henry gerbault (28 Ergebnisse)

Oficial. Zustand: Bon état. Préface de Paul Guillain.

VII, 100 Dessins. Sprache: Französisch Gewicht in Gramm: 900 Farb. Ill. OLeinwand. Dekorativ.

Zustand: Good. Folio. 19 pp. Good. Soft Cover. Black stiff paper wraps. Staple binding. B&W plates throughout. Stain on front cover and wrinkling from water damage throughout.From the Collection of the Art Historian Peter Selz.

Zustand: Good. Folio. 19 pp. Very Good. Soft Cover. Black stiff paper wraps. Minor shelf wear and creasing on covers, else fine. Pages fine. Staple binding. B&W plates throughout.From the Collection of the Art Historian Peter Selz.

18x24cm, Fascicule en parfait état présenté tel que paru. Elégantes illustrations en couleurs et au trait dans la style Art Nouveau par Henry Gerbault.

Buena Media Piel. Zustand: Muy bueno. Henry Gerbaulth (illustrator). Primera edición. 19 x 14 cm. XII pp. de texto y 100 láminas. Perfecto ejemplar encuadernado de época a media piel. Conservando la bonita cubierta original. Lomera con nervios y florones. XII pp. de texte et 100 planches. Parfait exemplaire relié en demi-cuir. Préservation de la belle couverture originale. Dos à nerfs et fleurons.

Demi-reliure à coins. Zustand: Très bon. Henry Gerbault (illustrator). Ed. originale. Paris, Publications de La Vie Parisienne, sd [ca 1897]. 34,5 x 28 cm, in-folio, 30 ff. n. ch. dont 28 illustrations en noir hors texte, reliure de l'époque de demi-percaline rouge à coins. Edition originale. Relié sans ses couvertures, bel exemplaire.

Rústica. Zustand: Bon état.

Zustand: Good. Autographed. Folio. 19 pp. Very Good. Soft Cover. Black stiff paper wraps. Minor shelf wear and creasing on covers, else fine. Some edge wear at head of spine, front and verso. Pages fine. Staple binding. B&W plates throughout. Inscribed on title page. Letter laid in, with tear on left edge, not affecting text. From the Collection of the Art Historian Peter Selz.

Zustand: Hervorragend. Zustand: Hervorragend | Sprache: Französisch | Produktart: Bücher | Keine Beschreibung verfügbar.

Broché. Zustand: Satisfaisant. Grand In4 ( 36 x 28 cm ) - non paginé ( 28 planches compri la page de titre ) - Exemplaire sur japon , tirage à 15 exemplaires - mouillures au dos qui ont très légèrement débordés sur les plats . Henry Gerbault ( 1863-1930) fut publié par La Vie parisienne, Fantasio, Le Rire, Gil Blas, Le Bon Vivant, Le Frou-frou2, L'Assiette au beurre, L'Art et la Mode et La Vie moderne, Le Monde illustré, Lecture pour tous, et quelquefois pour L'Illustration .

Reliure signée. Zustand: Assez bon. Henry Gerbault (illustrator). Edition originale. Paris, H. Simonis Empis, 1903. 20,5 x 15,5 cm (R), in-8, VII pp. - 100 planches hors texte en noir légendées, reliure à la Bradel de demi-maroquin brun à coins, dos lisse, couvertures et dos conservés (reliure signée Carayon). Edition originale. L'un des 30 exemplaires sur CHINE seul grand papier avec 25 Japon (n° 19). Charmant recueil humoristique et légèrement polisson. Quelques taches noires à la reliure, une mouillure angulaire et des rousseurs tout au long du volume, bon exemplaire cependant.

. In-8 br. Nombreuses illustrations d'H. Gerbault. E.O. Envoi autographe de Maurice du Seigneur.

Couverture souple. Zustand: Moyen. In-folio, environ 25 pages. Riche iconographie en couleur. Exemplaire en mauvaise état. La couverture ainsi que la quatrième de couverture se détache. Cependant les planches sont fraiches.

Hardcover. Zustand: Fine. Gerbault, Henry (illustrator). 1st Edition. 3 text pages. Folio, 46 x 27.5 cm. 25 leaves printed recto only -- color engraved satiric plates, with text in French, some polite risqué nudity contemporary of the period. The author, water color painter, and poster artist was a nephew of Sully Prodhomme. His illustrations also appeared magazines: La Vie Parisienne, Fantasio, Le Rire, L'Art et la Mode and La Vie Moderne. Clean, fresh copy with plates bright. Three quarter maroon morocco and matching cloth, marbled endpapers. Fine.

205x145mm, VII - reliure d'époque demi-maroquin avec auteur, titre et filet dorés au dos à cinq nerfs. Plat et garde papier marbré. Tranche supérieure dorée. Couverture supérieure dorée. Belle reliure. Bel exemplaire. En cas de problème de commande, veuillez nous contacter via notre page d'accueil / If there is a problem with the order, please contact us via our homepage.

