Henry a golding (9 Ergebnisse)

Hardcover. Zustand: Near Fine. pp.viii, 126 pages + ads, a near fine hardback, publisher's original dark blue cloth binding with bright gold gilt lettering to the spine and front cover. NOT FROM A LIBRARY and indeed completely clean from any former owner markings.

Zustand: Good. 1898. No edition remarks. 123 pages. No dust jacket. Pictorial cloth covered boards. Pages with some foxing and tanning, particularly to endpapers and textblock edges. Cracking to front hinge with netting exposed. Binding slightly loose. Boards have moderate shelf wear with some rubbing, fraying and corner bumping. Some moderate sunning and tanning, particularly to spine. Gilt lettering remains bright and clear. Book has slight forward lean.…

Hardcover. Zustand: Good. No Dust Jacket. First Edition. Blue, blank-stamped cloth, with gilt titles on top board, showing light exterior wear, most notably at the corners and at the top and tail of the book's spine. Endpapers discoloured; review notice and previous owner's bookplate pasted to FEP. Contents otherwise clean and sound throughout. TPW. Used. …

Hardcover. Zustand: Very Good. First Edition. 127pp + ads. Still tightly bound & interior in nice clean condition. Cover still bright. No names or inscriptions.

hardcover. Zustand: Good. Ex-library copy with usual markings. Cover and edges shows shelf wear. Pages are clean and intact.

First Edition. Near fine copy in the original stiff-card wrappers; edges very slightly dust-dulled and toned. Remains particularly and surprisingly well-preserved; tight, bright, clean and especially sharp-cornered. Physical description; 1 Horse Power Computer ; explanatory pamphlet: 12 pages. Subjects; Horse Power Computer. Steam Engines. Gas Engines. Oil Engines. Henry A. Golding. 1 Kg. …

Second Edition. Revised and Enlarged. VIII,126, (10) pages. With 48 figures. Embossed original cloth binding. (A little used. Library Copy). 19x13 cm ig Gewicht in Gramm: 400.

Cloth. Zustand: Very Good. Zustand des Schutzumschlags: Very Good. An abundantly illustrated eighteen volume set of works on the history, topography, boroughs, and society of England's capital city, London. A fantastic eighteen volume set of twentieth century works on London and its history, topography, boroughs, and society.An abundantly illustrated set of works. All collated, complete.All volumes in their original cloth bindings, in the original dust wrappers.Including:1951 London the CityThe first edition of the work, written by Claud Golding, illustrated with a frontispiece, 24 double sided plates, and a folding map to the rear.1969 Hell and HazardThe first edition of the work, written by Henry Blyth. Illustrated with four double sided plates.1940 The Streets of London Through the CenturiesThe first edition of the work, written by Thomas Burke. Illustrated with a coloured frontispiece, a coloured plate, 24 further double sided monochrome plates, and in text illustrations throughout.1970 Holborn; A Historical Portrait of a London BoroughThe first edition of the work, written by John Lehmann, with a foreword by C.V. Wedgood. Illustrated with 8 double sided plates, and a map to endpapers.1959 The Court of St. James'sThe first edition of the work, written by E.S. Turner. Illustrated throughout, with in text and full page illustrations.1969 Covent Garden; Mud-Salad MarketThe first edition of the work, written by Ronald Webber. Illustrated with 11 double sided plates.1949 Lincoln's Inn EssaysThe first edition of the work, written by Sir Gerald Hurst. Illustrated with a frontispiece, and 5 plates.[1946] Son of LondonWritten by Thomas Burke. Undated, dated from the British Library.1988 Portrait of a Decade; London Life 1945-1955The first edition of the work, written by Douglas Sutherland. Illustrated with 12 double sided plates.1949 London For The Literary PilgrimThe first edition of the work, written by William Kent. Illustrated with a frontispiece, and 7 double sided plates.1949 Mr. Gay's LondonThe first edition, second impression of the work. Written by A.P. Herbert. Illustrated with a frontispiece, 3 plates, and decorative endpapers.1967 The Two Pillars of Charing Cross; The Story of a Famous HospitalThe first edition of the work, written by R.J. Minney. Illustrated with 12 double sided plates.1958 A History of London LifeThe first edition of the work, written by R.J. Mitchell and M.D.R. Leys. Illustrated with 8 double sided plates.1954 ChelseaThe first edition of the work, written by William Gaunt. Illustrated with a frontispiece, and 15 double sided plates.1971 The History of Deptford in the Counties of Kent and SurreyThe second edition, new impression of the work. Written by Nathan Dews. Illustrated with a folding chart, a folding map, and in text illustrations.1961 Bridge, Church and Palace in Old LondonThe first edition of the work, written by John E.N. Hearsay. Illustrated with a frontispiece, and 6 double sided plates.1951 Fratres; Club Boys in UniformThe first edition of the work, compiled by Basil L.Q. Henriques.1947 The Lost Treasures of LondonThe first edition of the work, written by William Kent, with an introduction by Norman Brett-James. Illustrated with a frontispiece, and 12 double sided plates. In the original cloth bindings. In the original dust wrappers. Externally, smart. General shelf wear to extremities. Small marks to boards of Son of London. Ink inscription to front free endpaper of Chelsea and The Two Pillars of Charing Cross. Offsetting to endpapers of The Court of St. James's, Son of London, London the City, and The Streets of London. Small marks to head and tail of rear board of Bridge, Church and Palace, with Norfolk County Library bookplate and stamp to front paste down. Front free endpaper disbound but present, with binding residue to half title page. Offsetting to rear endpapers. Dust wrappers are generally smart, with general shelf wear and occasional small closed tears and sunning to spines. Dust wrappers of The Lost Treasures of London, The Court of St. Jame. Not Stated (illustrator). book. …

