Hayward bill (28 Ergebnisse)

Zustand: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Good. Good condition. Light wear to boards. Content is clean and bright. DJ with some edge wear, some scuffs and creasing.

Zustand: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Zustand: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

hardcover. Zustand: near fine. near fine. Signed. Foreword by Carter Ratcliff. Illustrated throughout by Bill Hayward. 167pp. 4to, black boards, d.w. New York: Rizzoli, (2000). A near fine copy in a near fine dust wrapper. Signed and inscribed by Bill Hayward opposite the title page: "8/11/2007 NYC. For Christina and Norman and their delight of 192 books and a summer's afternoon. Thanks, B.". Hayward, Bill. (illustrator). …

Soft cover. Zustand: Good. No Jacket. 1st Edition. ND. c.1980. Signed and dedicated by Hayward (ex-shopkeeper, ex sub-postmaster and ex parish clerk) to ifc. Stock lightly toned but otherwise all in VG internal order though staples starting to rust. Card covers a little marked. 8vo. Unpaginated [28pp]. Signed by Author(s).…

Zustand: Good. Original boards, dust jacket, richly illustrated in colour and b/w, 4to.

Zustand: Good. Good++; Hardcover, Missing Jacket; Clean covers with minor edgewear; Unblemished textblock edges; The endpapers and all text pages are clean and unmarked; The binding is excellent with a straight spine; This book will be shipped in a sturdy cardboard box with foam padding; Large Format (Quatro, 10.75" - 11.75" tall); 1.7 lbs; Dark brown paper-coverd boards with black cloth over the spine, and title printed in gold lettering along the spine; 1978, Doubleday Publishing; 163 pages; "Cat People (A Dolphin Book)," by Bill Hayward.…

First Edition. An exceptional copy; fine in an equally fine dw. Particularly and surprisingly well-preserved; tight, bright, clean and especially sharp-cornered. Literally as new. ; 168 pages; Description: 168 p. : ill. (some col. ) ; 31 cm. Subjects; Celebrities--Portraits. Portrait photography. 2 Kg.…

First Edition. An exceptional copy; fine in an equally fine dw. Particularly and surprisingly well-preserved; tight, bright, clean and especially sharp-cornered. Literally as new. ; 168 pages; Description: 168 p. : ill. (some col. ) ; 31 cm. 2 Kg.

Hardcover. Zustand: Good. No Jacket. First Edition. Dust jacket missing. First edition. Shelf and handling wear to cover and binding, with general signs of previous use. Wear commensurate with age and use. Clean unmarked copy. Light bumping visible to corners of boards and ends of spine strip. Light scuffing and smudging to boards and spine strip. Secure packaging for safe delivery.…

Hardcover. Zustand: Good. No Jacket. First Edition. First edition. Shelf and handling wear to cover and binding, with general signs of previous use. Wear commensurate with age and use. Clean unmarked copy. Bumping visible to corners of boards and ends of spine strip. Light scuffing and smudging to boards and spine strip. Corner clipped from front flap. Secure packaging for safe delivery.…

Couverture rigide. Zustand: Très bon. BILL HAYWARD CAT PEOPLE With an introduction by Rogers E.M. Withaker, the old curmudgeon 1978, New York, Edition Dolphin Book Doubleday & Company Format : In-4 (28 x 21 cm), relié, 159 pages, ouvrage en anglais Reliure cartonnage toile grenat éditeur, do slisse titré doré sur pièce noire, couverture conservée Abondamment illustré des photographies de personnalités de l'époque avec leur chat Signature autographe de l'auteur et photographe Bill HAYWARD Etat : papier propre, reliure solide, bel exemplaire poids : 1,1 kg. BILL HAYWARD (illustrator). Signé par l'auteur.…

Zustand: Very Good.

Hardcover. Zustand: Good. pp 175 English.

Hardcover. Zustand: Fine. Zustand des Schutzumschlags: Fine. First Edition. Small, light spot on fore edge, nothing alarming; 8.79 X 1.09 X 10.67 inches; 240 pages.

Zustand: Near fine. Bill Culbert, Tony Hayward, David Mach, Invite Card for STILL LIFE, Coracle Press, New York, March 1985. 124 x 148mm. Printed postcard in orange, brown and black on white stock. The exhibition was held at Barbara Toll Fine Art Gallery on Greene Street. Condition: Near Fine.

