hanson curtis (30 Ergebnisse)

Zustand: Good. Reprint. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Zustand: Good. The book has been read but remains in clean condition. All pages are intact and the cover is intact. Some minor wear to the spine.

Paperback. Zustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Zustand: New. In.

Magazine. Zustand: Very Good. (Vol. 3, No. 3). [several vertical creases in both front and rear covers, a bit of scuffing to rear cover, otherwise a nice clean copy]. (B&W photographs) The major feature of this issue is a fourteen-page interview with William Wellman, illustrated with many stills from his films -- quite possibly the most in-depth look at his career to have appeared at that time. Other contents include: an "in-depth preview" of IS PARIS BURNING?; interviews on composing music for films, with Maurice Jarre, Dimitri Tiomkin and Henry Mancini; article, "The Face of the Vampire," regarding "Theda Bara and her sisters in seduction"; a picture story on John Derek's second film as a director, COCK-A-DOODLE-DOO, which introduced his "new find," Linda Evans. (That's also her in the cover photo, by Derek; they got married two years later.).

Softcover. Zustand: Fine. First edition. Trade paperback original. 231pp. Illustrated. Illustrated wrappers. Fine in wrappers. Text of the screenplay.

Trade Paperback. Zustand: Brand New. reprint edition. 256 pages. 8.25x5.25x1.25 inches. In Stock.

Zustand: Wie neu. Reprint. 256 S. Alle Bücher & Medienartikel von Book Broker sind stets in gutem & sehr gutem gebrauchsfähigen Zustand. Die Ausgabe des gelieferten Exemplars kann um bis zu 10 Jahre vom angegebenen Veröffentlichungsjahr abweichen und es kann sich um eine abweichende Auflage handeln. Unser Produktfoto entspricht dem hier angebotenen Artikel, dieser weist folgende Merkmale auf: Helle/saubere Seiten in fester Bindung. Sprache: Englisch Gewicht in Gramm: 499 Taschenbuch, Maße: 12.9 cm x 1.6 cm x 19.71 cm.

Tapa blanda. Zustand: Bueno. Formato cinta VHS en funda de carton. Procedente del cierre de una tienda de cine de Barcelona. Se desconoce estado de reproduccion de la cinta. Actores: Kevin Spacey, Rusell Crowe, Guy Pearce, Kim Basinger, Danny DeVito.

Zustand: Good. Good condition. Owner's name on page edges. (flow cytometry, lymphocytes, biomarkers) A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains.

Tapa blanda. Zustand: Bueno. Comedia con Cameron Diaz, Toni Collete y Shirley Maclaine.

Periodical. Zustand: Very Good+. (Vol. 3, No. 1). [modest wear along the spine and a few tiny scuff marks on the front cover, otherwise a nice clean copy]. (B&W photographs) An exceptional issue of this exceptional film publication, which took a couple of years from its inception in 1962 to really find its footing, but by this time (under the still-fresh editorship of future screenwriter-director Curtis Hanson, who had just succeeded founding editor/publisher James Silke one issue prior to this one) had really begun to settle into its groove. I mean, really: if the mix of elements and contributors in this issue isn't indicative of how well this magazine was in tune with the mid-Sixties movie zeitgeist, I don't know what else I can say. Two contributors in particular were on the cusp of bigger and better things (as was the editor himself): Robert Towne, here penning an article about the comparable screen appeal of Humphrey Bogart and cover boy Jean-Paul Belmondo; and Harlan Ellison, who contributed three film pieces. Two are film reviews -- of Franklin Schaffner's THE WAR LORD ("categorically the single most boring film I have ever almost seen") and Arthur Penn's MICKEY ONE ("an example of consummate directorial artistry") -- and are juicy enough, but the real prize is the third: a pre-review of THE OSCAR, then in production, for which Ellison himself had written the screenplay. The film itself would not crash and burn -- er, be released -- until about six months later, and it was one of the resounding turkeys of its year, but one can forgive young Harlan for being, shall we say, cautiously optimistic: "A great deal of love and vitality and honest has been poured into this film. As the last weeks of shooting near, it seems highly probable that these factors will show up on the screen. Time will tell." (Oh yeah, it did that.) A paired set of interviews (both conducted by Hanson) were themed around character actors ascending to stardom, and featured James Coburn (who was just about to hit it big with OUR MAN FLINT) and Charles Bronson (whose superstardom was still a few years in the future). There's a nice nod to the cinema past (mostly) in the form of a six-page photo feature, "Beauty," featuring achingly beautiful headshots of about three dozen actresses. There are interviews with the directors of two current war-themed films, James B. Harris (THE BEDFORD INCIDENT) and Bryan Forbes (KING RAT), and photo-illustrated reports on an Italian-made sci-fi thriller, THE TENTH VICTIM, and Cornel Wilde's Africa-set adventure THE NAKED PREY. The magazine even manages to pay some attention to independently-produced short films, devoting a whole page to James Frawley's J-24, including a short interview with the filmmaker.

