hay jacques (22 Ergebnisse)

Zustand: Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.

Original Kupferstich von 1714. -- Blatt-Maße: ca. 46 x 30 cm; Platte: ca. 34 x 22,5 cm. -- leicht fleckig, sonst gut erhalten. || Original copper engraving from 1714. -- slightly stained, otherwise in good condition. || // Wir, das Antiquariat Steffen Völkel, kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotografien. Wir sind stets am Ankauf von kompletten Bibliotheken, Sammlungen und Nachlässen interessiert. Sprache: Französisch.

Original Kupferstich von 1714. -- Blatt-Maße: ca. 46 x 30 cm; Platte: ca. 34 x 22,5 cm. -- im Außenrand leicht fleckig, sonst gut erhalten. || Original copper engraving from 1714. -- slightly stained on the outer margin, otherwise in good condition. || // Wir, das Antiquariat Steffen Völkel, kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotografien. Wir sind stets am Ankauf von kompletten Bibliotheken, Sammlungen und Nachlässen interessiert. Sprache: Französisch.

Original Kupferstich von 1714. -- Blatt-Maße: ca. 46 x 30 cm; Platte: ca. 34 x 22,5 cm. -- im Außenrand leicht fleckig, sonst gut erhalten. || Original copper engraving from 1714. -- slightly stained on the outer margin, otherwise in good condition. || // Wir, das Antiquariat Steffen Völkel, kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotografien. Wir sind stets am Ankauf von kompletten Bibliotheken, Sammlungen und Nachlässen interessiert. Sprache: Französisch.

Original Kupferstich von 1714. -- Blatt-Maße: ca. 46 x 30 cm; Platte: ca. 34 x 22,5 cm. -- gut erhalten. || Original copper engraving from 1714. -- in good condition. || // Wir, das Antiquariat Steffen Völkel, kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotografien. Wir sind stets am Ankauf von kompletten Bibliotheken, Sammlungen und Nachlässen interessiert. Sprache: Französisch.

Original Kupferstich von 1714. -- Blatt-Maße: ca. 46 x 30 cm; Platte: ca. 34 x 22,5 cm. -- im Außenrand leicht fleckig, sonst gut erhalten. || Original copper engraving from 1714. -- slightly stained on the outer margin, otherwise in good condition. || // Wir, das Antiquariat Steffen Völkel, kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotografien. Wir sind stets am Ankauf von kompletten Bibliotheken, Sammlungen und Nachlässen interessiert. Sprache: Französisch.

Original Kupferstich von 1714. -- Blatt-Maße: ca. 46 x 30 cm; Platte: ca. 34 x 22,5 cm. -- im Außenrand leicht fleckig, sonst gut erhalten. || Original copper engraving from 1714. -- slightly stained on the outer margin, otherwise in good condition. || // Wir, das Antiquariat Steffen Völkel, kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotografien. Wir sind stets am Ankauf von kompletten Bibliotheken, Sammlungen und Nachlässen interessiert. Sprache: Französisch.

Original Kupferstich von 1714. -- Blatt-Maße: ca. 46 x 30 cm; Platte: ca. 34 x 22,5 cm. -- gut erhalten. || Original copper engraving from 1714. -- in good condition. || // Wir, das Antiquariat Steffen Völkel, kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotografien. Wir sind stets am Ankauf von kompletten Bibliotheken, Sammlungen und Nachlässen interessiert. Sprache: Französisch.

Original Kupferstich von 1714. -- Blatt-Maße: ca. 46 x 30 cm; Platte: ca. 34 x 22,5 cm. -- im Außenrand leicht fleckig, sonst gut erhalten. || Original copper engraving from 1714. -- slightly stained on the outer margin, otherwise in good condition. || // Wir, das Antiquariat Steffen Völkel, kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotografien. Wir sind stets am Ankauf von kompletten Bibliotheken, Sammlungen und Nachlässen interessiert. Sprache: Französisch.

