Harrison gwen (12 Ergebnisse)

Zustand: Good. Item in good condition and has highlighting/writing on text. Used texts may not contain supplemental items such as CDs, info-trac etc.

Mass Market Paperback. Zustand: Fair. The item might be beaten up but readable. May contain markings or highlighting, as well as stains, bent corners, or any other major defect, but the text is not obscured in any way.

Unknown. Zustand: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Zustand: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.

Taschenbuch. Zustand: Gut. Warner 1992 : Gwen Harrison - tb 7E-724F-DD7H Sprache: Englisch Gewicht in Gramm: 181.

Paperback. Zustand: Brand New. 388 pages. 9.00x6.00x0.97 inches. In Stock.

Hardback. 1st Edition. Octavo Size [approx 14x22cm]. Very Good condition in Very Good Dustjacket. DJ protected in our clear archival purpose-made plastic sleeve. A nice copy. Illustrated with Black and White Photographs. 249 pages. An account of the authors travels through Britain, Europe, Turkey, Lebanon & more. …

Hard Cover. First Edition. F/F. 8vo. original blue boards in dustwrapper (a trifle rubbed & bumped); pp. 90, with illustrations. A fine copy. Gwen Harrison (illustrator).

Sydney : the artists, 2012. Quarto, hand-printed linocut wrappers, pp [32], illustrated with original linocuts. Edition limited to 30 signed copies, each varying somewhat in colour. A smaller format edition of the artist's book Dancing over Dark Waters, limited to 7 copies, in larger format. The textual content in both editions is the same. A chapbook based on the artists' book, Dancing over dark waters. The text is reset, and different images unique to this book appear, except for the cover, which reproduces part of an etching from the main work. The other images comprise linocut relief prints, and an interleaved etching on acid free tissue, which varies in different copies of the edition. The work reveals the three artists' response to one of Sydney's darkest historical colonial sites, Cockatoo Island, an imperial prison, industrial school, reformatory and jail. The text also evokes the present day situation of refugees and refers to "those other islands we use as a noose -- Nauru, Christmas Island, Timor, Malaysia," asking: "When will the time come . when compassion will span the dark waters like an indestructible bridge uniting us and the best part of our dreams for the future with the best part of their dreams for the future." - NLA website.…

Sydney : Gwen Harrison and Sue Anderson, 2012. Folio (545 mm tall), full dyed kangaroo with goatskin detail, pp. [28], etched endpapers, folding etched plates, presented in a clamshell box. Edition limited to 7 unique copies, signed by the artists. "The work reveals the three artists' response to one of Sydney's darkest historical colonial sites, Cockatoo Island, an imperial prison, industrial school, reformatory and jail. The text also invokes the present day situation of refugees and refers to "those other islands we use as a noose -- Nauru, Christmas Island, Timor, Malaysia," asking: "When will the time come . when compassion will span the dark waters like an indestructible bridge uniting us and the best part of our dreams for the future with the best part of their dreams for the future." - SLNSW website "A collaboration between Gwen Harrison, painter & printmaker; Sue Anderson, letterpress printer & designer binder; Peter Lyssiotis, artist & writer who contributed the prose. Multi-plate intaglio prints using handcut etched & found & manipulated steel plates, chine colle & letterpress. Handset Gill San[s] & Perpetua, Gothic wood type. Charbonnel ink on Maguani Corona 310 gsm" - from the Colophon. Two copies recorded in Australian collections (National Library of Australia, State Library of New South Wales), a third in the Bibliotheca Librorum Apud Artificem, Sydney.…

Sydney : Gwen Harrison and Sue Anderson, 2012. Quarto (370mm tall), full stained kangaroo with goat spine, pp. [50], comprised of multi-plate sugar-lift and aquatint etched plates, hand-finished with paint, with letterpress text, presented in a clamshell box. Limited to 6 copies signed by the artist. "This artwork comprises a series of prints and a variety of texts including reflections from historical and contemporary writers that explore the silencing of the marginalised: from the oppression of Indigenous Australians, to the exploitation of the English and Irish convicts, to the dehumanisation of asylum seekers. In this work the artists seek to represent the way in which minority groups have been and still are denied their right to a voice. This 'Australian way' sits uncomfortably with our popular self-image and diminishes the strength and validity of our democratic society." - Lessons in History, Vol. II : Democracy (Grahame Galleries, 2012), p. 7. A significant politically oriented contemporary Australian artist's book. Two copies held in Australian collections (National Library of Australia; State Library of New South Wales).…