hamilton david ed (23 Ergebnisse)

Paperback. Zustand: Very Good.

Paperback. Zustand: As New. Clean pages. Nice condition overall.

Zustand: Poor. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In poor condition, suitable as a reading copy. No dust jacket. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,750grams, ISBN:0898590817.

Zustand: Fair. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. Clean from markings. In fair condition, suitable as a study copy. No dust jacket. Library sticker on front cover. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,750grams, ISBN:0898590817.

hardcover. Zustand: very good(+). Zustand des Schutzumschlags: very good(+). Illustrated. 415pp., 4to, cloth, d.w.; ownership signature on front free endpaper. New York: Simon & Schuster, 1987. A very good (+) copy in a very good ( ) dust jacket.

Zustand: Very Good. 319 pp., hardcover, light soiling and age-toning to edges else text clean & binding tight. - If you are reading this, this item is actually (physically) in our stock and ready for shipment once ordered. We are not bookjackers. Buyer is responsible for any additional duties, taxes, or fees required by recipient's country.

Soft cover. Zustand: Fine. No Jacket. 1st Edition. FIRST PUBLICATION 24 PAGE BOOKLET, staple-bound in light orange stock, is in FINE condition. The diary of Fred Thompson a partner with writer Jack London in exploring the Yukon. Introduction by Hamilton. A scarce publication of the private society of bibliophiles called the Zamorano Club in Los Angeles. Diary. Late 19th century. American. Canada. Northwest. Klondike gold rush. Biography and autobiography. History. DB [6].

Zustand: Good. Volume 5. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. Clean from markings. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,550grams, ISBN:9781853591952.

Zustand: Fine. First Edition. First edition. Fine. Paper cover show very light wear and are slightly soiled, clean text.

Soft cover. Zustand: Good. 144pp. Still well bound & interior in nice clean condition. No names or inscriptions. Small rubber stamp of NSD on cover. Please see my other listings for more similar glamour photography books. If you wish to purchase more than one please contact me first (by using Ask Bookseller a Question) for discount on postage. Picture of this book available.

Zustand: New. This text addresses the relationship between what modern-day experts say to each other and to their constituencies and whether what they say and do relates to the larger culture and society. It challenges the social impact model by looking at science and technology as intellectual activities. Editor(s): Cravens, Hamilton; etc.; Marcus, Alan I.; Karzman, David M. (Professor of History, University of Kansas, USA). Series: History of American Science & Technology S. Num Pages: 248 pages. BIC Classification: 1KBB; 3JH; JHM; PDR; PDX. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 229 x 152 x 22. Weight in Grams: 440. . 1996. 2nd. Paperback. . . . . Books ship from the US and Ireland.

Zustand: New. 2021. Paperback. . . . . . Books ship from the US and Ireland.

Gr.-8° (22,5-25 cm). 384 Seiten Name entry. Very good condition. Cover & pages without marks. From the library of Professor Dr. Martin Irle, a long-term professor in social psychology and one of the most influential German social psychologists. 9780898590814 Sprache: Englisch Gewicht in Gramm: 720.

Zustand: New. Editor(s): Himmelgreen, David; Kedia, Satish. Series: NAPA Bulletin. Num Pages: 188 pages. BIC Classification: JHBK; JHM. Category: (P) Professional & Vocational. Dimension: 255 x 172 x 10. Weight in Grams: 328. . 2014. Paperback. . . . . Books ship from the US and Ireland.

Zustand: New. This is a varied collection of key writings from leading international scholars in the field of literacy. It makes a timely and important contribution to literary practices - essential reading for anyone involved in literary education. Editor(s): Barton, David; Ivanic, Roz; Hamilton, Mary (all of Lancaster University). Series: Literacies. Num Pages: 240 pages, 7 black & white tables. BIC Classification: CFC. Category: (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 234 x 159 x 13. Weight in Grams: 368. . 1999. Paperback. . . . . Books ship from the US and Ireland.

Softcover. Zustand: Fine. First edition. Fine in wrappers.

Zustand: New. This volume analyses the challenges and opportunities presented to journalists as they attempt to hold governments accountable in an era of professed transparency. In examining how transparency and open government initiatives have affected the accountability role of the press in the US and the UK. Editor(s): Bowles, Nigel; Hamilton, James T.; Levy, David A. L. Series: Reuters Challenges. Num Pages: 272 pages, illustrations. BIC Classification: 1DBK; 1KBB; JPH; JPQB; KNTJ. Category: (UP) Postgraduate, Research & Scholarly. Dimension: 224 x 138 x 24. Weight in Grams: 444. . 2013. Hardback. . . . . Books ship from the US and Ireland.

Zustand: New. This is a varied collection of key writings from leading international scholars in the field of literacy. It makes a timely and important contribution to literary practices - essential reading for anyone involved in literary education. Editor(s): Barton, David; Ivanic, Roz; Hamilton, Mary (all of Lancaster University). Series: Literacies. Num Pages: 240 pages, 7 black & white tables. BIC Classification: CFC. Category: (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 234 x 156 x 18. Weight in Grams: 544. . 1999. 1st Edition. hardcover. . . . . Books ship from the US and Ireland.

Zustand: New. 2022. Hardcover. . . . . . Books ship from the US and Ireland.

Soft cover. Zustand: Very Good. 1st Edition. Superb copy of a well done and thorough magazine on kinetic art and concrete poetry. One page dog-eared else excellent with slightest handling and shelfwear.

