Hand richard william (13 Ergebnisse)

paperback. Zustand: Very Good. Most of our very good books have only minor imperfections such as shelf wear consistent with a new book that's sat on a bookshop shelf for a year or two. Occasionally we may miss other minor imperfections as we have to grade books at speed. Our books are dispatched from a Yorkshire former cotton mill. We list via barcode/ISBN so please note that the images are stock images and may not be the exact copy you receive, furthermore the details about edition and year might not be accurate as many publishers reuse the same ISBN for multiple editions and as we simply scan a barcode or enter an ISBN we do not check the validity of the edition data when listing. If you're looking for an exact edition please don't order (at least not without checking with us first, although we don't always have time to check). We aim to dispatch prompty, the service used will depend on order value and book size. We can ship to most countries, see our shipping policies. Payment is via Abe only.…

paperback. Zustand: Very Good. Most items will be dispatched the same or the next working day. A copy that has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Hardcover. Zustand: Near Fine. Zustand des Schutzumschlags: Near Fine. 1st Edition. Near Fine in a Near Fine jacket. 1st Printing. 339pp 4to.

Zustand: New. In English.

Paperback. Zustand: Brand New. 398 pages. 7.50x5.00x1.25 inches. In Stock.

Zustand: New. In English.

Zustand: New. In English.

Zustand: New.

Zustand: New.

Gebunden. Zustand: New. KlappentextrnrnThis book is a facsimile reprint and may contain imperfections such as marks, notations, marginalia and flawed pages.

Zustand: Fair. First ed., ex-lib. from First Baptist Church, Atlanta, Georgia, as per printed label on front paste down; only other writing is gift inscription "Prescribed by" in elegant hand and there is some smudging on upper corner of frontis. engraving of "Liberty Hall," which along with t.p. is detached from cracked front gutter; the remaining 619 p. are clean , unmarked and intact. Back gutter is cracked but volume is square; gilt lettering on royal blue boards is legible. However, upper edgesof boards are badly stained and abraded. This rare volume deserves rebinding.…

Washington / Cambridge National Gallery of Art / Cambridge University Press 1986 Softcover, xii+339pp., 24x30cm., richly illustr. in b/w., in good condition (covers with light traces of use, spine slightly folded, some foxing on the upside of the book, interior in very good condition). ISBN 0894680951. The complexity and variety of sixteenth-century Netherlandish art endow it with a particular dynamism. It was in the sixteenth century that drawing attained an independent status as an art in itself, distinct from painting; landscape increasingly became a separate genre; and artists consciously referred to the great masters of the past, showing the tremendous influence of Italian art in their own works. This volume documents the unique qualities of the art of drawing during the age of Bruegel. Designed to accompany an exhibition at the National Gallery of Art and The Pierpont Morgan Library, the book is also an invaluable scholarly record. In addition to 123 catalogue entries and more than 350 reproductions of rarely-seen drawings, three in-depth essays contain discussions of the art of the period. Its development is traced from a late medieval style at the end of the fifteenth century to the influence of the Italian Renaissance and mannerism in the 1500s, and ultimately to the beginning of the baroque period in the early 1600s. The detailed entries encompass works by sixty-two artists, including Hieronymus Bosch, Jan Gossaert, Lucas van Leyden, Pieter Bruegel the Elder, Jan Brueghel the Elder, Karel van Mander, and others. The book will interest specialists and also general readers attracted by the warmth of Netherlandish art. This volume is a scholarly catalogue and essay collection accompanying an exhibition titled The Age of Bruegel: Netherlandish Drawings in the Sixteenth Century. It surveys the development of drawings in the Low Countries across the sixteenth century, tracking stylistic transitions from late medieval, through Renaissance influence and mannerism, toward early baroque tendencies. It contains three major essays: one, "The Sixteenth Century" by John Oliver Hand, another on Jan Gossaert and the new aesthetic by J. Richard Judson, and a third on "The functions of drawings in the Netherlands in the sixteenth century" by William W. Robinson and Martha Wolff. In addition to these essays, there is a detailed catalogue section with 123 entries of drawings, many of which are not often seen, including over 350 reproductions, both black and white and some in colour. The entries are richly annotated. Artists covered include Hieronymus Bosch, Jan Gossaert, Lucas van Leyden, Pieter Bruegel the Elder, Jan Brueghel the Elder, Karel van Mander, among others. The book combines connoisseurship, art historical analysis, exhibition documentation, and high-quality reproductions, aiming both at specialists in northern Renaissance/Netherlandish art and informed general readers interested in the history of drawing.…

New York, Pierpont Morgan Library, 1987. (Bruegel). Pierpont Morgan Library. THE AGE OF BRUEGEL. Netherlandish Drawings of the Sixteenth Century New York., Pictorial Wrapper (soft cover). Book Condition: Good. Oblong 4to unpaginated; 122 catalogue entries accompanied by 12 illustrations. Clean and tight; wraps lightly rubbed. Exhibition Catalogue.…