hancock norman (16 Ergebnisse)

Paperback. Zustand: Good. The book has been read but remains in clean condition. All pages are intact and the cover is intact. Some minor wear to the spine.

Zustand: Good. 1947. First Edition. 181 pages. No dust jacket. Red cloth. Pages and binding are presentable with no major defects. Minor issues present such as mild cracking, inscriptions, inserts, light foxing, tanning and thumb marking. Overall a good condition item. Boards have mild shelf wear with light rubbing and corner bumping. Some light marking and sunning.

hardback. Zustand: Very Good. Zustand des Schutzumschlags: Very Good. 1st Edition. hardback, octavo, a very good tightly bound copy with clean and unmarked contents. The unclipped dust jacket chipped at the head and foot of the spine and now protected in a non-adhesive archival film sleeve. Double title page colour lithography by John Piper with matching design to the dust wrapper. 181pp.

Soft cover. Zustand: Very Good. No Jacket. Stapled booklet with hand drawn maps of each walk. Previous owner's name and date written on title page.

First Edition, gilt cloth & colour illustrated dws. C.pp190, two small and very neat signatures on corner of endpaper, also neat little endpaper booklabel, a fine bright copy. The dws with colour lithograph by John Piper : this is repeated within as a double-spread frontispiece. **** To confirm availability before ordering, please click the link Ask Bookseller A Question.

Zustand: VG. London 1947 1st (stated). Lithograph DJ and titlepage by John Piper. 8vo., 181pp. Owner bookplate. VG plus in VG plus DJ.

Paperback. Zustand: Brand New. 2nd edition. 368 pages. 8.25x5.75x0.83 inches. In Stock.

191 pp.; 28 x 23 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Monograph presenting an overview of contemporary printmaking by Paul Coldwell. Artists include Norman Ackroyd, Banksy, Georg Baselitz, Christiane Baumgartner, Tony Bevan, Marko Blazo, Cécile Boucher, Louise Bourgeois, Siân Bowen, Jacques Callot, Patricia Caulfield, Vija Celmins, Stephen Chambers, Hwajin Chang, Sang-Gon Chung, Chuck Close, Prunella Clough, Bernard Cohen, Willie Cole, Susan Collins, Tony Cragg, Michael Craig-Martin, Árpád Daradics, John Davies, Richard Deacon, Anne Desmet, Trenton Doyle Hancock, Albrecht Dürer, Robin Duttson, Faile Collective, Henri Fantin-Latour, Helen Frederick, Lucian Freud, Hamish Fulton, Alberto Giacometti, Francisco Goya, Anthony Gross, Wenda Gu, Richard Hamilton, Valgerdur Hauksdóttir, Dan Hays, Tim Head, Charlotte Hodes, Howard Hodgkin, Katsushika Hokusai, Andrzej Jackowski, Kennardphillipps, William Kentridge, Anselm Kiefer, Thomas Kilpper, Seung Yeon Kim, Ernst Ludwig Kirchner, Barbara Kruger, Christopher Le Brun, Fang Lijun, Christoph Loos, Marilène Oliver, Julian Opie, Mick Moon, Giorgio Morandi, Anna Maria Pacheco, Eduardo Paolozzi, Simon Patterson, Grayson Perry, Pablo Picasso, Giovanni Battista Piranesi, Sigmar Polke, Kathy Prendergast, Robert Rauschenberg, Odilon Redon, Paula Rego, Rembrandt van Rijn, Dieter Rot [Dieter Roth], Michael Rothenstein, Bartolomeu Dos Santos, Sean Scully, Hercules Seghers, Nana Shiomi, Regina Silveira, Kiki Smith, Devorah Sperber, Emma Stibbon, Antoni Tàpies, Masami Teraoka, Joe Tilson, Barthélémy Toguo, Henri de Toulouse-Lautrec, Kitagawa Utamaro, John Utting, Édouard Vuillard, Kara Walker, Andy Warhol, Rachel Whiteread, Terry Winters, Bill Woodrow, Richard Woods, and Katsutoshi Yuasi. Includes a glossary and bibliography. Very Good / Fine. Light rubbing of cover corners, otherwise Fine. Contents clean and unmarked. Due to large size and weight of this publication additional shipping charges will be required for international orders.

Hardback. 181pp J.M. Dent and Sons Ltd., London, 1947. 1st edition with dust jacket & lithograph by John Piper. VG in VG DW.

Paperback. Zustand: Good. Name stamp English.

