heinecken robert (68 Ergebnisse)

0 40 p. Includes illustrations. Very good. light shelf wear, ex museum stamp, one corner lightly bumped.

Softcover. Brief interview texts, b&w photographic illustrations. Some edge/corner wear.

Soft cover. Zustand: Good. Softcover, 80 pgs. Texts and b&w portfolios by a variety of artists/photographers. Moderate wear to cover, some foxing to edges of last page & inside back cover.

First Edition. First edition. Oblong softcover. 84 pages. Exhibition catalog for a group show that ran June 28 through August 22, 1989. Text by Susan Kismaric. Features text by Susan Kismaric. Includes color and black and white images from John Baldessari, Robert Heinecken, Larry Sultan, John Divola, Jo Ann Callis, Nancy Barton, and Larry Johnson along with artist biographies and chronologies. A near fine copy in wrappers with some slight toning to the edges. Internally a clean copy.

216 pp.; 26.6 x 21.5 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show held November 8, 1989 - February 18, 1990, with public projects held November 22 - December 31, 1989. Texts by Marvin Heiferman, Lisa Phillips, and John G. Hanhardt. SArtists include Vito Acconci, Dennis Adams, Laurie Anderson, John Baldessari, William Beckley, Gretchen Bender, Wallace Berman, Ashley Bickerton, Dara Birnbaum, Nayland Blake, Barbara Bloom, Troy Brauntuch, Chris Burden, Nancy Burson, David Kramlich, Peter Campus, Sarah Charlesworth, John Clem Clarke, Clegg and Guttmann, Chuck Close, Bruce Conner, Robert Cumming, Fluxus Collective, George Brecht, Alison Knowles, Robert Watts, George Maciunas, Jack Goldstein, Dan Graham, Gran Fury, Hans Haacke, Robert Heinecken, Jenny Holzer, Larry Johnson, Edward Kienholz, Carole Ann Klonarides, Silvia Kolbowski, Jeff Koons, Joseph Kosuth, Barbara Kruger, Annette Lemieux, Les Levine, Sherrie Levine, Roy Lichtenstein, Robert Longo, Frank Majore, Allan McCollum, Matt Mullican, Peter Nagy, Bruce Nauman, Nam June Paik, Richard Prince, Robert Rauschenberg, David Robbins, James Rosenquist, Edward Ruscha, David Salle, Richard Serra, Cindy Sherman, Laurie Simmons, Lorna Simpson, Alexis Smith, Mark Tansey, Bill Viola, Andy Warhol, Oliver Wasow, William Wegman, Tom Wesselmann, and Krzysztof Wodiczko. Includes image world chronology, selected bibliography, films and videotapes in the exhibition, and an exhibition checklist. Very Good / Fine. Light rubbing of cover edges and yellowing of page edges. Contents clean and unmarked. Due to large size and weight additional shipping charges will be required for international orders.

First Edition. First edition. Softcover. 111 pages. A comprehensive look at Heinecken's body of work. Features texts by Mark Alice Durant, Amy Rule, and Roxane Ramos. Includes numerous color and black and white images. A very fine copy in French style wrappers. As new and still in the publisher's shrinkwrap.

Soft cover. Zustand: As New. Softcover; still in shrinkwrap, very light wear to upper left corner, else new.

Hardcover. Zustand: Good. Ex-library book with stickers and/or stamps throughout.

First Edition. First edition. Softcover. 26 pages. Exhibition catalog for a show that ran March 20 through May 12, 1989 at State Of Illinois Art Gallery and June 4 through July 30, 1989 at Illinois Stte Museum. Features text by Debora Duez Donato writing on Barbara Crane, Robert Heinecken, Kenneth Josephson, Joyce Neimanas and text by Terry Suhre writing on Nathan Lerner, Bea Nettles, and Charles Swedlund. Also includes a black and white image by each photographer, a checklist and selected bibliography. A clean very near fine copy in stapled wrappers. Uncommon.

First Edition. First edition. Small oblong softcover. 80 pages. Features a preface by Tom Muir Wilson, a director's statement by Orrel E. Thompson and a foreword by Robert M. Doty. Includes brief artist statements, images by and information about: Barbara Blondeau, Dennis Brylc, Nicholas Dean, Robert Fichter, Betty Hahn, Robert F. Heinecken, Scott Hyde, Joan Lyons, Stephen Mindel, Joyce Neimanas, Bart Parker, Keith Smith, Michael Spencer, Jerry N. Uelsmann, William Weege, and Tom Muir Wilson. A very good plus copy in wrappers that are somewhat rubbed.

