harry dean stanton (30 Ergebnisse)

Three vintage studio still photographs from the 1985 film. A cult Canadian Christmas fantasy film wherein Harry Dean Stanton plays a Christmas angel-do we need to say more? Shot on location in Ontario, Canada. 8 x 10 inches. Near Fine with a black manuscript ink notation to the verso.

DVD. Zustand: Sehr gut. Standard Version. B4018-11 4020628966300 Altersfreigabe FSK ab 12 Jahre Sprache: Deutsch Gewicht in Gramm: 78.

DVD. Zustand: Sehr gut. B2912-45 4010884500868 Sprache: Deutsch Gewicht in Gramm: 80.

DVD. Zustand: Befriedigend. DVD OL-R56C-OBVB Sprache: Deutsch Gewicht in Gramm: 82.

dvd. Zustand: Gut. Auflage: Special Edition. *Werktagsversendung innerhalb von 24 Stunden* -- Exempl. in einem guten Gesamtzust., geringe Gebrauchsspuren möglich -- FSK 12 Altersfreigabe FSK ab 12 Jahre Alle Sendungen werden mit beiliegender Rechnung, inkl. ausgewiesener MwSt., verschickt. Sprache: Deutsch Gewicht in Gramm: 80.

DVD. Zustand: Wie neu. DVD D5-D86N-1EC7 Sprache: Deutsch Gewicht in Gramm: 82.

dvd. Zustand: Gut. Seiten; HÃlle und CD in gutem Zustand, Artikel stammt aus Nichtraucherhaushalt! NB2-8007 Sprache: Englisch Gewicht in Gramm: 500.

No Binding. Zustand: Very Good. Forty-year old actor Harry Dean Stanton types out the lyrics to the song A Pirate Looks at Forty by the American singer and songwriter Jimmy Buffett, no doubt to reflect upon the milestone birthday. With Harry Dean Stanton's stamp to the lower corner; his annotations (the writing in black pen in his hand) and a phone number in pencil, also in the actor's hand. Actor Harry Dean Stanton (Repo Man, Alien, Wild at Heart, Twin Peaks: Fire Walk with Me, Inland Empire) was also a musician and vocalist, singing folk, blues, country and rock and roll, releasing two albums 'October 1993' with the Cheap Dates (2021) and Harry Dean Stanton: Partly Fiction (2014). Of music, the craggy actor said: 'I had to decide if I wanted to be a singer or an actor. I was always singing. I thought if I could be an actor, I could do all of it.' One sheet, 11 inches by 8.5 inches. Closed edge tears to the borders and creases. Provenance: from the estate of Harry Dean Stanton. Full provenance will be provided.

No Binding. Zustand: Near Fine. Lyrics to the song Mexican Divorce, the Ry Cooder version from Cooder's 1974 album 'Paradise and Lunch', hand-written by Harry Dean Stanton. Harry Dean Stanton and Ry Cooder collaborated on Wim Wenders' 1984 Palme d'Or-winning film 'Paris, Texas' in which Stanton played the lead role, and Ry Cooder provided the iconic and haunting slide guitar musical backdrop. Ry Cooder's music and the character Travis Henderson (played by Harry Dean Stanton) achieve an almost mystic synergy in the movie. Stanton also sang the vocals on the song Canción Mixteca in the film and said of Ry Cooder, and the musician's support: 'I can't stress too much how much Ry Cooder was an influence on me. Having one of the most respected musicians around like my singing really gave me the confidence to do it'. Stanton later provided backing vocals on Ry Cooder's song 'Across the Borderline' on Cooder's 1987 album 'Get Rhythm'. These hand-written lyrics quite possibly date from that initial collaboration during the filming of Paris, Texas, when Harry Dean Stanton was preparing to sing Canción Mixteca and was seeking a closer affinity with Cooder's music. Actor Harry Dean Stanton (Paris, Texas, Repo Man, Alien, Wild at Heart, Twin Peaks: Fire Walk with Me, Inland Empire) was also a musician and vocalist, singing folk, blues, country and rock and roll, releasing two albums October 1993 with the Cheap Dates (2021) and Harry Dean Stanton: Partly Fiction (2014). Of music, the craggy actor said: 'I had to decide if I wanted to be a singer or an actor. I was always singing. I thought if I could be an actor, I could do all of it.' Two sheets, 11 inches by 8.5 inches. Closed edge tears to the borders and creases. Provenance: from the estate of Harry Dean Stanton. Full provenance will be provided.

