hare william john (20 Ergebnisse)

Paperback. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Zustand: New. pp. 472.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Zustand: Very Good. Calgary, Alberta, Canada: Detselig Enterprises Ltd., (2001). "Introductory Readings Revised 3rd Edition", paperback, 409pp., New.

Paperback. Zustand: Brand New. 4th edition. 368 pages. 9.00x6.00x1.00 inches. In Stock.

Stapled. Zustand: Very Good. No Jacket. Herbert Paus (cover June), J Knowles Hare (cover July), William Trench (Thirteen at Dinner), William Oberhardt (Good Listeners are Always in Demand) (illustrator). First Edition. The June & July 1933 issues of The American Magazine. Contains, most notably, parts 4 & 5 of 6 of Thirteen at Dinner (Lord Edgware Dies), an Hercule Poirot mystery by Agatha Christie. Includes an article by General John J Pershing, Shall We Have a Dictator? (6/33), asserting America's democracy will persist as apposed to European tendencies of the time to adopt dictatorships. An interesting proposition when considered against recent events. Additional articles include What! - No Chorus Girls? (7/33), an article by Henry F Pringle on the career of composer Jerome Kern, and Good Listeners are Always in Demand (7/33), and article by poet Archibald Rutledge on the power of silence, and others, Numerous vintage ads. Condition issues include: 6/33 - light edge wear to the front cover with a small loss at the top of the spine; a light crease to the top corner of the pages from page 47 through the end; light edge wear to the back cover with small soil strips along the top, bottom and spine; and 7/33 - light soil and edge wear to the front cover, soiling to the spine with small loss at the bottom; soiling to page 74; a couple of closed tears to the back cover; and a small chip at the bottom that carries through to the last couple of pages. Otherwise the interiors are clean with no missing pages or cutouts. Overall, very good copies of a vintage magazine with installments of a Hercule Poirot mystery. A heavy, oversize set that may require additional postage.

Zustand: New. KlappentextRevised and updated with 25 new essays, the fourth edition of this bestselling collection brings together more than 30 leaders in the field of educational theory. An engaging exploration of the ideas and trends shaping educ.

Zustand: New. KlappentextrnrnThis is a reproduction of the original artefact. Generally these books are created from careful scans of the original. This allows us to preserve the book accurately and present it in the way the author intended. Since the origina.

Taschenbuch. Zustand: Neu. Neuware - Revised and updated with 25 new essays, the fourth edition of this bestselling collection brings together more than 30 leaders in the field of educational theory. An engaging exploration of the ideas and trends shaping education in today's classrooms, Philosophy of Education includes topics on high-stakes testing, consumerism in education, and social justice issues in the classroom.

Original stapled souvenir theatre programme in paper covers. 7'' x 5''. Contains 8 pp including the covers, 2 photographic stills of the cast. In Very Good condition. Member of the P.B.F.A. THEATRE PROGRAMMES.

Gebunden. Zustand: New. KlappentextThis work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original w.

Hardcover. Zustand: As New. Zustand des Schutzumschlags: As New. Tasha Tudor; Nell Dorr (illustrator). 1st Edition. An extensive and detailed bibliography of every known book graced by Tasha Tudor's talents. A must have for any serious Tudor book collector. Illustrated by Bethany Tudor, Nell Dorr. Included loose in the back is a 1998 price guide of the more than 1000 works covered in the book. Signed copy by both authors, like new. book.

