hansen jeffrey (16 Ergebnisse)

Paperback. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Zustand: Good. Good condition. A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains.

AUDIO CASSETTE. Zustand: Good. 1 AUDIO CASSETTE NEW IN THE SHRINK WRAP! Brand new AUDIO CASSETTE. Just a bit of shelf wear. Enjoy this AUDIO CASSETTE performance GIFT QUALITY for your home and library.

Soft Cover. Zustand: Good. 22 june.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Zustand: New.

Paperback. Zustand: Brand New. 155 pages. 8.50x5.50x0.75 inches. In Stock.

Paperback. Zustand: Brand New. 256 pages. 9.00x6.00x0.52 inches. In Stock.

Zustand: New. 2021. Paperback. . . . . . Books ship from the US and Ireland.

Zustand: New. &Uumlber den AutorJeffrey Andrew Weinstock (Edited By) Jeffrey Andrew Weinstock is professor of English at Central Michigan University and an associate editor of the Journal for the Fantastic in the Arts. He h.

Taschenbuch. Zustand: Neu. Neuware - Finalist, 2021 Bram Stoker Awards (Superior Achievement in Non-Fiction)The first collection of essays to address Satan¿s ubiquitous and popular appearances in filmLucifer and cinema have been intertwined since the origins of the medium. As humankind¿s greatest antagonist and the incarnation of pure evil, the cinematic devil embodies our own culturally specific anxieties and desires, reflecting moviegoers¿ collective conceptions of good and evil, right and wrong, sin and salvation. Giving the Devil His Due is the first book of its kind to examine the history and significance of Satan onscreen.This collection explores how the devil is not just one monster among many, nor is he the ¿prince of darkness¿ merely because he has repeatedly flickered across cinema screens in darkened rooms since the origins of the medium. Satan is instead a force active in our lives. Films featuring the devil, therefore, are not just flights of fancy but narratives, sometimes reinforcing, sometimes calling into question, a familiar belief system.From the inception of motion pictures in the 1890s and continuing into the twenty-first century, these essays examine what cinematic representations tell us about the art of filmmaking, the desires of the film-going public, what the cultural moments of the films reflect, and the reciprocal influence they exert. Loosely organized chronologically by film, though some chapters address more than one film, this collection studies such classic movies as Faust, Rosemary¿s Baby, The Omen, Angel Heart, The Witch, and The Last Temptation of Christ, as well as the appearance of the Devil in Disney animation.Guiding the contributions to this volume is the overarching idea that cinematic representations of Satan reflect not only the hypnotic powers of cinema to explore and depict the fantastic but also shifting social anxieties and desires that concern human morality and our place in the universe.Contributors: Simon Bacon, Katherine A. Fowkes, Regina Hansen, David Hauka, Russ Hunter, Barry C. Knowlton, Eloise R. Knowlton, Murray Leeder, Catherine O¿Brien, R. Barton Palmer, Carl H. Sederholm, David Sterritt, J. P. Telotte, Jeffrey Andrew Weinstock.

Zustand: Sehr gut. Zustand: Sehr gut | Sprache: Englisch | Produktart: Bücher | Keine Beschreibung verfügbar.

Zustand: New. &Uumlber den AutorJeffrey Andrew Weinstock (Edited By) Jeffrey Andrew Weinstock is professor of English at Central Michigan University and an associate editor of the Journal for the Fantastic in the Arts. He h.

Hardcover. Zustand: Brand New. 256 pages. 9.00x6.00x0.75 inches. In Stock.

Buch. Zustand: Neu. Neuware - Finalist, 2021 Bram Stoker Awards (Superior Achievement in Non-Fiction)The first collection of essays to address Satan¿s ubiquitous and popular appearances in filmLucifer and cinema have been intertwined since the origins of the medium. As humankind¿s greatest antagonist and the incarnation of pure evil, the cinematic devil embodies our own culturally specific anxieties and desires, reflecting moviegoers¿ collective conceptions of good and evil, right and wrong, sin and salvation. Giving the Devil His Due is the first book of its kind to examine the history and significance of Satan onscreen.This collection explores how the devil is not just one monster among many, nor is he the ¿prince of darkness¿ merely because he has repeatedly flickered across cinema screens in darkened rooms since the origins of the medium. Satan is instead a force active in our lives. Films featuring the devil, therefore, are not just flights of fancy but narratives, sometimes reinforcing, sometimes calling into question, a familiar belief system.From the inception of motion pictures in the 1890s and continuing into the twenty-first century, these essays examine what cinematic representations tell us about the art of filmmaking, the desires of the film-going public, what the cultural moments of the films reflect, and the reciprocal influence they exert. Loosely organized chronologically by film, though some chapters address more than one film, this collection studies such classic movies as Faust, Rosemary¿s Baby, The Omen, Angel Heart, The Witch, and The Last Temptation of Christ, as well as the appearance of the Devil in Disney animation.Guiding the contributions to this volume is the overarching idea that cinematic representations of Satan reflect not only the hypnotic powers of cinema to explore and depict the fantastic but also shifting social anxieties and desires that concern human morality and our place in the universe.Contributors: Simon Bacon, Katherine A. Fowkes, Regina Hansen, David Hauka, Russ Hunter, Barry C. Knowlton, Eloise R. Knowlton, Murray Leeder, Catherine O¿Brien, R. Barton Palmer, Carl H. Sederholm, David Sterritt, J. P. Telotte, Jeffrey Andrew Weinstock.

69 pp.; 28 x 21.5 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Summer 1980 issue of High Performance, The Performance Art Quarterly, edited by Linda Frye Burnham. Contents include: "WCA Conference in Louisiana," by Suzanne Lacy; "Public Arts International/Free Speech," by Stephen Forsling; "Per/for/mance, American Performance Festival in Italy: Chris Burden, Laurie Anderson, Paul McCarthy, Julia Heyward, Disband, Richard Newton;" "Artist's Chronicle: John Sheridan, Julie Wallace Keller, Valerie Bechtol, Mark Bloch, Anne Mavor, Joshua Abbey, M. Staff Brandl, Roar Schaad, Ramsey Najm, The Waitresses, Richard Turner, Denise Chanel Vallon, Paul Best, Jeffrey Mark Burdett, Nancy Evans, Pam Minor, Bob Davis, Renata Petroni, Jeanne Quinn, Daniel Lerner, Darryl Turner, Barbara Margolies, Claire Fergusson, Nancy Riegelman, Rod Force;" "Cafe E*pit'o*me: Director's Notes," by Jerry Benjamin and "Incomplete Requiem for W.C. Fields," by Al Hansen. Front Cover: Per/for/mance festival posters, Florence. Back Cover: Paul McCarthy. Very Good / Fine. Light rubbing of coves and creasing of verso. Covers and contents clean and unmarked.