Original Kupferstich von 1714. -- Blatt-Maße: ca. 46 x 30 cm; Platte: ca. 34 x 22,5 cm. -- gut erhalten. || Original copper engraving from 1714. -- in good condition. || // Wir, das Antiquariat Steffen Völkel, kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotografien. Wir sind stets am Ankauf von kompletten Bibliotheken, Sammlungen und Nachlässen interessiert. Sprache: Französisch.

Original Kupferstich von 1714. -- Blatt-Maße: ca. 46 x 30 cm; Platte: ca. 34 x 22,5 cm. -- im Außenrand leicht fleckig, sonst gut erhalten. || Original copper engraving from 1714. -- slightly stained on the outer margin, otherwise in good condition. || // Wir, das Antiquariat Steffen Völkel, kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotografien. Wir sind stets am Ankauf von kompletten Bibliotheken, Sammlungen und Nachlässen interessiert. Sprache: Französisch.

Original Kupferstich von 1714. -- Blatt-Maße: ca. 46 x 30 cm; Platte: ca. 34 x 22,5 cm. -- teils leicht fleckig, sonst gut erhalten. || Original copper engraving from 1714. -- partly slightly stained, otherwise in good condition. || // Wir, das Antiquariat Steffen Völkel, kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotografien. Wir sind stets am Ankauf von kompletten Bibliotheken, Sammlungen und Nachlässen interessiert. Sprache: Französisch.

Original Kupferstich von 1714. -- Blatt-Maße: ca. 46 x 30 cm; Platte: ca. 34 x 22,5 cm. -- gut erhalten. || Original copper engraving from 1714. -- in good condition. || // Wir, das Antiquariat Steffen Völkel, kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotografien. Wir sind stets am Ankauf von kompletten Bibliotheken, Sammlungen und Nachlässen interessiert. Sprache: Französisch.

[unpaginated]; 24 x 22.5 cm.; sewn bound; other special feature[s]; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show of privately held works and works from the New Realism exhibition, held at the Neue Galerie der Stadt Aachen, Germany, July 1972. Book features thick-board covers with lenticular / holographic image of works by Duane Hanson bolted onto front. Parallel texts in German and English, including interview between Peter Ludwig and Wolfgang Becker. Includes biographies and exhibition chronologies. Artists include Eva Aeppli, Hans Peter Alvermann, John de Andrea, Arakawa, Allan D'Arcangelo, Richard Artschwager, Dieter Asmus, Jo Baer, William Bailey, Robert Bechtle, Saskia de Boer, Christian Boltanski, K.P. Brehmer, Peter Brüning, Rafael Canogar, Mario Ceroli, Dan Christensen, Christo, John Clem Clarke, Chuck Close, Ron Cooper, Alan Cote, George Deem, , Rolf-Gunter Dienst, Donald Eddy, Erro, Wojciech Fangor, Robert Filliou, Gérard Gasiorowski, Juan Genoves, Franz Gertsch, Piero Gilardi, Domenico Gnoli, Ralph Goings, Robert Graham, Gotthard Graubner, Sante Graziani, Nancy Stevenson Graves, Renato Guttuso, Ira Joel Haber, Duane Hanson, Jann Haworth, Paul Harris, Michael Heizer, Alex Hay, David Hockney, Robert Indiana, Alfred Jensen, Allan Jones, Howard Kanovitz, Alex Katz, Ellsworth Kelly, Konrad Klapheck, Alfred Leslie, Barry Le Va, Roy Lichtenstein, Richard Long, Lee Lozano, Walter De Maria, Richard McLean, Rune Mields, Jacques Monory, Nicholas Monro, Malcolm Morley, Robert Morris, Peter Nagel, Bruce Nauman, Lowell Nesbitt, Siegfried Neuenhausen, Ansgar Nierhoff, Pino Pascali, Pavlos, Philip Pearlstein, Walter Pichler, Michelangelo Pistoletto, Tom Phillips, Mel Ramos, Robert Rauschenberg, Gerhard Richter, Klaus Rinke, Dieter Rot [aka Dieter Roth], Dieter Rot [aka Dieter Roth], George Segal, Richard Serra, Leon Polk Smith, Robert Smithson, Keith Sonnier, Bernard Schultze, Lawrence Stafford, Lewis Stein, Curt Stenvert, Nikolaus Störtenbecker, Sidney Tillim, Joe Tilson, Cy Twombly, Dietmar Ullrich, Bernar Venet, Jan Voss, Wolf Vostell, John Walker, Andy Warhol, Robert Watts, Tom Wesselmann, Stefan Wewerka, Doug Wheeler, Lambert Maria Wintersberger, Peter Young, Jim Dine, Alain Jacquet, Jasper Johns, Kenneth Noland, Martial Raysse, James Rosenquist, Dieter Rot [aka Dieter Roth], and John Salt. Fair / Good. Tearing of spine edges measuring 4 cm. and 6.3 cm. with additional rubbing. Light rubbing and scuffing of lenticular covers. Yellowing and dusting of text block edge.1.8 cm. dog-ear to endpaper and light bumping of top right corner of pages. Contents otherwise clean and unmarked. Due to size and weight of this publication additional shipping charges will be required for international orders.

