Hanson kenneth o (18 Ergebnisse)

Zustand: Very Good.

Paperback. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Zustand: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Fine. Used book that is in almost brand-new condition. May contain a remainder mark. Better World Books: Buy Books. Do Good.

Zustand: Fine. Used book that is in almost brand-new condition. May contain a remainder mark. Better World Books: Buy Books. Do Good.

Zustand: Good. Good condition. A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains.

Zustand: Good. Most items will be dispatched the same or the next working day. A copy that has been read but remains in clean condition. All of the pages are intact and the cover is intact and the spine may show signs of wear. The book may have minor markings which are not specifically mentioned.

Paperback. Zustand: Good. First Printing. Crisp, clean pages except for a withdrawal stamp on the inside of the back cover; no other ownership or library marks; soft cover bears a short, hard crease at the lower front, a few light gray smudges along spine sides, and light shelfwear and age-toning at spine and edges, otherwise sound. 79pp. Illustrated by Arhontis, Nikos (illustrator).…

Hardcover. Zustand: Good. Univ of Washington Pr June 1968 Binding: Hardcover.

Trade Paperback. Zustand: Fine. First Edition. Seattle and London: University of Washington Press, 1967. First edition. 12mo. Trade paperback, 84 pp. Fine condition.

with dustjacket, hardcover. Zustand: acceptable; used. Prompt Shipment, shipped in Boxes, Tracking PROVIDED8vo; 85 pages; acceptable exlibrary hardcover with dustjacket and library binding glued or taped to boards by a previous owner; library pockets labels and stamps; dustjacket scuff to face, few nickst oedges, slight signs of wear; spine starting to slant; board tips bumped; spine head and heal bumped; some tanning to edges pages; clean pages; prompt shipping with tracking.…

Softcover. Zustand: Near Fine. First edition. Pictorial wrappers. Near fine Ex-library Copy with rubbing and light edgewear. Poetry.

Paperback. Zustand: Gut. 432 p. Aus der Bibliothek von Prof. Wolfgang Haase, langjährigem Herausgeber der ANRW und des International Journal of the Classical Tradition (IJCT). - Minimale Gebrauchsspuren, sehr guter Allgemeinzustand. / Minimally worn, overall in very good condition - Romantic Revolutions brings together some of the major critics who have shaped our view of English and American Romanticism over the past generation, as well as younger scholars who have begun to challenge these interpretations. The volume is distinguished by the range and diversity of positions represented and by the vigor of the controversy among them. Beginning with essays that endorse or take issue with the centrality of Wordsworth in Romantic studies, the collection includes discussions of Shelley, Emerson, Hazlitt, and Scott, as well as authors such as Austen, Bryant, and Crane who enlarge our notion of the Romantic canon. The methodological debate bears on the theoretical writings of Walter Benjamin, Geoffrey Hartman, Paul de Man, and Jerome McGann, among other scholars and critics of the Romantic self-reflection that continues to animate literary studies. / Contents Romantic Revolutions: An Introduction I. The Spell of Wordsworth Introduction Kenneth R. Johnston Was it for this. ?: Wordsworth and the Birth of the Gods Geoffrey Hartman Facing Language: Wordsworths First Poetic Spirits Andrzej Warminski Monument and Inscription: Wordsworths Rude Embryo and the Remaining of History Cynthia Chase Secondary Literature: Geoffrey Hartman, Wordsworth, and the Interpretation of Modernity Donald G. Marshall II. Romanticism without Wordsworth Introduction Karen Hanson Representative Men, Spirits of the Age, and Other Romantic Types James K. Chandler Plotting the Revolution: The Political Narratives of Romantic Poetry and Criticism Marilyn Butler The Limits of Genre and the Institution of Literature: Romanticism between Fact and Fiction Gary Kelly The Landscape of Labor: Transformations of the Georgie John Murdoch III. American Counterpoints Introduction Herbert Marks From Wordsworth to Emerson David Bromwich Emersons Aversive Thinking Stanley Cavell Man Hath No Part in All This Glorious Work: American Romantic Landscapes Barbara L. Packer Back Home Again in Indiana: Hart Cranes The Bridge John T. Irwin IV. Critical Reflections Introduction Gilbert Chaitin Criticism Underway: Walter Benjamins Romantic Concept of Criticism Samuel Weber On Political Readings of Lyrical Ballads M. H. Abrams The Erasure of Narrative in Post-Structuralist Representations of Wordsworth Tilotiama Rajan Wordsworths Poetics of Eloquence: A Challenge to Contemporary Theory Charles Altieri Wordsworth, New Literary Histories, and the Constitution of Literature Don H. Bialostosky. ISBN 9780253205629 Sprache: Englisch Gewicht in Gramm: 834.…