6. Paris, Au Ménestrel, Henri Heugel, s.d. ( ca. 1891), large in-8°, 125 pp + (3) nn pp, later blue imitation leather binding, original wrappers by Bac and Gerbault bound in (there are two back wrappers). Illustrated throughout by Gerbault. Good copy notwithstanding some small marginal damage to the fragile wrappers. Bon exemplaire, livre en français.

Paris, Simonis Empis (impr. Chamerot et Renouard), 1900. In-8, broché, couverture illustrée. UN DES 50 exemplaires du tirage de tête numérotés sur Chine, SIGNÉ par l'illustrateur. Petit accroc restauré au dos, sinon bel exemplaire sous sa jolie couverture illustrée en couleurs. * Voir photographie(s) / See picture(s). * Membre du SLAM et de la LILA / ILAB Member. La librairie est ouverte du lundi au vendredi de 14h à 19h. Merci de nous prévenir avant de passer,certains de nos livres étant entreposés dans une réserve.

Paris : Editions Bourloton, 1889. Un volume (21x15,5 cm), demi-basane, dos orné du titre, auteur et fleurons dorés (reliure de l'époque), 354 pages. Abondamment illustré de dessins en noir de Henry Gerbault. Avec 4 cartes postales de Paris contrecollées en pages de garde. Edition originale en bon état. Livres.

Paris, Au Ménestrel, Henri Heugel, s.d. (1890), large in-8°, 114 pp, contemporary red half leather binding, original wrapper by Bac and Gerbault bound in . Illustrated throughout by Gerbault. Binding with weak, partly cracked, outer joints, but with near a perfect interior, the coloured wrapper in fine condition. Fine copy of the original first edition of this cabaret song book.

Paris, Dentu éditeur 1888. In-8 broché non paginé, d'environ 40 pages au format 21,5 x 15,5cm. Magnifiques couvertures illustrées en couleurs et en Chromolithographie par Jules Chéret. Dos carré, avec infimes frottis. Plats et intérieur frais. Exemplaire non coupé. Frontispice couleurs en Chromolithographie par Jules Chéret. Préface d'Arsène Houssaye. Texte de Félicien Champsaur enrichi de superbes dessins en couleurs et en noir par Henry Gerbault et Louis Morin. Mention fictive de 5ème édition, présente sur tout le tirage. Rare édition originale en superbe état général. Précieux exemplaire enrichi d'une belle lettre autographe signée adressée à un confrère du Figaro dans laquelle il recommande le musicien Gaston Lemaire.

1 volume in-8° relié plein veau marron souple, dos lisse titre doré, gardes de papier japonisant (Grues), couverture illustrée conservée - XII + 100 dessins. Petites taches et salissures sur les plats, petites piqures en tranches, rares pages de titre et faux-titre un peu jaunies. Un des 50 exemplaires sur papier de Chine signé par l'artiste. Très bon état hors défauts signalés.

No Binding. Zustand: Fine. Date: 1897 Size: 9.25 x 12.5 inches Notes: Poster, Small, Lithograph Artist: Henry Gerbault About The Poster: A color plate from an exquisite book called Les Programmes Illustres, by Ernest Maindron, published in 1897, by Librairie Nilsson-Per Lamm, Paris purchased at auction, and filled with the most unbelievably detailed and remarkable works of art we have seen. granted we are biased and truly moved by works from this period, by truly, these are gems, in remarkable, mint condition, and more than 100 years old. The auction catalog reads: " 'I often ask myself what they, the curious of the year 2000, will think of us, whom we are cut off from by a century of dreadful events; them, knowing that which we don't yet know and that we nearly suspect, what will they say of our old frivolity with all that has passed? Won't they pity us, like we today have pity for the aristocratic society whose ancient prints we refer to with carelessness and levity?' Thus mused Pierre Veber in his prefacing comments for the Programmes Illustres, a hardcover compendium of some of the most beautiful menus, invitations, business cards and announcements of the Belle Epoque. Little could he have known how off the mark his thoughts were,." (Rennert) Each sheet is 9.25 x 12.5 inches, and the images on the sheet vary -.

1901. Paris Librairie Charpentier et Fasquelle 19O1 - Relié demi-bradel dos à nerfs et à motifs dorés couv. conservées 14 cm x 20 cm 430 pages 200 ills noir & blanc in et hors-texte- Texte de Félicien Champsaur portrait de l'auteur par Félicien Rops ills de Cappiello Ferdinand Bac Bottini Chalon Darbour Detouche Haudu Helleu L. Legrand Lucas Mantelet Manuel Orazi A. Perez Rassenfosse Robaudi Auguste Rodin Félicien Rops Guirand de Scevola Simonaire Steilen Trachsel Van Beers Vierge Adolphe Willette Jules Chéret Henry Gerbault Albert Guillaume - Bon état. Bon état.

