Crowder and A F Niemoeller -- Drums on the Mississippi / Harry Dial -- Everybody loves Cecil / H B M -- Music is my business / Henry Goodwin -- Fats Waller and James P / James McGraw -- Trouping with Fats Waller / Gene Sedric -- You got to be original, man / Allan Morrison -- Sidney Bechet, musical father to Bob Wilber / Al Avakian -- Selections from the gutter / Art Hodes ; FINE/FINE. Book.

Zustand: New.

Zustand: New.

Taschenbuch. Zustand: Neu. Neuware - William Henry Singleton's Recollections of My Slavery Days is a compelling account of a remarkable journey from slavery to freedom in the American South. Born a slave in 1843 in New Bern, North Carolina, Singleton grew up on a remote coastal plantation at Garbacon Creek. From a slave's viewpoint, his Recollections provides an intimate and moving portrait of the growing schism between North and South, of a fierce yearning to hold onto family while in bondage, and of the African American freedom struggle during slavery.The Civil War stands as a turning point in Singleton's narrative. In 1862 he escaped from a Confederate soldier and fled to freedom in Union-occupied New Bern. There he helped to recruit one of the first African American regiments in the Union army and subsequently served as a sergeant in the Thirty-fifth United States Colored Troops. Until the day he died, at a reunion for Civil War veterans in 1938, Singleton insisted that his wartime service pledged the United States to fulfil its promise of freedom and equality for all citizens.Originally published in a local newspaper in Peekskill, New York, Recollections of My Slavery Days is a rare, long forgotten account of American slavery that has not previously been available to a national audience. In this landmark edition, Katherine Mellen Charron and Davis S. Cecelski provide scholarly annotations and an introductory essay as critical background to understanding Singleton's narrative. Examining his life and times, they situate Recollections in the context of African American history and autobiography.

Gebunden. Zustand: New.

Gebunden. Zustand: New.

Zustand: New. KlappentextrnrnThis scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have.

Zustand: Very good. Stipple engraved print with image area 31 x 27 cm. The artist was an English painter and miniaturist. Engraved by W. Bond who studied stipple engraving under Francesco Bartolozzi, with his first work being published in 1772.

Zustand: Good. Engraving. Image 6" x 4.75". Good with tiny loss & minor tears to edges, else Very Good. Scarce.

im Papprahmen (ca. A4 Größe) mit 2 kleinen Klebebändern montiert, Maße Blatt 9 x 16 cm guter Zustand, auf der Rückseite des Umschlages Angaben einer Galerie zu Art und Alter und kleine Beschädigung durch einen abgelösten Aufkleber de 1 S. 490 g.

schöner alter Stich mit der biblischen Darstellung von Caleb, der seine Tochter Achsah begrüßt, im Papprahmen (ca. A4 Größe) mit 2 kleinen Kelebebändern montiert, Maße Stichblatt 12 x 17 cm gut erhalten, leicht fleckig en 1 S. 490 g.

No Binding. Zustand: Fair. 1st Edition. Mezzotint engraving, 37,5x49 cm (sheet). Entirely laid down. Soiled, with repaired losses and tears into the image.

Zustand: Good. Original engraving on wove paper. Very Good. 9.25 x 5.5 inches sheet size. Some wrinkling and minor losses on right edge. Foxing throughout, but not affecting image. Portrait of Miss Duncan as Florence in The Curfew. Published in London by J. Bell, 1 August 1812.

Hardcover. Zustand: Very Good. Hardcover. Scarce travel classic written by Henry Knight [1789-1835] using the pseudonym of Arthur Singleton. Includes Knight's letters from Philadelphia, Washington City, Virginia, Kentucky, New Orleans, and the Gulf of Mexico with Knight's detailed and interesting observations of each city or region. Attractively bound in three quarter navy blue leather over marbled paper covered boards with gilt title and raised bands to spine. Wear and rubbing to hinges, bands, and edges of boards. Rubbing to marbled paper covers. Exlibrary with book stamp of Headlee's Book Exchange to title page and verso. Bookplate to front pastedown featuring an unidentified family crest. Occasional spots of foxing to interior and handwritten note in pencil regarding pseudonym on title page, but clean and bright overall. Marbled endpapers and top edge gilt. 159 pages. AMER/010720.

Zustand: Very Good. Philadelphia, PA: First Episcopal District, African Methodist Episcopal Church, 1987. 1st edition. Sm 4to. 512pp. Illus. Very Good book. (African Methodist Episcopal Church, church history, church buildings) Inquire if you need further information. NOT AVAILABLE FOR SHIPMENT OUTSIDE OF THE UNITED STATES.

