Helmut draxler (105 Ergebnisse)

Paperback. Zustand: Very Good. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Zustand: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Zustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Paperback. Zustand: New.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Zustand: New. Brand new book, sourced directly from publisher. Dispatch time is 3-4 days from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

Zustand: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

Zustand: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Zustand: New. 414 pages, illustrations.

Paperback. Zustand: Brand New. 52 pages. In Stock.

Soft cover. Zustand: New. 1st Edition. Pages: 288; Illustrations: Color; Dimensions: 21.5 x 27.5 cm. This catalogue documents the exhibitions held at De Pont Foundation, Modern Art Oxford, Secession and The Power Plant, Toronto, with essays that trace the art historical and philosophical lineage that Bulloch references, while simultaneously linking her to artists of her generation. Sealed, new.…

Zustand: New. In English.

Zustand: New. 414 pages, illustrations.

First Edition. First edition. Softcover. Exhibition catalog for a show that ran September 1986 at the Sander Gallery. Text by Ursula Puhringer and Helmut Draxler in Geman. Includes 23 tipped in color plates along with several black and white illustrations. A near fine copy in wrappers with some slight soiling to the front cover.…

185 pp.; 26.5 x 26.7 cm.; glue bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; April 1989 issue of Artforum, edited by Ida Panicelli. Contents include: "Remote Control: Barbara Kruger on Television" by Barbara Kruger; "The Cave: Michele Wallace on Invisibility Blues" by Michele Wallace; "Environment: Vilem Flusser on Future Architecture" by Vilem Flusser; "Expertease: Silvia Kolbowski on Knowledge and Power" by Silvia Kolbowski; "Like Art: Glenn O'Brien on Advertising," by Glenn O'brien; "Books: Alice Yaeger Kaplan on 'Nuclear Fear,'" by Alice Yaeger Kaplan; "Signs of Light: Walker Evans' American Photographs," by Max Kozloff; "Subjectivity in Time: Kasimir Malevich," by Rainer Crone and David Moos; "Protection: A Project for Artforum," by Christian Boltanski and Annette Messager; "The Erography of Cy Twombly," by Demosthenes Davvetas; "We ? New Jersey," by Komar & Melamid; "The Passageway: A Project for Artforum," by Wolgang Laib; "Words around Warhol," by Jack Bankowsky; "Space around Warhol," by Herbert Muschamp; "The Phoenix of the Self," by John Yau; "Turning Japenese (In)," by John Welchman "Ambitious: A project for Artforum," by Janet Zweig. Reviews by Bill Berkson, Charles Hagen, Donald Kuspit, John Yau, Patricia C. Phillips, David Rimanelli, Matthew A. Weinstein, Catherine Liu, Kirby Gookin, Dennis Cooper, Ronny Cohen, Jude Schwendenwien, Lois E. Nesbitt, Richard C. Ledes, John Howell, Francine A. Koslow, Eileen Neff, Howard Risatti, Glenn Harper, Linda Frye Burnham, Donald Kuspit, James Yood, Joan Seeman Robinson, Bill Berkson, David Levi Strauss, Colin Gardner, Amy Gerstler, Benjamin Weissman, Susan Freudenheim, Catherine Cafapoulos, Alessandra Mammi, Anthony Iannacci, Gloria Moure, Alexandre Melo, Daniel Soutif, Max Weschsler, Helmut Draxler, Noemi Smolik, Justin Hoffman, Norbert Messler, Martin Hentschel, Doris von Drateln, Michael Tarantino, Michael Archer. Cover: Komar & Melamid. Fair / Good. Yellowing and dusting of covers with curl and rippling to left side edge of publication and light creasing. Rubbing of covers. 2 cm. tear to verso carrying through to last 20 pages. Contents otherwise clean and unmarked. Due to large size and weight additional shipping charges will be required for international orders.…

29 x 20,5 cm. Zustand: Gut. 1. Auflage. 3 Blatt, 60 Seiten, 2 Blatt. Hardcover. Halbleinen Bibliothekseinband mit marmorierten Deckeln. Bibliotheksschild auf Vorderdeckel. Bibliotheksexemplar mit den üblichen Bibliotheksstempeln und Einträgen. Innen sauberer, sehr guter Zustand. Typoskript-Druck. MIG-28-01A|A48 Sprache: Deutsch Gewicht in Gramm: 420. …

Zustand: as new. Wie neu/Like new.

