hatton brian (18 Ergebnisse)

paperback. Zustand: Good. Paul Pederson (illustrator). Cover shows minor shelf wear and light scuffing. Pages are clean, text and pictures are intact and unmarred. Good reading copy.

Zustand: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Softcover. Zustand: Bon. Ancien livre de bibliothèque avec équipements. Edition 1993. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Good. Former library book. Edition 1993. Ammareal gives back up to 15% of this item's net price to charity organizations.

hardcover. Zustand: Very Good. In English and German. Deutsch Sprache. Posted within 1 working day. 1st class tracked post to the UK, Airmail with tracking worldwide. Robust recyclable packaging. Picture is the actual item.

Softcover. Zustand: Very Good. No Jacket. First edition. 1st 2000. Very good condition. Quarterly Architecture Magazine. Text in English and Italian. First Item on Tate Modern is 'Fatto alla grande' 'The Biggest Way to Do Art' written by Brian Hatton. Cardwraps. Colour & b/w photos. B/w plans and sketches. 131 pages. Covers are scuffed and lightly marked. Minor foxing to text block. Contents clean. Packaged with care and promptly dispatched!

Zustand: New. pp. 376 Illus.

Encuadernación de tapa blanda. Zustand: Como Nuevo. Zustand des Schutzumschlags: Como Nuevo. Monografía de la obra conceptual, las performances, fotografías, vídeos, instalaciones y otras colaboraciones realizadas por Dan Graham entre los años 1966 y 1995 a 1997. Incluye cuatro ensayos sobre la obra de Graham.

96 pp.; 27.8 x 21.5 cm.; glue bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; January / February 1988 issue of Artscribe International, edited by Stuart Morgan. Contents include: "View," reviews by John Miller, Brian Hatton, Nancy Spector, and Stuart Morgan; "Taking Cover: Louise Bourgeois," interviewed by Stuart Morgan; "Exemplary Exhibitions," by Paul Wood; "From Site to Situation," by Arielle Pelenc; "Grenville Davey: Degree Zero," by Stuart Morgan; "Slow Time: Sherrie Levine's New Work," by Ronald Jones; "The Consumption of Everyday Life," by John Miller; "Joseph Beuys: In Camera," by Stuart Morgan; "Mythos Berlin," Brian Hatton; "Jan Vercruysse," by Alain Cueff; "Et In Arcadia Ego," by Paul Groot; "Review" and "Books." Cover: Louise Bourgeois photographed by Peter Bellamy. Very Good. Yellowing and light soiling of covers with rubbing of edges and light creasing. Light handling wear to pages and yellowing of pages. Contents clean and unmarked.

Soft cover. Zustand: Near Fine. 1st Edition. First edition, first printing. Soft cover. Photographically illustrated French-fold wrappers; no dust jacket as issued. Works in various media and text by Dan Graham. Essays by Gloria Moure (Editor), Christine van Assche, Alexander Alberro, Apolonija Sustersic, Friedrich Wolfram Heubach, Eric de Bruyn, Brian Hatton, Adachiara Zevi, Mark Francis and Mike Metz. Includes a biography, exhibition history and a bibliography, as well as a list of reproductions. 264 pp., with four-color and black-and-white illustrations throughout. 10 x 8-3/8 inches. Published on the occasion of an exhibition at Fundació Antoni Tàpies. Near Fine (light foxing to the interior of the wrappers, some pages slightly wavy, light foxing to the text block, else Fine).

Soft cover. Zustand: Very Good. Zustand des Schutzumschlags: Good. Oversized softcover with DJ. Stiff illustrated gray covers with black lettering. Title page not dated. Copyright note dated 1988. 80 pages. Covers are clean and unmarked, although they appear slightly rubbed. Spine is covered with binder's tape. Binding is square and strong. DJ is a transparent plastic with black lettering. In good condition. Corners of DJ are slightly bumped, with a very, very small tear on foot of spine of DJ. All pages are uncut, as well as unmarked. Pages appear slightly toned, but text and illustrations remain bright. Black and white photographs and illustrations throughout. Overall, a very good copy. Please e-mail us with questions or to request photos. This is an oversized (and overweight) book. Extra shipping charges may be required for international or priority delivery.

Paperback. Zustand: Brand New. 5th edition. 360 pages. 7.25x4.00x1.00 inches. In Stock.

International avant-garde artists exploring exciting new ideas in photography and sculpture form the focus of this book. Illustrations and commentary are included on the works of Genevieve Cadieusx, Lili Dujourie, Dan Graham, Asta Groting, Gary Hill, and Rachel Whiteread., Swedish/ English, Year1993, Illust. B/W1, Illust. Color31, ISBN 9188090086, Code 1062. Softbound, In Pristine Condition, Location of Exhibition: Rooseum, Malm÷, Index. Pages 78, Size 8öx 9ö.

SOFTCOVER. Zustand: As New. 1st Edition. Square Quarto size (4to) in double folded stiff card covers with mirror finished silvered inner flaps, 80pp on double folded stiff paper, colour plates, etc. Dual text in English and Swedish . [CONDITION: An extremely well preserved AS NEW unmarked and unread copy ] . . . We always ship in STRONG PROTECTIVE CARD PARCELS.

Couverture souple. Zustand: Bon état. Livre en français, anglais. In-8 broché 24 cm sur 24. 58 illustrations en couleur et noir et blanc. Certaines pages centrales imprimées sur feuilles couleurs. Non paginé. Coin écorné. Bon état d'occasion. [Catalogue d'exposition].