64 pp.; 28.8 x 22.9 cm.; glue bound; other special feature[s]; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; First issue of six issues published of "It Is: A Magazine for Abstract Art." Director and collator: Sebastian Gallo. Contents include: "Recent Attacks on Abstract Art," by Hubert Crehan; "The Canvas Plane, or Onwards and Upwards," by Michael Goldberg; "Drawing the Figure," by Nicholas Marsicano; "Ambiance and Abstract Sculpture," by E.A. Navaretta; "44 Titles for Artists Under 45," by Ad Reinhardt; "The Literary Style in Art Writings Today," by Ruthven Todd; "A Manifesto-in-Progress," by P.G. Pavia and "Polemics," by P.G. Pavia. Artists include Landis Lewitin, Michael Lakakis, Reubin Nakian, Philip Guston, William de Kooning, Ad Reinholt, Ernie Briggs, Enrico Donati, John Ferren, Robert Goodnough, Raoul Hague, David Hare, Carl Holty, Angelo Ippolito, Franz Kline, Elaine de Kooning, Al Kotin, Ibram Lassaw, Mercedes Matter, Constantino Nivola, Ray Parker, Milton Resnick, James Rosati, Ludwig Sander, David Slivka, George Spaventa, Estaban Vincente, Alfred Duhrssen, Ray Parker, Jack Tworkov and Wilfred Zogbaum. Includes a statement and cahier section from various artists. Front cover: Landis Lewitin. Back cover: Michael Lekakis and Reuben Nakian. Reference : "Artists' Magazines : An Alternative Space for Art" by Gwen Allen. Cambridge / London, MA / United Kingdom : The MIT Press, 2011, pp. 269. Fair / Good. Repaired and moisture damaged copy. 12.2 cm. area of yellow soiling to top edge and right side edge of recto. Removed cloth binding tape along spine edge and recto and verso at spine. Two 2 cm. tears to top edge of spine. Intact cloth binding tape to interior along inside front cover and title page and last page and inside back cover. 6 cm. of water staining to top corner of pages. 9 cm. business card from previous owners adhered to inside of back cover. Contents otherwise clean and unmarked. Sold "as-is.".

2pp, 12mo. In good condition, lightly aged. The letter casts an interesting sidelight on the practicalities of the late-Victorian theatre. He begins by explaining that he is sending back a wig he made for him, which was 'an admirable one in every way', and asking that he make him 'one like it for America & to bestow your best skill on it as it is of great importance to me'. He instructs him to 'make the wig a shade darker, something of the color it is dyed behind, & put a little natural white hair on the temples each side'. He urges him to be 'very careful that the waive is a natural one & not overdone, it looks bad from the front, see Mr [?] in Julius Caesar'. He ends with the assumption that Clarkson will 'do your best for me'. James Morton, in his 'Gangland Soho' (2012), alleges that Clarkson (who has a blue plaque to his name at 41-43 Wardour Street) was not only a repeated insurance fraudster, but a notorious homosexual blackmailer, after whom the public lavatory in Dansey Place was named 'Clarkson's Cottage'.

A highly interesting letter from a leading Victorian dramatic critic (Thomas describes himself in the letter as 'For five & twenty years [.] theatrical critic of the Daily news & the Graphic', who has 'served under at least thirteen editors') to a leading actor-manager (Hare was knighted in 1907), on the subject of alleged editorial pressure on Fleet Street's theatre critics. 4pp, 8vo. On four leaves. Aged and worn, but with text complete and clear. Thomas has noted on the reverse of the last leaf: 'Letter to Hare about Grundy's Comedy An Old Jew produced at the Garrick Janry 6 1894.' Grundy wrote 'An Old Jew' for Hare, who portrayed the main character Julius Sterne. Draft of long letter, with numerous minor emendations. He was glad to read Hare's letter, despite its 'lingering trace of the languor of the sick room'. 'To me, so many years your senior, it seems strange indeed to find you speaking of the close of your stage career. I can only say on that head that I hope to live to see you for many more years gathering fresh laurels'. On the subject of Grundy's play, he states that he does not believe that 'the journalistic world has any claim to be exempt from the satire or even the [extreme?] caricature which is freely allowed in the case of other classes. Literary cliques & côteries undoubtedly do exist as they existed in the days of Delatouche's Tour de Faveur & Delavigne's Comédiens and Scribe's Camaraderie'. He deplores critics who 'will now fall down & worship certain Scandinavian idols & their crude & offensive methods'. He cannot conceive of 'editors who give instructions to critics to denounce plays contrary to their real opinions'. He can 'only say that I have never met with any such editor. For five & twenty years I have been the theatrical critic of the Daily news & the Graphic & for some years of that time I occupied the same post on The Academy besides writing drama notices occasionally for other journals. Altogether I have served under at least thirteen editors and I can conscientiously affirm that never did any one of these attempt to entice me to speak ill of what I thought or might think a good paly or performance or vice versâ.' After some more observations he concludes: 'Depend upon it the whole thing will be forgotten ere long or remembered only to excite wonder that any sensible journalist of decent standing should have made a fuss about it'.