Softcover. Zustand: Very Good. Magazine. Small quarto. 116pp. Illustrated paper wrappers. One tipped-in illustration loose and laid in, creases on wraps and spine, tears at spine ends, very good. A literary magazine feature prose, poetry and artwork from Stephan, Boris Paternak, Kenneth Rexroth, W.J. Parrish-Martin, Raymond Queneau, William Jay Smith, H. Richard Chew, Mary Barnard, Weldon Kees, K.O. Hanson, Doris B. Branch, Thomas Cole, John Nerber, Mario Carreño, Paul Goodman, Harvey Curtis Webster, Philip Murray, Herbert Cahoon, Paul Valley and art from by Leon Kelly, Photographs by Alexander Hammid, Kay Sage, Theodoros Stamos, William Baziotes, René Magritte, Milton Avery, Hokusi, Morris Graves, Max Ernst, and Adolph Gottlieb. …

First Edition. First edition. Single sheet folded 3 times to create 8 pages. "Published by the Portland Art Museum for the Northwest Poetry Meetings held at the Museum July 9, 10, 11, and 12, in connection with the invitational exhibition, "Paintings and Sculptures of the Pacific Northwest," June 13 through August 9, 1959." Includes 6 poems and a black and white illustration by Milton Wilson. An about very good copy with tanning to the pages and some minor other wear. Scarce with only 9 copies listed in OCLC.…

Softcover. Zustand: Near Fine. First edition. Pictorial tan wrappers. Spine a touch faded, near fine. Signed by Hanson on the title. Poetry.

dj. First edition. Purple cloth; dustjacket; 8vo., xxv, 115pp. Fine copy in a lightly worn at corners, easily Very Good dustwrapper, with one half inch closed tear. Early work from all five poets, many poems not previously published in book form.Uncommon in cloth issue, and much nicer than usually found.…

394 x 292 mm. (15 1/2 x 11 1/2"). [22] leaves (16 are plates, all with tissue guards). Leaves loosely laid into a white coarse linen clamshell case, with paper label on spine and embossed figurative label on front cover. 16 HAND-PRINTED PLATES--six of these woodcuts, 10 etched or drypoint engravings--all with tissue guards. EACH SIGNED BY THE ARTIST. Printed in red and black. âA virtually pristine copy. The drypoints, etchings, and woodcuts by LaVerne Krause were printed by the artist, with the assistance of Virgil Sweeden, on Rives B F K White and Newsprint gray, Arches Buff, and German Etching papers. . . . The text was hand-set in Bembo type, with Cloister initials and Granjon arabesques, by Charles Bigelow and Sara Hill, and printed at the Corvine Press. This is one of a small number of finely produced works, usually poetical, issued by John Laursen at his Press-22 in Portland, beginning in the early '70s. Published in very limited runs, almost always signed, and often with specially provided illustrations, these items included works by Ursula Le Guin, Gary Snyder, John Updike, and Tennessee Williams. Krause (1924-87) was especially known for abstract landscapes, while the portraits here are reminiscent of German Expressionism. (For the poet Hanson, see the previous item.) Since the present work was produced in a run of just 25 copies (two of which are in libraries), it is not surprising that there are no other copies on the market or in auction records. FIRST EDITION. ONE OF 25 COPIES. SIGNED BY THE AUTHOR AND ARTIST (this an artist's proof copy, out of sequence).…