No Binding. Zustand: Fine. Date: 1890s Size: 9 x 12 inches Notes: Poster, Small Poster, D Artist: Henry Gerbault About The Poster: A color plate from an exquisite book called Les Programmes Illustres, by Ernest Maindron, published in 1897, by Librairie Nilsson-Per Lamm, Paris purchased at auction, and filled with the most unbelievably detailed and remarkable works of art we have seen. granted we are biased and truly moved by works from this period, by truly, these are gems, in remarkable, mint condition, and more than 100 years old. The auction catalog reads: " 'I often ask myself what they, the curious of the year 2000, will think of us, whom we are cut off from by a century of dreadful events; them, knowing that which we don't yet know and that we nearly suspect, what will they say of our old frivolity with all that has passed? Won't they pity us, like we today have pity for the aristocratic society whose ancient prints we refer to with carelessness and levity?' Thus mused Pierre Veber in his prefacing comments for the Programmes Illustres, a hardcover compendium of some of the most beautiful menus, invitations, business cards and announcements of the Belle Epoque. Little could he have known how off the mark his thoughts were ." (Rennert) Each sheet is 9.25 x 12.5 inches, and the images on the sheet vary - this one Henry Gerbault seems to be for a fencing club - with matches listed for both amateurs and professionals. We particularly like the fellow fencing with his eyes closed.

No Binding. Zustand: Fine. A color plate from an exquisite book called Les Programmes Illustres, by Ernest Maindron, published in 1897, by Librairie Nilsson-Per Lamm, Paris purchased at auction, and filled with the most unbelievably detailed and remarkable works of art we have seen. granted we are biased and truly moved by works from this period, by truly, these are gems, in remarkable, mint condition, and more than 100 years old. The auction catalog reads: " 'I often ask myself what they, the curious of the year 2000, will think of us, whom we are cut off from by a century of dreadful events; them, knowing that which we don't yet know and that we nearly suspect, what will they say of our old frivolity with all that has passed? Won't they pity us, like we today have pity for the aristocratic society whose ancient prints we refer to with carelessness and levity?' Thus mused Pierre Veber in his prefacing comments for the Programmes Illustres, a hardcover compendium of some of the most beautiful menus, invitations, business cards and announcements of the Belle Epoque. Little could he have known how off the mark his thoughts were ." (Rennert) Each sheet is 9.25 x 12.5 inches, and the images on the sheet vary - this one Henry Gerbault seems to be a blank menu sheet - with a dandified man peering intently at his dining partner.

No Binding. Zustand: Fine. A color plate from an exquisite book called Les Programmes Illustres, by Ernest Maindron, published in 1897, by Librairie Nilsson-Per Lamm, Paris. Purchased at auction, this book is filled with the most unbelievably detailed and remarkable works of art we have seen. Granted we are biased and truly moved by works from this period, but truly, these are gems in remarkable, mint condition, and more than 100 years old. The auction catalog reads: " 'I often ask myself what they, the curious of the year 2000, will think of us, whom we are cut off from by a century of dreadful events; them, knowing that which we don't yet know and that we nearly suspect, what will they say of our old frivolity with all that has passed? Won't they pity us, like we today have pity for the aristocratic society whose ancient prints we refer to with carelessness and levity?' Thus mused Pierre Veber in his prefacing comments for the Programmes Illustres, a hardcover compendium of some of the most beautiful menus, invitations, business cards and announcements of the Belle Epoque. Little could he have known how off the mark his thoughts were, as today we look back at the virtuosity these posterists displayed with the limited technology of the time." (Rennert) Each sheet is 9.25 x 12.5 inches, and the images on the sheet vary - this one Henry Gerbault seems to be for a fencing club - with matches listed for both amateurs and professionals.

No Binding. Zustand: Fine. Date: 1897 Size: 9.25 x 12.5 inches Notes: Poster, Small, Lithograph Artist: Gerbault, Henry About The Poster: Two plates sharing a page from an exquisite book called Les Programmes Illustres, by Ernest Maindron, published in 1897, by Librairie Nilsson-Per Lamm, Paris purchased at auction, and filled with the most unbelievably detailed and remarkable works of art we have seen. granted we are biased and truly moved by works from this period, by truly, these are gems, in remarkable, mint condition, and more than 100 years old. The auction catalog reads: " 'I often ask myself what they, the curious of the year 2000, will think of us, whom we are cut off from by a century of dreadful events; them, knowing that which we don't yet know and that we nearly suspect, what will they say of our old frivolity with all that has passed? Won't they pity us, like we today have pity for the aristocratic society whose ancient prints we refer to with carelessness and levity?' Thus mused Pierre Veber in his prefacing comments for the Programmes Illustres, a hardcover compendium of some of the most beautiful menus, invitations, business cards and announcements of the Belle Epoque. Little could he have known how off the mark his thoughts were." (Rennert) Each sheet is 9.25 x 12.5 inches, and the images on the sheet vary.