Hardcover. Zustand: Very Good. New Castle, 1991; limited edition #125/200 copies; blue paper covered boards; cloth spine; mild shelf wear 8vo, 7 3/4"-9 3/4" tall; Interior is clean and unmarked; 81 pages.

First edition. Octavo. pp viii, 181. Double-page colour lithograph title design by John Piper, repeated on the dustwrapper.Slight flaw in cloth of front cover (production fault). Free endpapers faintly tanned. Near fine in near-fine, slightly nicked dustwrapper.

First edition. Octavo, pp., vii, 181. Dust-jacket and double page colour frontispiece and title page lithograph beautifully illustrated by John Piper. Publisher's brick red cloth with gilt title to spine in an unclipped, pictorial dust-jacket. Top edge red. Inscribed to half-title by the author, 'With kindest regards/ Norman Hancock/ July 1964. Some toning and offsetting to half-title, lacking front free endpaper. Unobtrusive edgewear to dust-jacket spine tips. An autobiographical story of a young man's childhood and coming of age at the start of the 20th century.

Cloth. Zustand: Fine. Zustand des Schutzumschlags: Near Fine. John Piper (illustrator). First edition. An autobiographical period piece by Norman Hancock, with the atmospheric lithograph by John Piper to the dust wrapper and title page. The first edition of this work in the publisher's original cloth binding, with the original unclipped dust wrapper. This autobiographical story depicts a portrait of English middle-class culture in the early 20th century, by Norman Hancock. To the dust wrapper is a lithograph by the notable artist John Piper, which is repeated to the title page over a double page. In the publisher's original cloth binding, with the original unclipped dust wrapper. Externally in excellent condition, though spine is somewhat slanted. Internally, firmly bound. Pages are bright and clean except for offsetting to the end papers. Dust wrapper is very smart apart from a little chipping to the head and tail of the spine. Fine. book.

Hardcover. Zustand: Good. First Edition. Hardback. No Dust Jacket. 8vo. pp 198. Original publisher's green cloth, lettered black on spine. The publisher's own retained copy with their perforated stamp in the preliminaries and a label on the front pastedown reading 'File Copy - Feb. 8th 1932.' Slight fading at spine, otherwise sound, clean, close very good.

First edition. Octavo. pp [vi], 181. Double-page lithograph pictorial titles. Memoirs which the blurb compares with Wells's Kipps.Loosely inserted are two very interesting Autograph Letters Signed by John Piper, one on his Fawley Bottom headed writing paper, dated Nov 9 1940, and the other on that of Pentre, Bethesda, Bangor, dated Jan. 17 1946. The recipient, who is addressed as William and Wm., respectively, is William Scudamore Mitchell who worked with Piper on the Shell Guides series and was himself the author of the one on East Sussex. During the Second World War he was captured by the Japanese and worked on the Burma Railway, an experience he later wrote about and published. The first letter (2 pages, about 180 words) begins, 'John [Betjeman?] brought your letter with him this week which we found v enjoyable, if much of the life it described sounded otherwise. I send a photo [not present here], of water-colour of Hamsey Ch[urch], in case it amuses you. "Plain Oak Seats: Art, but decent" I see I have noted in my sketchbook - but "I took the liberty of expunging them from the drawing" as Sidney Pitcher F.R.P.S. of Gloucester once said to me about the fir-trees at the Rollright Stones - introducing a singularly bare-looking photo. '. He then recounts how he visited Hamsey at the beginning of the war and saying that William is doing 'invaluable work on our hatchment heritage' and hoping Sir Harry and Sir Charles will remember him when they get into parliament, 'as advisors on Historical Monument Preservation to the New Era Government'. The other letter (3 pages, about 300 words) begins, 'It was an enormous pleasure - series of pleasures - to see you posted in the Times alive and well, as we did, then to hear you were home from John, now to hear from you in person. Your letter is fascinating and it will be even more fascinating when we meet again. ', and continues, 'For our own part we have had fun and hell during the war but nearly all fun, and we have taken the first opportunity of escaping from our beam ends at Fawley Bottom to come to the frozen mountains of Cambria where we have taken this house (no modern conveniences whatever: hip bath in front of kitchen fire, the size of an occasional table) in order - ostensibly - for me to paint frozen mountains. It is far too cold of course to do that. '.Letters: folded; the earlier of the two is creased and nicked at one edge; very good. Book: near fine in near-fine dustwrapper which repeats the title-page illustration. The dustwrapper has a later price sticker on the front flap.