Original Kupferstich von 1714. -- Blatt-Maße: ca. 46 x 30 cm; Platte: ca. 34 x 22,5 cm. -- im Außenrand leicht fleckig, sonst gut erhalten. || Original copper engraving from 1714. -- slightly stained on the outer margin, otherwise in good condition. || // Wir, das Antiquariat Steffen Völkel, kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotografien. Wir sind stets am Ankauf von kompletten Bibliotheken, Sammlungen und Nachlässen interessiert. Sprache: Französisch.

Original Kupferstich von 1714. -- Blatt-Maße: ca. 46 x 30 cm; Platte: ca. 34 x 22,5 cm. -- gut erhalten. || Original copper engraving from 1714. -- in good condition. || // Wir, das Antiquariat Steffen Völkel, kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotografien. Wir sind stets am Ankauf von kompletten Bibliotheken, Sammlungen und Nachlässen interessiert. Sprache: Französisch.

Original Kupferstich von 1714. -- Blatt-Maße: ca. 46 x 30 cm; Platte: ca. 34 x 22,5 cm. -- im Außenrand leicht fleckig, sonst gut erhalten. || Original copper engraving from 1714. -- slightly stained on the outer margin, otherwise in good condition. || // Wir, das Antiquariat Steffen Völkel, kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotografien. Wir sind stets am Ankauf von kompletten Bibliotheken, Sammlungen und Nachlässen interessiert. Sprache: Französisch.

Hardcover. Zustand: Good. Folio 19 x 13 1/2 inches, full period calf, spine repaired. 2 parts in one volume. Engraved title, (iv) pages and 102 FINE ENGRAVED PLATES (3 double page) plus one engraved sheet of music. 2nd title page to Explication and 26 pages of descriptive text. One leaf of text repaired in the blank margin. Complete. Fine dark impressions of these iconic costumes plates of the peoples and customs of the Levant in the eighteenth century. The females and males being equally represented. A good copy. Commissioned by Charles de Ferriol French ambassador to the Porte between 1699 and 1709, Le Hay's work was widely appreciated and became the template for future prints of regional costumes of this area. The Levant - a large area of the Eastern Mediterranean including Turkey and the Greek Islands. Reference Atabey 430; Blackmer 591: Colas 1819-1820.

