Giving the Devil His Due: Satan and Cinema - Hardcover

Über die Autorinnen und Autoren

Jeffrey Andrew Weinstock is Professor of English at Central Michigan University and associate editor in charge of horror for the Los Angeles Review of Books. His most recent books include Giving the Devil His Due: Satan and Cinema (with Regina Hansen, Fordham, 2021), The Monster Theory Reader (University of Minnesota Press, 2020), and The Cambridge Companion to the American Gothic (Cambridge University Press, 2018). Visit him at JeffreyAndrewWeinstock.com.

Regina M. Hansen teaches at Boston University. She publishes and presents on horror, religion in film, neo-Victorianism, and the fantastic. Her works include the edited volumes Supernatural, Humanity and the Soul (with Susan George; 2014) and Roman Catholicism in Fantastic Film, and a special Stephen King issue of Science Fiction Film and Television (with Simon Brown; 2017), along with the novel The Coming Storm (Atheneum 2021). Her writing on film, folklore, and the supernatural has appeared in the Wall Street Journal Review and the children’s magazine Dig Into History.

Simon Bacon is an independent scholar based in Poznan, Poland. He is the coeditor, with Katarzyna Bronk, of Undead Memory: Vampires and Human Memory in Popular Culture (2014) and Growing Up with Vampires: Essays on the Undead in Children’s Media (2018), and the editor of Gothic: A Reader (2018) and Horror: A Companion (2019). He has published three monographs, Becoming Vampire: Difference and the Vampire in Popular Culture (2016), Dracula as Absolute Other: The Troubling and Distracting Specter of Stoker’s Vampire on Screen (2019), Eco Vampires: The Vampire as Environmentalist and Undead Eco-Activist (2021).

Katherine A. Fowkes is Emeritus professor of popular culture and media production at Highpoint University. She is the author of The Fantasy Film (2010) and Giving Up the Ghost: Spirits, Ghosts, and Angels in Mainstream Comedy Films (1998).

David Hauka teaches film directing and aesthetics at Capilano University’s School of Motion Picture Arts and screen writing, scene study, and 3D/virtual environment technique for actors in the Department of Theatre and Film at the University of British Columbia. His academic research focuses primarily on the influence of religion in American horror cinema.