heidi naef (21 Ergebnisse)

Broschiert; Zustand: Gut. 50 Seiten; Das hier angebotene Buch stammt aus einer teilaufgelösten wissenschaftlichen Bibliothek und trägt die entsprechenden Kennzeichnungen (Vermerke, Instituts-Stempel.); Einband etwas staubschmutzig, ansonsten ordentlicher Erhaltungszustand. Sprache: Deutsch Gewicht in Gramm: 80.

Hardcover. Zustand: Like New. Zustand des Schutzumschlags: Like New. First Edition. First Edition, First Printing. Published by MoMA, 2018. Folio. Brown cloth boards.Book is like new; clean with no writing or names. Spine straight, binding tight and pages crisp. Very light bumps to top corners. Dust jacket is like new with very light shelf wear. 355 pages. ISBN: 9781633450318. 100% positive feedback. 30 day money back guarantee. NEXT DAY SHIPPING! Excellent customer service. Please email with any questions or if you would like a photo. All books packed carefully and ship with free delivery confirmation/tracking. All books come with free bookmarks. Ships from Southampton, New York. We Buy Books! Individual titles, libraries, collections. Message us if you have books to sell!

Zustand: Good. Paperback, numerous (full page) illustrations in colour (and some in b/w), 4to. Text in English and German.

Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Very Good. Minor shelf wear; small bump at bottom of tail board. Else a bright, clean copy. With a magician's sleight of hand, Nauman's art makes disappearance visible At 76 years old, Bruce Nauman is widely acknowledged as a central figure in contemporary art whose stringent questioning of values such as good and bad remains urgent today. Throughout his 50-year career, he has explored how mutable experiences of time, space, sound, movement and language provide an insecure foundation for our understanding of our place in the world. This richly illustrated catalog offers a comprehensive view of Nauman's work in all mediums, spanning drawings across the decades; early fiberglass sculptures; sound environments; architecturally scaled, participatory constructions; rhythmically blinking neons; and the most recent 3D video that harks back to one of his earliest performances. A wide range of authors--curators, artists and historians of art, architecture and film--focus on topics that have been largely neglected, such as the architectural models that posit real or imaginary sites as models for ethical inquiry and mechanisms of control. An introductory essay explores Nauman's many acts of disappearance, withdrawal and deflection as central formal and intellectual concerns. The 18 other contributions discuss individual objects or themes that persist throughout the artist's career, including the first extensive essay on Nauman as a photographer and the first detailed treatment on the role of color in his work. A narrative exhibition history traces his reception, and features a number of rare or previously unpublished images. Bruce Nauman was born in Indiana in 1941 and raised near Milwaukee, Wisconsin. He studied math, music and physics at the University of Wisconsin-Madison before switching his major to visual art, and received an MA in sculpture from the University of California, Davis, in 1966. In 1979 he moved to New Mexico, where he continues to reside. Nauman's work has been the subject of two previous retrospectives, in 1972 and 1994. In 2009 he represented the United States at the Venice Biennale, where he won the Golden Lion. .

hardcover. Zustand: Used-Very Good. Cloth, dj. Some shelf wear. Corners of spine, rear board creased, with attendant crease in jacket. Else fine. A nice, clean copy with pristine images.

hardcover. Zustand: fine. Zustand des Schutzumschlags: fine. Nauman, Bruce (illustrator). With chapters by many authors. Extensively illustrated. 356 pages, thick 4to, brown cloth, d.w. New York: The Museum of Modern Art, (2018). A fine copy in a fine dust wrapper. Published in conjunction with the exhibition, Bruce Nauman: Disappearing Acts.