Folio (49 x 33 cm approx.), engraved throughout, comprising: title with preface by Cars on verso, 'Anecdotes' (pp.I-II), 'Explication des figures' (pp.III-XIV), leaf of music (printed recto only), and 102 engraved plates (3 double-page), all with fine contemporary hand-colouring, 30 plates heightened with gold and mica; full contemporary French red morocco, boards & spine richly tooled in gilt, with superb floriated endpapers; some restoration to extremities of spine; a particularly fine example. An exceptional example. Most copies were issued uncoloured. Few were sold with hand-colouring and a smaller number were issued heightened with gold and mica. Very few copies, however, have as many engravings heightened with mica as the present one. This important work forms the 'basic prototype for Levantine costume plates' (Atabey). The most luxurious edition, with hand-coloured plates, many enhanced with gold and mica, arguably the finest colour plate costume book of the Ottoman Empire. In addition to the sixty or so plates depicting Turkish Court, noble, military and other costumes, the work illustrates the regional, religious or national costume of several other parts of the Turkish Empire. These include Greeks (10); Albanians (2); Jews (3); Hungarians (2); Wallachians (3); Bulgarians (2); Crimean Tartars (1); Armenians (5); Persians (2); Indians (2); Arabs (1); Barbary Coast (4); and Moors (1). The plates for this work were commissioned by Charles de Ferriol (1652-1722), the French Ambassador to the Porte between 1699 and 1709. The plates were engraved after drawings by the Flemish artist J.B. van Mour, who lived and worked in Istanbul for many years during the first part of the eighteenth century. It has been suggested that van Mour came to Istanbul with the entourage of Ferriol in 1699. When the paintings were complete, Ferriol helped Le Hay to publish the present prints of the pictures. Le Hay's work was an instant success and the plates quickly became the principal source of turqueries for artists and publishers throughout Europe. In recognition of van Mour's talents, he was granted the unique post of 'Peintre ordinaire du Roi en Levant' in 1725. Van Mour's paintings (and the plates that derive from them) show Istanbul as a cosmopolitan place with Muslims and non-Muslims uniting in shared 'Ottoman' pleasures. Armenians, Franks, Greeks and Persians are shown drinking coffee, playing mankeh (a version of backgammon), or making music. Koç 105; Atabey 430 (uncoloured); Brunet 947-48; Blackmer 591; Colas 1819-20.

Two vintage borderless photographs from the 1969 film, including one reference photograph and one studio still. Director Jacques Demy's first English language film, recently a subject of renewed interest in two different documentaries about the Laurel Canyon music scene of the late 1960s. A young, discontented man in a dead-end relationship learns his draft notice has arrived and he is due to report for Army duty the following week. While out trying to raise money to keep his car from being repossessed, he sees, and becomes obsessed with, the beautiful Lola, an older French model who works in a "model shop" posing for photographers. Set and shot on location in Laurel Canyon, Los Angeles. One 9.75 x 8 inches, one 10 x 8 inches. Very Good plus, one with light toning to the bottom edge, the other with a short closed tear to the left edge, repaired with paper tape on the verso. Twilight Time 327.

Vintage borderless reference photograph of director Jacques Demy with actors Gary Lockwood and Anouk Aimee on the set of the 1969 film. Demy's first English language film, recently a subject of renewed interest in two different documentaries about the Laurel Canyon music scene of the late 1960s. A young, discontented man in a dead-end relationship learns his draft notice has arrived and he is due to report for Army duty the following week. While out trying to raise money to keep his car from being repossessed, he sees, and becomes obsessed with, the beautiful Lola, an older French model who works in a "model shop" posing for photographers. Set and shot on location in Laurel Canyon, Los Angeles. 10 x 8.25 inches. Near Fine. Twilight Time 327.

Three vintage borderless reference photographs from the set of the 1969 film. Provenance stamps of film scholar and author J. P. Berthome on versos of all three, and one with a National Film Archive stamp on the verso. Demy's first English language film, recently a subject of renewed interest in two different documentaries about the Laurel Canyon music scene of the late 1960s. A young, discontented man in a dead-end relationship learns his draft notice has arrived and he is due to report for Army duty the following week. While out trying to raise money to keep his car from being repossessed, he sees, and becomes obsessed with, the beautiful Lola, an older French model who works in a "model shop" posing for photographers. Set and shot on location in Laurel Canyon, Los Angeles, California. 8 x 10 inches. Near Fine. Twilight Time 327.