Paperback. Zustand: Near fine. Book. 265 x 210 mm, 64 pp. in printed stapled wraps. Front cover image ('Portrait of Andree Dantu by Richard Hardwick: three phases of a Dantu polaroid light mobile') in colour, contents illustrated with both colour and b/w images. Three issues of Image (usually a 'careers' magazine for young graduates) were effectively taken over by important Cambridge academics of the day, all with a specific interest in concrete poetry and kinetic art: Philip Steadman, Stephen Bann and Reg Gadney. The issues of Image dedicated to kinetic and concrete poetry were particularly noteworthy for their commitment to translation and reprinting 'lost' texts, an imaginative use of layout and photography, and enlightening academic essays on their given subjects. This particular issue is entirely dedicated to kinetic art and concrete poetry (as the title suggests), and the editorial (which is idiosyncratically placed in the middle of the publication) reads: 'This issue of IMAGE is largely devoted to Kinetic Art: art, that is, incorporating real movement as opposed to the painted or static illusion of movement.' It is illustrated with a photograph of the editors and contributors - Stephen Bann, Reg Gadney, Frank Popper, Phil Steadman and Citroen - strolling through Paris. The issue features an essay by the concrete poetry specialist Stephen Bann, entitled 'Communication and Structure in Concrete Poetry', which comes with a reprinted letter from Ian Hamilton Finlay to Pierre Garnier, dated September 17th 1963. Translated by Bann are extracts from 'Manifesto for a new poetry, visual and phonic' by the concrete poet Pierre Garnier: 'The word is an element. / The word is a material. / The word is an object.' Also included in this section is a manifesto by Eugen Gomringer, entitled 'from line to consideration', and translated by Mike Weaver. It was 'first printed in augenblick no 2 agis verlag baden-baden 1954'. Works by Augusto de Campos, Ronaldo Azeredo, Decio Pignatari and Haraldo de Campos are also reprinted here. The second academic essay featured is a text by Mike Weaver entitled 'Concrete and Kinetic: the poem as Functional Object', which is illustrated with reproduced typestracts by Dom Sylvester Houedard. Also featured is a text by the editor Philip Steadman, entitled 'Colour Music and the Art of Lumia, and an essay by Reg Gadney entitled 'An Introduction: Kinetic Art', which is illustrated with images of works by Alexander Calder and Alexander Schoffer's Chronus sculptures. There are artist profiles of Frank Malina (by Reg Gadney); Gregoria Vardanega (by Stephen Bann); Martha Boto (by R.G); J-M. Cruxent (by S.B); Andree Dantu (by R.G); Knud Hvidberg and William Soya (by R.G); Nino Calos (by R.G). Condition: near fine (contents fine minor rubbing to covers).

Zustand: Very good +. First Edition. Catalogue. Richard Hamilton, Theo Crosby (ed.), Edward Wright, Whitechapel Gallery, This Is Tomorrow, The Whitechapel Art Gallery, London, 1956. 162x163 mm. Unpaginated, 64 leaves, 126 pp. Offset litho printed in black and white with the cover in brown and white on a blue background. In original ring bound wrappers. Edition of 1300. Published to coincide with the important show at The Whitechapel Art Gallery, August 9 - September 9, 1956. Twelve groups of three to four architects, artists, designers and theorists were allocated gallery space to produce work on the theme of 'modern life'. The exhibition featured work by, among others, John McHale, Alison and Peter Smithson, Richard Hamilton, William Turnbull, Sarah Jackson, Mary Martin, Eduardo Paolozzi, Reyner Banham, Victor Pasmore, Erno Goldfinger, Frank Cordell, and Toni del Renzio. Bryan Robertson was the director of the gallery at the time. The catalogue includes three introductions by Lawrence Alloway, Reyner Banham and David Lewis. Condition: neat small rubber stamp of previous owner on the back of the final page, some wear to edges of covers and surface wear to spiral binding, minor ding bottom right of front cover and top left of back cover. Overall: nternally Near Fine in Very Good + covers.

Zustand: Very Good +. Pages 1, 2, 3 (Complete Set), Edited by David Briers. Pages can be seen as a more refined and less chaotic publication than Writers Forum productions of the time. Emphasising Briers' knowledge and connections with established artists, it can be argued that it was ahead of its time, though Zurbrugg's inclusion in no. 1 emphasises that it did see itself as a reaction against narrow concrete: "The aim of Pages is to publicise the avant-garde, and by doing so to prove that it does not exist except as a name" (Foreward, Pages No. 1, David Briers). Pages No. 1, Autumn, 1970. David Briers (ed.), 35pp., 210 x 295 mm. Printed black, white and blue on white stock, stapled into colour printed wraps. Includes a loose inserted postcard by Richard Hamilton 'Postmark' (1970). Contents include: dsh's 'parameters and paramitas' with other contributions from Diter Rot, Jochen Gerz, Jiri Valoch, Tom Phillips, Mauricio Kagel, Joseph Beuys. Cover image by Herman Makkink 'Christ Unlimited'. Pages No. 2, Winter, 1970. David Briers (ed.), 37pp., 210 x 295 mm. Printed black, white on white and green paper, stapled into colour printed wraps. 39pp. Includes Nicholas Zurbrugg's article 'Towards the death of concrete poetry' and controbutions from Jiri Valoch, John Furnival, Richard Demarco, Cornelius Cardew, Ian Breakwell, Robert Filliou and others. Cover image by Herman Damen. Pages No. 3, 1972. 23pp., 210 x 295 mm. Cover image by Robin Crozier. Ref: Allen, Artist's Magazines - An Alternative Space For Art, MIT Press, 2011 p283. Condition: some wear and marks to covers, some foxing to top of front covers of issues 1 & 3, no writing or tears. Overall: VG+. ADDITIONAL MATERIAL: Included with this complete set of magazines are 2 additional sheets, printed black on white stock and stapled in corner. These sheets are rare and have not been seen by us before. They include Pages information and sales details.