dvd. Zustand: Gut. Seiten; Artikel stammt aus Nichtraucherhaushalt! NB2-6315 Sprache: Deutsch Gewicht in Gramm: 500.

dvd. Zustand: Gut. Seiten; HÃlle und CD in gutem Zustand, Artikel stammt aus Nichtraucherhaushalt! NB2-6946 Sprache: Deutsch Gewicht in Gramm: 500.

dvd. Zustand: Gut. Seiten; HÃlle und CD in gutem Zustand, Artikel stammt aus Nichtraucherhaushalt! NB2-7927 Sprache: Deutsch Gewicht in Gramm: 500.

dvd. Zustand: Gut. Seiten; HÃlle und CD in gutem Zustand, Artikel stammt aus Nichtraucherhaushalt! NB2-8062 Sprache: Deutsch Gewicht in Gramm: 500.

Draft script for the 2007 film. From the archive of crew member Chris Scher. A lonely gas station attendant's life begins to change as the result of his relationship with an unusual young woman. Chris Scher has worked in American films from 1994 to the present. She was a propmaker, construction accountant/estimator/buyer, and carpenter on over 20 films, including "The Last Seduction," "Pulp Fiction," "From Dusk Till Dawn," "The Horse Whisperer (1998), "Joy Ride" (2001), and others. She also performed the same work for prestige television dramas, including "The Bridge" (2014), "Ozark" (2017), and "Yellowstone" (2018). Set in small-town Montana, shot on location in Manitoba, Canada. Self wrappers. Title page present, undated, with credit for screenwriter Steve Berra. 133 leaves, with last page of text numbered 132. Xerographic duplication, rectos only. Pages Very Good, with first and last leaves detached from the binding, and dampstains and moderate wear on the title page. Bound with two silver brads.

Final Draft script for the 1974 film. Laid in are six blue revision pages dated 2/26/73. Based on the 1942 novel "The Stranger" by Lillian Bos Ross. Later re-released under the title, "For Better, For Worse." Gene Hackman stars as a rural rancher who sends away for a mail-order bride, looking for an extra ranch hand. His headstrong bride, played by Liv Ullman, is a tough bargain, and the two eventually fall in love through shared hardship and growing respect. An early effort of screenwriter Marc Norman, twenty-five years before he would receive an Oscar for his work on "Shakespeare in Love." Set in a remote region of the American West, shot on location in Big Sur, California. Orange titled wrappers, noted as FINAL on the front wrapper, dated February 26, 1973. Distribution page present, with receipt intact. Title page present, dated 2/26/73, noted as FINAL, with credits for screenwriter Marc Norman. 113 leaves, with last page of text numbered 111. Mimeograph duplication, rectos only. Pages Near Fine, wrapper Near Fine, bound internally with two gold brads.

Final Draft script for the 1981 musical film. Copy belonging to actress Lainie Kazan, with her name on the title page in manuscript ink, and her manuscript pencil annotations throughout. Laid in with the script is a single revision page with Kazan's manuscript pencil and ink annotations, and an envelope for the Paradise Travel Agency covered with ink annotations regarding line changes, containing a flight coupon signed by Kazan. Dreamy, flaky Frannie leaves her down-to-earth, unfaithful boyfriend Hank on their fifth anniversary. Over the course of 24 hours both have affairs with their ideal partners, but eventually realize their paramours can't hold a candle to their love for each other. Francis Ford Coppola's first directorial effort after his 1979 masterpiece "Apocalypse Now," shot on strikingly stylized sets at his newly opened Zoetrope Studios. Red Zoetrope Studios wrappers, noted as FINAL DRAFT and production No. 032 on the front wrapper. Title page present, dated January 1, 1981, noted as FINAL DRAFT, with credits for director Francis Coppola [sic] and screenwriter Armyan Bernstein, and music credits to Tom Waits. 93 leaves, with last page of text numbered 92. Xerographic duplication, rectos only. Pages Near Fine, wrapper Near Fine, bound internally with three gold brads.