Hardcover. Zustand: As New. Zustand des Schutzumschlags: As New. Laurenz Foundation, Schaulager Basel. The Museum of Modern Art, New York. 356pp. Bright, clean & tight copy, unread, in AS NEW condition. "Bruce Nauman is widely acknowledged as a central figure in contemporary art, and the stringent questioning of values--both aesthetic and moral--that has long sustained his project remains urgent today. For more than fifty years, Nauman has explored how mutable experiences of time, space, sound, movement, and language provide an insecure foundation for our understanding of our place in the world. This richly illustrated catalogue, which includes rare and previously unpublished images, offers a comprehensive view of the artist's work in all media--including drawings; early fiberglass sculptures; sound environments; architecturally scaled, participatory constructions; rhythmically blinking neons; and a recent 3-D video that harks back to one of Nauman's earliest performances. A wide range of authors--artists, curators, and historians of art, architecture, and film--focus on topics that have been largely neglected, such as the architectural structures that posit real or imaginary spaces as models for ethical inquiry and mechanisms of control. Curator Kathy Halbreich's introductory essay explores Nauman's many acts of disappearance, withdrawal, and deflection as revelatory of his central formal and intellectual concerns. Eighteen further contributions tease out the various themes that run through this protean and elusive artist's work." [jacket copy] "A master class in producing art, and in curating an exhibition, that confounds the impulse to make coherent statements about it. The more you try to explain its force, the more elusive its power becomes."--Ken Okiishi, Artforum. "Nauman has done much to change the way we define what art is, and what is art."--Holland Cotter, The New York Times. "[Nauman's work] forms a discontinuous parade of creative brainstorms and engulfing installations, resulting in an ethical adventure as much as an aesthetic one."--Peter Schjeldahl, The New Yorker. "By refusing to prettify the nature of human existence, and by interrogating the way people act when alone, with each other, and in uncomfortable scenarios, Nauman might inadvertently provide hope for those seeking a way to understand our current situation."--Dore Bowen, Art in America. Pristine & massive hardcover w/brilliant corners & crisp edges, a square & tight binding, wrapped in a bright-as-new jacket. This oversized book will likely require additional postage & insurance to get to you safely; please inquire with your specific interest & destination.

brosch. Zustand: Sehr gut. 87 S. : zahlr. Ill. Sehr gutes Exemplar mit leichten lichtbedingten Gebrauchsspuren. / Very good copy with small signs due to light exposure. - Language: English and german. / An incidental note in conjunction with the exhibition of Tacita Dean at the Museum of Contemporary Art Basel, Public Art Collection Basel, and the Emanuel Hoffmann Foundation from May 27 to August 13, 2000. Texts by Tacita Dean. Catalog: Theodora Vischer. Editor: Heidi Naef . Translation from English: Regula Krähenbühl. / Contents: an aside: -- The Martyrdom of St Agatha -- in several parts) -- Girl Stowaway -- How to Put a Boat in a Bottle -- A Bag of Air -- The Structure of Ice -- Gellért -- Once Upon a Different Sort of Time -- (The Story of Donald Crowhurst) -- Disappearance at Sea -- Disappearance at Sea II -- Delft Hydraulics -- Teignmouth Electron -- Bubble House -- Sound Mirrors -- Trying to Find the Spiral Jetty -- From Columbus, Ohio to the Partially -- Buried Woodshed -- Foley Artists -- Friday/Saturday -- Banewl -- Totality -- Afterword -- Filmography and Sound Works. ISBN 9783720401227 Sprache: Englisch Gewicht in Gramm: 550.

Paperback. Zustand: Brand New. bilingual edition. 388 pages. 9.75x8.00x1.25 inches. In Stock.

Softcover. Zustand: Guter Zustand. Zustand des Schutzumschlags: Kein Schutzumschlag. 386 Seiten mit sehr vielen Abbildungen; Text in Deutsch und Englisch; gutes und sauberes Exemplar; 1,7 kg Versandgewicht - 5 Euro Versandkosten für Deutschland;

Erste Auflage. 30,1 x 21,3 cm. 167 S. OPappband mit illustriertem OUmschlag. Sehr gutes Exemplar. Durchgehend mit meist farbigen Abbildungen versehen. Katalogbuch zur gleichnamigen Gemeinschaftsausstellung im Schaulager Basel, vom 12. Juni bis zum 2. Oktober 2016. Mit Beiträgen von Julian Heynen, Jacqueline Burckhardt, Robert Fleck und Michael Rooks in deutscher und englischer Sprache. Sprache: Deutsch und Englisch.

Softcover. Zustand: Wie neu. 1. Auflage. The catalogue to the exhibition "Paul Chan Selected Works", held at the Schaulager Basel in 2014, was developed by the artist in collaboration with graphic designers and is intended as a "picture book within a book." Dt. / Engl. 386 pages, 20.5 × 25.5 cm, 1378 g.