Periodical. Zustand: Near Fine. (Vol. 3, No. 2). [very nice clean copy, virtually newsstand-fresh with just a touch of wear along the spine]. (B&W photographs) Includes an original essay by Harlan Ellison, "Three Faces of Fear; a Theory of Film Horror from the Works of Val Lewton." Also -- an interview with Richard Attenborough; a joint interview with the then-married Rod Steiger and Claire Bloom; a profile, with photos, of actress Samantha Eggar (also on the cover); a short article on director Terence Young; short article about the numerous films then being made on location in Spain; reviews of THUNDERBALL (Terence Young), A PATCH OF BLUE (Guy Green),DR. ZHIVAGO (David Lean), THE BATTLE OF THE BULGE (Ken Annakin), OTHELLO ( with Laurence Olivier), VIVA MARIA (Louis Malle), THE FLIGHT OF THE PHOENIX (Robert Aldrich), THE SPY WHO CAME IN FROM THE COLD (Martin Ritt) and others. On the inside back cover is an ad captioned "What Sort of Man Reads Cinema?" (parodying the then-current Playboy ad line), with a photo of Luis Bunuel reading an issue of the magazine!

DVD. Zustand: Very Good. Region: 1 - USA & Canada, Rating: RSix people are dead, one of them is a cop. But there's more to the grim disco very at the Nite Owl Cafe than a murder case. Three of LAPD's finest uncover a s candal that goes to the heart of the sun-soaked paradise that's '50s LA.

DVD. Zustand: Very Good. Region: 1 - USA & Canada, Rating: RBlade, a tortured soul possessing powers greater than any man or creature of the night, sharpens his lethal skills under the guidance of a professional vampi re hunter. And when the bloodthirsty immortals' lord declares war on the human r.

DVD. Zustand: Very Good. Region: 4 - Australia & South America, Rating: NRThe tension of big-stakes gaming. The rush of new romance. Las Vegas is the p lace for excitement in this sure entertainment. ana) meets irresistible Billie Offer (Drew Barrymore) and learns to treat love,

Magazine. Zustand: Very Good+. Illustrated by (cover photo) John Derek (illustrator). (Vol. 3, No. 5). [modest wear along spine, very slight bend at top right corner]. (B&W photographs) A remarkably rich issue of this always-interesting periodical, which tried (with mixed success) to be both a serious (albeit artsy) "cinema journal" and an industry-hip-newsy-insider entertainment publication. (Many of its contributors -- notably editor Curtis Lee Hanson, who later dropped the "Lee" -- went on to successful filmmaking careers.) This issue kicks off with an editorial comment that proved to be prescient and certainly demonstrated the magazine's "insider" cred: the statement that BONNIE AND CLYDE -- then only in rough-cut form, lacking a music score and second-unit scenes -- was "the most significant American movie in years." The magazine then proceeds to put its page-count where its mouth is, devoting a three-part feature story to the film: an on-location report of its production (by future Oscar-winning screenwriter Robert Towne, no less), plus interviews with star/producer Warren Beatty and director Arthur Penn (both conducted by Hanson). And also in this issue: a special feature on director William Wyler (who was just about to embark on his final directorial effort, FUNNY GIRL), consisting of an interview and a film-by-film commentary on his entire filmography, both by Hanson also. Not enough yet? How about: a preview (by L.M. Kit Carson) of the upcoming D.A. Pennebaker documentary about Bob Dylan, DONT LOOK BACK, and a nice little tribute to Errol Flynn, "Requiem for a Swashbuckler." All this, and more, in a 50-page magazine -- the only weak point of which, that I can see, is the sappy soft-focus wrap-around cover photo, by actor-turned-photographer-and-middle-aged lecher John Derek.

DVD. Zustand: Sehr gut. DVD 86 Altersfreigabe FSK ab 16 Jahre Sprache: Deutsch Gewicht in Gramm: 82.

Collection of 3 vintage black-and-white studio still photographs from the 1978 film. 8 x 10 inches. Near Fine condition.

Softcover. Zustand: Very Good. Magazine. Small quarto. 116pp. Illustrated paper wrappers. One tipped-in illustration loose and laid in, creases on wraps and spine, tears at spine ends, very good. A literary magazine feature prose, poetry and artwork from Stephan, Boris Paternak, Kenneth Rexroth, W.J. Parrish-Martin, Raymond Queneau, William Jay Smith, H. Richard Chew, Mary Barnard, Weldon Kees, K.O. Hanson, Doris B. Branch, Thomas Cole, John Nerber, Mario Carreño, Paul Goodman, Harvey Curtis Webster, Philip Murray, Herbert Cahoon, Paul Valley and art from by Leon Kelly, Photographs by Alexander Hammid, Kay Sage, Theodoros Stamos, William Baziotes, René Magritte, Milton Avery, Hokusi, Morris Graves, Max Ernst, and Adolph Gottlieb.