GROSSFOTO mit eigenhändiger Widmung,Unterschrift mit eigenhändiger Empfehlung.

Digi Pack im Pappschuber. Zustand: Gut. Special Edition. Versand im Luftpolsterumschlag! DVD-Hülle etwas berieben, Disc ist in einem guten Zustand; Case shows some wear, disc in good condition H260610dvdm52 ISBN: 4006680032580 Altersfreigabe FSK ab 12 Jahre Sprache: Deutsch Gewicht in Gramm: 241.

Two vintage borderless reference photographs from the 1985 film, one showing Robert Altman on the set, the other showing Altman talking with actor Sam Shepard. Based on Shepard's 1983 Pulitzer Prize-nominated play, about two ex-lovers with an exceedingly troubled past who inadvertently find themselves at the same run-down motel in the Mojave Desert. Shot on location in El Dorado, New Mexico. 9.5 x 7 inches. Both with two neat pinholes at one corner each, else about Fine.

Vintage borderless reference photograph of director Ridley Scott with a camera crew on the set of the 1979 film. One of the greatest science fiction/horror films ever made, a franchise so rich in themes and expandability that it has generated three sequels and two prequels of comparable (or nearly comparable) artistic merit. The infamous "chest bursting" scene paved the way for future horror films to feature gore in more imaginative ways (but also caused viewers to vomit in theaters upon its initial release). Returning home from a mission, the crew of the spacecraft Nostromo is awakened by the ship's computer to answer a distress signal from a nearby planet. The rescue team discovers a bizarre pod field with pods housing unseen terror. Winner of an Academy Award for Best Effects. 10 x 8 inches. About Fine. National Film Registry. Ebert II.

Vintage borderless reference photograph taken on the set of the 1981 film, showing John Carpenter directing Kurt Russell. From the archive of film historian and author Joel Finler. In a futuristic, dystopian New York, the island of Manhattan has been converted into a massive, maximum-security prison. Shot on location in New York City, Southern California, and St. Louis, Missouri. 10 x 8 inches. Near Fine. Carlson and Connolly, Destroy All Movies.

Vintage reference photograph from the 1973 film, showing a side-by-side comparison of John Dillinger and actor Warren Oates in costume as Dillinger. With a printed mimeo snipe affixed to the verso. A dramatization of the crimes of folk hero, midwestern bank robber, and notorious mobster John Dillinger, best known for killing five FBI agents during a shootout in Kansas City. Hot on the heels of Arthur Penn's "Bonnie and Clyde" (1967), a movie which reignited the US public's interest in 1930s gangster films. Set and shot on location throughout Arizona and Oklahoma. 10 x 8 inches. Very Good plus, with light creases and curling.

Vintage photograph of puppeteer, inventor, and filmmaker Jim Henson and actor Harry Dean Stanton on the set of "The Jim Henson Hour," circa 1989. Stanton made a guest appearance on Henson's Emmy-winning television series, for the episode "Monster Maker," which originally aired on July 9, 1989 on NBC. 10 x 8 inches. Near Fine, with a wide bottom margin.

Vintage borderless reference photograph of Gene Hackman and Kris Kristofferson on the set of the 1972 film. An underrated gem of the New Hollywood era, following a former rock star who has become a drug dealer and subsequently a blackmail target for a corrupt cop. A moody and affecting film, alternating between humor and genuine tension, shot on location in Los Angeles in the wild and woolly early 1970s. Kristofferson's screen debut, and a show-stealing performance from Harry Dean Stanton (as usual). 8 x 10 inches. About Near Fine.

