henner mishka (5 Ergebnisse)

Paperback. Zustand: Near fine in wraps. First Edition. 22 x 27cm 134pp near fine exhibition catalogue featuring black and white plus colour reproductions plus texts.

Zustand: Buone. inglese Condizioni dell'esterno: Discrete con difetti, segni d'uso Condizioni dell'interno: Buone.

Couverture souple. Zustand: Très bon état. Livre en anglais. In-8 broché 21,6 cm sur 14. 189 pages. Très bon état d'occasion. This book is one of one hundred and fifty copies printed exclusively by Blurb on the occasion of Les Rencontres d'Arles photography festival in 2011 in-8°.

paperback. Zustand: Fine. Book published in conjunction with the exhibition "Chapter 1: The Hierarchy of Images" at foto-forum, Bolzano 04.12.2014 - 24.01.2015. Curated by Sabine Gamper and Nicoló Degiorgis. Photographs by Joachim Schmid, Mishka Henner and Tobias Zilony. Essays by Gerry Badger, Marco Bohr and Seraphine Meya. Edited by foto-forum. Layout by Nicoló Degiorgis and Katherina Kolakowski / Volume pubblicato in occasione della mostra omonima presso foto-forum, Bolzano 04.12.2014 - 24.01.2015. A cura di Sabine Gamper e Nicolò Degiorgis. Fotografie di Joachim Schmid, Mishka Henner e Tobias Zilony. Saggi di Gerry Badger, Marco Bohr e Seraphine Meya. A cura di foto-forum. Layout di Nicolò Degiorgis e Katherina Kolakowski . 8vo. pp. 154. . Ottimo (Fine). . Prima edizione di 300 esemplari (First Edition). . Chapter 1 - The Hierarchy of Images vuole essere il primo capitolo di un catalogo completo che indaga in modo critico le norme culturali della fotografia documentaria. Il volume inaugura una serie di progetti a cura di Sabine Gamper e Nicolò Degiorgis presso la galleria foto-forum di Bolzano presentando, nel corso di due anni, il lavoro di importanti esponenti del campo. Attraverso le opere fotografiche di Joachim Schmid, Mishka Henner e Tobias Zilony, il catalogo esplora criticamente il problema della gerarchia all'interno della pratica della fotografia documentaria contemporanea. Utilizzando il lavoro di questi tre fotografi, i curatori vogliono dimostrare come le strutture gerarchiche intrinseche alla fotografia documentaria possono essere riflesse in diversi modi per mezzo di metodologie critiche e talvolta sovversive. Prima edizione di 300 esemplari (First Edition). Book.

No binding. Zustand: New. Price is net to all; promotional discounts do not apply. An original, limited edition (edition size 250), unframed archival pigment print ("Corondao Feeders, Dlhart, Texas, 2012"), printed on Hahnemühle Baryta paper, signed and numbered on verso by Mishka Henner. Paper dimensions are 18-7/8 x 16 inches; image dimensions are 17-1/2 x 14-3/4 inches. From the Series "Feedlots" by Henner (US feedlots photographed by satellites orbiting Earth). New. A flawless print (from the artist's archive). From Mishka Henner: "I first came across these feedlots on Google Earth and had no idea what I was seeing. The mass and density of the black and white dots seemed almost microbial. To understand what they were I had to learn about the meat industry and its methods for maximizing yield in the minimum amount of time for the highest profit. It used to take five years for a cow to reach its mature weight, ready for slaughter and processing. Today, since the structures and processes of feed yards have been perfected, that has been reduced to less than 18 months. Such speed requires growth hormones and antibiotics in cows' diets, and efficient feedlot architecture. Farmers can turn to reports to help calculate the maximum number of cattle that can fit in each pen, the minimum size of run-off channels that carry away thousands of tons of urine and manure, and the composition of chemicals needed to break down the waste as it collects in lagoons and drains into the soil. Different chemical mixes explain the varying toxic hues of each lagoon. These pictures were made by stitching together hundreds of high-resolution screen shots from publicly accessible satellite imaging software. The results are prints of great clarity and detail that capture the effects of feedlots on the land. The meat industry is a subject loaded with a moral and ethical charge. But when I think of these pictures, I don't just see gigantic farms, I see an attitude toward life and death that exists throughout contemporary culture. These images reflect a blueprint and a horror that lie at the heart of the way we live." Signed by Author.