Hanke j w (24 Ergebnisse)

Paperback. Zustand: Good.

Paperback. Zustand: Very Good.

Zustand: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Zustand: Good. Good condition. A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains.

Paperback. Zustand: Fair.

Paperback. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Zustand: Poor. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In poor condition, suitable as a reading copy. CD included. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,1100grams, ISBN:9780131228566. …

Zustand: Very Good. 1st Edition. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Good. 1st Edition. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.…

Paperback. Zustand: Brand New. 372 pages. 5.40x4.20x0.80 inches. In Stock.

Zustand: New. In English.

Taschenbuch. Zustand: Neu. Druck auf Anfrage Neuware - Printed after ordering - I. Since the appearance in 1902 of Benedetto Croce's L'estetica come scienza dell' espressione e linguistica generale, the problem of the ontology of the work of art or aesthetic object - what kind of thing it is and what its mode of being is - has come to occupy a central place in the philosophy of art. Moreover, a particular conception of the identity of art objects is at present a driving force in some quarters of the art world itself. As Harold Rosenberg so well points out, Minimalist or Reductive Art has attempted, sometimes quite self-consciously, to establish the autonomous physical reality of the work of art by empty ing it of all expressive and representational content. ! What is the ontological problem One rather crude way of stating it is to ask where the work of art or object of aesthetic contemplation 2 exists. Is it, to pick some examples, to be identified with the material product of the artist's labors which exists spatially 'outside of' and independently of artist and beholder Or does it exist only 'in the mind' of the beholder or the artist Is it either one perception of a beholder or a series of his perceptions Or is it the class of all percep tions of either all spectators or all 'qualified' spectators Put another way, it would be a question of whether and to what such purported names as 'Beethoven's Fifth Symphony' refer.…

Soft cover. Zustand: Very Good. anders. Soft cover: Very Good, 24 x 16 cm, 154 pp., English, book condition: Very Good I. Since the appearance in 1902 of Benedetto Croce's L'estetica come scienza dell' espressione e linguistica generale, the problem of the ontology of the work of art or aesthetic object - what kind of thing it is and what its mode of being is - has come to occupy a central place in the philosophy of art. Moreover, a particular conception of the identity of art objects is at present a driving force in some quarters of the art world itself. As Harold Rosenberg so well points out, Minimalist or Reductive Art has attempted, sometimes quite self-consciously, to establish the autonomous physical reality of the work of art by emptying it of all expressive and representational content. ! What is the ontological problem? One rather crude way of stating it is to ask where the work of art or object of aesthetic contemplation 2 exists. Is it, to pick some examples, to be identified with the material product of the artist's labors which exists spatially "outside of" and independently of artist and beholder? Or does it exist only "in the mind" of the beholder or the artist? Is it either one perception of a beholder or a series of his perceptions? Or is it the class of all perceptions of either all spectators or all "qualified" spectators? Put another way, it would be a question of whether and to what such purported names as 'Beethoven's Fifth Symphony' refer. [This description may have been translated by AI.].…

Paperback. Zustand: Brand New. reprint edition. 148 pages. German language. 9.61x6.69x0.35 inches. In Stock.

Zustand: Befriedigend. Halbleinen Halbleinenband d.Zt. mit vergoldetem Rückentitel, berieben und etwas bestoßen, Aufkleberrest am Rücken unten. Farbmusterschnitt, Kopfschnitt gedunkelt. Erste Seiten etwas stockfleckig, danach sind die Seiten leicht gedunkelt, bis auf Kleinigkeiten sauber und gut; zwei Seiten mit kleinen reparierten Schäden am seitl. Rand. Erste Titelseite mit Archivstempel. Alle vier Titelseiten mit handschriftlichen Vermerk in Bleistift zur Herkunft der Werke (DÖAV Band IX / IX / X / XII 1878 / 1878 / 1879 /1881); daher keine Angaben zu Verlag und Jahr. Die Seiten sind durchgehend numeriert. Inhalt: Generalmajor C. von Sonklar: Orographie und Topographie, Hydrographie, Gletscherwesen. Mit 6 Figuren / C.W. Gümbel: Kurze Anleitung zu geologischen Beobachtungen in den Alpen. Mit 63 Figuren / J. Hann: Einführung in die Meteorologie der Alpen. / Johannes Ranke: Anleitung an der Hand klassischer Beispiele zu anthropologisch-vorgeschichtlichen Beobachtungen im Gebiet der deutschen und österreichischen Alpen. Mit 1 Karte und 56 Tafeln im Text. Sprache / Language: de IV + 464 Seiten. ca. 18,6 x 13,2 cm. …