[24] pp.; 41.3 x 28.4 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Issue number 9 of ZG Magazine, edited by Rosetta Brooks. Contents include: "My Death, My Life by Pier Paulo Pasolini," an Extract from New York writer Kathy Acker's New Novel; "You No Wanna Dadda" by Barbara Kruger; "Rock Videos: Another World," By Michael Boodro; "Twin Desires: The Art of Troy Brauntuch, David Salle, Jack Goldstein," by Merope Lolis; "Seeing and Believing," by Jonathan Miles; "Junk Culture: The Uses of Affluence," by Brian Hatton; "Before the Storm: Two Interviews with Eric Bogosian," interviews by Howard Halle, co-edited with Amy Lowe, and by Steve Roeser; "Fashion Fictions: Absence and the Fast Heartbeat," by Dena Shottenkirk; "George is Dead: Boys from the Blacckstuff: A British T.V. Drama," by Philip Derbyshire; "The Algebra of News," by Sylvere Lotringer; "Fear of Fascism: Old Stories - New Narratives," by Angela McRobbie; "It's All True: A Cautionary Tale About the Video Age," ZG talks to Julian Temple; "After the Fire is Gone," by Josh Baer; "A Flower of Light in a Field of Darkness," by Gerry Morehead and "Glenn Branca: Symphony No. 4," photos by Chris Harris. Cover by Robert Mapplethorpe. Reference : "Artists' Magazines : An Alternative Space for Art" by Gwen Allen. Cambridge / London, MA / United Kingdom : The MIT Press, 2011, pp. 312. Good. Light rubbing of covers and cover edges with bumping of top right corner of magazine and light creasing across recto. Yellowing of pages. Contents clean and unmarked. Due to size additional shipping charges will be required for international orders.

28 pp.; 41.8 x 29.7 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Issue number 7 of ZG Magazine, edited by Rosetta Brooks. Contents include "A Woman is a Woman, but a Good Cigar is a Smoke," by Brian Hatton; "Saint Sebastian in Shinjuku," by Mark Holborn; "The Dark Night of the Body," by Ken Hollings; "We're Only in it for the Monet," by Dan Graham; "You Wish You Were Closer to You," Joan Wallace and Geralyn Donohue on David Salle; "Young Love for Sale," by Ian McMillan; "Malcolm MacLaren," interview by Krystina Kitsis; "Tail to the Wall," Jan Wandja on the drawings of Jo Baer and Bruce Robbins; "Everything You Want.and a little bit more," by Rosetta Brooks; "Crime and Pleasure," by Pablo; and "The Painter's Diary," by Mike Roddy; "Unresolved Desires: Redefining masculinity in some recent art," by Kim Gordon; "The Naked, the Uniformed and the Dead," by Jonathan Miles; "Remember, If You Aspire, You Desire," by Steve Dixon and "Nightclubbing: Subcultural Sexuality," by Krystina Kitsis. Cover features an auto-portrait by Cindy Sherman. Good / Very Good. Mild cover wear. Due to size additional shipping charges will be required for international orders.

28 pp.; 41.8 x 29.7 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Issue number 7 of ZG Magazine, edited by Rosetta Brooks. Contents include "A Woman is a Woman, but a Good Cigar is a Smoke," by Brian Hatton; "Saint Sebastian in Shinjuku," by Mark Holborn; "The Dark Night of the Body," by Ken Hollings; "We're Only in it for the Monet," by Dan Graham; "You Wish You Were Closer to You," Joan Wallace and Geralyn Donohue on David Salle; "Young Love for Sale," by Ian McMillan; "Malcolm MacLaren," interview by Krystina Kitsis; "Tail to the Wall," Jan Wandja on the drawings of Jo Baer and Bruce Robbins; "Everything You Want.and a little bit more," by Rosetta Brooks; "Crime and Pleasure," by Pablo; and "The Painter's Diary," by Mike Roddy; "Unresolved Desires: Redefining masculinity in some recent art," by Kim Gordon; "The Naked, the Uniformed and the Dead," by Jonathan Miles; "Remember, If You Aspire, You Desire," by Steve Dixon and "Nightclubbing: Subcultural Sexuality," by Krystina Kitsis. Cover features an auto-portrait by Cindy Sherman. Fair / Good. Gentle fold along horizontal center of publication with creasing and dinging across publication. 5.6 cm. tear to bottom right corner of recto. 4.7 cm. tear to bottom of spine and 9.4 cm. tear to top of spine. 2.6 cm. dog-ear to top right corner of recto and first eight pages. Additional handling wear and yellowing of pages. Contents clean and unmarked. Due to size additional shipping charges will be required for international orders.

Pictorial Cover. Zustand: Very Good. No Jacket. Brian Hatton (illustrator). 1st Edition. James Nisbet & Co., 1914, first edition. Bound in the publisher's light green cloth with titles in black on the spine and white on the top board, decorations in black and green and laid-on colour illustration on the top board, marbled endpapers. Very good condition, with a slightly sunned spine, and some light marks to the boards. Owner bookplate on the ffep, a little foxing to the half title and title pages, and the very last page, a very few light marks elsewhere, mainly clean and bright and tight in its binding, plates all present and in very good condition. W.E. Cule wrote a number of children's books, and this is probably one of his best, the story of a little boy who runs away from home, very sympathetically told. The artist, Brian Hatton (1887-1916) from Herefordshire was a portrait and landscape artist as well as book illustrator, his considerable promise cut short when he was killed in action in 1916. This book is illustrated with four colour plates by him. 22cm, 8.75 inches, tall, vii, 184 pages, plus 16pp publisher's advertisements.