Hardcover. Zustand: Fair. No Jacket. Missing dust jacket; Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Two original film still photographs from the 1959 US film, here under the French title, "Quelle vie de chien!" Shaggy appears in both photos, starring teen actors Tommy Kirk and Tim Considine in one. French title on the versos in manuscript ink, numerical notation on the versos in manuscript pencil. Immensely popular fantasy film based on Salten's "The Hound of Florence" (1923), released in France in December 1959. Inspiration for the sequel "The Shaggy D.A." (1976), two-part television movie "The Return of the Shaggy Dog" (1987), remakes (1994, 2006), and was the most profitable release from Walt Disney Productions to date. Wilby (Kirk) is a misunderstood teen with an inventive imagination his father, Wilson, grapples to understand. After a trip to a history museum, Wilby mistakenly absconds with the cursed ancient ring of Borgia, and obliviously reads the inscription that turns him into a "big, baggy, stupid-looking shaggy dog." As a dog, Wilby overhears secret government spy operations, drives a hot rod, saves a drowning girl, and attacks his nemesis Buzz (Considine). His valiant efforts transform him back to human just as he and Buzz come to realize it's better to be friends. 4.75 x 6.75 inches, with small white borders at the bottom. Slight curling, else Near Fine. …

Hardcover. Zustand: Good. [57] p. : ill. ; 26 cm. Vert. van resp.: Fooled you, Bert!, en: I can count to ten and back again.Fooled you, Bert!I can count to ten and back again Dutch Ernie houdt zijn vriend Bert voortdurend voor de gek en Pino is op zoek naar spulletjes die hij in zijn winkeltje kan verkopen. Prentvertellingen met grote, fel gekleurde tekeningen. Vanaf ca. 4 jaar.…

Dolphin, New York. 1978. Book Club Edition. 4to hardback with DW. Wrapper sunfaded and slightly worn, boards clean and sound. Illustrated with black and white photographs. End papers very spotted, ownership inscription to front pastedown. Overall a lovely copy.

Hardcover. Zustand: Good. Zustand des Schutzumschlags: Good. First Printing [stated]. xviii, 286 pages. Illustrations. Index. Inscribed by the author on the fep. The inscription reads To Kathie Love Milton Berle 1987. Some page discoloration noted. This autobiography of Milton Berle's fifty years in the Friars Club features one-lines, ad libs, and risque roasts of America's past and present celebrities from the fields of entertainment, sports, politics and crime. Milton Berle (born Mendel Berlinger; July 12, 1908 - March 27, 2002) was an American actor and comedian. His career spanned over eight decades, first in silent films and on stage as a child actor, then in radio, movies and television. As the host of NBC's Texaco Star Theatre (1948-1953), he was the first major American television star and was known to viewers as "Uncle Miltie" and "Mr. Television" during the Golden Age of Television. He was honored with two stars on the Hollywood Walk of Fame for his work in both radio and TV. In Las Vegas, Berle played to packed showrooms at Caesars Palace, the Sands, the Desert Inn, and other casinos. Berle appeared at the El Rancho, the first Las Vegas Strip full service resort, starting in the late 1940s. In addition to club appearances, Berle performed on Broadway in Herb Gardner's The Goodbye People in 1968. He became a commercial spokesman for the Lum's restaurant chain. He appeared in films, including Always Leave Them Laughing (released in 1949) with Virginia Mayo and Bert Lahr; Let's Make Love with Marilyn Monroe and Yves Montand; It's a Mad, Mad, Mad, Mad World; The Oscar; Who's Minding the Mint?; Lepke; Woody Allen's Broadway Danny Rose; and Driving Me Crazy. Derived from a Kirkus review: Uncle Miltie gives a celebrity-studded history of the Friars Club and of his love affair with its members. The club was organized about 1907 by some press agents in Manhattan. The agents had some actor friends whom they also invited--and soon the actors had taken over. Now it's largely an actors club renowned for its irreverent humorists and their daily lunches, dinners, and celebrity roasts. Berle, an abbot (or president) of the Friars, has been a lynchpin among kingpins for the club's functions, often tempting members to attend special roasts by offering them boxes of his favorite Havanas. It was in 1920, when Berle was 16, that he was first taken to the Friars Club by Eddie Cantor: "You won't be such a wise guy big mouth when the men at the club cut you down to size." Berle was impressed by the assembled wits but held his own. Then in 1945, Al Jolson, Bing Crosby and Bob Hope decided to open a Hollywood branch of the Friars and a second club arose. Among the famed that Berle gives special attention to in his pages are Phyllis Diller, Mae West, Caruso, Will Rogers, Sid Caesar, George Bums, Sid Silvers, Joe E. Lewis, Jolson, and Welles. His jokes come off every time. Bill Hayward (jacket photographs) (illustrator). Signed.…