Pictorial stiff wrappers (softcover), 27,5 x 22 cms., 288 pp. with 225 (including 212 colour) illustrations, text in English and German. ISBN 3865600972.

paperback. Zustand: New. **PAPERBACK** **SHRINKWRAPPED**.

Soft cover. Zustand: Fine.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Zustand: new.

173 pp.; 25.7 x 21.4 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; Issue edited by Bice Curiger. Essays "Moveable Structure / House In An Open Place," by Theodora Vischer and Maria Nordmann; "Pierre Klossowski," by Claude Ritschard; "Rereading A Fugitive Essay," by Howard Singerman; "The Theater Of The Mind," by Thomas Lawson; "Dialogues, Teachings," by Patrick Frey; "Baldessari's Timing," by James Lewis; "John Baldessari's True Colors," by Dave Hickey; "Excerpt From 'Maya.' A Story," by Susan A. Davis; "I Am Always The Other," by Ursula Pia Jauch; "Sidelines," by Eldriede Jelinek; "The Ideal And The Abject," by Norman Bryson; "Suitable For Framing," by Abigail Solomon-Godeau; "John Chamberlain In Baden-Baden," by Rudolf Schmitz; "Les Infos Du Paradis," by Marie-Louise Lienhard; "Cumulus Aus Europa," by Helmut Draxler; "Cumulus From America," by Lynn Gumpert "Balkon," by Robert Ashley. Insert by Niele Toroni. Text in German and English. Fine. Covers and contents clean and unmarked. Due to large size and weight additional shipping charges will be required for international orders. …

96 pp.; 29.7 x 21.1 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show held at Mudam Luxembourg, Luxembourg City, Luxembourg, April 26 - September 7, 2014. Traveled to kestnergesellschaft, Hanover, Germany, November 21, 2014 - February 15, 2015. Texts by Clément Minighetti, Helmut Draxler and Heinrich Dietz. Texts in English and German. Very Good / Fine. Light rubbing of covers and cover edges. Contents are clean and unmarked. …

Paperback. Zustand: New. The conflict between the avant-garde and academicism dominated conceptions of modern art for a long time, shaping its various orientations toward the past or the future, its limitations or transgressions. The publication examines the interconnectedness of these positions precisely through their conflicts and traces its dynamics-from the founding of the first modern art academy in Florence in 1563, through the emergence of the avant-garde, to the fields of tension in contemporary art between institutionalization and artistic self-assertion, as well as between local and global references.…

166 pp.; 27 x 26.5 cm.; staple bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; September 1987 issue edited by Ingrid Sischy. Essays "The Tale That Wags the Dog: Documenta 8. A Bite Before the Show"; "What Was that Masked Museum? The Mind's Construction in the Face. Gaetano Pesce," by Germano Celant; "Hugo: Ink into Ocean," by Donald Kuspit; "A Foundry of the Figure: Antonin Artaud, To be Somebody," by Stephen Barber; "Nuclear Towers Town & Country: A Project for Artforum," by Ilona Granet; "An Encounter with a Secret: The Sculpture of Susana Solano," by Gloria Moure; "Untitled Drawings: A Project for Artforum," by William Bailey; "The Critics' Way: Sculpture Goes to Town," by Donald Kuspit, Max Wechsler, Dan Cameron, Pier Luigi Tazzi, and Ingrid Rein, with photography by Shigeo Anzai; "Icons at Large: Icontact," by Lisa Liebmann; "Like Art: Amaretto di Ollie," by Glenn O'Brien; "Believe it or Not: Comrades in People," by J. Hoberman; "Games People Play: From 'Diamonds Are Forever: Artists and Writers on Baseball;'" "Ground Up: Color," by Herbert Muschamp; "Remote Control: Hearings and Seeing and the Law on Diaries," by Barbara Kruger; "Curies' Children: The Known within the Unknown within the Known," by Vilem Flusser "Object: In Pursuit of Unrealism," by Alessandro Mendini. Reviews by Donald Kuspit, Gloria Moure, Pier Luigi Tazzi, Carlo McCormick, Kate Linker, Charles Hagen, John Yau, Jean Fisher, Thomas McEvilley, John Howell, Patricia C. Phillips, Ronny Cohen, Nancy Stapen, Paula Marincola, Glenn Harper, Buzz Spector, Bill Berkson, Kenneth Baker, Colin Gardner, Susan Freudenheim, Catherine Cafopoulos, Aurora García, Ida Panicelli, Jole de Sanna, Denys Zacharopoulos, Daniel Soutif, Helmut Draxler, Anne Krauter, Martin Hentschel, Doris von Drateln, and Stuart Morgan. Cover: William Wegman. Good. Yellowing, dusting, scuffing of covers with light soiling and light edgewear. 2 cm. dog-ear to top right corner of pages 5-10. Contents clean and unmarked. Due to large size and weight additional shipping charges will be required for international orders.…