Hardcover. Zustand: Fine. First edition. Quarto (9¾" x 12¼"), 192pp. Photo-illustrated boards, white lettering on front cover and spine. Slight wear on fron corners, otherwise a fine copy. Copywork will feature a full portfolio of one of the artist's best-known works: the Are You Rea series (1964-1968). This series began as photograms of magazines and newspapers that were subsequently made into gelatin silver prints, and finally became an edition of lithographs. Are You Rea demonstrates Heinecken's obsessive urge to process the same images in a multitude of ways, and directly addresses the artist's affinity with Dadaism and Surrealism. The word real in an advertisement becomes the truncated rea in the photogram, and is intentionally pronounced ray to reference Man Ray's rayographs. Each lithograph is revelatory in its juxtapositions of both copy and imagery from American advertising, exposing the mass media's role in subconscious suggestion and promotion of capitalist consumption (sex, food, physical beauty). Heinecken considered pictures to represent manufactured experience, and wanted to expose the complicity in seemingly casual, everyday media imagery. In addition to Are You Rea, the exhibition will showcase two iconic Polaroid works: Tuxedo Striptease (1984) and a selection from Heinecken's Lessons in Posing series (1981-1982). Also on view will be lithographic film works, magazines, inkjet print reliefs, and standing figures and cut outs, terms that Heinecken employed to identify his life-size collaged figures of women, men, objects and animals juxtaposed into uncanny relationships.

Softcover. Zustand: Very Good. First edition. Oblong wrappers. 67pp. Glue seepage from binding, rear wrapper lightly soiled, a very good copy. Exhibition catalogue for the opening of the George Eastman House in June of 1967.

First Edition. First edition. The simultaneous softcover edition done for a show of the same name. A photo anthology with photographs from: Donald Blumberg, Charles Gill, Robert Heinecken, Ray K. Metzker, Jerry N. Uelsmann, and John Wood. Includes 11 images a brief biography and exhibition and publication history for each photographer. A near fine copy in photo-illustrated wrappers with some very minute wear. A very nice copy of this terrific book.

First Edition. First edition. Softcover. [20 pages.] This issue focuses on four exhibitoins that happened at the Friends of Photography Gallery in Carmel. Includes information about and images from Andre Kertesz, Robert Rauschenberg, Robert Heinecken, and Wynn Bullock. A clean near fine copy in photo-illustrtaed stapled wrappers with some very slight toning to the edges. Uncommon.

Paperback. Heinecken, Robert (illustrator). First edition. 4to., (16) pp., color photo-images. Illustrated stiff wrappers. A slight crease at the spine and light rubbing, else a very good copy. A hilarious use of morphology.

Hardcover. Zustand: Good. No Jacket. 158 pages : illustrations (some color). Unnumbered "complimentary copy" from an edition of 2000 copies, signed by Heinecken. Publisher's black cloth-covered boards sturdy, faint mildew scars at hinges and spine; contents very good. 1240 grams. Signed by Author(s).

First Edition. First edition and first printing. Hardcover. 44 pages. Printed in an edition of only 1000 copies. Features an essay by Rod Slemmons. A collection of 23 four color plates. A very fine copy in with a color plate affixed to the front board. No dust jacket as issued. An as new copy and still in the publisher's shrinkwrap.

Zustand: Near fine. First edition. A feminist artist's book exploring issues of gender presentation in the newsroom. Self-published by Heinecken in 1985, the book pairs text, focusing on real 1984 events, with TV stills showing the inexorable transformations of the faces of female anchors into their more senior male counterparts. Anchors include Tom Brokaw, Bryant Gumbel, Diane Sawyer, Jane Pauley, and Joan Lunden. A timely and still relevant critique. 11.5'' x 9''. Original color pictorial stapled wrappers. Illustrated in color throughout. [16] pages. Light rubbing to wrappers, corners and spine ends lightly bumped. Else vibrant and tight.

First Edition. First edition. Softcover. 53 pages. Exhibition catalog for a show that ran April through May 1990. Text in English and Spain. Features a contribution by Marta Gill. Includes color and black and white images by Terry Braunstein, Jack Butler, Robert Heinecken, and Joyce Neimanas. A clean very near fine copy in wrappers.

First Edition. First edition. Softcover. [16 pages.] Features text and color photographs by Heinecken. A near fine copy in stapled wrappers with some light wear.

Hardcover. Zustand: Brand New. 188 pages. 13.00x11.00x1.00 inches. In Stock.

Paperback. Zustand: Very Good. Spiral bound. Clean, unmarked. Some exterior wear and scuffing, with bumped corners. Photos available. We ship daily. Expedited shipping available! (Heavy books & sets may require extra shipping charges.).