Hardcover. Zustand: Very good. Zustand des Schutzumschlags: Very good. First Printing. xviii, 286 pages. Illustrations. Index. Inscribed by the author. This autobiography of Milton Berle's fifty years in the Friars Club features one-lines, ad libs, and risque roasts of America's past and present celebrities from the fields of entertainment, sports, politics and crime. Milton Berle (born Mendel Berlinger; July 12, 1908 - March 27, 2002) was an American actor and comedian. His career as an entertainer spanned over eight decades, first in silent films and on stage as a child actor, then in radio, movies and television. As the host of NBC's Texaco Star Theatre (1948-1953), he was the first major American television star and was known to millions of viewers as "Uncle Miltie" and "Mr. Television" during the first Golden Age of Television. He was honored with two stars on the Hollywood Walk of Fame for his work in both radio and TV. In Las Vegas, Berle played to packed showrooms at Caesars Palace, the Sands, the Desert Inn, and other casinos. Berle had appeared at the El Rancho, the first Las Vegas Strip full service resort, starting in the late 1940s. In addition to constant club appearances, Berle performed on Broadway in Herb Gardner's The Goodbye People in 1968. He also became a commercial spokesman for the thriving Lum's restaurant chain. He appeared in numerous films, including Always Leave Them Laughing (released in 1949, shortly after his TV debut) with Virginia Mayo and Bert Lahr; Let's Make Love with Marilyn Monroe and Yves Montand; It's a Mad, Mad, Mad, Mad World; The Loved One; The Oscar; Who's Minding the Mint?; Lepke; Woody Allen's Broadway Danny Rose; and Driving Me Crazy. Derived from a Kirkus review: Uncle Miltie gives a celebrity-studded history of the Friars Club and of his love affair with its members. The club was organized about 1907 by some press agents in Manhattan. The agents had some actor friends whom they also invited--and soon the actors had taken over. Now it's largely an actors club renowned for its irreverent humorists and their daily lunches, dinners, and celebrity roasts. Berle, an abbot (or president) of the Friars, has been a lynchpin among kingpins for the club's functions, often tempting members to attend special roasts by offering them boxes of his favorite Havanas. It was in 1920, when Berle was 16, that he was first taken to the Friars Club by Eddie Cantor: "You won't be such a wise guy big mouth when the men at the club cut you down to size." Berle was impressed by the assembled wits but held his own. Then in 1945, Al Jolson, Bing Crosby and Bob Hope decided to open a Hollywood branch of the Friars and a second club arose. Among the famed that Berle gives special attention to in his pages are Phyllis Diller, Mae West, Caruso, Will Rogers, Sid Caesar, George Bums, Sid Silvers, Joe E. Lewis, Jolson, and Welles. His jokes come off every time. Bill Hayward (jacket photographs) (illustrator). Signed.…

Cloth. Zustand: Collectible; Fine. Zustand des Schutzumschlags: Fine. 1st. SIGNED BY THE POETS MARK DOTY, TIMOTHY LIU, DAVID LEHMAN AND YUSEF KOMUNYAKAA --AND BY THE NOVELIST MICHAEL CUNNINGHAM AND THE PLAYWRIGHT EVE ENSLER across their portraits. A very sharp copy to boot of the 2000 1st edition. Tight and Near Fine in a bright, Near Fine dustjacket. Tall quarto, crisp black-and-white portraits thruout. Introduction by Carter Ratcliff. Signed. …

Eight vintage hand-tinted British front-of-house cards from the 1959 live-action Disney film. Based on the 1923 novel, "The Hound of Florence," by Felix Salten. A boy accidentally comes under a curse transforming him into a sheepdog. Shot on location in Santa Clarita, CA. 8 x 10 inches. Very Good plus.…