Henry Singleton (illustrator). '"MOEDERLIJKE LIEFDE. OPGEDRAAGEN AAN WELEDELE HEEREN REGENTEN VAN DE DELFTSCHE FUNDATIE VAN WIJLEN DE VRIJVROUWE VAN RENSWOUDE &C. &C. DOOR HUN WELEDEL. OSTENDROPEN EN ZEER VERPLICHTEN DIENAAR P. VAN DER BEEK."'A mother seated with three children in an interior setting. One child is on her lap, another standing in front of her holding a mirror, while a third child, with a small dog, watches from the side. The scene represents "Motherly Love" with a soft, classical interior and a landscape visible in the background.Made by Pieter van der Beek after Henry Singleton.Medium: Stipple engraving on wove (vellin) paper. Watermark: lettering 'VANDER L.'.Sheet size: 51.5 x 37.6 cm (20.28 x 14.8 inch). Image size: 51.5 x 37.6 cm. (20.28 x 14.8 inch).MOTHERLY LOVE, FAMILY, CHILDREN, ETCHING, CLASSICAL, PIETER VAN DER BEEK, HENRY SINGLETON | PCO-B8-13BACKGROUND INFORMATIONPublished by Arpels & Gabriels & Co., for the Delftsche Fundatie van de Vrijvrouwe van Renswoude, Amsterdam.Reference: Rijksmuseum object number: RP-P-1907-2066.Biography engraver: Pieter van der Beek was a Dutch engraver active in the late 18th and early 19th centuries. He was known for his precise etchings, often reproducing famous paintings, and collaborated with various publishers in Amsterdam.Biography artist: Henry Singleton (1766-1839) was a British painter, known for his genre paintings, portraits, and historical works. His art frequently depicted family scenes and moments of affection, which were widely appreciated during his time. Condition: good, given age. Light creasing and a few pinsize holes. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.

framed. Charles Bestland (illustrator). Stipple engraving. Proof before letters. 22.5 x 30 inches. Founding members of the Royal Academy of Arts are assembled in the Council Chamber at New Somerset House surrounded by paintings and classical sculptures. At the center, the American artist Benjamin West is shown with a hat. Standing to the right are the painters John Singleton Copley and Joseph Farington. There are only two women founders near the back of the image, Mary Moser and Angelica Kauffman. Standing to the right are the painters John Singleton Copley and Joseph Farington. The original painting hangs in the Royal Academy. Excellent condition with archival frame. Small manuscript notes verso right about title. From the estate of Kynaston McShine.

In 1793, during the French Revolutionary Wars, Robert Faulknor the younger, then a Commander with his own small vessel, fought on the HMS Zebra alongside the HMS Asia during a battle at Fort Royal (Fort-de-France) on Martinique. The two ships were meant to provide covering fire for ground troops landing in the port. However, seeing that the Asia was under heavy fire from the port's defenses, Faulknor pulled his ship out of formation, and into the harbour, from where he personally led a number of ground troops and scaled the walls of the French fort. His courage rallied the British troops, and his efforts were rewarded with a promotion to Captain and the command of a larger vessel. He died a year later in a naval battle., Image Size : 510x660 (mm), 20.08x25.98 (Inches), Platemark Size : , Paper Size : 563x668 (mm), 22.17x26.30 (Inches), Black & White, Mezzotint Slight discolouration in the lower left margin, narrow margins, otherwise in very good condition, laid down on acid-free card for long-term preservation.

"In the Night of the 21 of April, 1798, L'Hercule was chased off Brest, by the Mars. The french [sic] Pilot after running L'Hercule close in Shore, assured his Captain, it would prove the destruction of any Ship to attack them in that situation; Captn. Hood, braving all danger, run [sic] the Mars alongside, and lashing both Ships together, commenced a terrible fire, in which the French lost 300 Men, the English but 60. among the wounded was the gallant Hood, who living but to receive his Enemies Sword, expired in the moment of Victory." (English caption.)At 14 years old, Hood had accompanied Cook on his second voyage to the Pacific in 1772 until 1775. He served in the American Revolutionary War, where his distinguished capacities saw him quickly promoted to captain of several flagships in many battles in the Caribbean and the coast of North America. Hood died in one of the few battles he saw during the French Revolutionary Wars, and is said to have died just as he was receiving the French captain's sword in surrender (as depicted in the image)., Image Size : 510x660 (mm), 20.08x25.98 (Inches), Platemark Size : 560x661 (mm), 22.05x26.02 (Inches), Paper Size : 579x697 (mm), 22.80x27.44 (Inches), Black & White, Mezzotint One minor tear in the lower margin cuts cleanly 20 mm (3/4") into the title; a small tear in the lower right corner, and three in the upper margin, have all been expertly repaired. The print is in very good condition.

Alfred der Große war von 871901 König von England. Bei "Hastings" handelt es sich nicht um den Ort der berühmten Schlacht, sondern um den Wikingerführer Hasting, gegen den Alfred zwischen 893 und 895 schwere Kämpfe zu bestehen hatte und dessen Familie Alfred gefangennahm, aber sie unversehrt an Hasting übergab.