Zustand: leido. Warner Books. PAPERBACK. Estado de conservación: New. rústica, inglés.

paperback. Zustand: Very Good. Signed. Signed by James Ellroy only. Autographed copy sticker on the front cover. Minimal wear and creases. Pages are clean.

Paperback. Zustand: Brand New. 1st edition. 304 pages. 11.00x8.50x0.75 inches. In Stock.

Audio Book (DVD). Zustand: Good. VO dvd Zone 1 : audio anglais, francais ; sous titres anglais, francais, espanhol - ATTENTION : US import (NTSC format, Region 1). 138 minutes. Le boîtier présente des traces perceptibles d'utilisation, MICRO RAYURES SUR LE DVD N'EMPÊCHANT PAS LA LECTURE. Attention DVD Région 1 , nécessite un lecteur multizone pour le lire . Remainder.

Seven vintage studio still photographs from the 1970 film. Based on H. P. Lovecraft's 1929 short story. A young graduate student is stalked by a would-be necromancer, who hopes to use her as a pawn in an occult ritual. Set in the fictional town of Arkham, Massachusetts, and shot on location in Mendocino, California. 10 x 8 inches. Very Good plus, with pinholes to the corners and light edgewear.

Videokassette. Zustand: Befriedigend. Artikel stammt aus Nichtraucherhaushalt! NB2-3086 Altersfreigabe FSK ab 12 Jahre Sprache: Deutsch Gewicht in Gramm: 305.

Paperback. Zustand: Very Good. Photos, 8 x 5", pict wraps, 231pp + cast list, covers rubbed, front cover creased, extremities bumped and worn, some bumping to forecorners of textblock. FIRST PRINTING (so stated), SIGNED BY JAMES ELLROY, BRIAN HELFELAND AND CURTIS HANSON. Helfeland and Hanson won the Oscar for Best Adapted Screenplay, and Curtis was nominated for Best Director.

Draft script for the 1983 film, seen here under the working title "Tijuana!". In the summer of 1965, four teenage boys drive from Los Angeles to Tijuana in hopes of losing their virginities and getting into trouble. They find their plans waylaid, however, by an unexpected companion: a heartbroken woman determined to get a quickie divorce in Mexico. Shot on location in Los Angeles and Calexico, California. Pink untitled wrappers. Title page present, dated August 1980, noted as copy No. 14 in manuscript ink, with credits for screenwriter B.W.L. Norton and story writer Bryan Gindoff. 119 leaves, with last page of text numbered 118. Xerographic duplication, rectos only. Pages Near Fine, wrapper Very Good plus, lightly faded on the front wrapper, bound with two gold brads.

Master Draft script for the 2000 film, preceding the film's release by three years. Notations on the front wrapper in manuscript pencil. Based on Chabon's 1995 novel. Professor Grady Tripp (Douglas) teaches creative writing in Pittsburgh, struggles writing his second novel, and smokes marijuana in his free time. His wife has left him, and he is having an affair with the Chancellor of the university (McDormand). Grady's editor (Downey, Jr.) inquires about the novel, but becomes interested in a book by one of Grady's students (Maguire), as well as having other, more intimate intentions. Shot on location throughout Pennsylvania. Bob Dylan won an Academy Award for his original song, "Things Have Changed," and the film was nominated for two more. Blue wrappers, noted as MASTER W/ SCENE NUMBERS on the front wrapper. Title page present, dated December 1997, with credits for novelist Chabon and screenwriter Kloves. 129 leaves, with last page of text numbered 128. Xerographically reproduced. Pages Near Fine, wrapper Very Good plus, bound with two gold brads.

Vintage press kit for the 1997 film. Full-color illustrated pocketed folder, containing three black and white photographs, and three gatherings of promotional reading material. Based on James Ellroy's 1990 novel, the third in his L.A. Quartet series. Three detectives are tasked with investigating a serious of grisly murders in 1950s Los Angeles, which they learn are linked to a notorious gang leader, high-class escorts, and widespread corruption within the police force. A formidable nod to film noir. Nominated for nine Academy Awards, winning two for Best Screenplay and Best Supporting Actress for Kim Basinger. Shot on location throughout Los Angeles. Folder, photographs, and promotional material Near Fine. National Film Registry. Grant US. Hardy, The Gangster Film US. Silver Classic Noir. Spicer US.