Zustand: Very good +. A set of this important and highly sought-after artist periodical edited by the Colombian-born artist Raul Marroquin, Ger van Dijck, Marjo Schumans, Ulises Carrion and others. Published by Agora Studios and the Jan Van Eyck Academy Maastricht. This is a complete set of 8 magazines representing 11 issues; including two copies of issue 3 as each cover has a unique collage element. Some issues are subtitled 'Fandangos - The Most Important European Art Scandalpaper - Fandangos isn't an art paper but an art piece'. Indeed, Fandangos is seen as one of the most important conceptual art magazines from the Netherlands, which shows the importance of South American avant-garde artists to the conceptual art scene of The Netherlands in the 1970s. Issues included are as follows 'Vandangos (aka Fandangos no. 1)', Maastricht, December 1973. 610 x 430 mm. Poster/sheet printed black on white paper stock. Subtitled 'Vandangos is publishing projects, documentations, ideas, commentaries, activities with the aim of an overall communication'. Contributions included: Antonio Caro ('Imperialism is a Paper Tiger'), Ulises Carrion ('Why plagiarisms? because'), Guglielmo Achille Cavellini, Felipe Ehrenberg ('The Informer 1957, 1968, 1972: Short Story in Five Parts, September 1973'), Robert Filliou, Hreinn Fridfinnsson ('The Dream'), Sigurdur Gudmundsson, Raul Marroquin, Pieter Laurens Mol, Marjo Schumans, Rod Summers ('Hands'), Cecilia Vecuna, Anton Verhoeven. Condition: toning as seen, no tears. Very good+;'Fandangos 2', Maastricht, January 1974. 109 x 79.5 cm. Sheet printed green on white paper with red rubber-stamps. Contributors include a glued card by Cavellini, Marjo Schumans, Robert Filliou, Thomas Niggl, Jonathan Ellender, Yoshio Nakajima, David Mayor, Hreinn Fridfinnsson and others. Condition: folded as issued. Very good+/near fine;'Phandangos 3! (aka Fandangos no. 3)', Agora/Jan van Eyck Academy, Maastricht. Undated (c.1972). 520 x 395 mm. Two issues supplied in this set, each with a unique collage element to cover. Printed black on large format newsprint with numerous unique collages and cut-out interventions throughout. On each issue the cover includes a unique collage element (magazine cut-out glued to the page) as well as 'Blue Landscape' by Dick Wessels, a blue acetate square stapled to the cover. Contributors include: Thomas Niggl, Herbert Walker, Dick Wessels, Bernardo Salcedo, Karina Raeck, G. J de Rook, Michael Gibbs, Jacques Lizene, Davi Det Hompson, Jorgos Chronis, Ovum, Cayc, Ad Gerritsen, Marten Hendrix, peter Hutchinson, Marjo Schumans, Peter Adamski Etiquette, Christiane Berndes, Jochen Gerz, Michel Druks, Anton Verhoeven, Geza Perneczsky (with rubberstamp in red), Beverly Parke, Klaus Groh, Guillermo Duarte, Jan Tomaschoff and others. Condition: slight toning, very good+/near fine;'Van Tangos (aka Fandangos no. 4)', Agora, Maastricht. Autumn/Winter 1974. 448 x 294 mm. 12pp. Printed black on white newsprint. Subtitled 'Fandangos The First European Art Newspaper'. Title concept by Klaus Groh. Contributors include: Peter Hutchinson, Nikolaus Urban, Janos Urban, E. Buchwalder, John M. Armleder, Yoshia Nakajima, Carlo Giovanni Cicatelli, Anna Banana, H. B Reeskamp, F. Pezolo, Michael Gibbs, Marjo Schumans, Rod Summers, Raul Marroquin, Filip Francis, Michael Druks, Ruedi Schill, W. Vazan, Robin Crozier, Anton Verhoeven, H. Dekker, K. Benning, H. B Walker, W. Cuvelier, Groupe Cap, L Coppers, John Liggins, L. Walz, Michel Cardena, Johan Van Geluwe, Maurizio Nanucci, Hans Werneg Kalkmann, Maurizio Nannucci, Allen Fisher and others. Condition: Near fine;'Fun-Dangos 5 (aka Fandangos no. 5)', Maastricht. Undated (1975). 445 x 290 mm. Printed black on blue large format newsprint paper. Subtitled 'The Most Important European Art Scandalpaper - Fandangos isn't an art paper but an art piece'. 'Title concept' is attributed to Michael Gibbs. Includes contribution by Ulises Carrion 'From Fandangos to you'; interview with Tony Pegotty; double-p.…