Harvey bryan (19 Ergebnisse)

Perfect Paperback. Zustand: Very Good. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Unknown. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Unknown. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Zustand: Very Good. Original. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Good. Original. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Very Good. Original. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.…

Zustand: Good. Original. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.…

Paperback. Zustand: As New. No Jacket. Pages are clean and are not marred by notes or folds of any kind. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Brand New. 155 pages. 8.50x5.50x0.50 inches. In Stock.

136 pp.; 27.8 x 21.4 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; Exhibition catalogue published in conjunction with show held at The Jewish Museum San Francisco, San Francisco, March 7 - June 27, 2004. Traveled to Laguna Art Museum, Laguna Beach, July 24 - October 3, 2004 and Contemporary Art Center of Virginia, Virginia Beach, June 9 - September 4, 2005. Curated and with an introduction by John Baldessari and Meg Cranston. Essay by Thomas McEvilley. Artists included: Reverend Ethan Acres, Jo Harvey Allen, Terry Allen, Eleanor Antin, Brienne Arrington, David Askevold, Lillian Ball, Cindy Bernard, Andrea Bowers, Delia Brown, Edgar Bryan, Angela Bulloch, Chris Burden, Mary Ellen Carroll, Erin Cosgrove, Michael Craig-Martin, Jeremy Deller, Sam Durrant, Jimmie Durham, Nicole Eisenman, Katharina Fritsch, Jonathan Furmanski, Jeremy Gilbert-Rolfe, Liam Gillick, James Gobel, Jack Goldstein, Scott Grieger, Andreas Gursky, James Hayward, Micol Hebron, Damien Hirst, Rebecca Horn, Darcy Huebler, Christian Jankowski, Larry Johnson, Mike Kelley, Marky Kelly, Martin Kersels, Nicholas Kersulis, Martin Kippenberger, Rachel Lachowicz, Norm Laich, Liz Larner, Louise Lawler, Barry Le Va, William Leavitt, Roy Lichtenstein, Jen Liu, Thomas Locher, Daria Martin, T. Kelly Mason, Rita McBride, Paul McCarthy, Carlos Mollura, JP Munro, Jennifer Nelson, Eric Niebuhr, Leonard Nimoy, Albert Oehlen, Catherine Opie, Tony Oursler, Jorge Pardo, Simon Patterson, Hirsch Perlman, Luciano Perna, Renée Petropoulos, Raymond Pettibon, Paul Pfeiffer, Nicolette Pot, Richard Prince, Rob Pruitt and Jonathan Horowitz, David Reed, Victoria Reynolds, Gerhard Richter, Susan Rothenberg, Nancy Rubins, Glen Walter Rubsamen, Allen Ruppersberg, Ed Ruscha, Pauline Stella Sanchez, Kim Schoenstadt, Jim Shaw, Gary Simmons, Alexis Smith, Yutaka Sone, Thaddeus Strode, Diana Thater, Mungo Thomson, Thorvaldur Thorsteinsson in collaboration with Helena Jonsdottir, Jeffrey Vallance, John Waters, Marner Weber, William Wegman, Lawrence Weiner, Benjamin Weissman, James Welling, Eric Wesley, John Wesley, Franz West, and Chris Wilder. Includes an index of artists. Very Good / Fine. Light rubbing of cover corners and dust soiling to text block edge. Contents clean and unmarked. Due to size and weight of this publication additional shipping charges will be required for international orders.…

Zustand: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Two vintage black-and-white British front-of-house cards from the 1959 UK film. Based on the novel by Michael Gilbert, about a group of British soldiers whose attempt to escape from an Italian prison camp during WWII is foiled by a mysterious traitor. 8 x 10 inches. Very Good plus, with ink annotations on the versos, a few light creases, and a pinhole to one of the stills.…

Zustand: Neuf.

Zustand: New. The Oneida Creation Story is the oldest tradition of the Onyota aka (People of the Standing Stone), one of the greatest pieces of oral literature of Native North America. This bilingual edition also features earlier translated versions, and discussion of .

Zustand: New. &Uumlber den Autor Collin Hansen (MDiv, Trinity Evangelical Divinity School) is the vice president of content and editor in chief for the Gospel Coalition and the Executive Director of The Keller Center for Cultural .

Vintage studio still photograph from the 1964 film. The third of three feature films based on W. Somerset Maugham's classic 1915 novel, following the 1934 film starring Leslie Howard and Bette Davis, and the 1946 film starring Paul Henreid and Eleanor Parker. A waitress and a medical student engage in a tumultuous, years long romance. Set in London. 10 x 8 inches. Near Fine.…

Hardcover. Zustand: Fine. Zustand des Schutzumschlags: Fine. 1st Edition.

Vintage reference photograph from the 1964 film, showing actress Kim Novak nude and on a bed. The third of three feature films based on W. Somerset Maugham's classic 1915 novel, following the 1934 film starring Leslie Howard and Bette Davis, and the 1946 film starring Paul Henreid and Eleanor Parker. Set in London. 10 x 8 inches. About Near Fine, with pinholes on the corners and edges.…

Collection of 13 studio photographs from the 1964 film. The third of three feature films adapted from W. Somerset Maugham's classic 1915 novel, starring Kim Novak and Laurence Harvey, following the 1934 film starring Leslie Howard and Bette Davis, and the 1946 film starring Paul Henreid and Eleanor Parker. Set in London and filmed by MGM British Studios at Ardmore Studios in County Wicklow, Ireland. 10 x 8 inches (25 x 20). Near Fine.…