Hamill sarah (55 Ergebnisse)

Paperback. Zustand: Good. Ever since the mid-nineteenth century, when the new medium of photography was pressed into service to illustrate sculpture, photographs of sculptural objects have directed viewers as to just when, in the course of ambling around a sculpture, was the single perfect moment to stop and look. What is the photograph's place in writing the history of sculpture? How has it changed according to culture, generation, critical conviction, and changes in media? Photography and Sculpture: The Art Object in Reproduction studies aspects of these questions from the perspectives of sixteen leading art historians. Chapters on such varied topics as picturing Conceptual art, manipulating sacred images in India to be nonphotographs, and framing Roman art with an iPad illustrate the latent visual and narrative powers and ever-expanding potential of these images of sculpture.…

Zustand: New.

Hardcover. Zustand: Very Good. First Edition. With dust jacket. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Zustand: New. In English.

Zustand: New.

Zustand: As New. Unread book in perfect condition.

Hardcover. Zustand: Very Good. No Jacket. Former library book; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

hardcover. Zustand: Very Good. May have light to moderate shelf wear and/or a remainder mark. Complete. Clean pages.

hardbound, 4to 102 pp., ca. 100 ills. exhibition catalogue; LIKE NEW condition.

Cloth. Zustand: Fine Condition. No Jacket, As Issued. 107 pages 80 illustrations 54 in color. Foreword by Dorothy Kosinski. Illustrated paper over boards. Published on the occasion of the exhibition from The Phillips Collection, Washington DC February 12-May 15, 2011. Chronology.

Frank, Susan Behrends, with Sarah Hamill and Peter Stevens. DAVID SMITH Invents. 110 pages, roughly 60 color and 25 b&w illustrations. 4to, boards. Washington, The Phillips Collection, in association with New Haven and London, Yale University Press, 2011. Exhibition at the Phillips Collection.

Gebundene Ausgabe. Zustand: Neu. Gebraucht - Wie neu sehr gut erhalten; Rechnung mit MwSt. -Profoundly influenced by the welded sculptures of Julio Gonzalez and of Picasso, American sculptor David Smith devoted himself entirely to metal sculptures, constructing compositions from steel and scrap material. This title presents an insightful exploration of the work of Smith. 160 pp. Deutsch.…

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Zustand: New. 2017. Paperback. . . . . .

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Gebundene Ausgabe. Zustand: Neu. Gebraucht - Wie neu sehr gut erhalten; Rechnung mit MwSt. -Profoundly influenced by the welded sculptures of Julio Gonzalez and of Picasso, American sculptor David Smith devoted himself entirely to metal sculptures, constructing compositions from steel and scrap material. This title presents an insightful exploration of the work of Smith. 160 pp. Deutsch.…

Zustand: New. How does photography shape the way we see sculpture? In this book, the author broaches this question through an in-depth consideration of the photography of American sculptor David Smith (1906 1965). Num Pages: 272 pages, 94 B&W, 44 color|32 insert. BIC Classification: ACX; AFKB; AGB; AJC. Category: (G) General (US: Trade). Dimension: 266 x 190 x 24. Weight in Grams: 968. . 2015. First Edition. Hardcover. . . . . …

Zustand: new.

Hardback. Zustand: New. How does photography shape the way we see sculpture? In David Smith in Two Dimensions, Sarah Hamill broaches this question through an in-depth consideration of the photography of American sculptor David Smith (1906 1965). Smith was a modernist known for radically shifting the terms of sculpture, a medium traditionally defined by casting, modeling, and carving. He was the first to use industrial welding as a sustained technique for large-scale sculpture, influencing a generation of minimalists to come. What is less known about Smith is his use of the camera to document his own sculptures as well as everyday objects, spaces, and bodies. His photographs of his sculptures were published in countless exhibition catalogs, journals, and newspapers, often as anonymous illustrations. Far from being neutral images, these photographs direct a pictorial encounter with spatial form and structure the public display of his work. David Smith in Two Dimensions looks at the sculptor's adoption of unconventional backdrops, alternative vantage points, and unusual lighting effects and exposures to show how he used photography to dramatize and distance objects.This comprehensive and penetrating account also introduces Smith's expansive archive of copy prints, slides, and negatives, many of which are seen here for the first time. Hamill proposes a new understanding of Smith's sculpture through photography, exploring issues that are in turn vital to discourses of modern sculpture, sculptural aesthetics, and postwar art. In Smith's photography, we see an artist moving fluidly between media to define what a sculptural object was and how it would be encountered publicly.…

Zustand: new.

Paperback. Zustand: New. Ever since the mid-nineteenth century, when the new medium of photography was pressed into service to illustrate sculpture, photographs of sculptural objects have directed viewers as to just when, in the course of ambling around a sculpture, was the single perfect moment to stop and look. What is the photograph's place in writing the history of sculpture? How has it changed according to culture, generation, critical conviction, and changes in media? Photography and Sculpture: The Art Object in Reproduction studies aspects of these questions from the perspectives of sixteen leading art historians. Chapters on such varied topics as picturing Conceptual art, manipulating sacred images in India to be nonphotographs, and framing Roman art with an iPad illustrate the latent visual and narrative powers and ever-expanding potential of these images of sculpture.…

Zustand: New. pp. 328.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Taschenbuch. Zustand: Neu. Neuware - >Maryn Alessi retired from mercenary service after her last assignment went horribly sideways and settled down on a quiet planet with the love of her life. Unexpectedly widowed, Maryn must fulfill a promise to return her mate's ashes to zer home planet for funeral rites, but a brutal civil war has destabilized space travel.…

Hardback. Zustand: New. How does photography shape the way we see sculpture? In David Smith in Two Dimensions, Sarah Hamill broaches this question through an in-depth consideration of the photography of American sculptor David Smith (1906 1965). Smith was a modernist known for radically shifting the terms of sculpture, a medium traditionally defined by casting, modeling, and carving. He was the first to use industrial welding as a sustained technique for large-scale sculpture, influencing a generation of minimalists to come. What is less known about Smith is his use of the camera to document his own sculptures as well as everyday objects, spaces, and bodies. His photographs of his sculptures were published in countless exhibition catalogs, journals, and newspapers, often as anonymous illustrations. Far from being neutral images, these photographs direct a pictorial encounter with spatial form and structure the public display of his work. David Smith in Two Dimensions looks at the sculptor's adoption of unconventional backdrops, alternative vantage points, and unusual lighting effects and exposures to show how he used photography to dramatize and distance objects.This comprehensive and penetrating account also introduces Smith's expansive archive of copy prints, slides, and negatives, many of which are seen here for the first time. Hamill proposes a new understanding of Smith's sculpture through photography, exploring issues that are in turn vital to discourses of modern sculpture, sculptural aesthetics, and postwar art. In Smith's photography, we see an artist moving fluidly between media to define what a sculptural object was and how it would be encountered publicly.…

Zustand: New. 2017. Paperback. . . . . . Books ship from the US and Ireland.

Zustand: New. pp. 356.

Hamill, Sarah. DAVID SMITH: Works, Writings and Interviews. 160 pages, roughly 120 color and 10 b&w plates. 4to, boards. Barcelona, Poligrafa, 2011.

Zustand: As New. Unread book in perfect condition.

Hardcover. Zustand: Brand New. 112 pages. 11.25x7.75x0.50 inches. In Stock.