Couverture rigide. Zustand: Comme neuf. Zustand des Schutzumschlags: Comme neuf. Edition originale. 479 pages, illustration couleur, n&b. Texte en anglais. RARE!!!

Softcover. Zustand: Sehr gut. 1. Auflage. Z : 386 Seiten/pages, 300 coloured illustrations - The book was developed by the artist in collaboration with graphic designers and is intended as a "picture book within a book." At its heart is the overwhelming wealth of images in the "Selected Source Files" series. The collages of heterogeneous material testify to the wide-ranging sources of inspiration and the visual context on which the artist has drawn in his works. A cleverly conceived essay by Daniel Birnbaum is an aid to deeper understanding. Photographs of the installations on view in the exhibition, a list of works, and commentary linking the individual groups of work round off the publication.

Zustand: Sehr gut. 1. ed. Kartoniert. Sehr gut erhalten. Sprache: Deutsch Gewicht in Gramm: 1.

Zustand: New. In allen reformierten Kirchen des Appenzellerlands sind biblische Inschriften zu finden. Sie vermitteln nicht nur zentrale christliche Botschaften, sondern stellen einen kulturellen Wortschatz dar, der in diesem Buch neu gedeutet wird. Anlass dazu ist das J.

Hardcover. Zustand: Sehr gut. Zustand des Schutzumschlags: Sehr gut. 1. Auflage. Z : 23,5 x 27,5 cm. 356 Seiten, mit 375 meist farbigen, teils ganzseitigen Abbildungen, Leinen mit Schutzumshlag, Ausst'verz., Bibliographie, Index - - Das reich illustrierte Buch bietet einen umfassenden Überblick über Naumans Karriere, die eine mehr als fünfzigjährige Arbeit in verschiedensten Medien umfasst. Naumans Werke sind sehr direkt und konfrontativ und haben oft den Charakter einfacher Versuchsanordnungen oder kritischer Selbstbefragungen. Sei es mittels Zeichnung, Druckgrafik, Video, Skulptur, Klang- oder Spracharbeit, Performance oder raumgreifender Installation immer erforscht der Künstler grundlegende Fragen in Bezug auf die phänomenologische und psychologische Erfahrung von Körper, Zeit, Raum, Bewegung und Architektur. Eine grosse Auswahl an Autorinnen und Autoren richtet ihre Aufmerksamkeit auf Serien und Themen, die in der Rezeption dieses Werks bisher vernachlässigt wurden, wie etwa Naumans Interesse an architektonischen Modellen oder den Stellenwert der Farbe. Neben einer ausführlichen Einleitung zum Konzept der Ausstellung konzentrieren sich 17 kürzere Essays auf bestimmte wiederkehrende Ideen oder Medien. Eine bebilderte Ausstellungsgeschichte, die sich durch zahlreiche seltene oder bisher unveröffentlichte Fotografien und Archivfunde auszeichnet, rundet den Band ab.

Leinen mit Schutzumschlag. Zustand: Sehr gut. 492 S. German edition. Nahezu neuwertig. ISBN: 9783865211361 Sprache: Deutsch Gewicht in Gramm: 2966.

fester Einband. 4°. 489 S. Mit 120 meist farbigen Tafeln und zahlreichen Textabb. Orig.-Leinenbd. mit farbig ill. OU (OU leicht fleckig und mit Knickspur am Unterrand). Katalog zur Ausstellung des Schaulager Basel. - Lang de.

30,5x26 cm. 485 S. Mit vielen ganzseitigen farbigen Abbildungen und kleinen s/w. Abbildungen. Originalleinwand mit Schutzumschlag. Originalausgabe. - Erschien zur Ausstellung im "Schaulager" Basel. - Neuwertig. Sprache: deutsch.

[Basel], Schaulager & [Göttingen], Steidl, [2005]. 489 pp. Nu, col. & b./w photographs. Orig. hardcover (beige cloth with black lettering), d./j. 4to. - Edges on cut sl. foxed.Produced on the occasion of the exhibition Jeff Wall. Photographs 1978-2004 at Schaulager Basel 30 April to 25 September 2005, and at Tate Modern, London, 21 October 2005 to 8 January 2006. - Text in English.