Taschenbuch. Zustand: Neu. Neu -Der Streit zwischen Avantgarde und Akademismus dominierte für lange Zeit alle Vorstellungen von moderner Kunst in ihren unterschiedlichen Orientierungen an Vergangenheit oder Zukunft, Begrenzung oder Überschreitung. Die Publikation untersucht die Verbundenheit dieser Positionen gerade in ihrem Streit und verfolgt dessen Dynamik ausgehend von der Gründung der ersten modernen Kunstakademie 1563 in Florenz über die Entstehung der Avantgarde bis hin zu den Konfliktfeldern der Gegenwartskunst zwischen Institutionalisierung und künstlerischer Selbstbehauptung, lokalen und globalen Bezügen. Der Streit zwischen Avantgarde und Akademismus dominierte für lange Zeit alle Vorstellungen von moderner Kunst in ihren unterschiedlichen Orientierungen an Vergangenheit oder Zukunft, Begrenzung oder Überschreitung. Die Publikation untersucht die Verbundenheit dieser Positionen gerade in ihrem Streit und verfolgt dessen Dynamik ausgehend von der Gründung der ersten modernen Kunstakademie 1563 in Florenz über die Entstehung der Avantgarde bis hin zu den Konfliktfeldern der Gegenwartskunst zwischen Institutionalisierung und künstlerischer Selbstbehauptung, lokalen und globalen Bezügen. (Text dt., engl.) (Ausstellungsdauer: 2.10.26-22.8.27 Akademie der bildenden Künste Wien) 320 pp. Deutsch, Englisch.…

Buch. Zustand: Neu. Neuware - Angela Bulloch untersucht in ihren Arbeiten die komplexen Funktionsweisen sozialer Regelsysteme. Die 1992 begonnene Werkgruppe 'Rules Series' besteht aus einer kontinuierlich wachsenden Sammlung von Regeln, Vorschriften und Normen. Für diese Publikation und die Ausstellung der Berlinischen Galerie setzt sie das Konzept ihrer 'Rules Series' mit zum Teil neuen, speziell entwickelten Werken fort. Unter dem Titel Information, Manifesto, Rules and other leaks . hat Angela Bulloch zehn dieser Textfunde ausgewählt und mit neuer Gestaltung in monumentale Wandgemälde und Drucke verwandelt. In direktem Verweis auf Werke aus der Sammlung der Berlinischen Galerie zitiert das neue Layout Gestaltungselemente von El Lissitzky, Hannah Höch und Künstlern der Novembergruppe. Hier trifft der Big-Mac-Index zum Vergleich der Kaufkraft einer Währung auf Gebote für den Besuch der Londoner Downing Street, Richtlinien der Novembergruppe auf den Verhaltenskodex der italienischen Mafia. Mit Texten von Helmut Draxler und Thomas Köhler.…

Softcover. Zustand: Sehr gut. 1. Auflage. Z : 142 pages with 50 color & 80 bw. illustrations - Beginning with Joseph Beuys (1921-86) Eurasienstab action, performed with Henning Christiansen at Wide White Space Gallery in Antwerp in 1968, this book documents Beuys' reflections on Eurasia (the combined continental landmass of Europe and Asia).…