Hardcover. Zustand: New. 1st Edition. First edition, first printing. Hardcover. Photographically illustrated paper-covered boards; no dust jacket as issued. Photographic work, periodicals and text by Robert Heinecken. Essay by Kevin Moore. Includes a chronology, exhibition history and a bibliography. Designed by Neil Donnelly. 192 pp., with 75 four-color plates. 12-1/4 x 9-3/4 inches. Published on the occasion of exhibitions at Cherry and Martin, Los Angeles, Marc Selwyn Fine Art, Los Angeles, and Friedrich Petzel Gallery, New York. New in publisher's shrink wrap. About Robert Heinecken: Robert Heinecken is one of the most innovative and influential artists of the second half of the 20th century. He was a pioneer of postmodern photographic practices, and his work anticipated the Pictures Generation artists of the 1970s and 1980s who practiced the appropriation of images from advertising and the media. A self-described "para-photographer," Heinecken was always challenging the conventions of the then-accepted "canon" of photography. He transformed the possibilities of the medium, and had a profound impact on many photography-based artists who studied with him. Influenced by Dada and Surrealism, especially Marcel Duchamp, Man Ray and John Heartfield, Heinecken worked with numerous photographic techniques and materials, oftentimes combining them with various printmaking processes. In addition to offset lithography and etching, he made use of film transparencies, photographic emulsion on canvas, gelatin silver prints mounted to wood (e.g., "Multiple Solution Puzzle" Series), Polaroid materials, mixed media collage and photograms (e.g., ARE YOU REA and Recto/Verso Series). His source materials included popular "lifestyle" magazines, advertising, images taken directly from television screens, pornography and news photographs. Through his ground-breaking works, Heinecken transformed American notions of consumerism, war, eroticism and mass media. From Robert Heinecken (in the mid-1960s): "We constantly tend to misuse or misunderstand the term reality in reference to photographs. The photograph itself is the only thing that is real, that exists. (There is a vast difference between taking a picture and making a photograph.)." An excerpt from a text written by Carl Chiarenza (in 1976): "He uses existing photographs. and their reproductions because they have littered the world and our minds with unlimited examples of every conceivable image of truth, beauty, banality, eroticism, brutality, pornography, consumerism, political idea, personality, idol, and ideal. Indeed one is hard put to name anything that has not been replaced by a photographically derived image. His recycling of these images makes this astounding point before making any other. Heinecken knows the photograph is not real. He also knows that most of us still believe it is. The camera eye is lusty and insatiable, a perfect match for Heinecken's eye." Robert Heinecken was born in 1931 in Denver, Colorado and in 1942 his family relocated to Riverside, California. After serving in the US Marine Corps, he earned a BA in 1959 from the University of California, Los Angeles, where he continued his studies, specializing in printmaking and graduating with an MFA in 1960. He founded the graduate program for photography at UCLA in 1964, where he taught until 1991. Heinecken died at age 74 in 2006 in Albuquerque, New Mexico. From the publisher: "Robert Heinecken (19312006), who headed the photo program at UCLA for three decades, was one of America's most influential contemporary, conceptual photographers. Heinecken rarely used a camera; his definition of photography encompassed everything related to the photo, as his interest was on the relation of methods and formalism--often in an irreverent and humorous way--to popular media.".