Vintage borderless studio still photograph of director Ulu Grosbard and actor Dustin Hoffman on location for the 1978 film. Based on Edward Bunker's 1972 novel, about a recently paroled ex-con who struggles to adapt to the outside world, written during Bunker's own time in prison in San Quentin. A masterful neo-noir and one of actor Dustin Hoffman's most underrated performances. The film debuts of both Gary Busey and Theresa Russell. Shot on location in California. 7.5 x 9.75 inches. Near Fine, faintly toned. Grant US. Spicer US Neo-Noir.

Revised Draft script for the 1974 film. Based on the 1969 novel by Bill and Vera Cleaver. After the death of their widowed father, four children decide to conceal his passing from the outside world in order to avoid being separated in the foster system. Soundtrack by Earl Scruggs. Set in the mountains of North Carolina, shot on location in Boone, Blowing Rock, West Jefferson, Lansing, Elk Park, and Banner Elk, North Carolina. Tan titled front wrapper, lacking the rear wrapper, with annotation in manuscript ink noting copy No. 69. Title page present, dated April 3, 1972, noted as REVISED DRAFT, with credits for the Cleavers and screenwriter Earl Hamner. 117 leaves, with last page of text numbered 112. Mimeograph duplication, rectos only, with blue revision pages throughout, dated 4/3/72. Pages Near Fine, wrapper Very Good, bound with two gold brads.

Vintage borderless oversize black-and-white reference photograph of actor Harry Dean Stanton seated in a beach chair on the beach at Cannes. Mimeo snipe in French and English on the verso. In 1984, "Paris, Texas," directed by Wim Wenders and starring Stanton, received the Palme d'Or. 8 x 11.75 inches. About Fine.

Two vintage borderless reference photographs from the 1979 film, one showing Sigourney Weaver and Ridley Scott, the other showing Tom Skeritt examining an alien carcass. Provenance stamps on the versos. One of the greatest science fiction/horror films ever made, a franchise so rich in themes and expandability that it has generated three sequels and two prequels. Returning home from a mission, the crew of the spacecraft Nostromo is awakened by the ship's computer to answer a distress signal from a nearby planet. The rescue team discovers a bizarre pod field with pods housing unseen terror. Winner of an Academy Award for Best Effects. 10 x 8 inches. About Fine. National Film Registry. Ebert II.

Four vintage color reference photographs from the 1979 film, all four showing actress Sigourney Weaver along with others in the cast. One of the greatest science fiction/horror films ever made, a franchise so rich in themes and expandability that it has generated three sequels and two prequels. Returning home from a mission, the crew of the spacecraft Nostromo is awakened by the ship's computer to answer a distress signal from a nearby planet. The rescue team discovers a bizarre pod field with pods housing unseen terror. Winner of an Academy Award for Best Effects. 10 x 8 inches. Lightly toned, else Near Fine. National Film Registry. Ebert II.

Draft script for the 1975 film. Annotation in manuscript ink on the front wrapper, noting "We all lost when the studio took this picture away from Peckinpah the hed" (sic). A very nearly experimental Western made by Sam Peckinpah at his peak, sufficiently strange to have remained of interest only to the most intense fans of Western revisionism. Comparable only to "McCabe and Mrs. Miller" (1971) and "The Shooting" (1966) in terms of sheer impressionism being laid upon the genre, with iconic imagery and super-stylization in every frame. Shot on location in Durango, Mexico. Beige titled Metro-Goldwyn-Mayer front wrapper, dated July 7, 1972, with credits for Peckinpah and screenwriter Rudolph Wurlitzer. Missing rear wrapper. Title page integral with front wrapper. 125 leaves, with last page of text numbered 134. Mimeograph duplication, rectos only, with blue and gray revision pages throughout, dated variously between July 3 and 25, 1972. Pages Very Good plus, wrapper Very Good, bound with two gold brads.