Zustand: Good. Large folio. 3/4 red morocco and red roan boards, repaired. 59 x 45 cm.[62] p., [29] pl.; 606 mm. Some foxing. Tissue guards.OCLC Number: 1105189Each plate gives the name of the source-artist and is signed by its engraver. The engravers were H. Le Keux, George T. Doo, W. Bromley, J.H. Watt, E. Goodall, John Pye, William Miller, W. Humphrys, John Burnet, J. Stewart, W. Greatbatch, John H. Robinson, R. Golding, W. Finden and J. Le Keux. Each plate carries the publisher's imprint of John Pye, and the name of the printer, McQueen. The work is dedicated to King William IV by John Burnet, George Cooke, George T. Doo, William Finden, Edward Goodall, John Le Keux, Henry Le Keux, John Pye and John H. Robinson.The title page and plate [10] carry the date of 1840, but all other plates carry an earlier date - 1830 March 1 (nos. 5, 17, 24, 26, 28); 1832 March (1, 9, 11); 1837 March (1) (2, 14, 19, 20, 22, 29); 1834 Sep. 1 (6, 15, 16); 1836 July (1) (12, 13, 21, 25); 1837 July (3, 8, 18, 27); 1839 Aug. (4, 23); 1839 Nov. (7). The idea of publishing a series of engravings after paintings in the National Gallery (which had opened to the public in 1824) originated with John Pye, and was subsidised by John Sheepshanks. Seven instalments appeared by 1840. Pye was a leading advocate of the Royal Academy's opening full Membership to engravers. He had petitioned the Prince Regent for this in 1812; in 1826 he and other leading engravers vowed never to apply for Associateship; in 1836 and 1859 he published pamphlets attacking the Academy. Each plate is accompanied by one leaf of printed explanatory text (in English on the recto, in French on the verso); and each is captioned. They show: [1]'A view of Venice' by Canaletto; [2]'Christ appearing to St. Peter' by Ann. Carracci; [3] 'Silenus' by Ann. Carracci; [4] 'Susanna and the elders' by Lud. Carracci; [5] 'An Italian sea-port' by Claude; [6] 'The marriage-festival of Isaac and Rebecca' by Claude; [7] 'The embarkation of St. Ursula' by Claude; [8] 'A pastoral landscape' by Claude; [9] 'The Annunciation' (in text, ' . appearance of the angel to Hagar') by Claude; [10] 'The Holy Family' by Correggio; [11] 'Evening' by A. Cuyp; [12] 'The market cart' by Gainsborough; [13] 'The watering place' by Gainsborough; [14] 'Spanish peasant boy' by Murillo; [15] 'A landscape with figures representing Abraham preparing for the sacrifice' by Gaspar Poussin; [16] 'A Bacchanalian scene' by N. Poussin; [17] 'The adoration of the shepherds' by Rembrandt; [18] 'The Crucifixion' (in text 'Christ taken down from the Cross') by Rembrandt; [19] 'Portrait of a Jew' by Rembrandt; [20] 'The banished lord' by Reynolds; [21] 'Lord Heathfield' by Reynolds; [22] 'The rape of the Sabines' by Rubens; [23] 'Peace and War' by Rubens; [24] 'Gevartius' by A. Van Dyck; [25] 'The Emperor Theodosius refused admission into the church' by Van Dyck; [26] 'Portrait of Rubens' by Van Dyck; [27] 'The consecration of St Nicolas' by Veronese; [28] 'The village festival' by D. Wilkie; [29] 'Maecenas' villa at Tivoli' by R. Wilson.Ref: A. Dyson, Picture to print: the nineteenth-century engraving trade (1984); C. Fox, 'The engraver's battle for professional recognition in early nineteenth-century London', in London journal, 2 (1976), p.3-31. …