Hardcover. Zustand: New. 1st Edition. First edition, first printing. Hardcover. Fine white linen cloth, with title stamped in black on front cover and spine and four-color plate tipped in front cover, no dust jacket as issued. Photographs by Robert Heinecken. Essay by Robert Slemmons. Edited by Luke Batten and Jonathan Sadler. 44 pp. (unpaginated), with 23 four-color plates. Beautifully printed on fine matte art paper. 14-1/4 x 11-1/4 inches. This first edition was limited to 1000 copies. New in publisher's shrink-wrap. About Robert Heinecken: Robert Heinecken is one of the most innovative and influential artists of the second half of the 20th century. He was a pioneer of postmodern photographic practices, and his work anticipated the Pictures Generation artists of the 1970s and 1980s who practiced the appropriation of images from advertising and the media. A self-described "para-photographer," Heinecken was always challenging the conventions of the then-accepted "canon" of photography. He transformed the possibilities of the medium, and had a profound impact on many photography-based artists who studied with him. Influenced by Dada and Surrealism, especially Marcel Duchamp, Man Ray and John Heartfield, Heinecken worked with numerous photographic techniques and materials, oftentimes combining them with various printmaking processes. In addition to offset lithography and etching, he made use of film transparencies, photographic emulsion on canvas, gelatin silver prints mounted to wood (e.g., "Multiple Solution Puzzle" Series), Polaroid materials, mixed media collage and photograms (e.g., ARE YOU REA and Recto/Verso Series). His source materials included popular "lifestyle" magazines, advertising, images taken directly from television screens, pornography and news photographs. Through his ground-breaking works, Heinecken transformed American notions of consumerism, war, eroticism and mass media. From Robert Heinecken (in the mid-1960s): "We constantly tend to misuse or misunderstand the term reality in reference to photographs. The photograph itself is the only thing that is real, that exists. (There is a vast difference between taking a picture and making a photograph.)." An excerpt from a text written by Carl Chiarenza (in 1976): "He uses existing photographs. and their reproductions because they have littered the world and our minds with unlimited examples of every conceivable image of truth, beauty, banality, eroticism, brutality, pornography, consumerism, political idea, personality, idol, and ideal. Indeed one is hard put to name anything that has not been replaced by a photographically derived image. His recycling of these images makes this astounding point before making any other. Heinecken knows the photograph is not real. He also knows that most of us still believe it is. The camera eye is lusty and insatiable, a perfect match for Heinecken's eye." Robert Heinecken was born in 1931 in Denver, Colorado and in 1942 his family relocated to Riverside, California. After serving in the US Marine Corps, he earned a BA in 1959 from the University of California, Los Angeles, where he continued his studies, specializing in printmaking and graduating with an MFA in 1960. He founded the graduate program for photography at UCLA in 1964, where he taught until 1991. Heinecken died at age 74 in 2006 in Albuquerque, New Mexico. From the publisher: "Recto/Verso is the latest attempt to grasp the magnitude of the monumental archive of photograms that Robert Heinecken created during the past 40 years. In this current sampling, comprised of work from his own archive, Heinecken offers a look back at the decade of the 1980s, where decadence and narcissism inhabit the same space as spirituality and family values. Though the patinas of these color photograms speak of that generation, their revelations are contemporary in their incisiveness. In looking at the history of the photogram, beginning with Henry Fox Talbot's 'photogenic drawings' and Man Ray's 'Rayographs', Heinecken must be viewed as its most rebellious practitioner -- unflinching, enigmatic and alert. Robert Heinecken's work has been widely exhibited in the United States, Europe and Asia, and is included in many major collections, including the Museum of Contemporary Art, Chicago; LA County Museum of Art; and the Center for Creative Photography, Tucson.".

First Edition. First edition. Small oblong softcover. 62 pages. Introduction by Van Deren Coke. Essays by A.B. Coleman and Bill Jay. Includes black and white and some color images from Ruth Bernhard, Barbara Crane, Judy Dater, Ralph Gibson, Emmet Gowin, Robert Heinecken, Eikoh Hosoe, Ray Metzker, Aaron Siskind, Todd Walker, Jack Welpott, Minor White. A near fine copy in wrappers and with laid in price list. Uncommon with the price list.

First Edition. First edition. Oblong softcover. [8 pages.] Measures 8.5" by 5.5." Exhibition catalog for a show that ran July 11 through August 6, 1972. Features text by Fred R. Parker. Includes 6 black and white images, a brief biography, list of previous exhibitions, and a list of publications. A near fine copy in stapled wrappers. Uncommon and relatively early item for this important American photographer and artist.

Ohne Stempel, keine An-und Unterstreichungen. Einband mit Lagerungsspuren, innen guter Zustand. Softcover. Original geheftet. Kein Versand aufgrund von EPR Regelungen in EU-Länder außerhalb Deutschlands. No shipping to EU countries outside of Germany due to EPR regulations.

First Edition. First edition. Softcover. 150 pages. Published in conjunction a traveling exhibition. Features essays by Irene Borger, Susie Cohen, A.D. Coleman, David Pagel, and Lynne Warren. Includes numerous color and black and white illustrations, a checklist. list of public collection, list of previous exhibitions, and a bibliography. A clean and tight near fine copy in French style wrappers. A lovely copy of one of the best monographs on Heinecken.

First Edition. First edition. Softcover. Exhibition catalog for a show that ran September 18 through October 16, 1961. An attractive catalog that features design and photographs by Robert Heinecken who was a faculty member at UCLA. Features short texts by Henry Dreyfuss and Jack Carter. A very good plus copy in stapled wrappers with some minor wear.

First Edition. First edition. Oblong softcover. Text by Leland Rice and Robert Heinecken. Includes 12 black and white images by Doherty along with a chronology and list of previous exhibitions. A near fine copy in stapled wrappers with some very slight wear. This was one of Robert Heinecken's personal copies as it has his ownership blindstamp to the title page. A nice copy with a terrific provenance.